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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
octobre 2001
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
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With audacious dexterity, David Howes weaves together topics ranging from love and beauty magic in Papua New Guinea to nasal repression in Freudian psychology and from the erasure and recovery of the senses in contemporary ethnography to the specter of the body in Marx. Through this eclectic and penetrating exploration of the relationship between sensory experience and(...)
Sensual Relations: engaging the senses in culture & social theory
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With audacious dexterity, David Howes weaves together topics ranging from love and beauty magic in Papua New Guinea to nasal repression in Freudian psychology and from the erasure and recovery of the senses in contemporary ethnography to the specter of the body in Marx. Through this eclectic and penetrating exploration of the relationship between sensory experience and cultural expression, Sensual Relations contests the conventional exclusion of sensuality from intellectual inquiry and reclaims sensation as a fundamental domain of social theory.
Théorie de l’architecture
livres
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"Logics of worlds" is the long-awaited sequel to Alain Badiou's much-heralded masterpiece, "Being and event". Unafraid to resurrect and reinvent the classical themes of philosophy, Badiou gives new meaning to concepts such as object, body and relation, mobilising them in arresting studies that range from the architectural planning of Brasilia to contemporary astronomy,(...)
Logics of worlds : being and event, 2
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"Logics of worlds" is the long-awaited sequel to Alain Badiou's much-heralded masterpiece, "Being and event". Unafraid to resurrect and reinvent the classical themes of philosophy, Badiou gives new meaning to concepts such as object, body and relation, mobilising them in arresting studies that range from the architectural planning of Brasilia to contemporary astronomy, and confronting himself with towering philosophical counterparts (Leibniz, Kant, Hegel, Kierkegaard, Lacan, Deleuze). The book culminates in an impassioned call to ‘live for an Idea’.
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octobre 2008
Théorie de l’architecture
Philosophy for architects
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Philosophy for Architects is an engaging and easy-to-grasp introduction to philosophical questions of interest to students of architectural theory. Topics include Aristotle's theories of "visual imagination" and their relevance to digital design, the problem of optical correction as explored by Plato, Hegel's theory of zeitgeist, and Kant's examinations of space and(...)
Philosophy for architects
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Philosophy for Architects is an engaging and easy-to-grasp introduction to philosophical questions of interest to students of architectural theory. Topics include Aristotle's theories of "visual imagination" and their relevance to digital design, the problem of optical correction as explored by Plato, Hegel's theory of zeitgeist, and Kant's examinations of space and aesthetics, among others. Focusing primarily on nineteenth- and twentieth-century philosophy, it provides students with a wider perspective concerning philosophical problems that come up in contemporary architectural debates.
Théorie de l’architecture
Large parks
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The discipline of landscape architecture encompasses many typologies, from domestic gardens and neighborhood playgrounds to urban designs and state parks. Most critical studies of the discipline tend to approach it from a historical or contemporary perspective organized around criteria such as built versus unbuilt, urban versus peripheral, or competition-sponsored versus(...)
Large parks
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The discipline of landscape architecture encompasses many typologies, from domestic gardens and neighborhood playgrounds to urban designs and state parks. Most critical studies of the discipline tend to approach it from a historical or contemporary perspective organized around criteria such as built versus unbuilt, urban versus peripheral, or competition-sponsored versus commission-based. Very few analyses have been undertaken from the seemingly obvious jumping-off point of size. In "Large parks", Julia Czerniak and George Hargreaves present eight essays by scholars and practitioners that engage large urban parks in depth as complex cultural spaces, where key issues of landscape discourse, ecological challenges, social history, urban relations, and place-making are writ large. From historic parks such as New York's Central Park and Paris's Bois de Boulogne to contemporary projects such as Toronto's Downsview Park and Staten Island's Fresh Kills, to newly unveiled and yet-to-be-built projects such as Ken Smith's ambitious plans for the Orange County Great Park, "Large parks" highlights the complexities and unique considerations that go into designing these massive and culturally significant works.
Bouffe
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In ''Beyond the World's End,'' T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including(...)
Beyond the world's end: arts of living at the crossing
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In ''Beyond the World's End,'' T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah's cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplified in the Standing Rock #NoDAPL campaign and the Zad's autonomous zone in France, are creating the imaginaries that will be crucial to building a socially just and flourishing future.
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The German pavilion at the 9th Venice Architecture Biennale offers an overview of more than 35 contemporary architectural projects in Germany which have manifested in peripheral urban areas, suburban spaces, and de-industrialized zones. The projects reveal the transformation and reactivation of banal everyday architecture--business parks, switching stations, water(...)
Deutschlandscape : epicentres at the periphery - German pavilion, Venice Biennale 2004
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The German pavilion at the 9th Venice Architecture Biennale offers an overview of more than 35 contemporary architectural projects in Germany which have manifested in peripheral urban areas, suburban spaces, and de-industrialized zones. The projects reveal the transformation and reactivation of banal everyday architecture--business parks, switching stations, water purification plants, and strictly coded and conventional housing types--to open up a new perception of the "deutschlandscape." Here, architectural norms are reworked and given a new aesthetic twist through ironic self-reflection. These built projects by a critical young generation of German architects reveal highly innovative use of new materials, generate suburban "plug-ins" (temporary and mobile architecture), and skillfully rework the familiar to create solutions for hitherto underrepresented yet vital areas on the urban fringe. Accompanying essays and interviews reveal the personal narratives behind the architecture. Contributions include: "urban therapist" Sonja Beeck on dealing with the psychological dimensions of shrinking cities in the former GDR; artist and urbanist Kai Vöckler on the German psychoscape; Omar Akbar of the Bauhaus Dessau on the wider implications of urban sprawl; Peter Cook on tuning suburbia; Angelika Fitz on strategic answers to restrictive building regulations; Peter Wilson on the marketing of place; and Rudolf Stegers on multi-layered meanings behind the architectural image.
livres
novembre 2004, Ostfildern
Théorie de l’urbanisme
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Description:
373 pages : illustrations ; 33 cm
London ; New York : Phaidon Press, 2013.
Art & place : site-specific art of the Americas.
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373 pages : illustrations ; 33 cm
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London ; New York : Phaidon Press, 2013.
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Julien-David Le Roy's Les ruines des plus beaux monuments de la Grece, initially issued in 1758, first revealed to European eyes the wonders of Greek classical architecture. Overnight, Greece became the rage, much to the chagrin of Giovanni Battista Piranesi and other defenders of the genius of Rome. The impact of the volume's splendid engravings of Athens's ancient ruins(...)
The ruins of the most beautiful monuments of Greece
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Julien-David Le Roy's Les ruines des plus beaux monuments de la Grece, initially issued in 1758, first revealed to European eyes the wonders of Greek classical architecture. Overnight, Greece became the rage, much to the chagrin of Giovanni Battista Piranesi and other defenders of the genius of Rome. The impact of the volume's splendid engravings of Athens's ancient ruins on contemporary aesthetics was heightened, particularly in the much-expanded edition of 1770, by its two highly provocative theoretical essays. In one, Le Roy set forth a compelling linear history of the conceptual forms of architecture that began in Egypt, moved to Greece, then Rome, and finally modern Europe. In the other, seeking to express the experience of architectural form and its effects, Le Roy gave new voice to feeling. Here the second edition of Les ruines is published in English for the first time.
Histoire jusqu’à 1900
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This book, devoted to the contributions of the Austro-American artist and architect Friedrich Kiesler to the field of design, presents previously unpublished material relating to his innovative furniture designs and prototypes from the 1930s and 1940s. Letters, diary entries, and photographs document the New York cultural environment in which Friedrich Kiesler lived and(...)
Design, monographies
mai 2005, Ostfildern-Ruit
Friedrich Kiesler designer : seating furniture of the 30s and 40s
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This book, devoted to the contributions of the Austro-American artist and architect Friedrich Kiesler to the field of design, presents previously unpublished material relating to his innovative furniture designs and prototypes from the 1930s and 1940s. Letters, diary entries, and photographs document the New York cultural environment in which Friedrich Kiesler lived and worked and illuminate the role he played in the contemporary design scene. After emigrating to New York in 1925, Kiesler soon became an important mediator between European and American positions in the fields of design and architecture. In the ensuing years, he designed furniture and exhibitions and articulated the fundamental principles of a critical theory of functional architecture and design. Such concepts as flexibility, dynamism, and multifunctionality were crucial elements of his theoretical constructs. With an introduction by Monika Pessler, texts by Tulga Beyerle, Harald Krejci, and a preface by Dieter Bogner and Heinz F. Hofer-Wittmann.
Design, monographies