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This book is about the "public realm," defined as a particular kind of social territory that is found almost exclusively in large settlements. This particular form of social-psychological space comes into being whenever a piece of actual physical space is dominated by relationships between and among persons who are strangers to one another, as often occurs in urban bars,(...)
The public realm : exploring the city's quintessential social territory
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This book is about the "public realm," defined as a particular kind of social territory that is found almost exclusively in large settlements. This particular form of social-psychological space comes into being whenever a piece of actual physical space is dominated by relationships between and among persons who are strangers to one another, as often occurs in urban bars, buses, plazas, parks, coffee houses, streets, and so forth. More specifically, the book is about the social life that occurs in such social-psychological space and the forces that threaten it.
Théorie de l’urbanisme
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" Unboxed : engagements in social space " is a collection of critical essays about and by artists who work across the borders of art, architecture and performance. This collection is loosely based upon the lecture series that Gallery 101 and the Carleton University School of Architecture co-hosted throughout the fall and winter of 2002-2003. The goal of that series(...)
Unboxed : engagements in social space
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" Unboxed : engagements in social space " is a collection of critical essays about and by artists who work across the borders of art, architecture and performance. This collection is loosely based upon the lecture series that Gallery 101 and the Carleton University School of Architecture co-hosted throughout the fall and winter of 2002-2003. The goal of that series (entitled "unboxed : dialogues on art & architecture") was, in part, to engage both architecture students and practicing visual artists with this vital yet under-explored arena of interstitial practices. The anthology, which is an attempt to further broaden the audience for this work and thereby increase the number of potential participants, includes transcriptions of lectures by international artists : Vito Acconci, Lucy Orta, Jan-Erik Andersson and Marko Peljhan, as well as commissioned essays by Canadian artists: Ana Rewakowicz, Eduardo Aquino, Marie-Paule Macdonald, Jean-François Prost, Luc Lévesque, Steve Topping, and Adrian Blackwell. Each text adds a mode of thinking about notions of space; directing us to consider the local and social connections between individuals and environments and, in their variety, they mirror the various ways we move in and around communities, rural and urban. Together, forming a challenging, engaging and accessible anthology that enlightens our way of seeing and our sense of being. It provides rare and exceptional information on interdisciplinary practices for students in art and architecture departments everywhere.
Théorie de l’urbanisme
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Histoire de la ville
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Première édition en 1983
Histoire de la ville
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Première édition en 1983
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mai 1995, Marseille
Théorie de l’urbanisme
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The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these(...)
Théorie de l’architecture
janvier 1975, Cambridge, Massachusetts
Programs and manifestos of 20th-century architecture
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The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these are collected here in chronological order from 1903 to 1963. Taken together, they constitute a subjective history of modern architecture; compared with one another, their great diversity of style reveals in many cases the basic differences of attitude and temperament that produced a corresponding divergence in architectural style. The documents, placed in context by the editor, are also international in their range: among them are the seminal and prophetic statements of Henry van de Velde, Adolf Loos, and Bruno Taut from the early years of the century; Frank Lloyd Wright's 1910 annunciation of Organic Architecture; Gropius's original program for the Bauhaus, founded in Weimar in 1919; "Towards a New Architecture, Guiding Principles" by Le Corbusier; the formulation by Naum Gabo and Antoine Pevsner of the basic principles of Constructivism; and articles by R. Buckminster Fuller on universal architecture and the architect as world planner. Other pronouncements, some in flamboyant style, including those of Erich Mendelsohn, Hannes Meyer, Theo van Doesburg, Oskar Schlemmer, Ludwig Mies van der Rohe, El Lissitzky, and Louis I. Kahn. There are also a number of collective or group statements, issued in the name of movements such as CIAM, De Stijl, ABC, the Situationists, and GEAM.Since the dramatic effectiveness of the manifesto form is usually heightened by brevity and conciseness, it has been possible to reproduce most of the documents in their entirety; only a few have been excerpted.
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janvier 1975, Cambridge, Massachusetts
Théorie de l’architecture
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Fifth revised and enlarged edition of this classic text.
Théorie de l’architecture
janvier 1900, Cambridge, Mass.
Space, time and architecture : the growth of a new tradition
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Fifth revised and enlarged edition of this classic text.
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janvier 1900, Cambridge, Mass.
Théorie de l’architecture
livres
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A direct and fundamentally optimistic indictment of the short-sightedness and intellectual arrogance that has characterized much of urban planning in this century, The Death and Life of Great American Cities has, since its first publication in 1961, become the standard against which all endeavors in that field are measured. In prose of outstanding immediacy, Jane Jacobs(...)
The death and life of great American cities
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A direct and fundamentally optimistic indictment of the short-sightedness and intellectual arrogance that has characterized much of urban planning in this century, The Death and Life of Great American Cities has, since its first publication in 1961, become the standard against which all endeavors in that field are measured. In prose of outstanding immediacy, Jane Jacobs writes about what makes streets safe or unsafe; about what constitutes a neighborhood, and what function it serves within the larger organism of the city; about why some neighborhoods remain impoverished while others regenerate themselves. She writes about the salutary role of funeral parlors and tenement windows, the dangers of too much development money and too little diversity. Compassionate, bracingly indignant, and always keenly detailed, Jane Jacobs's monumental work provides an essential framework for assessing the vitality of all cities.
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décembre 1992, New York
Théorie de l’urbanisme
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City speculations
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Originally an exhibition at the Queens Museum, 'City Specualtions' includes projects by: Balch & Baratloo; Diller + Scofidio; Keller Easterling; the Environmental Simulation Center; Andrea Kahn; Ana Marton; Brian(...)
City speculations
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Originally an exhibition at the Queens Museum, 'City Specualtions' includes projects by: Balch & Baratloo; Diller + Scofidio; Keller Easterling; the Environmental Simulation Center; Andrea Kahn; Ana Marton; Brian McGrath; Kyong Park; Richard Plunz; RAAUm; Mark Robbins; Newark Metametrics; Wellington Reiter; Mierle Ukeles; and Camilio Vergara.
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avril 1996, New York
Théorie de l’urbanisme
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Un autre point de vue, un nouveau type de regard s'avèrent nécessaire afin d'apprivoiser la grande ville contemporaine. Tout regard présuppose un sujet. La ville idéale de la Renaissance était inséparable de cet homme générique, animal doué de raison, microcosme ordonnateur, dont la perspective cherchait à codifier la vision. Dans cet essai, le cyborg(...)
La ville territoire des cyborgs
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Un autre point de vue, un nouveau type de regard s'avèrent nécessaire afin d'apprivoiser la grande ville contemporaine. Tout regard présuppose un sujet. La ville idéale de la Renaissance était inséparable de cet homme générique, animal doué de raison, microcosme ordonnateur, dont la perspective cherchait à codifier la vision. Dans cet essai, le cyborg tient un rôle comparable, s'agissant cette fois d'explorer les complexités de la ville territoire d'aujourd'hui. Hybride d'homme et de machine, individu parfait parce que rendu pleinement autonome par la technologie, le cyborg est bien sûr une fiction. Cette fiction n'en permet pas moins d'analyser des aspects essentiels de la grande ville d'aujourd'hui, de son étrange parenté avec l'univers des jeux électroniques au rôle qu'y tiennent les réseaux avant de se pencher sur son architecture.
Théorie de l’urbanisme
Good city form
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With the publication of The Image of the City in 1959, Kevin Lynch embarked upon the process of exploring city form. Good City Form is both a summation and an extension of his vision, a high point from which he views cities past and possible.
Good city form
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With the publication of The Image of the City in 1959, Kevin Lynch embarked upon the process of exploring city form. Good City Form is both a summation and an extension of his vision, a high point from which he views cities past and possible.
Théorie de l’urbanisme
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'Seaside' provides a history of the town, interviews with its planners, zoning and building codes, and drawings, photographs, and descriptions of over 120 buildings by 40 architects.
Théorie de l’urbanisme
décembre 1988, New York
Seaside : making a town in America
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'Seaside' provides a history of the town, interviews with its planners, zoning and building codes, and drawings, photographs, and descriptions of over 120 buildings by 40 architects.
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décembre 1988, New York
Théorie de l’urbanisme