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Odd Arne Westad and Chen Jian chronicle how an impoverished and terrorized China experienced radical political changes in the long 1970s and how ordinary people broke free from the beliefs that had shaped their lives during Mao’s Cultural Revolution. These changes, and the unprecedented and sustained economic growth that followed, transformed China and the world. In(...)
novembre 2024
The great transformation: China's road from revolution to reform
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Odd Arne Westad and Chen Jian chronicle how an impoverished and terrorized China experienced radical political changes in the long 1970s and how ordinary people broke free from the beliefs that had shaped their lives during Mao’s Cultural Revolution. These changes, and the unprecedented and sustained economic growth that followed, transformed China and the world. In this rigorous account, Westad and Chen construct a panorama of catastrophe and progress in China. They chronicle China’s gradual opening to the world—the interplay of power in an era of aged and ailing leadership, the people’s rebellion against the earlier government system, and the roles of unlikely characters: overseas Chinese capitalists, American engineers, Japanese professors, and German designers. This is a story of revolutionary change that neither foreigners nor the Chinese themselves could have predicted. Hardcover edition.
The great transformation
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Odd Arne Westad and Chen Jian chronicle how an impoverished and terrorized China experienced radical political changes in the long 1970s and how ordinary people broke free from the beliefs that had shaped their lives during Mao’s Cultural Revolution. These changes, and the unprecedented and sustained economic growth that followed, transformed China and the world. In(...)
The great transformation
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$33.95
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Résumé:
Odd Arne Westad and Chen Jian chronicle how an impoverished and terrorized China experienced radical political changes in the long 1970s and how ordinary people broke free from the beliefs that had shaped their lives during Mao’s Cultural Revolution. These changes, and the unprecedented and sustained economic growth that followed, transformed China and the world. In this rigorous account, Westad and Chen construct a panorama of catastrophe and progress in China. They chronicle China’s gradual opening to the world—the interplay of power in an era of aged and ailing leadership, the people’s rebellion against the earlier government system, and the roles of unlikely characters: overseas Chinese capitalists, American engineers, Japanese professors, and German designers. This is a story of revolutionary change that neither foreigners nor the Chinese themselves could have predicted.
Expositions en cours
Pippa Garner: Personal ads
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Pippa Garner’s work challenges the conventions of art by putting into play fashion and consumer culture with her subversive, visionary insight. Featuring a selection of images that includes never-before-seen photographs and editorial projects spanning from the 1970s to the 1990s, Personal Ads reveals Pippa Garner’s capacity for reimagining everyday life and turning it(...)
Pippa Garner: Personal ads
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Pippa Garner’s work challenges the conventions of art by putting into play fashion and consumer culture with her subversive, visionary insight. Featuring a selection of images that includes never-before-seen photographs and editorial projects spanning from the 1970s to the 1990s, Personal Ads reveals Pippa Garner’s capacity for reimagining everyday life and turning it into a cultural critique. It brings to the fore how she employed fashion as a tool for bodily reinvention and art as a vehicle for personal and political expression — highlighting how she rejected categorization to embrace hybridity, humor, and radical transformation. The publication includes an interview with Pippa by Luca Lopinto, former director of Macro museum (Rome), an artistic contribution by fashion collective BLESS and an introduction by Giorgia Basch, creative Director of BilderAtlas.
Monographies photo
livres
Topography papers . 7
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Typography Papers is an occasional book-length publication with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Number 7 presents an eclectic collection of articles beginning with a lengthy consideration by type historian H. D. L. Vervliet of Claude Garamond: the designer whose new roman typefaces debuted in Paris in(...)
juillet 2007, London
Topography papers . 7
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Typography Papers is an occasional book-length publication with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Number 7 presents an eclectic collection of articles beginning with a lengthy consideration by type historian H. D. L. Vervliet of Claude Garamond: the designer whose new roman typefaces debuted in Paris in the 1530s and went on to dominate Western typography for the next two centuries. The late Justin Howes looks at the eighteenth-century belief in the necessity of perfection in type and printing. Eric Kindel discusses a nineteenth-century scheme for univeral letters. Sue Walker writes on twentieth-century typefaces designed for reading by young children. The issue concludes with Linda Reynolds's eyewitness account of pioneering work in legibility research in the 1970s and 1980s.
livres
juillet 2007, London
The Bronx
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Home to the New York Yankees, the Bronx Zoo, and the Grand Concourse, the Bronx was at one time a haven for upwardly mobile second-generation immigrants eager to leave the crowded tenements of Manhattan in pursuit of the American dream. Once hailed as a "wonder borough" of beautiful homes, parks, and universities, the Bronx became—during the 1960s and 1970s — a national(...)
décembre 2006, New York
The Bronx
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Home to the New York Yankees, the Bronx Zoo, and the Grand Concourse, the Bronx was at one time a haven for upwardly mobile second-generation immigrants eager to leave the crowded tenements of Manhattan in pursuit of the American dream. Once hailed as a "wonder borough" of beautiful homes, parks, and universities, the Bronx became—during the 1960s and 1970s — a national symbol of urban deterioration. Thriving neighbourhoods that had long been home to generations of families dissolved under waves of arson, crime, and housing abandonment, turning blocks of apartment buildings into gutted, graffiti-covered shells and empty, trash-filled lots. In this revealing history of the Bronx, Evelyn Gonzalez describes how the once-infamous New York City borough underwent one of the most successful and inspiring community revivals in American history.
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The book guides the readers through the community gardens created in vacant lots in the little Manhattan neighborhood called Loisaida, born to accomodate the waves of immigrants moving to the USA. Michela Pasquali tells the gardens’ story and their development and evolution over the past thirty years, including the recent risk of their being demolished due to building(...)
Loisaida : NYC community gardens
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The book guides the readers through the community gardens created in vacant lots in the little Manhattan neighborhood called Loisaida, born to accomodate the waves of immigrants moving to the USA. Michela Pasquali tells the gardens’ story and their development and evolution over the past thirty years, including the recent risk of their being demolished due to building speculation in the area. First created at the beginning of the 1970s, thanks to the initiative of a group of local residents, the Loisaida community gardens stand out as one of the most interesting examples of New York’s hidden green urban spaces. A blend of different cultures, languages, religions and habits which overlap and come together in the evocative names chosen for the gardens: El Sol Brillante, Brisas del Caribe, Miracle Garden...
Jardins
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In the 1970s, Manhattan’s west side waterfront was a forgotten zone of abandoned warehouses and piers. Though many saw only blight, the derelict neighborhood was alive with queer people forging new intimacies through cruising. Alongside the piers’ sexual and social worlds, artists produced work attesting to the radical transformations taking place in New York. In(...)
Cruising the dead river: David Wojnarowicz and New York's ruined waterfront
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In the 1970s, Manhattan’s west side waterfront was a forgotten zone of abandoned warehouses and piers. Though many saw only blight, the derelict neighborhood was alive with queer people forging new intimacies through cruising. Alongside the piers’ sexual and social worlds, artists produced work attesting to the radical transformations taking place in New York. In 'Cruising the Dead River', Fiona Anderson draws on Wojnarowicz’s work to explore the key role the abandoned landscape played in this explosion of queer culture. Anderson examines how the riverfront’s ruined buildings assumed a powerful erotic role and gave the area a distinct identity. By telling the story of the piers as gentrification swept New York and before the AIDS crisis, Anderson unearths the buried histories of violence, regeneration, and LGBTQ activism that developed in and around the cruising scene.
Théorie de l’art
Vera Mercer: New works
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The American photographer Vera Mercer’s oeuvre defies easy summary. She started taking pictures in Paris in the 1960s, making portraits of her then husband Daniel Spoerri and other members of the Fluxus group and Nouveaux Réalistes. In the 1970s, she took a long creative hiatus: after moving to Omaha, Nebraska, she poured all her energy into starting a number of(...)
Vera Mercer: New works
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The American photographer Vera Mercer’s oeuvre defies easy summary. She started taking pictures in Paris in the 1960s, making portraits of her then husband Daniel Spoerri and other members of the Fluxus group and Nouveaux Réalistes. In the 1970s, she took a long creative hiatus: after moving to Omaha, Nebraska, she poured all her energy into starting a number of restaurants and developing an entire downtown neighborhood. But then, in the early years of the new millennium, she returned to photography, capturing breathtaking neo-baroque still lifes featuring flowers, fruits, freshly killed game, antique glasses, and illuminating candles in large formats. Mercer’s fourth monograph presents her most recent opulent still lifes in colour, as well as a novelty in her oeuvre: restrained black-and-white flower pictures and portraits realized as small-format platinum prints.
Monographies photo
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on(...)
Architecture's desire: reading the late avant-garde
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on itself, pondering its own historical status, and deliberately exploring architecture's representational possibilities right up to their absolute limits. In close readings of the brooding, melancholy silence of Aldo Rossi, the radically reductive "decompositions" and archaeologies of Peter Eisenman, the carnivalesque excesses of John Hejduk, and the "cinegrammatic" delirium of Bernard Tschumi, Hays narrates the story of architecture confronting its own boundaries with objects of ever more reflexivity, difficulty, and intransigence.
Théorie de l’architecture
Computer
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Computer covers many issues ignored by other histories of computing, which have focused on technology and the design and promotion of computers and their general reception. Here, Atkinson chronicles the changes in physical design of the computer and shows how these changes in design are related to changes in popular attitude. Atkinson is fascinated by how the(...)
Computer
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Computer covers many issues ignored by other histories of computing, which have focused on technology and the design and promotion of computers and their general reception. Here, Atkinson chronicles the changes in physical design of the computer and shows how these changes in design are related to changes in popular attitude. Atkinson is fascinated by how the computer has been represented and promoted in advertising. For example, in contrast to ads from the 1970s and ’80s, today’s PC is very PC—genderless, and largely status free. Computer also considers the role of the computer as a cultural touchstone, as evidenced by its regular appearance in popular culture, including the iconography of the space age, HAL from 2001: A Space Odyssey, James Bond’s gadgetry, and Stars War and Star Trek.
Théorie du design