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This cutting-edge text offers an introduction to the emerging field of media archaeology and analyses the innovative theoretical and artistic methodology used to excavate current media through its past. Written with a steampunk attitude, What is Media Archaeology? examines the theoretical challenges of studying digital culture and memory and opens up the sedimented(...)
Jussi Parikka : What is media archaeology?
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This cutting-edge text offers an introduction to the emerging field of media archaeology and analyses the innovative theoretical and artistic methodology used to excavate current media through its past. Written with a steampunk attitude, What is Media Archaeology? examines the theoretical challenges of studying digital culture and memory and opens up the sedimented layers of contemporary media culture. The author contextualizes media archaeology in relation to other key media studies debates including software studies, German media theory, imaginary media research, new materialism and digital humanities.
Épistémologie et réseau
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Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. ''Sensing the Future: Moholy-Nagy, Media and the Arts'' considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key figure(...)
Sensing the future: Moholy-Nagy, media and the arts.Revised edition
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Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. ''Sensing the Future: Moholy-Nagy, Media and the Arts'' considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key figure in the history of Modernism. Moholy-Nagy felt that people needed guidance to cope with the onslaught of sensory input in an increasingly technologized, mediatized, hyper-stimulating environment. His ideas informed media theorists such as Walter Benjamin, John Cage, Sigfried Giedion, and Marshall McLuhan, who anticipated digital culture as it emerged. Should we then regard Moholy-Nagy as a pioneer of the digital? His aesthetic engagement with the technology/body problematic broached the notions of immersion, interactivity and bodily participation, innately offering a critique of today’s disembodiment.
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Toyo Ito is one of the foremost architects working today. His architecture makes innovative use of steel and aluminium and includes such buildings as the White U House and the Eggs of Winds in Tokyo. This volume focuses on his Mediathèque in Sendai. This newly completed structure, which houses a library, art gallery, cinema, lecture theatre, and cybercafé, is predicated(...)
Case : Toyo Ito - Sendai Mediatheque
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Toyo Ito is one of the foremost architects working today. His architecture makes innovative use of steel and aluminium and includes such buildings as the White U House and the Eggs of Winds in Tokyo. This volume focuses on his Mediathèque in Sendai. This newly completed structure, which houses a library, art gallery, cinema, lecture theatre, and cybercafé, is predicated on the idea that the users of the building occupy a media/ information landscape or “digital ecology. ”Through a series of extraordinary technical advances, floors supported by a system of occupiable hollow tubes and sophisticated information and media networks, the building creates an environment in which people can engage in cultural activities both internally (within the structure) and externally (through digital connections to the world at large). This volume investigates the evolution of the structure through a series of essays by experts on media, architectural technology, and digital culture.
Architecture, monographies
Humanities in the time of AI
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If humanistic research consists of the generation of consensus positions, simple expression, summarized texts, or passable translations, then we have arrived at the place where AI is able to accomplish these different missions to a convincing degree. However, Laurent Dubreuil argues, such tasks do not, in any way, constitute the humanities. On the contrary, he posits, a(...)
Humanities in the time of AI
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If humanistic research consists of the generation of consensus positions, simple expression, summarized texts, or passable translations, then we have arrived at the place where AI is able to accomplish these different missions to a convincing degree. However, Laurent Dubreuil argues, such tasks do not, in any way, constitute the humanities. On the contrary, he posits, a maximalist take on scholarship would not focus on generation but on creation, as a subject and as an object. Dubreuil seizes the opportunity of what AI reveals about the meaning of humanistic inquiry to offer a path for the renewal of the humanities on transhistorical, transcultural, and transdisciplinary grounds.
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"Archiving machines" advances our understanding of memory, information, and data by charting the struggle between the computing technologies that archive data and the cultures of information that have led to platforms that assert control over its use. Amelia Acker examines the origins of data archives and the computing processes of storage, exchange, and transmission.(...)
Archiving machines: From punch cards to platforms
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"Archiving machines" advances our understanding of memory, information, and data by charting the struggle between the computing technologies that archive data and the cultures of information that have led to platforms that assert control over its use. Amelia Acker examines the origins of data archives and the computing processes of storage, exchange, and transmission. Each chapter introduces data archiving processes that relate to the evolution of data sovereignty we experience today: from magnetic tape and timesharing computer models from the 1950s, to the establishment of data banks and the rise of database processing and managed data silos in the 1970s, to file structures and virtual containers in cloud-based information services over the past 40 years.
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As cultural heritage institutions across the nation grapple with the realization that their collecting histories have captured an incomplete picture of history, curators and archivists like Dorothy Berry have been drawn into complicated conversations. "The house archives built and other thoughts on Black archival possibilities" brings together years of those conversations(...)
The house archives built and other thoughts on Black archival possibilities
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As cultural heritage institutions across the nation grapple with the realization that their collecting histories have captured an incomplete picture of history, curators and archivists like Dorothy Berry have been drawn into complicated conversations. "The house archives built and other thoughts on Black archival possibilities" brings together years of those conversations from their origins in conference halls, webinars, and reading rooms to open them up to the public. The labor and theory that upholds archives has been obscured, but our understandings of history and ourselves rest on those invisible foundations. This book clarifies those foundations while offering new possibilities for imagining archival futures in and outside of institutional holdings.
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Today our world is under the watchful and tireless eye of computer vision, with cameras and monitors tracing our every move. Furthermore, generative AI is now able to render a synthetic world indistinguishable from reality for us to explore. Trevor Paglen goes in search of the ways and means of understanding this new visual universe. Instead of asking what these(...)
How to see like a machine: Images after AI
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Today our world is under the watchful and tireless eye of computer vision, with cameras and monitors tracing our every move. Furthermore, generative AI is now able to render a synthetic world indistinguishable from reality for us to explore. Trevor Paglen goes in search of the ways and means of understanding this new visual universe. Instead of asking what these technologies “say” about the world, he teaches us to ask what they “do” and where such images come from. Exploring the esoteric worlds of psyops, UFO imagery, magicians, and public relation gurus, Paglen shows that this apparently alien realm is more human, but much stranger, than we imagine.
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À l’heure où nos traces numériques s’accumulent, une nouvelle forme de mémoire émerge. Les technomémoires désignent ces formes hybrides que nous construisons à travers les plateformes numériques et les objets connectés. Des albums photos enrichis par l’intelligence artificielle aux assistants qui mémorisent nos habitudes, des médias socionumériques qui stockent nos(...)
janvier 2026
Technomémoires : mémoire, souvenirs et technologies émergentes
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À l’heure où nos traces numériques s’accumulent, une nouvelle forme de mémoire émerge. Les technomémoires désignent ces formes hybrides que nous construisons à travers les plateformes numériques et les objets connectés. Des albums photos enrichis par l’intelligence artificielle aux assistants qui mémorisent nos habitudes, des médias socionumériques qui stockent nos interactions aux objets connectés qui documentent nos comportements quotidiens, un nouvel écosystème mémoriel se dessine. Ce livre en explore les contours à travers trois axes?: la mémoire collective ancrée dans les territoires et les objets?; les pratiques personnelles façonnées par nos interactions numériques?; et les perspectives ouvertes par l’intelligence artificielle dans la gestion – et la fabrication – de nos souvenirs. Il s’adresse aux spécialistes de la mémoire et des médias, aux personnes étudiantes en sciences humaines et sociales, ainsi qu’au grand public curieux de comprendre ce que signifie se souvenir au XXIe siècle, à l’ère des machines qui «?se remémorent?»… supposément mieux que nous.
Le livre et la bibliothèque: La quête des savoirs et de la culture, mélanges offerts à Marcel Laje
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Cet ouvrage présente le livre et la bibliothèque comme objet et lieu privilégiés où s’incarne la quête des savoirs et de la culture. Qu’on pense en mode analogique ou numérique, le livre et la bibliothèque ne sont-ils pas les meilleurs moyens de répondre au besoin essentiel que nous avons tous de connaître, de savoir, de nous développer?? Le livre comme support de la(...)
février 2023
Le livre et la bibliothèque: La quête des savoirs et de la culture, mélanges offerts à Marcel Laje
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Cet ouvrage présente le livre et la bibliothèque comme objet et lieu privilégiés où s’incarne la quête des savoirs et de la culture. Qu’on pense en mode analogique ou numérique, le livre et la bibliothèque ne sont-ils pas les meilleurs moyens de répondre au besoin essentiel que nous avons tous de connaître, de savoir, de nous développer?? Le livre comme support de la connaissance et la bibliothèque comme milieu de recherche du savoir ont fourni de tout temps une contribution importante à l’apprentissage, à la progression, bref à l’évolution de l’être humain. L’ouvrage que nous proposons aborde ce vaste terrain de réflexion dans une approche nationale et internationale avec un regard historique, actuel et tourné vers l’avenir.
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This critical anthology addresses three often-overlooked issues facing archival organizations: the question of inclusion in or exclusion from the archive; the loss of individuality and specificity in the archive; the danger of homogenization; and the risk that archiving may foster a form of pigeonholing. Since the archive is a fundamental symbolic entity, on the basis of(...)
Productive archiving: Artistic strategies, future memories & fluid identities
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This critical anthology addresses three often-overlooked issues facing archival organizations: the question of inclusion in or exclusion from the archive; the loss of individuality and specificity in the archive; the danger of homogenization; and the risk that archiving may foster a form of pigeonholing. Since the archive is a fundamental symbolic entity, on the basis of which we organize our lives, the past, the present and the future, these issues require exploration. ''Productive archiving'' proposes that artistic treatments of (and interventions in) archives can offer innovative ways to foster new connections and ways of thinking and organizing.