6832 Résultats
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The accompanying catalog for the New Museum’s exhibition "Trigger: gender as a tool and a weapon" investigates gender’s place in contemporary art and culture at a moment of political upheaval and renewed culture wars. The exhibition features over 40 artists working across a variety of mediums and genres, including film, video, performance, painting and sculpture. Among(...)
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The accompanying catalog for the New Museum’s exhibition "Trigger: gender as a tool and a weapon" investigates gender’s place in contemporary art and culture at a moment of political upheaval and renewed culture wars. The exhibition features over 40 artists working across a variety of mediums and genres, including film, video, performance, painting and sculpture. Among(...)
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Trigger: gender as a tool and a weapon
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The accompanying catalog for the New Museum’s exhibition "Trigger: gender as a tool and a weapon" investigates gender’s place in contemporary art and culture at a moment of political upheaval and renewed culture wars. The exhibition features over 40 artists working across a variety of mediums and genres, including film, video, performance, painting and sculpture. Among the artists included are Morgan Bassichis, Nayland Blake, Pauline Boudry/Renate Lorenz, Vaginal Davis, ektor garcia, House of Ladosha, Candice Lin, Christina Quarles, Tschabalala Self, Paul Mpagi Sepuya, Sable Elyse Smith and Wu Tsang.
Trigger: gender as a tool and a weapon
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The accompanying catalog for the New Museum’s exhibition "Trigger: gender as a tool and a weapon" investigates gender’s place in contemporary art and culture at a moment of political upheaval and renewed culture wars. The exhibition features over 40 artists working across a variety of mediums and genres, including film, video, performance, painting and sculpture. Among the artists included are Morgan Bassichis, Nayland Blake, Pauline Boudry/Renate Lorenz, Vaginal Davis, ektor garcia, House of Ladosha, Candice Lin, Christina Quarles, Tschabalala Self, Paul Mpagi Sepuya, Sable Elyse Smith and Wu Tsang.
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livres
livres
Publication:
janvier 2018
janvier 2018
Sujet:
Expositions collectives
Expositions collectives
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livres
livres
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Max Bill (1904-1994)- a product of the Bauhaus at Dessau, pupil of Walter Gropius, Vasily Kandinsky and Paul Klee- was a virtuoso designer whose work overleaped disciplinary boundaries, encompassing architecture, painting, sculpture, industrial and graphic design, as well as education. What unites all the work is a clarity and precision of expression. Through both his(...)
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Max Bill (1904-1994)- a product of the Bauhaus at Dessau, pupil of Walter Gropius, Vasily Kandinsky and Paul Klee- was a virtuoso designer whose work overleaped disciplinary boundaries, encompassing architecture, painting, sculpture, industrial and graphic design, as well as education. What unites all the work is a clarity and precision of expression. Through both his(...)
Titre:
AA words 5: Form, function, beauty = gestalt
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Max Bill (1904-1994)- a product of the Bauhaus at Dessau, pupil of Walter Gropius, Vasily Kandinsky and Paul Klee- was a virtuoso designer whose work overleaped disciplinary boundaries, encompassing architecture, painting, sculpture, industrial and graphic design, as well as education. What unites all the work is a clarity and precision of expression. Through both his designs and his writings Max Bill has long been a major figure of reference in the German-speaking world. This collection makes many of his key texts available in English for the first time.
AA words 5: Form, function, beauty = gestalt
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Max Bill (1904-1994)- a product of the Bauhaus at Dessau, pupil of Walter Gropius, Vasily Kandinsky and Paul Klee- was a virtuoso designer whose work overleaped disciplinary boundaries, encompassing architecture, painting, sculpture, industrial and graphic design, as well as education. What unites all the work is a clarity and precision of expression. Through both his designs and his writings Max Bill has long been a major figure of reference in the German-speaking world. This collection makes many of his key texts available in English for the first time.
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livres
livres
Publication:
juin 2010
juin 2010
Sujet:
Design, monographies
Design, monographies
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livres
livres
Titre:
Sterling Ruby
Sterling Ruby
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Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia,(...)
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Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia,(...)
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Sterling Ruby
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Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia, conflicts between individual impulses and mechanisms of social control, urban violence, consumption, anxiety and the need for control that characterizes contemporary Western society. This is the most comprehensive reference on this rapidly emerging artist's work to date.
Sterling Ruby
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Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia, conflicts between individual impulses and mechanisms of social control, urban violence, consumption, anxiety and the need for control that characterizes contemporary Western society. This is the most comprehensive reference on this rapidly emerging artist's work to date.
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livres
livres
Publication:
août 2009
août 2009
Classification:
livres
livres
Titre:
The new décor
The new décor
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This publication gathers a range of contemporary artists whose work takes the vocabulary of interior design as a point of departure. Reconceptualizing the decoration of our everyday environments through sculpture and installation, these artists explore, and sometimes dismantle, the current attitudes and the social furniture that reveal the public dimensions of our private(...)
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This publication gathers a range of contemporary artists whose work takes the vocabulary of interior design as a point of departure. Reconceptualizing the decoration of our everyday environments through sculpture and installation, these artists explore, and sometimes dismantle, the current attitudes and the social furniture that reveal the public dimensions of our private(...)
Titre:
The new décor
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This publication gathers a range of contemporary artists whose work takes the vocabulary of interior design as a point of departure. Reconceptualizing the decoration of our everyday environments through sculpture and installation, these artists explore, and sometimes dismantle, the current attitudes and the social furniture that reveal the public dimensions of our private worlds. In French the word "decor" refers to stage and film sets as well as interior design, and in a similar spirit the works in this volume occupy an arena midway between theater and everyday life.
The new décor
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This publication gathers a range of contemporary artists whose work takes the vocabulary of interior design as a point of departure. Reconceptualizing the decoration of our everyday environments through sculpture and installation, these artists explore, and sometimes dismantle, the current attitudes and the social furniture that reveal the public dimensions of our private worlds. In French the word "decor" refers to stage and film sets as well as interior design, and in a similar spirit the works in this volume occupy an arena midway between theater and everyday life.
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livres
livres
Publication:
septembre 2010
septembre 2010
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livres
livres
Titre:
Barbara Kasten: stages
Barbara Kasten: stages
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Since the 1970s, Chicago-based artist Barbara Kasten (born 1936) has developed her expansive practice of photography through the lens of many disciplines, including sculpture, painting, theater, textile and installation. Kasten was one of the first artists to be invited by Polaroid to use its new large-format film, and it was with this that she made many of her best-known(...)
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Since the 1970s, Chicago-based artist Barbara Kasten (born 1936) has developed her expansive practice of photography through the lens of many disciplines, including sculpture, painting, theater, textile and installation. Kasten was one of the first artists to be invited by Polaroid to use its new large-format film, and it was with this that she made many of her best-known(...)
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Barbara Kasten: stages
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Since the 1970s, Chicago-based artist Barbara Kasten (born 1936) has developed her expansive practice of photography through the lens of many disciplines, including sculpture, painting, theater, textile and installation. Kasten was one of the first artists to be invited by Polaroid to use its new large-format film, and it was with this that she made many of her best-known works. In the mid-1980s she stepped out of the studio and began working with large architectural spaces that were symbolic of both economic and cultural capital.
Barbara Kasten: stages
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Since the 1970s, Chicago-based artist Barbara Kasten (born 1936) has developed her expansive practice of photography through the lens of many disciplines, including sculpture, painting, theater, textile and installation. Kasten was one of the first artists to be invited by Polaroid to use its new large-format film, and it was with this that she made many of her best-known works. In the mid-1980s she stepped out of the studio and began working with large architectural spaces that were symbolic of both economic and cultural capital.
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livres
livres
Publication:
juin 2015
juin 2015
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livres
livres
Titre:
Cy Twombly's things
Cy Twombly's things
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Cy Twombly (1928–2011) is widely acknowledged as one of the postwar period’s most influential American artists, yet his sculptures are little known. From 1946 onward, he made hundreds of rarely exhibited found-object assemblages, often painted or plastered over with diverse coatings of white. Across decades, Twombly thus developed a singular, strikingly consistent body of(...)
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Cy Twombly (1928–2011) is widely acknowledged as one of the postwar period’s most influential American artists, yet his sculptures are little known. From 1946 onward, he made hundreds of rarely exhibited found-object assemblages, often painted or plastered over with diverse coatings of white. Across decades, Twombly thus developed a singular, strikingly consistent body of(...)
Titre:
Cy Twombly's things
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Cy Twombly (1928–2011) is widely acknowledged as one of the postwar period’s most influential American artists, yet his sculptures are little known. From 1946 onward, he made hundreds of rarely exhibited found-object assemblages, often painted or plastered over with diverse coatings of white. Across decades, Twombly thus developed a singular, strikingly consistent body of work, despite the shifting status of sculpture during his lifetime. Through close readings of individual works and in-depth analyses of certain guiding concerns, such as surface, naming, gaps, and repetitions, the author illuminates Twombly's remarkable sculptural practice.
Cy Twombly's things
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Cy Twombly (1928–2011) is widely acknowledged as one of the postwar period’s most influential American artists, yet his sculptures are little known. From 1946 onward, he made hundreds of rarely exhibited found-object assemblages, often painted or plastered over with diverse coatings of white. Across decades, Twombly thus developed a singular, strikingly consistent body of work, despite the shifting status of sculpture during his lifetime. Through close readings of individual works and in-depth analyses of certain guiding concerns, such as surface, naming, gaps, and repetitions, the author illuminates Twombly's remarkable sculptural practice.
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livres
livres
Publication:
avril 2014
avril 2014
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livres
livres
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Working together since their graduation from the Royal College of Art in 1990, the Chapman brothers are famous for their iconoclastic sculpture, prints and installations that examine contemporary politics, religion and morality with biting wit and energy. End of Fun leads on from the original Hell (1999) tabletop tableau that was destroyed in the Momart fire in 2004, and(...)
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Working together since their graduation from the Royal College of Art in 1990, the Chapman brothers are famous for their iconoclastic sculpture, prints and installations that examine contemporary politics, religion and morality with biting wit and energy. End of Fun leads on from the original Hell (1999) tabletop tableau that was destroyed in the Momart fire in 2004, and(...)
Titre:
Jake and Dinos Chapman: the end of fun
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Working together since their graduation from the Royal College of Art in 1990, the Chapman brothers are famous for their iconoclastic sculpture, prints and installations that examine contemporary politics, religion and morality with biting wit and energy. End of Fun leads on from the original Hell (1999) tabletop tableau that was destroyed in the Momart fire in 2004, and the later Fucking Hell (2008). A three-dimensional collage, End of Fun consists of thousands of plastic figurines, many dressed in Nazi regalia or enacting egregious acts of cruelty, displayed in nine glass cases or dioramas.
Jake and Dinos Chapman: the end of fun
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Working together since their graduation from the Royal College of Art in 1990, the Chapman brothers are famous for their iconoclastic sculpture, prints and installations that examine contemporary politics, religion and morality with biting wit and energy. End of Fun leads on from the original Hell (1999) tabletop tableau that was destroyed in the Momart fire in 2004, and the later Fucking Hell (2008). A three-dimensional collage, End of Fun consists of thousands of plastic figurines, many dressed in Nazi regalia or enacting egregious acts of cruelty, displayed in nine glass cases or dioramas.
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livres
livres
Publication:
avril 2014
avril 2014
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livres
livres
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$98.00
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Sauerbruch and Hutton are among contemporary architects in their redefinition of colour as an essential material of architecture. The polychromatic treatment of their buildings created over the past twenty years reflect and concentrate the colours, forms and energies of the contemporary city. Simultaneously image and sculpture, ornament and text, they allow the complex(...)
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Sauerbruch and Hutton are among contemporary architects in their redefinition of colour as an essential material of architecture. The polychromatic treatment of their buildings created over the past twenty years reflect and concentrate the colours, forms and energies of the contemporary city. Simultaneously image and sculpture, ornament and text, they allow the complex(...)
Titre:
Sauerbruch Hutton: colour in architecture
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Sauerbruch and Hutton are among contemporary architects in their redefinition of colour as an essential material of architecture. The polychromatic treatment of their buildings created over the past twenty years reflect and concentrate the colours, forms and energies of the contemporary city. Simultaneously image and sculpture, ornament and text, they allow the complex technical reality of a building to disappear behind a powerful aesthetic experience. Beside Sauerbruch Hutton's renowned buildings such as the GSW Headquarters in Berlin, the Federal Environmental Agency Dessau or Munich's Brandhorst Museum, this book also shows their more recent work.
Sauerbruch Hutton: colour in architecture
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Sauerbruch and Hutton are among contemporary architects in their redefinition of colour as an essential material of architecture. The polychromatic treatment of their buildings created over the past twenty years reflect and concentrate the colours, forms and energies of the contemporary city. Simultaneously image and sculpture, ornament and text, they allow the complex technical reality of a building to disappear behind a powerful aesthetic experience. Beside Sauerbruch Hutton's renowned buildings such as the GSW Headquarters in Berlin, the Federal Environmental Agency Dessau or Munich's Brandhorst Museum, this book also shows their more recent work.
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livres
livres
Publication:
juillet 2014
juillet 2014
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$65.00
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While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction(...)
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While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction(...)
Publication:
octobre 2013
octobre 2013
Titre:
Damage control: art and destruction since 1950
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While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration.
Damage control: art and destruction since 1950
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While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration.
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livres
livres
Publication:
octobre 2013
octobre 2013
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livres
livres
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$36.00
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Whatever the medium – design, painting, textile or sculpture – Nathalie Du Pasquier’s work is born from an accumulation that constructs architectures of shapes and colours. Beautifully quiet still lifes, electric patterns, domestic landscapes, and construction games are mixed in a joyous freedom, as a myriad of visual spaces to explore. ‘Sempre Milanese’ is a walk along(...)
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Whatever the medium – design, painting, textile or sculpture – Nathalie Du Pasquier’s work is born from an accumulation that constructs architectures of shapes and colours. Beautifully quiet still lifes, electric patterns, domestic landscapes, and construction games are mixed in a joyous freedom, as a myriad of visual spaces to explore. ‘Sempre Milanese’ is a walk along(...)
Titre:
Nathalie du Pasquier: Sempre Milanese
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Whatever the medium – design, painting, textile or sculpture – Nathalie Du Pasquier’s work is born from an accumulation that constructs architectures of shapes and colours. Beautifully quiet still lifes, electric patterns, domestic landscapes, and construction games are mixed in a joyous freedom, as a myriad of visual spaces to explore. ‘Sempre Milanese’ is a walk along that singular course through a selection of works going from the early 1980’s to today. This publication is a new edition, with an extra 16 pages of Fotokino’s previous book ‘Milanese’, published in 2015.
Nathalie du Pasquier: Sempre Milanese
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Whatever the medium – design, painting, textile or sculpture – Nathalie Du Pasquier’s work is born from an accumulation that constructs architectures of shapes and colours. Beautifully quiet still lifes, electric patterns, domestic landscapes, and construction games are mixed in a joyous freedom, as a myriad of visual spaces to explore. ‘Sempre Milanese’ is a walk along that singular course through a selection of works going from the early 1980’s to today. This publication is a new edition, with an extra 16 pages of Fotokino’s previous book ‘Milanese’, published in 2015.
Classification:
livres
livres
Publication:
novembre 2019
novembre 2019
