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Onassis Foundation 2020
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Onassis Foundation 2020
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Description:
471 pages : illustrations (some color), plans ; 24 cm
Vitoria-Gasteiz, Spain : a+t architecture publishers, [2025]
Housing loops : opulence, precarity, dignity, prosperity and fraternity / a+t research group, Javier Mozas, Aurora Fernández Per.
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471 pages : illustrations (some color), plans ; 24 cm
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Vitoria-Gasteiz, Spain : a+t architecture publishers, [2025]
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95 pages : illustrations (chiefly color) ; 22 cm.
Chicago : Art Institute of Chicago, [2015]
Chatter : architecture talks back / Karen Kice.
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95 pages : illustrations (chiefly color) ; 22 cm.
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Chicago : Art Institute of Chicago, [2015]
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239 pages : illustrations (chiefly color), plans (chiefly color) ; 31 cm
Mulgrave, Victoria, Australia : Images Publishing, 2017.
Going green with vertical landscapes / edited by Vo Trong Nghia and Takashi Niwa.
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239 pages : illustrations (chiefly color), plans (chiefly color) ; 31 cm
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Mulgrave, Victoria, Australia : Images Publishing, 2017.
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314 pages ; 29 cm.
New York : W.W. Norton & Company ; Washington, D.C. : Library of Congress, [2017]
American libraries, 1730-1950 / Kenneth Breisch.
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314 pages ; 29 cm.
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New York : W.W. Norton & Company ; Washington, D.C. : Library of Congress, [2017]
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$27.95
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Résumé:
Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth(...)
Sounding new media, immersion and embodiment in the arts and culture
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Résumé:
Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about embodiment (or its lack) in art and technology as well as fears about technology and the so-called "post-human."
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septembre 2009
Acoustique
$14.00
(disponible en magasin)
Résumé:
The future is no longer the distant, mythical condition it once was to us. Technology has placed it at our fingertips, it wasn't so long ago that we marveled at devices that could tell us where we were at that exact moment; it became odd when they recently began to tell us where we would soon be. The most important issue, however, might not be whether a future coproduced(...)
Machines will make better choices than humans
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$14.00
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The future is no longer the distant, mythical condition it once was to us. Technology has placed it at our fingertips, it wasn't so long ago that we marveled at devices that could tell us where we were at that exact moment; it became odd when they recently began to tell us where we would soon be. The most important issue, however, might not be whether a future coproduced and made available to us by technology is good or bad, but rather how we want to relate to it as human beings. The three essays by Douglas Coupland collected in this volume address this question.
$105.00
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Résumé:
The high-tech architecture of the 1970s–1990s is typically characterized by the use and exhibition of advanced technologies. In terms of appearance, these buildings often have innovative façades, supporting structures accentuated in color, and expressively displayed technology systems. Unfortunately, however, the rapid obsolescence of technology has often led to the(...)
août 2024
High-tech heritage: (Im) permanence of innovative architecture
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The high-tech architecture of the 1970s–1990s is typically characterized by the use and exhibition of advanced technologies. In terms of appearance, these buildings often have innovative façades, supporting structures accentuated in color, and expressively displayed technology systems. Unfortunately, however, the rapid obsolescence of technology has often led to the complete replacement of the very systems that defined the architectural form. In 2023, an international conference at ETH Zurich in collaboration with Bauhaus-Universität Weimar explored the question of how best to deal with the structural legacy of technologically innovative architecture. This book summarizes the results and provides an overview of the current state of research.
$34.95
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"Inhabiting Identity" is the fifth in an annual series of publications featuring the best young architects as selected by The Architectural League of New York. For this year's competition, architects were asked to explore how technology has altered our sense of space. Their answers not only challenge our sense of habitation but teach us to think beyond the normal and the(...)
mai 2004, New York
Young architects 5 : Inhabiting Identity
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"Inhabiting Identity" is the fifth in an annual series of publications featuring the best young architects as selected by The Architectural League of New York. For this year's competition, architects were asked to explore how technology has altered our sense of space. Their answers not only challenge our sense of habitation but teach us to think beyond the normal and the mundane. This year's winners of the competition—Stephanie Forsythe and Todd MacAllen, Steven Mankouche, Ben Checkwitch, Stella Betts, Lisa Hsieh, and Mike Latham—make use of unusual materials (wooden shipping pallets) while maintaining creative ideas (mobile rooms) in their investigations of the role of modern technology in our daily lives.
$34.95
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In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially(...)
Inherent vice: bootleg histories of videotape and copyright
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In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users’ right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy.
Acoustique