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Three series of intricate graphite drawings depict, with arresting realism, real-world examples of assembled, grown, and built objects common to distinct milieus of Vancouver: the shopping carts piled high with belongings that clatter along sidewalks in the downtown core; the long, high hedges that insulate single-family homes from the din of arterial traffic; and the(...)
Architecture du Canada
septembre 2024
Taizo Yamamoto: Carts, hedges, lions
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Three series of intricate graphite drawings depict, with arresting realism, real-world examples of assembled, grown, and built objects common to distinct milieus of Vancouver: the shopping carts piled high with belongings that clatter along sidewalks in the downtown core; the long, high hedges that insulate single-family homes from the din of arterial traffic; and the sculptural lions placed for good luck atop fenceposts in front of many homes, especially on the city's east side. In creating snapshots and then laborious drawings of these objects, Taizo Yamamoto, the principal of Yamamoto Architecture, was driven by a fascination with how the recurrence of these seemingly mundane objects speaks to omnipresent issues of housing unaffordability, densification, and the aspirations of diasporic communities - concerns that have an uneasy relationship to celebrated narratives of Vancouver but play a prominent role in residents' everyday lives. To this work he brings not just sustained careful attention but an architect's eye for details both structural and textural, resulting in immersive, richly nuanced drawings.
Architecture du Canada
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In what is arguably a most crucial time for discourse around issues that are concerned with the political, institutional, and social shape of worlds to come, this book explores the agency of the project of architecture and its processes of innovation by constructing an opportunistic and contingent map of effectual positions.The book is built around two sets of questions:(...)
Théorie de l’architecture
décembre 2022
Innovation in practice (in theory)
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In what is arguably a most crucial time for discourse around issues that are concerned with the political, institutional, and social shape of worlds to come, this book explores the agency of the project of architecture and its processes of innovation by constructing an opportunistic and contingent map of effectual positions.The book is built around two sets of questions: the first set of questions concerns itself with the distinction between built objects and actions as the focus of observation, and as objects that are susceptible to innovating, or being innovated. The second set of questions concerns itself with the understanding of the relationship between theory and practice and is defined by two positions: one that looks to theory as a result of practice, another that looks to practice as subsequent to theory. These two axes are used to locate and compare different positions, thus allowing the readers to construct their own readings of what it means to innovate the project of architecture.
Théorie de l’architecture
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Temporary structures, such as scaffolding, barriers, and building sites, ensure the functioning of multiple processes, from construction and deconstruction to maintenance, guidance, and protection. ''Temporary Tecture'' presents a new perspective on this type of contemporary vernacular architecture—often overlooked in both public and professional discourse, despite its(...)
Temporary tecture: Structures of necessity.
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Temporary structures, such as scaffolding, barriers, and building sites, ensure the functioning of multiple processes, from construction and deconstruction to maintenance, guidance, and protection. ''Temporary Tecture'' presents a new perspective on this type of contemporary vernacular architecture—often overlooked in both public and professional discourse, despite its omnipresence. This new approach reveals that these “structures of necessity” provide an architectural language from which architects can learn in terms of adaptability, use of local resources, circular economy, and conceptual radicalism. Ultimately, it raises the question: How permanent should architectural solutions be in a continuously changing world?
Architecture contemporaine
MOS: Laboratorio de Vivienda
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"Laboratorio de Vivienda" presents the 32 projects selected and built, including research, drawings, and descriptions by the architects. It considers the problem of low-income housing by bringing thoughtful attention and expertise of architects, considering how these proposals, assembled into a collective, would work together toward creating not an estate but a community(...)
MOS: Laboratorio de Vivienda
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"Laboratorio de Vivienda" presents the 32 projects selected and built, including research, drawings, and descriptions by the architects. It considers the problem of low-income housing by bringing thoughtful attention and expertise of architects, considering how these proposals, assembled into a collective, would work together toward creating not an estate but a community for Apan, presenting a model of Housing as a Garden. In 2017, Mexico’s Institute for the National Fund for Workers’ (INFONAVIT) Center for Research for Sustainable Development launched a program to solicit new approaches to affordable housing. To better understand the possibilities, and to better educate developers, workers, and students about the research, INFONAVIT engaged with MOS to develop a master plan for a campus of 32 built prototypes and design an education center to promote awareness and study of workers’ housing typologies.
Architecture, monographies
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The work of Alison Brooks Architects fuses an endlessly inventive architectural imagination with profound sensitivity to the diverse cultural and natural histories that form each project’s provenance. This ethos underpins the extraordinary array of nuanced and joyful portfolio of works illustrated in this book, collectively described by Brooks as ‘experimental(...)
TC 163: Alison Brooks Architects
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The work of Alison Brooks Architects fuses an endlessly inventive architectural imagination with profound sensitivity to the diverse cultural and natural histories that form each project’s provenance. This ethos underpins the extraordinary array of nuanced and joyful portfolio of works illustrated in this book, collectively described by Brooks as ‘experimental archetypes’. This 386-page monograph charts eighteen built works completed in the past 20 years, extensively documented with descriptive texts, photographs, drawings and emblematic construction details that illuminate each project’s tectonic and conceptual intent. The private houses in this book define Brooks’ early career and continue to be a test bed for experimentation. They illuminate her ability to conjure deeply human architectures of plasticity and informality. Organic geometries and expressive roof forms loosen cartesian boundaries to offer indeterminate spaces: these simultaneously act as a canvas for daily life, workplaces, or private art collections. As the practice’s work has grown in scale, their urban housing schemes have been motivated by Brooks’ foundational belief that the architect’s duty to the city, and society, is to provide beautiful, sustainable and accessible housing for all as a framework for individual and community well-being. This book reveals residential projects characterised by spatial generosity and a uniquely sculptural approach to form and material.
Architecture, monographies
Don't build, rebuild
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As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to(...)
Don't build, rebuild
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As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to maximize profits rather than resources, often soulless in its feel—is not the answer. Whenever possible, it is better to repair, recycle, renovate, and reuse—not only from an environmental perspective, but culturally and artistically as well. Architectural reuse is as old as civilization itself. In the streets of Europe, you can find fragments from the Roman Empire. More recently, marginalized communities from New York to Detroit—queer people looking for places to gather or cruise, punks looking to make loud music, artists and displaced people looking for space to work and live—have taken over industrial spaces created then abandoned by capitalism, forging a unique style in the process. Their methods—from urban mining to dumpster diving—now inform architects transforming old structures today.
Théorie de l’architecture
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This issue of TC Cuadernos is dedicated to the prolific career of Mexican architect Gabriela Carrillo. Through a careful selection of projects developed between 2014 and 2024, the monograph offers a comprehensive analysis of her architectural practice, covering her diverse collaborations and working methods. Throughout her career, Gabriela Carrillo has demonstrated a(...)
TC 164: Gabriela Carrillo 2014-2024
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This issue of TC Cuadernos is dedicated to the prolific career of Mexican architect Gabriela Carrillo. Through a careful selection of projects developed between 2014 and 2024, the monograph offers a comprehensive analysis of her architectural practice, covering her diverse collaborations and working methods. Throughout her career, Gabriela Carrillo has demonstrated a constant quest to generate spatial experiences that are dignified and sensitive to "otherness," and that respond to different users and contexts. Her work explores dialogues with natural or built preexistences, material experimentation and climatic adaptation, new forms, programs, and spatial sensibilities that push the boundaries of architecture. The monograph analyzes in detail his career, from his partnership with Mauricio Rocha to the opening of his own studio and the founding of Colectivo C733. It includes houses, markets, cultural centers, ephemeral works, landscaping, and the recovery of historical buildings. Each project is presented with images, plans, construction details, and drawings from the workbooks, offering an intimate look at his creative process.
Architecture, monographies
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In Carlo Scarpa’s (1906–78) work, architectural design is primarily based on the structural constraints he sets himself. This study examines the role of structure in several of Scarpa’s works to highlight the significant use he made of it and the poetic element contained within.
Carlo Scarpa: The message of the structure
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In Carlo Scarpa’s (1906–78) work, architectural design is primarily based on the structural constraints he sets himself. This study examines the role of structure in several of Scarpa’s works to highlight the significant use he made of it and the poetic element contained within.
Architecture, monographies
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Dating from the early 1970s, ‘'Design and the Building Site'’ is Sérgio Ferro’s most influential theoretical work. Written just after Ferro had arrived in France after fleeing the military dictatorship that took power in Brazil in 1964 and arrested him in 1970 for his involvement in active resistance, the essay reflects much of what he had left behind: encounters with(...)
Théorie de l’architecture
avril 2025
The building site and the design
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Dating from the early 1970s, ‘'Design and the Building Site'’ is Sérgio Ferro’s most influential theoretical work. Written just after Ferro had arrived in France after fleeing the military dictatorship that took power in Brazil in 1964 and arrested him in 1970 for his involvement in active resistance, the essay reflects much of what he had left behind: encounters with Brasilia’s harsh construction sites; experiences with the collective ''Arquitetura Nova''; work on the editorial committee of the journal ''Teoria e Prática''; and the year Ferro spent in prison, befriending construction workers and reading Freud. The text constitutes a critique of architectural production under capitalism, surveying the political economy of architectural production and its influence on the contemporary practice of architecture. Half a century after its first publication, and in the face of capitalism’s greatest crisis, it has never offered such a pressingly relevant call for action. This edition contextualises and expands on Ferro’s essay with earlier and later texts, clarifying both the contextual and theoretical elements at play in its argument. A preface written by Ferro especially for this first English-language edition recounts his journey from Brasilia’s building sites to the experiments of ''Arquitetura Nova'', as well as a topic he has rarely touched on before: postmodernism.
Théorie de l’architecture
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Modern urban planning has long promised to improve the quality of human life. But how is human life defined? "Displacing Blackness" develops a unique critique of urban planning by focusing, not on its subservience to economic or political elites, but on its efforts to improve people’s lives. While focused on twentieth-century Halifax, "Displacing Blackness" develops(...)
Displacing Blackness: Planning, power, and race in twentieth-century Halifax
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Modern urban planning has long promised to improve the quality of human life. But how is human life defined? "Displacing Blackness" develops a unique critique of urban planning by focusing, not on its subservience to economic or political elites, but on its efforts to improve people’s lives. While focused on twentieth-century Halifax, "Displacing Blackness" develops broad insights about the possibilities and limitations of modern planning. Drawing connections between the history of planning and emerging scholarship in Black Studies, Ted Rutland positions anti-blackness at the heart of contemporary city-making. Moving through a series of important planning initiatives, from a social housing project concerned with the moral and physical health of working-class residents to a sustainability-focused regional plan, Displacing Blackness shows how race – specifically blackness – has defined the boundaries of the human being and guided urban planning, with grave consequences for the city’s Black residents.
Architecture du Canada