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The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before. Found imagery(...)
Post-photography: the artist with a camera
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The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before. Found imagery has become increasingly important in post-photographic practice, with the internet serving as a laboratory for a major kind of image-making experimentation. But artists also continue to create entirely original works using avant-garde techniques drawn from both the digital and analogue eras. This book is split into five sections – Something Borrowed, Something New; Layers of Reality; All the World Is Staged; Hand and Eye; and Post-Photojournalism – which cover the key strategies adopted by 53 of the most exciting and innovative international artist-photographers of the 21st century.
Théorie de la photographie
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2 volumes ; 17 cm.
London : W. Heinemann ; New York : G.P. Putnam's Sons, 1933-1935.
The Metaphysics / Aristotle ; with an English translation by Hugh Tredennick.
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2 volumes ; 17 cm.
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London : W. Heinemann ; New York : G.P. Putnam's Sons, 1933-1935.
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xiv, 314 pages : illustrations ; 27 cm
Cambridge ; New York : Cambridge University Press, 2000.
Confraternities and the visual arts in Renaissance Italy : ritual, spectacle, image / edited by Barbara Wisch, Diane Cole Ahl.
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xiv, 314 pages : illustrations ; 27 cm
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Cambridge ; New York : Cambridge University Press, 2000.
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198 pages : illustrations (chiefly color), plans, portraits ; 27 cm
Valenciennes : Musée des Beaux-Arts de Valenciennes, 2013.
Constant Moyaux (1835-1911) : du compas au pinceau : l'architecture révélée.
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198 pages : illustrations (chiefly color), plans, portraits ; 27 cm
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Valenciennes : Musée des Beaux-Arts de Valenciennes, 2013.
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190 pages : illustrations ; 23 cm.
Paris : Aubier Montaigne, 1978.
Voyage au Canada fait depuis l'an 1751 à 1761 / par J.-C. B. ; préface de Claude Manceron.
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190 pages : illustrations ; 23 cm.
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Paris : Aubier Montaigne, 1978.
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Bricks can be cleaned, timber hardens with age, and metal develops a pleasing patina without deteriorating, making them all perfect for reuse. Considering the many options for reusing building materials, this book offers a viable alternative to using those manufactured from virgin resources. This inspiring book is an antidote to the unsustainable use of materials,(...)
Reclaimed: new homes from old materials
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Bricks can be cleaned, timber hardens with age, and metal develops a pleasing patina without deteriorating, making them all perfect for reuse. Considering the many options for reusing building materials, this book offers a viable alternative to using those manufactured from virgin resources. This inspiring book is an antidote to the unsustainable use of materials, focusing on contemporary homes made with reused components or materials that might once have been considered waste. Divided into four key categoriesbrick— timber, metal, and a range of recycled materials— every home showcases design ingenuity and award-winning architecture. Featuring twenty-four unique houses and apartments, from a barn-inspired house made entirely with reclaimed bricks to a semidetached Edwardian with recycled benchtops and cabinets made from plastic chopping boards and bottle tops, every project shows what can be achieved with creativity and flair. Reclaimed showcases clever design while celebrating the myriad possibilities of closely aligning building with ethics and sustainability.
Architecture résidentielle
Clouds and bombs
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Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into(...)
Clouds and bombs
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Juan Hein has turned his fascination towards the realm of technology, mining the digital cloud instead of seeking clouds in the sky. He peers into a vast body of information and images, and captures and re-photographs what he finds most interesting. He chooses the motif, he enlarges it, crops it and digitally manipulates it. This process stretches the final image into something in between an almost classical etching, with strong sculptural aspects, and a deliberately pixelated digital meta-reality. By doing this, Hein points to the very origin of the picture – historically, technically and conceptually. In the age of fake news, the book is asking one simple question; is what you see true or false? Is it beauty or horror, a paraphrase of an illusive Chinese proverb or a meta-reality created by the mastermind. Hopefully the answer will remain in flux just as fluid and transient as the clouds themselves.
Monographies photo
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The tracking of our personal information, activities, and medical data through our digital devices is an increasingly recognizable field in which the lines between caretaking and control have blurred. In this age of surveillance, mothers' behaviors and bodies are observed, made public, exposed, scrutinized, and policed like never before. This volume gathers together the(...)
Supervision: On motherhood and surveillance
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The tracking of our personal information, activities, and medical data through our digital devices is an increasingly recognizable field in which the lines between caretaking and control have blurred. In this age of surveillance, mothers' behaviors and bodies are observed, made public, exposed, scrutinized, and policed like never before. This volume gathers together the work of fifty contributors from diverse disciplines that include the visual arts, legal scholarship, ethnic studies, sociology, gender studies, poetry, and activism to ask what the relationship is between how we watch and how we are watched, and how the attention that mothers pay to their children might foster a kind of counterattention to the many ways in which mothers are scrutinized. A groundbreaking collection, thisis a project about vision (and supervision), and all the ways in which vision intersects with surveillance and politics, through motherhood and personal history as well as through the histories and relations of the societies in which we live.
Théorie de l’art
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En cinquante planches, cet ouvrage donne à voir l'image de Paris depuis la fin du Moyen Age et les traces anciennes conservées dans la cité moderne. Les plans, commentés, sont précédés d'un exposé sur ce qu'ils apportent à la compréhension de la ville. Que représentent-ils au-delà des rues, des parcelles, des maisons, des monuments Pourquoi a-t-on représenté Paris ? Pour(...)
Dessin d’architecture
novembre 2004, Paris
Les plans de Paris : histoire d'une capitale
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En cinquante planches, cet ouvrage donne à voir l'image de Paris depuis la fin du Moyen Age et les traces anciennes conservées dans la cité moderne. Les plans, commentés, sont précédés d'un exposé sur ce qu'ils apportent à la compréhension de la ville. Que représentent-ils au-delà des rues, des parcelles, des maisons, des monuments Pourquoi a-t-on représenté Paris ? Pour préparer des projets d'aménagement par un savant arpentage ou pour magnifier les réalisations des princes ? Comment l'a-t-on représenté ? Dans les vues cavalières qui révèlent sa complexité, dans les plans géométriques qui auscultent la forme urbaine ? L'analyse de cette cartographie montre des familles, des générations, une évolution non linéaire : le plan a valeur d'image qui excite le désir de découverte du voyageur et où l'habitant reconnaît sa ville ; il répond également à une recherche de l'exactitude satisfaisant l'esprit technique et tendant à l'abstraction. La succession de ces plans historiques constitue finalement la mémoire de la ville, à travers ses métamorphoses.
livres
novembre 2004, Paris
Dessin d’architecture
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Deep below the ground in Tucson, Arizona, lies an aquifer forever altered by the detritus of a postwar Superfund site. "Disabled ecologies" tells the story of this contamination and its ripple effects through the largely Mexican American community living above. Drawing on her own complex relationship to this long-ago injured landscape, Sunaura Taylor takes us with her to(...)
Disabled ecologies: Lessons from a wounded desert
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Deep below the ground in Tucson, Arizona, lies an aquifer forever altered by the detritus of a postwar Superfund site. "Disabled ecologies" tells the story of this contamination and its ripple effects through the largely Mexican American community living above. Drawing on her own complex relationship to this long-ago injured landscape, Sunaura Taylor takes us with her to follow the site's disabled ecology—the networks of disability, both human and wild, that are created when ecosystems are corrupted and profoundly altered. What Taylor finds is a story of entanglements that reach far beyond the Sonoran Desert. These stories tell of debilitating and sometimes life-ending injuries, but they also map out alternative modes of connection, solidarity, and resistance—an environmentalism of the injured. An original and deeply personal reflection on what disability means in an era of increasing multispecies disablement, "Disabled ecologies" is a powerful call to reflect on the kinds of care, treatment, and assistance this age of disability requires.