Mare Nostrum
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Espace-temps, espace-mouvement, la mer Méditerranée comme continuité nous positionne face l’histoire, à notre histoire commune. Ses contours, son paysage architectural nous la raconte et nous offre alors une grille de lecture du présent. Ce numéro de Classeur offre un panorama de cette sédimentation qui prend chaque jour passé plus de sens et d’importance. Plus de(...)
Mare Nostrum
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Espace-temps, espace-mouvement, la mer Méditerranée comme continuité nous positionne face l’histoire, à notre histoire commune. Ses contours, son paysage architectural nous la raconte et nous offre alors une grille de lecture du présent. Ce numéro de Classeur offre un panorama de cette sédimentation qui prend chaque jour passé plus de sens et d’importance. Plus de soixante contributions passionnantes nous ont été proposées pour nourrir sur ce thème. La France, l’Italie, la Grèce, Israël, le Liban, la Palestine, l’Egypte, la Libye, l’Algérie, l’ Espagne dessinent les contours de cette compilation de Récits.
Théorie de l’architecture
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The contributors to this volume, devoted entirely to Mies van der Rohe’s Barcelona Pavilion of 1929, address here for the first time the forgotten contexts of the Pavilion’s genesis. Habitually thought of as an abstract, unpolluted, and splendidly isolated building—a precursor of Mies’s American period—the Pavilion is revealed here as a thoroughly European work, perhaps(...)
Mies van der Rohe: Barcelona-1929
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The contributors to this volume, devoted entirely to Mies van der Rohe’s Barcelona Pavilion of 1929, address here for the first time the forgotten contexts of the Pavilion’s genesis. Habitually thought of as an abstract, unpolluted, and splendidly isolated building—a precursor of Mies’s American period—the Pavilion is revealed here as a thoroughly European work, perhaps less pristine but more authentic. Mies and Lilly Reich were commissioned to design not only the Pavilion but also more than one hundred thousand square feet of German stands spread throughout the Exposition. By examining that work in addition to the Pavilion itself, the contributors present a far-reaching reinterpretation of the whole. They also explore connections with the mass media, highlight the work’s antecedents and meaning in the history of architecture, and analyze the current pavilion, a reconstruction of the original built in 1986.
Architecture, monographies
Adolf Loos: private spaces
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Adolf Loos held that a building should have a soberly discreet exterior, reserving all its riches for its interior. Given that, any real appreciation of the spatial complexity of the work of one of the most misunderstood architects of the twentieth century requires engagement with his interiors, which this book does, brilliantly. In marked contrast to his contemporaries(...)
Adolf Loos: private spaces
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Adolf Loos held that a building should have a soberly discreet exterior, reserving all its riches for its interior. Given that, any real appreciation of the spatial complexity of the work of one of the most misunderstood architects of the twentieth century requires engagement with his interiors, which this book does, brilliantly. In marked contrast to his contemporaries in the Vienna Secession, who designed their spaces down to the smallest detail, Loos presented himself as a “professor of interior design,” perfectly willing to adapt to the habits and tastes of his clients, inviting them to embrace their own tastelessness rather than defer to the discernment of an “aesthete” architect. Together with the future occupant, he designed welcoming interiors whose warmth came from the effective use of quality materials and the creation of a flowing continuity articulated by the furnishings. What Loos created thereby was not merely architecture, but a new culture of living.
Architecture, monographies
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"Unhoused: Adorno and the Problem of Dwelling" is the first book-length study of Theodor Adorno as a philosopher of housing. Treating his own experience of exile as emblematic of late modern life, Adorno observed that twentieth-century dwelling had been rendered “impossible” by nativism, by the decimations of war, and, in the postwar period, by housing’s increasingly(...)
Unhoused: Adorno and the problem of dwelling
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"Unhoused: Adorno and the Problem of Dwelling" is the first book-length study of Theodor Adorno as a philosopher of housing. Treating his own experience of exile as emblematic of late modern life, Adorno observed that twentieth-century dwelling had been rendered “impossible” by nativism, by the decimations of war, and, in the postwar period, by housing’s increasingly thorough assimilation into private property. Adorno’s position on the meaning and prospects for adequate dwelling—a concept he never wrote about systematically but nevertheless returned to frequently—was not that some invulnerable state of home or dwelling should be revived. Rather, Adorno believed that the only responsible approach to housing was to cultivate an ethic of displacement, to learn “how not to be at home in one’s home.”
Théorie de l’architecture
Snarkitecture
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Fast becoming one of the world's most sought-after studios, Snarkitecture has designed installations, architecture, products, and furniture for a diverse range of clients including COS, Kith, Calvin Klein, the New Museum, Kartell, and Beats by Dr. Dre. This book presents more than 70 of their projects and investigates how its founders, artist Daniel Arsham and architect(...)
Snarkitecture
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Fast becoming one of the world's most sought-after studios, Snarkitecture has designed installations, architecture, products, and furniture for a diverse range of clients including COS, Kith, Calvin Klein, the New Museum, Kartell, and Beats by Dr. Dre. This book presents more than 70 of their projects and investigates how its founders, artist Daniel Arsham and architect Alex Mustonen, work at the interface between their disciplines to come up with some of the most beguiling and fascinating designs seen in recent years.
Architecture, monographies
Grafton Architects
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Dublin-based Grafton Architects (founded by Yvonne Farrell and Shelley McNamara in 1978) has built up an impressive body of work over its 40-year history, ranging from houses in Ireland to public buildings in Italy, France, the UK, and Peru. In this long-overdue study, respected architectural writer and critic Robert McCarter presents 60 of Grafton's built and unbuilt(...)
Grafton Architects
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Dublin-based Grafton Architects (founded by Yvonne Farrell and Shelley McNamara in 1978) has built up an impressive body of work over its 40-year history, ranging from houses in Ireland to public buildings in Italy, France, the UK, and Peru. In this long-overdue study, respected architectural writer and critic Robert McCarter presents 60 of Grafton's built and unbuilt projects and brings to light their principled and ethical approach, which is committed to making a profound difference to the lives of their buildings' users.
Architecture, monographies
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In Flintstone Modernism, Jeffrey Lieber investigates transformations in postwar American architecture and culture. He considers sword-and-sandal films of the 1950s and 1960s—including forgotten gems such as Land of the Pharaohs, Helen of Troy, and The Egyptian—and their protean, ideologically charged representations of totalitarianism and democracy. He connects(...)
Flintstone modernism: or the crisis in postwar American culture
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In Flintstone Modernism, Jeffrey Lieber investigates transformations in postwar American architecture and culture. He considers sword-and-sandal films of the 1950s and 1960s—including forgotten gems such as Land of the Pharaohs, Helen of Troy, and The Egyptian—and their protean, ideologically charged representations of totalitarianism and democracy. He connects Cinemascope and other widescreen technologies to the architectural “glass curtain wall,” arguing that both represented the all-encompassing eye of American Enterprise. Lieber reminds us that until recently midcentury modern American architecture was reviled by architectural historians but celebrated by design enthusiasts, just as sword-and-sandal epics are alternately hailed as cult classics or derided as camp.
Théorie de l’architecture
Michael Webb: two journeys
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The artist Michael Webb, trained as an architect, operates at the intersection of art and architecture and is widely known for creatively exploring the outer limits of drawing techniques, including orthographic and perspectival projection systems. He is a founding member of Archigram, which formed at the Architectural Association in London in the early 1960s. The(...)
Architecture, monographies
juin 2018
Michael Webb: two journeys
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The artist Michael Webb, trained as an architect, operates at the intersection of art and architecture and is widely known for creatively exploring the outer limits of drawing techniques, including orthographic and perspectival projection systems. He is a founding member of Archigram, which formed at the Architectural Association in London in the early 1960s. The legendary avant-garde group is known for their fantastical projects that were often interpreted as critiques of contemporary architectural theory and practice. "Two Journeys" is the first comprehensive monograph on Webb’s oeuvre and assembles sixty years of the artist’s work into a continuously evolving narrative about the multifaceted relationships among the built environment, landscape, and moving vehicles. He investigates these relationships through the act of drawing using notions of time, space, and speed, which are artfully mediated by the precision of mathematics and tempered by abstraction.
Architecture, monographies
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A story of the ’70s: when six New York ex-gangsters met Buckminster Fuller and built a geodesic dome. In 1970 a meeting took place in an empty loft on the Lower East Side of Manhattan between R. Buckminster Fuller, the revolutionary architect and inventor of the geodesic dome, and six ex-gang members who called themselves “CHARAS.” After a few hours, they found themselves(...)
Charas: the improbable dome builders
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A story of the ’70s: when six New York ex-gangsters met Buckminster Fuller and built a geodesic dome. In 1970 a meeting took place in an empty loft on the Lower East Side of Manhattan between R. Buckminster Fuller, the revolutionary architect and inventor of the geodesic dome, and six ex-gang members who called themselves “CHARAS.” After a few hours, they found themselves having an earnest and important conversation, and the young men of CHARAS decided to begin implementing Bucky’s ideas. This edition also includes a new interview with Michael Ben-Eli looking back on the project four decades later.
Architecture, monographies
The measure of darkness
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Martin, an acclaimed architect, emerges from a coma after a roadside accident to find his world transformed: not only has the commission of a lifetime been taken from him, but his injury has left him with neglect syndrome, a loss of spatial awareness that has rendered him unfit to practice and unable to recognize the extent of his illness. Despite support from his(...)
The measure of darkness
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Martin, an acclaimed architect, emerges from a coma after a roadside accident to find his world transformed: not only has the commission of a lifetime been taken from him, but his injury has left him with neglect syndrome, a loss of spatial awareness that has rendered him unfit to practice and unable to recognize the extent of his illness. Despite support from his formerly estranged brother and two grown daughters, his paranoia builds, alienating those closest to him. His only solace is found in the parallels he draws between himself and gifted Soviet-era architect Konstantin Melnikov, who survived Stalin’s disfavor by retreating into obscurity. As Martin retraces Melnikov’s life and his own fateful decisions, he becomes increasingly unsettled, until the discovery of the harrowing truth about the night of his accident hurtles him toward a deadly confrontation.
Architecture de Montréal