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N55 book
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Those are the last copies, the book is out of print. N55 works with art as a part of everyday life. N55 BOOK is an accumulation of manuals for different things made by N55. Most of the manuals have been published separately between 1996 and 2003 as periodicals and on the N55 website.
janvier 2006, Copenhagen
N55 book
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$105.00
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Those are the last copies, the book is out of print. N55 works with art as a part of everyday life. N55 BOOK is an accumulation of manuals for different things made by N55. Most of the manuals have been published separately between 1996 and 2003 as periodicals and on the N55 website.
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janvier 2006, Copenhagen
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The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries. In a record time of just five months, Joseph Paxton, himself a garden designer, put up the Crystal Palace in London's Hyde Park for the Great Exhibition of 1851. A totally glazed exhibition hall,(...)
octobre 2008, Köln
Architecture materials glass verre glas
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The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries. In a record time of just five months, Joseph Paxton, himself a garden designer, put up the Crystal Palace in London's Hyde Park for the Great Exhibition of 1851. A totally glazed exhibition hall, of gigantic proportions by the standards of the time, it was a milestone in the history of building in glass. The result was a totally new spatial quality and a new aesthetic, as interior and exterior could now enter into a quite unique mutual relationship. Since then, architecture without glass has been inconceivable, and glass has been used as a construction material by renowned architects worldwide for industrial buildings and private houses. Glass masterpieces, erected in particular in combination with other materials, for example, wood, stone or steel, demonstrate the potential and variety of glass architecture.
The world unfurled
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Over 12 million people each year are wowed by Matteo Pericoli's spectacular skyline mural in New York's JFK International Airport. Now Pericoli has rendered that same mural in this unique accordion format. The original 397-foot drawing (the largest ever featured in an airline terminal) captures the breathtaking beauty of 415 famous buildings from 70 countries melded into(...)
octobre 2008, San Francisco
The world unfurled
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Over 12 million people each year are wowed by Matteo Pericoli's spectacular skyline mural in New York's JFK International Airport. Now Pericoli has rendered that same mural in this unique accordion format. The original 397-foot drawing (the largest ever featured in an airline terminal) captures the breathtaking beauty of 415 famous buildings from 70 countries melded into a seamless skyline where the Eiffel Tower rubs shoulders with the Brooklyn Bridge.
Frank Gehry in Pop-Up
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Experience five of Frank Gehry's most extaordinary creations in 3-D as they are bought to life through state-of-the-art paper engineering. Guggenheim Museum, Bilbao, Spain Norton House, Venice Beach, California Walt Disney Concert Hall, Los Angeles, California Experience Music Project, Seattle, Washinton The New Customhouse, Dusseldorf, Germany The architectural(...)
avril 2008, San Diego
Frank Gehry in Pop-Up
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Experience five of Frank Gehry's most extaordinary creations in 3-D as they are bought to life through state-of-the-art paper engineering. Guggenheim Museum, Bilbao, Spain Norton House, Venice Beach, California Walt Disney Concert Hall, Los Angeles, California Experience Music Project, Seattle, Washinton The New Customhouse, Dusseldorf, Germany The architectural marvels represented in each pop-up replica are complemented by commentary on the structure's history, design and construction. Unique details and structural features of Gehry's buildings are highlighted by colorful and extensive photographs that offer a fresh look at the groundbreaking work of this outstanding creative force.
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During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition(...)
janvier 2009, Houston
On the banks of Bayou city: the center for land use interpretation in Houston
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During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition at the Blaffer Gallery, titled "Texas Oil: Landscape of an Industry". The book documents the CLUI's methodology in a series of interviews and includes a photographic essay on land use in Houston featuring a panoramic, foldout section and a comprehensive chronology of the CLUI's projects and publications over the past 14 years.
I.M. Pei : complete works
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When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." This publication, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrations,(...)
janvier 1900, New York
I.M. Pei : complete works
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When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." This publication, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrations, culminating in the last works he is currently completing.
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In this book, Eric Mumford traces how members of the International Congress of Modern Architecture (CIAM), such as Walter Gropius, Josep Lluís Sert, and their American associates, developed the discipline of urban design from the 1940s to the 1960s. Now widely known, this field has had significant influence in university departments and building projects around the world,(...)
mai 2009, New Haven, London
Defining urban design : CIAM architects and the formation of a discipline, 1937-69
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In this book, Eric Mumford traces how members of the International Congress of Modern Architecture (CIAM), such as Walter Gropius, Josep Lluís Sert, and their American associates, developed the discipline of urban design from the 1940s to the 1960s. Now widely known, this field has had significant influence in university departments and building projects around the world, but its roots in the urbanism of CIAM are not well understood.
Aldo Rossi drawings
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Sketches, drawings, concepts, watercolors, and collages from the early 1960s through to 1998 help us to understand Aldo Rossi the artist and architect, and how he elaborated his projects. The drawings are accompanied by photographs of the finished projects, in 264, often full page color illustrations. The volume is complete with a register of the Aldo Rossi Foundation’s(...)
janvier 1900, Milano
Aldo Rossi drawings
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Sketches, drawings, concepts, watercolors, and collages from the early 1960s through to 1998 help us to understand Aldo Rossi the artist and architect, and how he elaborated his projects. The drawings are accompanied by photographs of the finished projects, in 264, often full page color illustrations. The volume is complete with a register of the Aldo Rossi Foundation’s works, an index of exhibitions, and a bibliography.
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On European ground
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can (...)
On European ground
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can still observe in them today. By walking these sites and photographing the very ground in which their history has dissolved, Cohen opens a space for reflection on their complex gravity and legacy. Cohen's images achieve a solemn beauty even as they engage history at its most topical. Pictures of trenches and bunkers at the battlefields of Somme and Verdun explore the tension between the violence of the past and the inscrutability of its remnants. Photographs from the grounds of Dachau and Auschwitz solicit a provocative dialogue between the ordinariness of these sites today and their haunting memory. They teach us, as the New Art Examiner notes, "that the living perceptual connection to the Holocaust is vanishing." Images of the Berlin Wall show only the footprint of the barricade that once separated two hostile ideologies. They record the physical erosion and looming disappearance of the Wall while capturing its reappearance as a memorialized abstraction. Accompanying the photographs in On European Ground are essays by Sander Gilman and Jonathan Bordo, as well as an interview with Cohen by critic Roberta Smith of the New York Times. The essays present both an introduction to and aesthetic analysis of Cohen's work, while the interview discusses the intractable problems of history and memory that his photographs so uniquely capture.
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avril 2001, Chicago
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The model is one of the oldest means of architectural representation and comes in an extravagant variety of forms, from miniaturizations of reality mesmerizing in their exactness to wildly energetic sculptural representations. "Modeling Messages: The Architect and the Model" is a study of the contemporary model, American and international, and its myriad uses in(...)
Modeling messages : the architect and the model
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The model is one of the oldest means of architectural representation and comes in an extravagant variety of forms, from miniaturizations of reality mesmerizing in their exactness to wildly energetic sculptural representations. "Modeling Messages: The Architect and the Model" is a study of the contemporary model, American and international, and its myriad uses in architectural practice. Among the illustrations are inventive designs by architects Peter Eisenman, Frank Gehry, Zaha Hadid, and Rem Koolhaas. Author Karen Moon discusses the meaning of the model for the architect, the relationship between model and building, and the impact of scale. She also explores how architects use models for presentation and the creation of a public image. In addition, she focuses on the practice of model making: the relationship between the architect and the maker; the materials and new technologies that are transforming model making.