651 Résultats
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In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large:(...)
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In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large:(...)
Titre:
The possibility of an absolute architecture
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In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Etienne-Louis Boullée, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms.
The possibility of an absolute architecture
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In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Etienne-Louis Boullée, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms.
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livres
livres
Publication:
mars 2011
mars 2011
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Palladio's Rome
Palladio's Rome
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Andrea Palladio (1508-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome's ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the(...)
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Andrea Palladio (1508-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome's ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the(...)
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Architecture, monographies
Architecture, monographies
Publication:
janvier 1900, New Haven, London
janvier 1900, New Haven, London
Titre:
Palladio's Rome
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Andrea Palladio (1508-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome's ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the next. He also described ancient Roman rituals of birth, marriage, and death. Here translated into English and joined in a single volume for the first time, Palladio's guidebooks allow modern visitors to enjoy Rome exactly as their predecessors did 450 years ago. Like the originals, this new edition is pocket sized and therefore easily read on site. Enhanced with illustrations and commentary, the book also includes the first full English translation of Raphael's famous letter to Pope Leo X on the monuments of ancient Rome. For architectural historians, tourists, and armchair travellers, this book offers insights into the antiquarian and ecclesiastical preoccupations of one of the greatest of the Renaissance architectural masters.
Palladio's Rome
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Andrea Palladio (1508-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome's ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the next. He also described ancient Roman rituals of birth, marriage, and death. Here translated into English and joined in a single volume for the first time, Palladio's guidebooks allow modern visitors to enjoy Rome exactly as their predecessors did 450 years ago. Like the originals, this new edition is pocket sized and therefore easily read on site. Enhanced with illustrations and commentary, the book also includes the first full English translation of Raphael's famous letter to Pope Leo X on the monuments of ancient Rome. For architectural historians, tourists, and armchair travellers, this book offers insights into the antiquarian and ecclesiastical preoccupations of one of the greatest of the Renaissance architectural masters.
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livres
livres
Publication:
janvier 1900, New Haven, London
janvier 1900, New Haven, London
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
Titre:
Ville Palladiane
Ville Palladiane
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Ville Palladiane takes shape through details, margins, atmospheres, and traces of contemporary life within the historic villas designed by Andrea Palladio. A complex and classical theme - at times seemingly obvious - was approached by students with curiosity, enthusiasm, and a touch of genuine naïveté, resulting in a visual narrative that captures Palladio’s timeless, yet(...)
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Ville Palladiane takes shape through details, margins, atmospheres, and traces of contemporary life within the historic villas designed by Andrea Palladio. A complex and classical theme - at times seemingly obvious - was approached by students with curiosity, enthusiasm, and a touch of genuine naïveté, resulting in a visual narrative that captures Palladio’s timeless, yet(...)
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Ville Palladiane
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Ville Palladiane takes shape through details, margins, atmospheres, and traces of contemporary life within the historic villas designed by Andrea Palladio. A complex and classical theme - at times seemingly obvious - was approached by students with curiosity, enthusiasm, and a touch of genuine naïveté, resulting in a visual narrative that captures Palladio’s timeless, yet strikingly modern, architectural universe. This volume is part of Prospettive, a photographic documentation project by the Istituto Centrale per il Catalogo e la Documentazione, curated by Carlo Birrozzi and Alessandro Coco. Produced during the 2023–24 Architectural Photography course led by Alberto Sinigaglia at ISIA Urbino, the work contributes to ICCD’s ongoing exploration of architectural themes through student perspectives.
Ville Palladiane
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Ville Palladiane takes shape through details, margins, atmospheres, and traces of contemporary life within the historic villas designed by Andrea Palladio. A complex and classical theme - at times seemingly obvious - was approached by students with curiosity, enthusiasm, and a touch of genuine naïveté, resulting in a visual narrative that captures Palladio’s timeless, yet strikingly modern, architectural universe. This volume is part of Prospettive, a photographic documentation project by the Istituto Centrale per il Catalogo e la Documentazione, curated by Carlo Birrozzi and Alessandro Coco. Produced during the 2023–24 Architectural Photography course led by Alberto Sinigaglia at ISIA Urbino, the work contributes to ICCD’s ongoing exploration of architectural themes through student perspectives.
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livres
livres
Publication:
mai 2024
mai 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Endo Shuhei : paramodern
Endo Shuhei : paramodern
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Endo Shuhei, a young Japanese architect based in Osaka who attracted international attention when he won the Andrea Palladio Prize in 1993. Shuhei's architecture situates itself at the intersection of two paths: on the one hand, his experimentation with non-Euclidean geometries, an essentially three-dimensional undertaking, and on the other his researches into the use of(...)
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Endo Shuhei, a young Japanese architect based in Osaka who attracted international attention when he won the Andrea Palladio Prize in 1993. Shuhei's architecture situates itself at the intersection of two paths: on the one hand, his experimentation with non-Euclidean geometries, an essentially three-dimensional undertaking, and on the other his researches into the use of(...)
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Endo Shuhei : paramodern
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Endo Shuhei, a young Japanese architect based in Osaka who attracted international attention when he won the Andrea Palladio Prize in 1993. Shuhei's architecture situates itself at the intersection of two paths: on the one hand, his experimentation with non-Euclidean geometries, an essentially three-dimensional undertaking, and on the other his researches into the use of particular material, galvanized sheet metal. The resulting spaces are fluid, dynamic, mobile, ambiguous, incomplete and even indeterminate. Shuhei curves, doubles, folds and twists a series of metal sheets to the point of dissolving the limits between interior and exterior, between surface and volume, between floor and roof, achieving dramatic effect with a great economy of means.
Endo Shuhei : paramodern
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Endo Shuhei, a young Japanese architect based in Osaka who attracted international attention when he won the Andrea Palladio Prize in 1993. Shuhei's architecture situates itself at the intersection of two paths: on the one hand, his experimentation with non-Euclidean geometries, an essentially three-dimensional undertaking, and on the other his researches into the use of particular material, galvanized sheet metal. The resulting spaces are fluid, dynamic, mobile, ambiguous, incomplete and even indeterminate. Shuhei curves, doubles, folds and twists a series of metal sheets to the point of dissolving the limits between interior and exterior, between surface and volume, between floor and roof, achieving dramatic effect with a great economy of means.
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livres
livres
Publication:
décembre 2002, Osaka
décembre 2002, Osaka
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$26.00
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This collection of a number of key essays by the New York-based architect and writer Mark Rakatansky proposes an innovative framework for architecture to enact the complex tectonic dramas of social and culture space. Following its title, the book is arrayed in three sections: Tectonic, Acts of, Desire and Doubt. In each, Rakatansky covers a series of subjects in a(...)
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This collection of a number of key essays by the New York-based architect and writer Mark Rakatansky proposes an innovative framework for architecture to enact the complex tectonic dramas of social and culture space. Following its title, the book is arrayed in three sections: Tectonic, Acts of, Desire and Doubt. In each, Rakatansky covers a series of subjects in a(...)
Titre:
AA words 9: tectonic acts of desire and doubt
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This collection of a number of key essays by the New York-based architect and writer Mark Rakatansky proposes an innovative framework for architecture to enact the complex tectonic dramas of social and culture space. Following its title, the book is arrayed in three sections: Tectonic, Acts of, Desire and Doubt. In each, Rakatansky covers a series of subjects in a writerly voice that varies from the third-person narrative of the scholarly essays to the transcript of an email exchange with fellow academic Sarah Whiting discussing recent books by architect Greg Lynn. Transformational performances of architectural identity are explored in discussions of fabrication, social parametrics, building envelopes, spatial narratives, animation, migrancy, and in illuminating readings into the works of Louis Kahn, Robin Evans, John Coltrane, Giulio Romano and Andrea Palladio.
AA words 9: tectonic acts of desire and doubt
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This collection of a number of key essays by the New York-based architect and writer Mark Rakatansky proposes an innovative framework for architecture to enact the complex tectonic dramas of social and culture space. Following its title, the book is arrayed in three sections: Tectonic, Acts of, Desire and Doubt. In each, Rakatansky covers a series of subjects in a writerly voice that varies from the third-person narrative of the scholarly essays to the transcript of an email exchange with fellow academic Sarah Whiting discussing recent books by architect Greg Lynn. Transformational performances of architectural identity are explored in discussions of fabrication, social parametrics, building envelopes, spatial narratives, animation, migrancy, and in illuminating readings into the works of Louis Kahn, Robin Evans, John Coltrane, Giulio Romano and Andrea Palladio.
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livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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Description:
xvi, 533 pages : illustrations ; 26 cm
Description:
xvi, 533 pages : illustrations ; 26 cm
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London ; New York : Routledge, Taylor & Francis Group, 2004.
London ; New York : Routledge, Taylor & Francis Group, 2004.
Titre:
The emergence of modern architecture : a documentary history from 1000 to 1810 / Liane Lefaivre and Alexander Tzonis.
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Description:
xvi, 533 pages : illustrations ; 26 cm
The emergence of modern architecture : a documentary history from 1000 to 1810 / Liane Lefaivre and Alexander Tzonis.
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Description:
xvi, 533 pages : illustrations ; 26 cm
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livres
livres
Publication:
London ; New York : Routledge, Taylor & Francis Group, 2004.
London ; New York : Routledge, Taylor & Francis Group, 2004.
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$75.00
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With more than 150 illustrations, this monograph offers the first in-depth look at the genesis of the Steiger House, a masterpiece of modern Swiss architecture, situated in the Doldertal in Zurich near other modernist houses, such as the Doldertal Houses by Roth and Breuer (1936) and the Fellowship Home (1960). Its central hall relates to Villa la Rotonda by Andrea(...)
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With more than 150 illustrations, this monograph offers the first in-depth look at the genesis of the Steiger House, a masterpiece of modern Swiss architecture, situated in the Doldertal in Zurich near other modernist houses, such as the Doldertal Houses by Roth and Breuer (1936) and the Fellowship Home (1960). Its central hall relates to Villa la Rotonda by Andrea(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
février 2025
février 2025
Titre:
The Steiger House Doldertal, Zurich 1959. Rudolf Steiger, Flora Steiger
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With more than 150 illustrations, this monograph offers the first in-depth look at the genesis of the Steiger House, a masterpiece of modern Swiss architecture, situated in the Doldertal in Zurich near other modernist houses, such as the Doldertal Houses by Roth and Breuer (1936) and the Fellowship Home (1960). Its central hall relates to Villa la Rotonda by Andrea Palladio. Detailed analyses illustrate the central layout and outline the chronology, typology and construction of the building. Further contributions illuminate its relation to local topography, the cultural context of the building, and important historical and contemporary architectural references, including the Steiger House's famous neighbors, the Doldertal Houses. The Swiss architect couple Flora Steiger-Crawford (1899–1991, also a sculptor) and Rudolf Steiger (1900–82) are important representatives of the Swiss avant-garde, and Flora Crawford was the first female architect to graduate from ETH Zurich.
The Steiger House Doldertal, Zurich 1959. Rudolf Steiger, Flora Steiger
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With more than 150 illustrations, this monograph offers the first in-depth look at the genesis of the Steiger House, a masterpiece of modern Swiss architecture, situated in the Doldertal in Zurich near other modernist houses, such as the Doldertal Houses by Roth and Breuer (1936) and the Fellowship Home (1960). Its central hall relates to Villa la Rotonda by Andrea Palladio. Detailed analyses illustrate the central layout and outline the chronology, typology and construction of the building. Further contributions illuminate its relation to local topography, the cultural context of the building, and important historical and contemporary architectural references, including the Steiger House's famous neighbors, the Doldertal Houses. The Swiss architect couple Flora Steiger-Crawford (1899–1991, also a sculptor) and Rudolf Steiger (1900–82) are important representatives of the Swiss avant-garde, and Flora Crawford was the first female architect to graduate from ETH Zurich.
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livres
livres
Publication:
février 2025
février 2025
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$56.00
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Most houses are the product of multiple layers of norms and expectations built up over time, whether methods, materials, and technologies or social, cultural, economic, and political pressures. Yet at various moments houses have been built that break with the past and do something different—houses that stand outside of these expectations and instead are conceived to(...)
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Most houses are the product of multiple layers of norms and expectations built up over time, whether methods, materials, and technologies or social, cultural, economic, and political pressures. Yet at various moments houses have been built that break with the past and do something different—houses that stand outside of these expectations and instead are conceived to(...)
Titre:
The manifesto house: Buildings that changed the future of architecture
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Most houses are the product of multiple layers of norms and expectations built up over time, whether methods, materials, and technologies or social, cultural, economic, and political pressures. Yet at various moments houses have been built that break with the past and do something different—houses that stand outside of these expectations and instead are conceived to embody whole new theories or agendas. We call these "manifesto houses." For the first time, this compelling thread in the history of architecture is surveyed by Owen Hopkins. He brings together a collection of twenty-one such manifesto houses, exploring the visions for architecture conjured by Andrea Palladio, Eileen Gray, Frank Lloyd Wright, Harry Seidler, Lina Bo Bardi, Anupama Kundoo, and Sou Fujimoto, among others. "The manifesto house" looks in detail at the ideas and ambitions embodied in each house, the contexts that shaped them, and their impact and influence on the future of architecture.
The manifesto house: Buildings that changed the future of architecture
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Most houses are the product of multiple layers of norms and expectations built up over time, whether methods, materials, and technologies or social, cultural, economic, and political pressures. Yet at various moments houses have been built that break with the past and do something different—houses that stand outside of these expectations and instead are conceived to embody whole new theories or agendas. We call these "manifesto houses." For the first time, this compelling thread in the history of architecture is surveyed by Owen Hopkins. He brings together a collection of twenty-one such manifesto houses, exploring the visions for architecture conjured by Andrea Palladio, Eileen Gray, Frank Lloyd Wright, Harry Seidler, Lina Bo Bardi, Anupama Kundoo, and Sou Fujimoto, among others. "The manifesto house" looks in detail at the ideas and ambitions embodied in each house, the contexts that shaped them, and their impact and influence on the future of architecture.
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livres
livres
Publication:
mai 2025
mai 2025
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
On Bramante
On Bramante
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In ''On Bramante,'' architect Pier Paolo Tamburelli considers the work of the celebrated Italian Renaissance architect Donato Bramante and through this reappraisal suggests a possible agenda for current architectural practice. Bramante, Tamburelli argues, offers an excellent starting point to imagine a contemporary theory of space, to reflect on the relationship between(...)
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In ''On Bramante,'' architect Pier Paolo Tamburelli considers the work of the celebrated Italian Renaissance architect Donato Bramante and through this reappraisal suggests a possible agenda for current architectural practice. Bramante, Tamburelli argues, offers an excellent starting point to imagine a contemporary theory of space, to reflect on the relationship between(...)
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On Bramante
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In ''On Bramante,'' architect Pier Paolo Tamburelli considers the work of the celebrated Italian Renaissance architect Donato Bramante and through this reappraisal suggests a possible agenda for current architectural practice. Bramante, Tamburelli argues, offers an excellent starting point to imagine a contemporary theory of space, to reflect on the relationship between architecture and politics, and to look back—with neither nostalgia nor contempt—at the tradition of Western classicism. Starting from a discussion of the difference in the work of Bramante in Milan (1481–1499) and Rome (1499–1514), Tamburelli highlights the peculiarities of Bramante’s architecture, especially in comparison to that of his predecessor Leon Battista Alberti and successor Andrea Palladio. This in turn opens up new possibilities for appreciating his spatial experiments, and to derive from Bramante’s abstraction and disassociation of form from function a revised theory of space for contemporary architecture. Such a theory might even advance a newfound political understanding of classicism, and a model—perhaps more valid now than ever before—for a public architecture.
On Bramante
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In ''On Bramante,'' architect Pier Paolo Tamburelli considers the work of the celebrated Italian Renaissance architect Donato Bramante and through this reappraisal suggests a possible agenda for current architectural practice. Bramante, Tamburelli argues, offers an excellent starting point to imagine a contemporary theory of space, to reflect on the relationship between architecture and politics, and to look back—with neither nostalgia nor contempt—at the tradition of Western classicism. Starting from a discussion of the difference in the work of Bramante in Milan (1481–1499) and Rome (1499–1514), Tamburelli highlights the peculiarities of Bramante’s architecture, especially in comparison to that of his predecessor Leon Battista Alberti and successor Andrea Palladio. This in turn opens up new possibilities for appreciating his spatial experiments, and to derive from Bramante’s abstraction and disassociation of form from function a revised theory of space for contemporary architecture. Such a theory might even advance a newfound political understanding of classicism, and a model—perhaps more valid now than ever before—for a public architecture.
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livres
livres
Publication:
mai 2022
mai 2022
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$80.00
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Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. He famously traveled to Italy and studied firsthand the buildings of the Italian masters, particularly admiring those by Andrea(...)
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Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. He famously traveled to Italy and studied firsthand the buildings of the Italian masters, particularly admiring those by Andrea(...)
Titre:
Inigo Jones: the architect of kings
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Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. He famously traveled to Italy and studied firsthand the buildings of the Italian masters, particularly admiring those by Andrea Palladio. Much less well known is the profound influence of native British arts and crafts on Jones's architecture. Likewise, his hostility to the more opulent forms of Italian architecture he saw on his travels has largely gone unnoted. This book examines both of these overlooked issues. Vaughan Hart identifies well-established links between the classical column and the crown prior to Jones, in early Stuart masques, processions, heraldry, paintings, and poems. He goes on to discuss Jones's preference for a "masculine and unaffected" architecture, demonstrating that this plain style was consistent with the Puritan artistic sensitivities of Stuart England. For the first time, the work of Inigo Jones is understood in its national religious and political context.
Inigo Jones: the architect of kings
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Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. He famously traveled to Italy and studied firsthand the buildings of the Italian masters, particularly admiring those by Andrea Palladio. Much less well known is the profound influence of native British arts and crafts on Jones's architecture. Likewise, his hostility to the more opulent forms of Italian architecture he saw on his travels has largely gone unnoted. This book examines both of these overlooked issues. Vaughan Hart identifies well-established links between the classical column and the crown prior to Jones, in early Stuart masques, processions, heraldry, paintings, and poems. He goes on to discuss Jones's preference for a "masculine and unaffected" architecture, demonstrating that this plain style was consistent with the Puritan artistic sensitivities of Stuart England. For the first time, the work of Inigo Jones is understood in its national religious and political context.
Classification:
livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Architecture, monographies
Architecture, monographies
