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From ferns in 19th-century British parlors to contemporary 'living walls' in commercial spaces, plants and flowers have long been incorporated into the design of public and private spaces. Spanning two centuries, Nature Inside explores the history and popularity of indoor plants, revealing the close relationship between architecture, interior design, and nature. Studying(...)
Nature inside: Plants and flowers in the Modern interior
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From ferns in 19th-century British parlors to contemporary 'living walls' in commercial spaces, plants and flowers have long been incorporated into the design of public and private spaces. Spanning two centuries, Nature Inside explores the history and popularity of indoor plants, revealing the close relationship between architecture, interior design, and nature. Studying the international modern interior through the lens of plants in the human environment, author Penny Sparke attributes a degree of the interest in indoor plants to urbanization, and, more recently, the climate crisis, which serve as ongoing reminders that people must maintain a connection to, and respect for, the natural world. While architectural and interior design styles have evolved alongside the popularity of various plant species, the human need to bring nature indoors has remained constant.
Design d’intérieur
Andreas Gursky
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Famed worldwide for his epically-proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky's final image--achieved by digital restructuring--produces a vertiginous effect on the(...)
Andreas Gursky
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Famed worldwide for his epically-proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky's final image--achieved by digital restructuring--produces a vertiginous effect on the viewer, as it oscillates between total representation and total abstraction. It could be said that Gursky updates the eighteenth-century sublime for our times. This publication surveys the artist's most recent creations, on display at the renowned Kunstmuseum Basel throughout the winter of 2007/2008. Two new groups of works in particular, one on Formula One races and the other on the famous Arirang Festival (a closely-choreographed mass spectacle in North Korea's capital of Pyongyang), are gathered here.
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Space settlements
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In the summer of 1975, NASA brought together a team of physicists, engineers, and space scientists—along with architects, urban planners, and artists—to design large-scale space habitats for millions of people. This Summer Study was led by Princeton physicist Gerard O’Neill, whose work on this topic had previously been funded by countercultural icon Stewart Brand’s Point(...)
Space settlements
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In the summer of 1975, NASA brought together a team of physicists, engineers, and space scientists—along with architects, urban planners, and artists—to design large-scale space habitats for millions of people. This Summer Study was led by Princeton physicist Gerard O’Neill, whose work on this topic had previously been funded by countercultural icon Stewart Brand’s Point Foundation. Two painters, the artist and architect Rick Guidice and the planetary science illustrator Don Davis, created renderings for the project that would be widely circulated over the next years and decades and even included in testimony before a Congressional subcommittee. A product of its time, this work is nevertheless relevant to contemporary modes of thinking about architecture. ''Space Settlements'' examines these plans for life in space as serious architectural and spatial proposals.
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Investigation goes on full steam ahead into the creative process and the concept of project in the latest issue of Inventario. This time the Mask takes pride of place on the front cover, while inside the disciplines of architecture, design and art communicate in a dialogue with everyday life. The contributors: Roberto Marone on Urban Jewels, Cristina Miglio on(...)
Inventario 04: everything is a project
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Investigation goes on full steam ahead into the creative process and the concept of project in the latest issue of Inventario. This time the Mask takes pride of place on the front cover, while inside the disciplines of architecture, design and art communicate in a dialogue with everyday life. The contributors: Roberto Marone on Urban Jewels, Cristina Miglio on Contemporary Jewellery, Paolo Bocchi on JoeVelluto (JVLT), Anselmo Tumpi and Dominic Wilcox, Giulio Iacchetti on Pens, Annalisa Ubaldi on Mirrors, Angelika Burtscher and Daniele Lupo interview Ika Künzel, Roberta Valtorta on Collecting/Arranging, Italo Lupi on Leonardo Sonnoli, Francesco M. Cataluccio and Lorena Tonin on Traces, Matteo Pirola on Equilibrium, Francesco Garutti on Carsten Höller, Michele Calzavara on Architecten DVVT, Deborah Duva on Jochen Gerz and Esther Shalev-Gerz, Alessandro Rabottini on Francis Alÿs.
Revues
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In 1960, Brasilia was celebrated as the realisation of an urban planning vision based on designs by Lucio Costa and Oscar Niemeyer. At the same time, the sectoral city of Chandigarh was rising according to plans by Le Corbusier. The test tube city arose as an export of modernity from a Western planning euphoria that displayed utopian traits. In both cities, foreign(...)
Brasilia Chandigarh: Living with Modernity
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In 1960, Brasilia was celebrated as the realisation of an urban planning vision based on designs by Lucio Costa and Oscar Niemeyer. At the same time, the sectoral city of Chandigarh was rising according to plans by Le Corbusier. The test tube city arose as an export of modernity from a Western planning euphoria that displayed utopian traits. In both cities, foreign architecture entered into a harmonious relationship with indigenous culture, forming new and independent identities. This publication addresses the question of how modernism has been appropriated in both cities, and how the people who live in them deal with it. Commonalities and differences are identified and images of everyday urban life showcased. On the initiative of the publisher, the young photographer Iwan Baan has taken stock of contemporary life in both cities.
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Critique of everyday life
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The three-volume text by Henri Lefebvre is perhaps the richest, most prescient work about modern capitalism to emerge from one of the twentieth century's greatest philosophers and is now available for the first time in one complete volume. Written at the birth of post-war consumerism, Critique was an inspiration for the 1968 student revolution in France. It is a founding(...)
Critique of everyday life
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The three-volume text by Henri Lefebvre is perhaps the richest, most prescient work about modern capitalism to emerge from one of the twentieth century's greatest philosophers and is now available for the first time in one complete volume. Written at the birth of post-war consumerism, Critique was an inspiration for the 1968 student revolution in France. It is a founding text of cultural studies and a major influence on the fields of contemporary philosophy, geography, sociology, architecture, political theory and urbanism. Lefebvre takes as his starting point and guide the 'trivial' details of quotidian experience: an experience colonized by the commodity, shadowed by inauthenticity, yet remaining the only source of resistance and change. This is an enduringly radical text, untimely today only in its intransigence and optimism.
Théorie/ philosophie
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The publications presents Josef Hoffman and Adolf Loos as two opposing tendencies within modernity, both whose legacy can still be felt today. The catalogue for the exhibition at the MAK (Austrian Museum for Applied Art/Contemporary Art in Vienna) focuses on two fundamental approaches of the Moderne movement in an antithetic comparison, including the preceding history and(...)
Modernisme
septembre 2015
Ways to modernism: Josef Hoffman, Adolf Loos and their impact
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The publications presents Josef Hoffman and Adolf Loos as two opposing tendencies within modernity, both whose legacy can still be felt today. The catalogue for the exhibition at the MAK (Austrian Museum for Applied Art/Contemporary Art in Vienna) focuses on two fundamental approaches of the Moderne movement in an antithetic comparison, including the preceding history and after-effects to this day: Josef Hoffmann (1870-1956) and Adolf Loos (1870-1933) represent opposing reactions to the basic problems of modern civilization, which were triggered by the process of industrialization and democratization. Two different concepts for a modern way of life were created: Hoffmann promoted a comprehensive aestheticization of all spheres of life, while Loos interpreted architecture and design as the functional background for the development of individual personalities.
Modernisme
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New Geographies 11: Extraterrestrial explores the historical and contemporary consequence of our planetary relationship with space. It interprets this duality through the conceptual lens of “extraterrestrial,” which engages an entangled zone of expanding practices in geography, landscape, and architecture, stretching Earth to space, and conversely, space to Earth. This(...)
New Geographies 11: Extraterrestrial
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New Geographies 11: Extraterrestrial explores the historical and contemporary consequence of our planetary relationship with space. It interprets this duality through the conceptual lens of “extraterrestrial,” which engages an entangled zone of expanding practices in geography, landscape, and architecture, stretching Earth to space, and conversely, space to Earth. This issue questions the means through which space is forged as a condition extra to our own terra. Complicit within this imagination resides a deep political and economic logic that serves to territorialize outer space as an exception to, and extension of, Earth. These critical processes are revealed as not extra at all, but rather distinctly of terra. Through a series of written, photographic, and representational investigations, this edition of New Geographies builds on earlier studies of outer space from science, technology and society, as well as from the design disciplines, history, and critical geography. It reinforces the need for humanity’s changing relationship with outer space to be recorded, critiqued, and theorized from a breadth of academic traditions and projected within design discourse. This issue brings together experts contributing to the social, political, and cultural imaginary implicit in extraterrestrial. Three primary thematic territorial devices structure these explorations: a technologically constructed space between, a material culture constructed and discharged, and a space politically and economically reflective, all revealed through historical and contemporary society.
Revues
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Wallace’s work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace’s work can be considered a reflection(...)
Ian Wallace : at the intersection of painting and photography
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Wallace’s work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace’s work can be considered a reflection of his position as social historian, critic and educator, with influences as far reaching as film and literature, the role of the institution, architecture, urban development, gender relations, environmentalism and civil disobedience. Organised in clear, concise sections that mirror the intersecting motifs that are present throughout Wallace’s practice : Minimalism, Narrative, Text Works, The Street, The Museum and The Studio, At the Intersection of Painting and Photography features essays that chart Wallace’s career over the past five decades by Daina Augaitis, Jeff Derksen, Diedrich Diederichsen, Stan Douglas, Jessica Morgan, Christine Poggi, Kathleen Ritter and William Wood. The book also includes a selection of five essays by the artist himself and an annotated chronology by Grant Arnold, providing the perfect introduction to Wallace’s lasting career and marking his influence on contemporary art today. A comprehensive publication exploring the oeuvre of Canadian artist Ian Wallace, At the Intersection of Painting and Photography accompanies a major survey of Wallace's work at the Vancouver Art Gallery, opening in October 2012.
Monographies photo
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Over fifty years after the Situationist International appeared, its legacy continues to inspire activists, artists and theorists around the world. Such a legend has accrued to this movement that the story of the SI now demands to be told in a contemporary voice capable of putting it into the context of twenty-first-century struggles. McKenzie Wark delves into the(...)
The beach beneath the street : the everyday life and glorious times of the situationist international
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Over fifty years after the Situationist International appeared, its legacy continues to inspire activists, artists and theorists around the world. Such a legend has accrued to this movement that the story of the SI now demands to be told in a contemporary voice capable of putting it into the context of twenty-first-century struggles. McKenzie Wark delves into the Situationists' unacknowledged diversity, revealing a world as rich in practice as it is in theory. Tracing the group's development from the bohemian Paris of the '50s to the explosive days of May '68, Wark's take on the Situationists is biographically and historically rich, presenting the group as an ensemble creation, rather than the brainchild and dominion of its most famous member, Guy Debord. Roaming through Europe and the lives of those who made up the movement —including Constant, Asger Jorn, Michèle Bernstein, Alex Trocchi and Jacqueline De Jong —Wark uncovers an international movement riven with conflicting passions. Accessible to those who have only just discovered the Situationists and filled with new insights, The Beach Beneath the Street rereads the group's history in the light of our contemporary experience of communications, architecture, and everyday life. The Situationists tried to escape the world of twentieth-century spectacle and failed in the attempt. Wark argues that they may still help us to escape the twenty-first century, while we still can ...
Situationnisme