6640 Résultats
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livres
livres
Titre:
Interiors Now! vol.2
Interiors Now! vol.2
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The Interiors Now! series features the world's contemporary apartments and houses. With an inspirational richness and diversity of styles, here are homes, residences, hideaways, and studios to astound and astonish. Volume 2 include: a Berlin interior designed by the architecture firm Graft, a rooftop garden New York, curvy house in Helsinki, an elegant and thoroughly(...)
$49.95
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The Interiors Now! series features the world's contemporary apartments and houses. With an inspirational richness and diversity of styles, here are homes, residences, hideaways, and studios to astound and astonish. Volume 2 include: a Berlin interior designed by the architecture firm Graft, a rooftop garden New York, curvy house in Helsinki, an elegant and thoroughly(...)
Titre:
Interiors Now! vol.2
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$49.95
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The Interiors Now! series features the world's contemporary apartments and houses. With an inspirational richness and diversity of styles, here are homes, residences, hideaways, and studios to astound and astonish. Volume 2 include: a Berlin interior designed by the architecture firm Graft, a rooftop garden New York, curvy house in Helsinki, an elegant and thoroughly eclectic London residence (complete with an antique car in one of the rooms), a Turkish residence in Istanbul, and Matteo Thun's Capri getaway.
Interiors Now! vol.2
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The Interiors Now! series features the world's contemporary apartments and houses. With an inspirational richness and diversity of styles, here are homes, residences, hideaways, and studios to astound and astonish. Volume 2 include: a Berlin interior designed by the architecture firm Graft, a rooftop garden New York, curvy house in Helsinki, an elegant and thoroughly eclectic London residence (complete with an antique car in one of the rooms), a Turkish residence in Istanbul, and Matteo Thun's Capri getaway.
Classification:
livres
livres
Publication:
juillet 2011
juillet 2011
Sujet:
Design d’intérieur
Design d’intérieur
Classification:
livres
livres
Titre:
The museum is not enough
The museum is not enough
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'The Museum Is Not Enough' is the result of collective reflections on architecture, contemporary social concerns, institutions, and the public undertaken by the CCA in recent years. Building on years of thematic investigations and of a continued questioning of the role of cultural institutions and the issues they face today, the book puts forward the CCA’s own positions(...)
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'The Museum Is Not Enough' is the result of collective reflections on architecture, contemporary social concerns, institutions, and the public undertaken by the CCA in recent years. Building on years of thematic investigations and of a continued questioning of the role of cultural institutions and the issues they face today, the book puts forward the CCA’s own positions(...)
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Publications du CCA
Publications du CCA
Publication:
octobre 2019
octobre 2019
Titre:
The museum is not enough
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$25.00
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'The Museum Is Not Enough' is the result of collective reflections on architecture, contemporary social concerns, institutions, and the public undertaken by the CCA in recent years. Building on years of thematic investigations and of a continued questioning of the role of cultural institutions and the issues they face today, the book puts forward the CCA’s own positions and opens them up to a dialogue with designers, curators, photographers, publishers, and other institutions who ask themselves similar questions.
The museum is not enough
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'The Museum Is Not Enough' is the result of collective reflections on architecture, contemporary social concerns, institutions, and the public undertaken by the CCA in recent years. Building on years of thematic investigations and of a continued questioning of the role of cultural institutions and the issues they face today, the book puts forward the CCA’s own positions and opens them up to a dialogue with designers, curators, photographers, publishers, and other institutions who ask themselves similar questions.
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livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Publications du CCA
Publications du CCA
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livres
livres
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$75.50
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Born in Athens in 1937, Zoe Zenghelis began her career as a founding member of Office for Metropolitan Architecture (OMA), where her contributions created new opportunities for the group at the vanguard of architectural representation. Within, alongside and beyond this collaboration, Zenghelis developed a body of work exhibiting a playful and iconoclastic evocation of a(...)
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Born in Athens in 1937, Zoe Zenghelis began her career as a founding member of Office for Metropolitan Architecture (OMA), where her contributions created new opportunities for the group at the vanguard of architectural representation. Within, alongside and beyond this collaboration, Zenghelis developed a body of work exhibiting a playful and iconoclastic evocation of a(...)
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Do you remember how perfect everything was?: the work of Zoe Zenghelis
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Born in Athens in 1937, Zoe Zenghelis began her career as a founding member of Office for Metropolitan Architecture (OMA), where her contributions created new opportunities for the group at the vanguard of architectural representation. Within, alongside and beyond this collaboration, Zenghelis developed a body of work exhibiting a playful and iconoclastic evocation of a very particular urban form – one that is perhaps a surreal mix of the Aegean landscape of her youth and metropolitan cities such as Paris, Berlin, New York or London. She has lived and worked in the latter since 1955. This book traces the development of Zenghelis’ artistic career through her paintings, projects and teaching. Published to accompany her first major retrospective exhibition, this monograph assembles an extensive selection of Zenghelis’ work from the early 1960s to 2020, alongside a unique collection of her paintings as a member of OMA. Containing a number of studies, sketches and archival documents, it reviews the working process behind Zenghelis’ OMA projects and teaching methods at the Architectural Association.
Do you remember how perfect everything was?: the work of Zoe Zenghelis
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Born in Athens in 1937, Zoe Zenghelis began her career as a founding member of Office for Metropolitan Architecture (OMA), where her contributions created new opportunities for the group at the vanguard of architectural representation. Within, alongside and beyond this collaboration, Zenghelis developed a body of work exhibiting a playful and iconoclastic evocation of a very particular urban form – one that is perhaps a surreal mix of the Aegean landscape of her youth and metropolitan cities such as Paris, Berlin, New York or London. She has lived and worked in the latter since 1955. This book traces the development of Zenghelis’ artistic career through her paintings, projects and teaching. Published to accompany her first major retrospective exhibition, this monograph assembles an extensive selection of Zenghelis’ work from the early 1960s to 2020, alongside a unique collection of her paintings as a member of OMA. Containing a number of studies, sketches and archival documents, it reviews the working process behind Zenghelis’ OMA projects and teaching methods at the Architectural Association.
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livres
livres
Publication:
décembre 2022
décembre 2022
Classification:
livres
livres
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$78.00
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Contemporary architecture is often characterized by the total interpenetration of interior and exterior configurations: the differentiation between these two dialectical poles has become indistinguishable, boundaries blurry and the result of any design process is a hybrid product, based on the superposition of different and heterogeneous layers. The impossibility of(...)
$78.00
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Contemporary architecture is often characterized by the total interpenetration of interior and exterior configurations: the differentiation between these two dialectical poles has become indistinguishable, boundaries blurry and the result of any design process is a hybrid product, based on the superposition of different and heterogeneous layers. The impossibility of(...)
Titre:
Interior landscapes: a visual atlas
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Contemporary architecture is often characterized by the total interpenetration of interior and exterior configurations: the differentiation between these two dialectical poles has become indistinguishable, boundaries blurry and the result of any design process is a hybrid product, based on the superposition of different and heterogeneous layers. The impossibility of separating interior and exterior permits a general reorganisation of some topics internal to the territory of architecture, and also expresses the necessity of a systemic analysis of the most recent episodes. If at first glance this interest for a new kind of dialectics may appear as the most evident epiphenomenon of a wider and recent tendency, under careful examination one can observe that the tension between interior and exterior has always been present in architecture, differently articulated over the centuries, and expressed through several means of representation.
Interior landscapes: a visual atlas
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Contemporary architecture is often characterized by the total interpenetration of interior and exterior configurations: the differentiation between these two dialectical poles has become indistinguishable, boundaries blurry and the result of any design process is a hybrid product, based on the superposition of different and heterogeneous layers. The impossibility of separating interior and exterior permits a general reorganisation of some topics internal to the territory of architecture, and also expresses the necessity of a systemic analysis of the most recent episodes. If at first glance this interest for a new kind of dialectics may appear as the most evident epiphenomenon of a wider and recent tendency, under careful examination one can observe that the tension between interior and exterior has always been present in architecture, differently articulated over the centuries, and expressed through several means of representation.
Classification:
livres
livres
Publication:
août 2016
août 2016
Sujet:
Design d’intérieur
Design d’intérieur
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livres
livres
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$25.00
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Japanese architect Kazuyo Sejima (born 1956) has established her Tokyo studio SANAA, cofounded with Ryue Nishizawa, as one of the art world's favorite architectural teams. SANAA has been responsible for some of the most innovative art museums built over the past two decades, from the New Museum in New York and one of the Serpentine pavilions in London to the 21st Century(...)
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Japanese architect Kazuyo Sejima (born 1956) has established her Tokyo studio SANAA, cofounded with Ryue Nishizawa, as one of the art world's favorite architectural teams. SANAA has been responsible for some of the most innovative art museums built over the past two decades, from the New Museum in New York and one of the Serpentine pavilions in London to the 21st Century(...)
Titre:
Hans Ulrich Obrist, the conversation series 26 : Sanaa
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Japanese architect Kazuyo Sejima (born 1956) has established her Tokyo studio SANAA, cofounded with Ryue Nishizawa, as one of the art world's favorite architectural teams. SANAA has been responsible for some of the most innovative art museums built over the past two decades, from the New Museum in New York and one of the Serpentine pavilions in London to the 21st Century Museum of Contemporary Art in Kanazawa, which won the Golden Lion in 2004 as the most significant building at the 9th International Architecture Exhibition at the Venice Biennale. In 2010, Sejima and Nishizawa co-curated the 12th International Architecture Exhibition at the Biennale. Hans Ulrich Obrist caught up with Sejima on several occasions throughout the past few years. They discussed her built and unbuilt projects, her collaborations with other architects and artists and the changing role of women within architecture.
Hans Ulrich Obrist, the conversation series 26 : Sanaa
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Japanese architect Kazuyo Sejima (born 1956) has established her Tokyo studio SANAA, cofounded with Ryue Nishizawa, as one of the art world's favorite architectural teams. SANAA has been responsible for some of the most innovative art museums built over the past two decades, from the New Museum in New York and one of the Serpentine pavilions in London to the 21st Century Museum of Contemporary Art in Kanazawa, which won the Golden Lion in 2004 as the most significant building at the 9th International Architecture Exhibition at the Venice Biennale. In 2010, Sejima and Nishizawa co-curated the 12th International Architecture Exhibition at the Biennale. Hans Ulrich Obrist caught up with Sejima on several occasions throughout the past few years. They discussed her built and unbuilt projects, her collaborations with other architects and artists and the changing role of women within architecture.
Classification:
livres
livres
Publication:
juillet 2011
juillet 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Log 34: the food issue
Log 34: the food issue
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Why would an architecture journal devote an entire issue to thinking about food? Log 34: The Food Issue explores food in its many aspects and reveals a boundless realm of contemporary cultural production. In this Spring/Summer 2015 issue, contributions from inside and outside the worlds of food and architecture – from chefs and architects to artists, critics,(...)
$18.95
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Why would an architecture journal devote an entire issue to thinking about food? Log 34: The Food Issue explores food in its many aspects and reveals a boundless realm of contemporary cultural production. In this Spring/Summer 2015 issue, contributions from inside and outside the worlds of food and architecture – from chefs and architects to artists, critics,(...)
Titre:
Log 34: the food issue
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$18.95
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Why would an architecture journal devote an entire issue to thinking about food? Log 34: The Food Issue explores food in its many aspects and reveals a boundless realm of contemporary cultural production. In this Spring/Summer 2015 issue, contributions from inside and outside the worlds of food and architecture – from chefs and architects to artists, critics, entrepreneurs, lawyers, and eaters – highlight the many parallels between cuisine and architecture (beyond the basic needs for food and shelter) and demonstrate that food is everywhere and in everything. Guest edited by Jan Åman and Savinien Caracostea of AtelierSlice, Log 34 features renowned chefs, including Ferran Adrià, Dan Barber, Massimo Bottura, Magnus Nilsson, Jacques Pépin, and Christina Tosi, as well as artists like Carsten Höller, Tobias Rehberger, and Rirkrit Tiravanija. In short, countless reasons to focus on food today, from the obvious to the surprising.
Log 34: the food issue
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$18.95
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Why would an architecture journal devote an entire issue to thinking about food? Log 34: The Food Issue explores food in its many aspects and reveals a boundless realm of contemporary cultural production. In this Spring/Summer 2015 issue, contributions from inside and outside the worlds of food and architecture – from chefs and architects to artists, critics, entrepreneurs, lawyers, and eaters – highlight the many parallels between cuisine and architecture (beyond the basic needs for food and shelter) and demonstrate that food is everywhere and in everything. Guest edited by Jan Åman and Savinien Caracostea of AtelierSlice, Log 34 features renowned chefs, including Ferran Adrià, Dan Barber, Massimo Bottura, Magnus Nilsson, Jacques Pépin, and Christina Tosi, as well as artists like Carsten Höller, Tobias Rehberger, and Rirkrit Tiravanija. In short, countless reasons to focus on food today, from the obvious to the surprising.
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livres
livres
Publication:
juillet 2015
juillet 2015
Sujet:
Revues
Revues
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livres
livres
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$45.00
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In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and(...)
$45.00
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In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and(...)
Titre:
Futures of the architectural exhibition: Five conversations on the display of space
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In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and lifestyle in relation to spatial issues of density, economy, policy, infrastructure, climate, and sustainability. This book records a discussion of critical approaches to the representation of architecture through conversations with seven contemporary curators working inside and outside of the museum. Mario Ballesteros (Archivo Diseño y Arquitectura), Giovanna Borasi (Canadian Center for Architecture), Ann Lui (Future Firm), Ana Miljacki (Critical Broadcasting Lab, MIT), Zoë Ryan (ICA, University of Pennsylvania), Martino Stierli (Museum of Modern Art), and Shirley Surya (M+, Hong Kong) speculate on the specific challenges and potentials of exhibiting space.
Futures of the architectural exhibition: Five conversations on the display of space
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In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and lifestyle in relation to spatial issues of density, economy, policy, infrastructure, climate, and sustainability. This book records a discussion of critical approaches to the representation of architecture through conversations with seven contemporary curators working inside and outside of the museum. Mario Ballesteros (Archivo Diseño y Arquitectura), Giovanna Borasi (Canadian Center for Architecture), Ann Lui (Future Firm), Ana Miljacki (Critical Broadcasting Lab, MIT), Zoë Ryan (ICA, University of Pennsylvania), Martino Stierli (Museum of Modern Art), and Shirley Surya (M+, Hong Kong) speculate on the specific challenges and potentials of exhibiting space.
Classification:
livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Muséologie
Muséologie
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livres
livres
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$42.95
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In this book, Anthony Vidler examines the work of four historians of architectural modernism and the ways in which their histories were constructed as more or less overt programs for the theory and practice of design in a contemporary context. Vidler looks at the historical approaches of Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri, and the specific(...)
$42.95
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In this book, Anthony Vidler examines the work of four historians of architectural modernism and the ways in which their histories were constructed as more or less overt programs for the theory and practice of design in a contemporary context. Vidler looks at the historical approaches of Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri, and the specific(...)
Titre:
Histories of the immediate present: inventing architectural modernism
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In this book, Anthony Vidler examines the work of four historians of architectural modernism and the ways in which their histories were constructed as more or less overt programs for the theory and practice of design in a contemporary context. Vidler looks at the historical approaches of Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri, and the specific versions of modernism advanced by their historical narratives. Vidler shows that the modernism conceived by Kaufmann was, like the late Enlightenment projects he revered, one of pure, geometrical forms and elemental composition; that of Rowe saw mannerist ambiguity and complexity in contemporary design; Banham's modernism took its cue from the aspirations of the futurists; and the "Renaissance modernism" of Tafuri found its source in the division between the technical experimentation of Brunelleschi and the cultural nostalgia of Alberti.
Histories of the immediate present: inventing architectural modernism
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In this book, Anthony Vidler examines the work of four historians of architectural modernism and the ways in which their histories were constructed as more or less overt programs for the theory and practice of design in a contemporary context. Vidler looks at the historical approaches of Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri, and the specific versions of modernism advanced by their historical narratives. Vidler shows that the modernism conceived by Kaufmann was, like the late Enlightenment projects he revered, one of pure, geometrical forms and elemental composition; that of Rowe saw mannerist ambiguity and complexity in contemporary design; Banham's modernism took its cue from the aspirations of the futurists; and the "Renaissance modernism" of Tafuri found its source in the division between the technical experimentation of Brunelleschi and the cultural nostalgia of Alberti.
Classification:
livres
livres
Publication:
mars 2008, Cambridge
mars 2008, Cambridge
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$75.00
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"Altre Tempeste" is a visual journey through the contemporary landscapes of the Veneto, seen through the lens of Olivo Barbieri. Drawing inspiration from Giorgione’s "The Tempest," the artist brings Renaissance memory into dialogue with the transformations of Italy’s Northeast, where historical architecture, industrial warehouses, and shifting natural environments(...)
$75.00
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"Altre Tempeste" is a visual journey through the contemporary landscapes of the Veneto, seen through the lens of Olivo Barbieri. Drawing inspiration from Giorgione’s "The Tempest," the artist brings Renaissance memory into dialogue with the transformations of Italy’s Northeast, where historical architecture, industrial warehouses, and shifting natural environments(...)
Titre:
Olivio Barbieri : Altre tempeste
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"Altre Tempeste" is a visual journey through the contemporary landscapes of the Veneto, seen through the lens of Olivo Barbieri. Drawing inspiration from Giorgione’s "The Tempest," the artist brings Renaissance memory into dialogue with the transformations of Italy’s Northeast, where historical architecture, industrial warehouses, and shifting natural environments coexist. From Carlo Scarpa’s Brion Tomb to Canova’s Gypsotheca, Barbieri moves between sweeping views and intimate details, using color and light as critical tools of inquiry. Photography becomes a laboratory where art, architecture, and science converge, revealing new ways of seeing and understanding place. Featuring thirty-two previously unpublished works and insightful critical texts, the volume presents a landscape suspended between history, industry, and imagination.
Olivio Barbieri : Altre tempeste
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"Altre Tempeste" is a visual journey through the contemporary landscapes of the Veneto, seen through the lens of Olivo Barbieri. Drawing inspiration from Giorgione’s "The Tempest," the artist brings Renaissance memory into dialogue with the transformations of Italy’s Northeast, where historical architecture, industrial warehouses, and shifting natural environments coexist. From Carlo Scarpa’s Brion Tomb to Canova’s Gypsotheca, Barbieri moves between sweeping views and intimate details, using color and light as critical tools of inquiry. Photography becomes a laboratory where art, architecture, and science converge, revealing new ways of seeing and understanding place. Featuring thirty-two previously unpublished works and insightful critical texts, the volume presents a landscape suspended between history, industry, and imagination.
Classification:
livres
livres
Publication:
juillet 2025
juillet 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$74.95
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Wood holds unique and timely lessons for urbanization, yet it remains inadequately characterized in architecture, landscape architecture, and urbanism. From under-considered thermal properties to emerging manufacturing possibilities, from changing forestry regimes to larger carbon cycle dynamics, "Wood Urbanism" explores the unique material and scalar properties of wood,(...)
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Wood holds unique and timely lessons for urbanization, yet it remains inadequately characterized in architecture, landscape architecture, and urbanism. From under-considered thermal properties to emerging manufacturing possibilities, from changing forestry regimes to larger carbon cycle dynamics, "Wood Urbanism" explores the unique material and scalar properties of wood,(...)
Titre:
Wood urbanism: from the molecular to the territorial
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Wood holds unique and timely lessons for urbanization, yet it remains inadequately characterized in architecture, landscape architecture, and urbanism. From under-considered thermal properties to emerging manufacturing possibilities, from changing forestry regimes to larger carbon cycle dynamics, "Wood Urbanism" explores the unique material and scalar properties of wood, presenting it as a critical material for design today. It brings into conversation scholars and practitioners who focus on wood from a range of perspectives: from the working forest to the mid-rise building to the basic cell. Drawing from the inherent intelligence and depth of multiple disciplines, this book offers a transcalar perspective on the role of wood in contemporary urbanization: from the imperceptibly small to the confoundingly large.
Wood urbanism: from the molecular to the territorial
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$74.95
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Wood holds unique and timely lessons for urbanization, yet it remains inadequately characterized in architecture, landscape architecture, and urbanism. From under-considered thermal properties to emerging manufacturing possibilities, from changing forestry regimes to larger carbon cycle dynamics, "Wood Urbanism" explores the unique material and scalar properties of wood, presenting it as a critical material for design today. It brings into conversation scholars and practitioners who focus on wood from a range of perspectives: from the working forest to the mid-rise building to the basic cell. Drawing from the inherent intelligence and depth of multiple disciplines, this book offers a transcalar perspective on the role of wood in contemporary urbanization: from the imperceptibly small to the confoundingly large.
Classification:
livres
livres
Publication:
janvier 2020
janvier 2020
Sujet:
Constructions en bois
Constructions en bois
