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livres
livres
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$45.00
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As digital technology advances at breakneck speed, images are circulating quicker than ever before. But what is the status of the image in the digital era? In this publication, art historian Hubert Burda (born 1940) examines the "iconic turn" in ten themed chapters and conversations with leading cultural theorists. In the first chapter, "The View Through the Window,"(...)
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Résumé:
As digital technology advances at breakneck speed, images are circulating quicker than ever before. But what is the status of the image in the digital era? In this publication, art historian Hubert Burda (born 1940) examines the "iconic turn" in ten themed chapters and conversations with leading cultural theorists. In the first chapter, "The View Through the Window,"(...)
Sujet:
Épistémologie et réseau
Épistémologie et réseau
Publication:
août 2011
août 2011
Titre:
The digital wunderkammer : 10 chapters on the iconic turn
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$45.00
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Résumé:
As digital technology advances at breakneck speed, images are circulating quicker than ever before. But what is the status of the image in the digital era? In this publication, art historian Hubert Burda (born 1940) examines the "iconic turn" in ten themed chapters and conversations with leading cultural theorists. In the first chapter, "The View Through the Window," Burda traces the connection between perspectival painting and the television, demonstrating in the second chapter how the image requires a frame, which in turn requires a material vehicle - the topic of the third chapter - that in our era has become a non-material vehicle with its own formal parameters. In the fourth chapter, "The Mobile Image," Burda shows how images have always been linked to portability, but now migrate to an unprecedented degree, so that anyone with a personal device can globally disseminate, say, footage from a concert via Youtube. A discussion of the capacity of individual images to placate or ennervate leads to a seventh chapter on the appetite for the Sublime and the rhetoric and representation of power throughout art history. Following a discussion of the democratization of celebrity culture, Burda proposes that the Google search box is perhaps the most interesting "interface" of our times, analogous to the seventeenth-century cabinet of curiosities (or wunderkammer). Conversations with Friedrich Kittler, Peter Sloterdijk, Bazon Brock, Horst Bredekamp and Hans Belting further extend this imaginative debate on the "iconic turn."
The digital wunderkammer : 10 chapters on the iconic turn
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$45.00
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Résumé:
As digital technology advances at breakneck speed, images are circulating quicker than ever before. But what is the status of the image in the digital era? In this publication, art historian Hubert Burda (born 1940) examines the "iconic turn" in ten themed chapters and conversations with leading cultural theorists. In the first chapter, "The View Through the Window," Burda traces the connection between perspectival painting and the television, demonstrating in the second chapter how the image requires a frame, which in turn requires a material vehicle - the topic of the third chapter - that in our era has become a non-material vehicle with its own formal parameters. In the fourth chapter, "The Mobile Image," Burda shows how images have always been linked to portability, but now migrate to an unprecedented degree, so that anyone with a personal device can globally disseminate, say, footage from a concert via Youtube. A discussion of the capacity of individual images to placate or ennervate leads to a seventh chapter on the appetite for the Sublime and the rhetoric and representation of power throughout art history. Following a discussion of the democratization of celebrity culture, Burda proposes that the Google search box is perhaps the most interesting "interface" of our times, analogous to the seventeenth-century cabinet of curiosities (or wunderkammer). Conversations with Friedrich Kittler, Peter Sloterdijk, Bazon Brock, Horst Bredekamp and Hans Belting further extend this imaginative debate on the "iconic turn."
Classification:
livres
livres
Publication:
août 2011
août 2011
Sujet:
Épistémologie et réseau
Épistémologie et réseau
Classification:
livres
livres
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$63.00
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Résumé:
366 cartograms cover a vast array of subjects, providing a definitive reference on how regions and countries compare in resources, production, consumption, and more. Advances in technology have made widespread and detailed data gathering easier, resulting in a deluge of statistics on subjects as diverse as literacy rates, military spending, overweight children,(...)
$63.00
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Résumé:
366 cartograms cover a vast array of subjects, providing a definitive reference on how regions and countries compare in resources, production, consumption, and more. Advances in technology have made widespread and detailed data gathering easier, resulting in a deluge of statistics on subjects as diverse as literacy rates, military spending, overweight children,(...)
Sujet:
Dessin d’architecture
Dessin d’architecture
Publication:
octobre 2008, New York
octobre 2008, New York
Titre:
The atlas of the real world: mapping the way we live
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$63.00
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Résumé:
366 cartograms cover a vast array of subjects, providing a definitive reference on how regions and countries compare in resources, production, consumption, and more. Advances in technology have made widespread and detailed data gathering easier, resulting in a deluge of statistics on subjects as diverse as literacy rates, military spending, overweight children, television viewing figures, and endangered species. But how do we represent and compare data from one part of the world to another in a useful way? Here, sophisticated software combined with comprehensive analysis of every aspect of life represents the world as it really is. Digitally modified maps depict the areas and countries of the world not by their physical size but by their demographic importance on a vast range of topics. The rainforests of South America, with thirty percent of the world's fresh water, make the continent balloon in an analysis of water resources, whereas Kuwait, dependent on desalinated seawater, disappears from the map. Fuel use, alcohol consumption, population, malaria: here are hundreds of key indicators to the way we live. This innovative and exceptionally accessible reference work will be an indispensable tool for journalists, economists, marketers, politicians, financiers, environmentalists, and scholars. Its cartograms are augmented by graphs, tables, and full commentaries. 366 color maps. About the Author Daniel Dorling is Professor of Human Geography at the University of Sheffield, England. Mark Newman is Assistant Professor of Physics and Complex Systems at the University of Michigan. Anna Barford is a Research Associate at the University of Sheffield.
The atlas of the real world: mapping the way we live
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Prix:
$63.00
(disponible sur commande)
Résumé:
366 cartograms cover a vast array of subjects, providing a definitive reference on how regions and countries compare in resources, production, consumption, and more. Advances in technology have made widespread and detailed data gathering easier, resulting in a deluge of statistics on subjects as diverse as literacy rates, military spending, overweight children, television viewing figures, and endangered species. But how do we represent and compare data from one part of the world to another in a useful way? Here, sophisticated software combined with comprehensive analysis of every aspect of life represents the world as it really is. Digitally modified maps depict the areas and countries of the world not by their physical size but by their demographic importance on a vast range of topics. The rainforests of South America, with thirty percent of the world's fresh water, make the continent balloon in an analysis of water resources, whereas Kuwait, dependent on desalinated seawater, disappears from the map. Fuel use, alcohol consumption, population, malaria: here are hundreds of key indicators to the way we live. This innovative and exceptionally accessible reference work will be an indispensable tool for journalists, economists, marketers, politicians, financiers, environmentalists, and scholars. Its cartograms are augmented by graphs, tables, and full commentaries. 366 color maps. About the Author Daniel Dorling is Professor of Human Geography at the University of Sheffield, England. Mark Newman is Assistant Professor of Physics and Complex Systems at the University of Michigan. Anna Barford is a Research Associate at the University of Sheffield.
Classification:
livres
livres
Publication:
octobre 2008, New York
octobre 2008, New York
Sujet:
Dessin d’architecture
Dessin d’architecture
Classification:
livres
livres
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$85.00
(disponible en magasin)
Résumé:
Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery(...)
$85.00
(disponible en magasin)
Résumé:
Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery(...)
Titre:
Frank Lloyd Wright: unpacking the archive
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$85.00
(disponible en magasin)
Résumé:
Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery Architectural & Fine Arts Library, Columbia University), the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has “unpacked”— tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. Wright’s quest to build a mile-high skyscraper reveals him to be one of the earliest celebrity architects, using television, press relations and other forms of mass media to advance his own self-crafted image. A little-known project for a Rosenwald School for African-American children, together with other projects that engage Japanese and Native American culture, ask provocative questions about Wright’s positions on race and cultural identity. Still other investigations engage the architect’s lifelong dedication to affordable and do-it-yourself housing, as well as the ecological systems, both social and environmental, that informed his approach to cities, landscapes and even ornament. The publication aims to open up Wright’s work to questions, interrogations and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.
Frank Lloyd Wright: unpacking the archive
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Prix:
$85.00
(disponible en magasin)
Résumé:
Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery Architectural & Fine Arts Library, Columbia University), the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has “unpacked”— tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. Wright’s quest to build a mile-high skyscraper reveals him to be one of the earliest celebrity architects, using television, press relations and other forms of mass media to advance his own self-crafted image. A little-known project for a Rosenwald School for African-American children, together with other projects that engage Japanese and Native American culture, ask provocative questions about Wright’s positions on race and cultural identity. Still other investigations engage the architect’s lifelong dedication to affordable and do-it-yourself housing, as well as the ecological systems, both social and environmental, that informed his approach to cities, landscapes and even ornament. The publication aims to open up Wright’s work to questions, interrogations and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.
Classification:
livres
livres
Publication:
juin 2017
juin 2017
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$39.95
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Résumé:
As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices--"windows" full of moving images, texts, and icons--how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the(...)
$39.95
(disponible sur commande)
Résumé:
As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices--"windows" full of moving images, texts, and icons--how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the(...)
Titre:
The virtual window : from Alberti to Microsoft
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$39.95
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As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices--"windows" full of moving images, texts, and icons--how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the dematerialized reality we see on the screen. In De pictura (1435), Leon Battista Alberti famously instructed painters to consider the frame of the painting as an open window. Taking Alberti's metaphor as her starting point, Friedberg tracks shifts in the perspectival paradigm as she gives us histories of the architectural window, developments in glass and transparency, and the emerging apparatuses of photography, cinema, television, and digital imaging. Single-point perspective--Alberti's metaphorical window--has long been challenged by modern painting, modern architecture, and moving-image technologies. And yet, notes Friedberg, for most of the twentieth century the dominant form of the moving image was a single image in a single frame. The fractured modernism exemplified by cubist painting, for example, remained largely confined to experimental, avant-garde work. On the computer screen, however, where multiple "windows" coexist and overlap, perspective may have met its end. In this wide-ranging book, Friedberg considers such topics as the framed view of the camera obscura, Le Corbusier's mandates for the architectural window, Eisenstein's opinions on the shape of the movie screen, and the multiple images and nested windows commonly displayed on screens today. The Virtual Window proposes a new logic of visuality, framed and virtual: an architecture not only of space but of time.
The virtual window : from Alberti to Microsoft
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$39.95
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Résumé:
As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices--"windows" full of moving images, texts, and icons--how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the dematerialized reality we see on the screen. In De pictura (1435), Leon Battista Alberti famously instructed painters to consider the frame of the painting as an open window. Taking Alberti's metaphor as her starting point, Friedberg tracks shifts in the perspectival paradigm as she gives us histories of the architectural window, developments in glass and transparency, and the emerging apparatuses of photography, cinema, television, and digital imaging. Single-point perspective--Alberti's metaphorical window--has long been challenged by modern painting, modern architecture, and moving-image technologies. And yet, notes Friedberg, for most of the twentieth century the dominant form of the moving image was a single image in a single frame. The fractured modernism exemplified by cubist painting, for example, remained largely confined to experimental, avant-garde work. On the computer screen, however, where multiple "windows" coexist and overlap, perspective may have met its end. In this wide-ranging book, Friedberg considers such topics as the framed view of the camera obscura, Le Corbusier's mandates for the architectural window, Eisenstein's opinions on the shape of the movie screen, and the multiple images and nested windows commonly displayed on screens today. The Virtual Window proposes a new logic of visuality, framed and virtual: an architecture not only of space but of time.
Classification:
livres
livres
Publication:
janvier 2006, Cambridge
janvier 2006, Cambridge
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
The comfort of things
The comfort of things
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$27.99
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Résumé:
The diversity of contemporary London is extraordinary, and begs to be better understood. Never before have so many people from such diverse backgrounds been free to mix and not to mix in close proximity to each other. But increasingly people's lives take place behind the closed doors of private houses. How can we gain an insight into what those lives are like today? Not(...)
$27.99
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Résumé:
The diversity of contemporary London is extraordinary, and begs to be better understood. Never before have so many people from such diverse backgrounds been free to mix and not to mix in close proximity to each other. But increasingly people's lives take place behind the closed doors of private houses. How can we gain an insight into what those lives are like today? Not(...)
Titre:
The comfort of things
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$27.99
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Résumé:
The diversity of contemporary London is extraordinary, and begs to be better understood. Never before have so many people from such diverse backgrounds been free to mix and not to mix in close proximity to each other. But increasingly people's lives take place behind the closed doors of private houses. How can we gain an insight into what those lives are like today? Not television characters, not celebrities, but real people. How could one ever come to know perfect strangers? Danny Miller attempts to achieve this goal in this brilliant exposé of a street in modern London. He leads us behind closed doors to thirty people who live there, showing their intimate lives, their aspirations and frustrations, their tragedies and accomplishments. He places the focus upon the things that really matter to the people he meets, which quite often turn out to be material things, the house, the dog, the music, the Christmas decorations. He creates a gallery of portraits, some comic, some tragic, some cubist, some impressionist, some bleak and some exuberant. We find that a random street in modern London contains the most extraordinary stories. Mass murderers and saints, the most charmed Christmas since Fanny and Alexander and the story of how a CD collection helped someone overcome heroin. Through this sensitive reading of the ordinary lives of ordinary people, Miller uncovers the orders and forms through which people make sense of their lives today. He shows just how much is to be gained when we stop lamenting what we think we used to be, and instead concentrate on what we are becoming now. He reveals above all the sadness of lives and the comfort of things.
The comfort of things
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Prix:
$27.99
(disponible sur commande)
Résumé:
The diversity of contemporary London is extraordinary, and begs to be better understood. Never before have so many people from such diverse backgrounds been free to mix and not to mix in close proximity to each other. But increasingly people's lives take place behind the closed doors of private houses. How can we gain an insight into what those lives are like today? Not television characters, not celebrities, but real people. How could one ever come to know perfect strangers? Danny Miller attempts to achieve this goal in this brilliant exposé of a street in modern London. He leads us behind closed doors to thirty people who live there, showing their intimate lives, their aspirations and frustrations, their tragedies and accomplishments. He places the focus upon the things that really matter to the people he meets, which quite often turn out to be material things, the house, the dog, the music, the Christmas decorations. He creates a gallery of portraits, some comic, some tragic, some cubist, some impressionist, some bleak and some exuberant. We find that a random street in modern London contains the most extraordinary stories. Mass murderers and saints, the most charmed Christmas since Fanny and Alexander and the story of how a CD collection helped someone overcome heroin. Through this sensitive reading of the ordinary lives of ordinary people, Miller uncovers the orders and forms through which people make sense of their lives today. He shows just how much is to be gained when we stop lamenting what we think we used to be, and instead concentrate on what we are becoming now. He reveals above all the sadness of lives and the comfort of things.
Classification:
livres
livres
Publication:
juillet 2008, Cambridge
juillet 2008, Cambridge
Sujet:
Théorie de l’art
Théorie de l’art
