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Fred Sandback: drawings
Fred Sandback: drawings
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The American Fred Sandback (1943–2003), regarded as one of the major sculptors of his generation, had from the beginning of his art career initially used drawings to formulate on paper his ideas of sculptural volumes. Soon he went from depicting isolated elements to thinking of sculpture in relationship to space and to exploring its possibilities on paper. In the 1980s,(...)
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The American Fred Sandback (1943–2003), regarded as one of the major sculptors of his generation, had from the beginning of his art career initially used drawings to formulate on paper his ideas of sculptural volumes. Soon he went from depicting isolated elements to thinking of sculpture in relationship to space and to exploring its possibilities on paper. In the 1980s,(...)
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Fred Sandback: drawings
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The American Fred Sandback (1943–2003), regarded as one of the major sculptors of his generation, had from the beginning of his art career initially used drawings to formulate on paper his ideas of sculptural volumes. Soon he went from depicting isolated elements to thinking of sculpture in relationship to space and to exploring its possibilities on paper. In the 1980s, Sandback expanded his drawing vocabulary to include work in acrylic, in the pochoir technique or in pastel, which look much more pictorial in contrast to his earlier works on paper. The issue was now less about conceiving sculptures and more about modulating space. As regards sculpture, Sandback no longer thought of it as a given spatial volume, but as a sensual phenomenon per se, which he explored in the drawing. In his late drawings, Sandback moved away from the conditions of a coherent space in order to conceive of sculptures that are boundless from all sides. Only a specific section of the whole is intimated in the drawing, for which Sandback invented unusual techniques: actual incisions instead of drawn lines, for instance, or painterly traces on transparent film. This publication of Sandback’s drawings assembles works from over thirty years, supplemented by sculpture.
Fred Sandback: drawings
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The American Fred Sandback (1943–2003), regarded as one of the major sculptors of his generation, had from the beginning of his art career initially used drawings to formulate on paper his ideas of sculptural volumes. Soon he went from depicting isolated elements to thinking of sculpture in relationship to space and to exploring its possibilities on paper. In the 1980s, Sandback expanded his drawing vocabulary to include work in acrylic, in the pochoir technique or in pastel, which look much more pictorial in contrast to his earlier works on paper. The issue was now less about conceiving sculptures and more about modulating space. As regards sculpture, Sandback no longer thought of it as a given spatial volume, but as a sensual phenomenon per se, which he explored in the drawing. In his late drawings, Sandback moved away from the conditions of a coherent space in order to conceive of sculptures that are boundless from all sides. Only a specific section of the whole is intimated in the drawing, for which Sandback invented unusual techniques: actual incisions instead of drawn lines, for instance, or painterly traces on transparent film. This publication of Sandback’s drawings assembles works from over thirty years, supplemented by sculpture.
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août 2014
août 2014
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339 pages : illustrations (some color) ; 24 cm.
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339 pages : illustrations (some color) ; 24 cm.
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Milan, Italy : Mousse Publishing ; Toronto : The Power Plant Contemporary Art Gallery, 2022., ©2022
Milan, Italy : Mousse Publishing ; Toronto : The Power Plant Contemporary Art Gallery, 2022., ©2022
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Dawit L. Petros : spazio disponibile / editors, Liz Park, Gaëtane Verna.
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339 pages : illustrations (some color) ; 24 cm.
Dawit L. Petros : spazio disponibile / editors, Liz Park, Gaëtane Verna.
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339 pages : illustrations (some color) ; 24 cm.
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Milan, Italy : Mousse Publishing ; Toronto : The Power Plant Contemporary Art Gallery, 2022., ©2022
Milan, Italy : Mousse Publishing ; Toronto : The Power Plant Contemporary Art Gallery, 2022., ©2022
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344 pages : illustrations (chiefly color) ; 32 cm
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344 pages : illustrations (chiefly color) ; 32 cm
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New York : Museum of Modern Art, ©2009.
New York : Museum of Modern Art, ©2009.
Titre:
Bauhaus 1919-1933 : workshops for modernity / [organized by] Barry Bergdoll, Leah Dickerman.
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344 pages : illustrations (chiefly color) ; 32 cm
Bauhaus 1919-1933 : workshops for modernity / [organized by] Barry Bergdoll, Leah Dickerman.
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344 pages : illustrations (chiefly color) ; 32 cm
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New York : Museum of Modern Art, ©2009.
New York : Museum of Modern Art, ©2009.
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$67.00
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Over the last 15 years, von Bonin has produced sculpture, photography, textile "paintings," installation, performance, film, video and music--often combined in large installations. This generous survey addresses ideas of play, indoctrination, structure, improvisation, cultural and gender representations, identity and self-reflection--with both absurdity and humor.
$67.00
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Over the last 15 years, von Bonin has produced sculpture, photography, textile "paintings," installation, performance, film, video and music--often combined in large installations. This generous survey addresses ideas of play, indoctrination, structure, improvisation, cultural and gender representations, identity and self-reflection--with both absurdity and humor.
Publication:
février 2008, Los Angeles, Köln
février 2008, Los Angeles, Köln
Titre:
Cosima Von Bonin Roger and out: fat female forty fade
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$67.00
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Over the last 15 years, von Bonin has produced sculpture, photography, textile "paintings," installation, performance, film, video and music--often combined in large installations. This generous survey addresses ideas of play, indoctrination, structure, improvisation, cultural and gender representations, identity and self-reflection--with both absurdity and humor.
Cosima Von Bonin Roger and out: fat female forty fade
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$67.00
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Over the last 15 years, von Bonin has produced sculpture, photography, textile "paintings," installation, performance, film, video and music--often combined in large installations. This generous survey addresses ideas of play, indoctrination, structure, improvisation, cultural and gender representations, identity and self-reflection--with both absurdity and humor.
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Publication:
février 2008, Los Angeles, Köln
février 2008, Los Angeles, Köln
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$30.50
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
Titre:
A tale of today. Yinka Shonibare CBE
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
A tale of today. Yinka Shonibare CBE
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
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Publication:
avril 2019
avril 2019
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$65.00
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Secret Life, a collaboration between the celebrated artists Jonathan Horowitz (born 1966) and Elizabeth Peyton (born 1965), revolves around the broad theme of flowers and plants. Through painting, print, drawing, sculpture and photography, the artists delve into the history of floral symbolism in art and literature.
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Secret Life, a collaboration between the celebrated artists Jonathan Horowitz (born 1966) and Elizabeth Peyton (born 1965), revolves around the broad theme of flowers and plants. Through painting, print, drawing, sculpture and photography, the artists delve into the history of floral symbolism in art and literature.
Publication:
février 2015
février 2015
Titre:
Jonathan Horowitz & Elizabeth Peyton: secret life
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$65.00
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Secret Life, a collaboration between the celebrated artists Jonathan Horowitz (born 1966) and Elizabeth Peyton (born 1965), revolves around the broad theme of flowers and plants. Through painting, print, drawing, sculpture and photography, the artists delve into the history of floral symbolism in art and literature.
Jonathan Horowitz & Elizabeth Peyton: secret life
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$65.00
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Secret Life, a collaboration between the celebrated artists Jonathan Horowitz (born 1966) and Elizabeth Peyton (born 1965), revolves around the broad theme of flowers and plants. Through painting, print, drawing, sculpture and photography, the artists delve into the history of floral symbolism in art and literature.
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Publication:
février 2015
février 2015
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Joe
Joe
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$104.00
(disponible en magasin)
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When renowned Hiroshi Sugimoto was invited to photograph the Pulitzer Foundation for the Arts, St. Louis, his attention immediately focused on an immense steel sculpture, Richard Serra's Joe, one of the artist's torqued spirals, which occupies a small courtyard of the museum. Joe allows viewers to walk in through a narrow passage between towering, sloping walls. The path(...)
$104.00
(disponible en magasin)
Résumé:
When renowned Hiroshi Sugimoto was invited to photograph the Pulitzer Foundation for the Arts, St. Louis, his attention immediately focused on an immense steel sculpture, Richard Serra's Joe, one of the artist's torqued spirals, which occupies a small courtyard of the museum. Joe allows viewers to walk in through a narrow passage between towering, sloping walls. The path(...)
Sujet:
Monographies photo
Monographies photo
Publication:
août 2006, St.Louis
août 2006, St.Louis
Titre:
Joe
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$104.00
(disponible en magasin)
Résumé:
When renowned Hiroshi Sugimoto was invited to photograph the Pulitzer Foundation for the Arts, St. Louis, his attention immediately focused on an immense steel sculpture, Richard Serra's Joe, one of the artist's torqued spirals, which occupies a small courtyard of the museum. Joe allows viewers to walk in through a narrow passage between towering, sloping walls. The path leads to a surprising central space from which only the curving steel walls and the sky are visible. Sugimoto's pictures in this book capture the elliptical nature of Serra's piece. His images are complemented by the words of Jonathan Safran Foer, whose affecting prose poem-about an "average Joe" experiencing the circular passage of time-echoes, without directly referencing, Serra's sculpture. Designed by Takaaki Matsumoto, this large-format book features tritone reproductions printed on uncoated stock.
Joe
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$104.00
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When renowned Hiroshi Sugimoto was invited to photograph the Pulitzer Foundation for the Arts, St. Louis, his attention immediately focused on an immense steel sculpture, Richard Serra's Joe, one of the artist's torqued spirals, which occupies a small courtyard of the museum. Joe allows viewers to walk in through a narrow passage between towering, sloping walls. The path leads to a surprising central space from which only the curving steel walls and the sky are visible. Sugimoto's pictures in this book capture the elliptical nature of Serra's piece. His images are complemented by the words of Jonathan Safran Foer, whose affecting prose poem-about an "average Joe" experiencing the circular passage of time-echoes, without directly referencing, Serra's sculpture. Designed by Takaaki Matsumoto, this large-format book features tritone reproductions printed on uncoated stock.
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Publication:
août 2006, St.Louis
août 2006, St.Louis
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Monographies photo
Monographies photo
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ix, 107 pages : illustrations (some color) ; 29 x 31 cm
Description:
ix, 107 pages : illustrations (some color) ; 29 x 31 cm
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Los Angeles, Calif. : Getty Research Institute, ©2010.
Los Angeles, Calif. : Getty Research Institute, ©2010.
Titre:
Printing the grand manner : Charles Le Brun and monumental prints in the age of Louis XIV / Louis Marchesano and Christian Michel.
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ix, 107 pages : illustrations (some color) ; 29 x 31 cm
Printing the grand manner : Charles Le Brun and monumental prints in the age of Louis XIV / Louis Marchesano and Christian Michel.
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ix, 107 pages : illustrations (some color) ; 29 x 31 cm
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Los Angeles, Calif. : Getty Research Institute, ©2010.
Los Angeles, Calif. : Getty Research Institute, ©2010.
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$45.00
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Through photographs, paintings, sculpture, installations, architectural drawings and plans, videos, and film excerpts, this book examines the ways in which the Bronx has been constructed in the public imagination. More than 40 artists are represented including Sophie Calle, Maya Lin, Gordon Matta-Clark, Aldo Rossi, and Camilo Vergara.
$45.00
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Through photographs, paintings, sculpture, installations, architectural drawings and plans, videos, and film excerpts, this book examines the ways in which the Bronx has been constructed in the public imagination. More than 40 artists are represented including Sophie Calle, Maya Lin, Gordon Matta-Clark, Aldo Rossi, and Camilo Vergara.
Titre:
Urban mythologies : the Bronx represented since the 1960s
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$45.00
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Through photographs, paintings, sculpture, installations, architectural drawings and plans, videos, and film excerpts, this book examines the ways in which the Bronx has been constructed in the public imagination. More than 40 artists are represented including Sophie Calle, Maya Lin, Gordon Matta-Clark, Aldo Rossi, and Camilo Vergara.
Urban mythologies : the Bronx represented since the 1960s
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$45.00
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Résumé:
Through photographs, paintings, sculpture, installations, architectural drawings and plans, videos, and film excerpts, this book examines the ways in which the Bronx has been constructed in the public imagination. More than 40 artists are represented including Sophie Calle, Maya Lin, Gordon Matta-Clark, Aldo Rossi, and Camilo Vergara.
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livres
livres
Publication:
août 1999, New York
août 1999, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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663 pages : illustrations (some color) ; 33 cm
Description:
663 pages : illustrations (some color) ; 33 cm
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Paris : Louvre éditions : M'O : Somogy éditions d'art, [2011]
Paris : Louvre éditions : M'O : Somogy éditions d'art, [2011]
Titre:
Le dessin français au XIXe siècle / Louis-Antoine Prat.
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663 pages : illustrations (some color) ; 33 cm
Le dessin français au XIXe siècle / Louis-Antoine Prat.
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663 pages : illustrations (some color) ; 33 cm
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Paris : Louvre éditions : M'O : Somogy éditions d'art, [2011]
Paris : Louvre éditions : M'O : Somogy éditions d'art, [2011]
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