6578 Résultats
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Despite his tragically short career, the influence of Gordon Matta-Clark (1943-1978) is ever more pervasive. Central to the explosion of creativity in New York's SoHo in the 1970s, Matta-Clark turned his focus on the city itself, slicing through abandoned buildings to create works that were at once large-scale sculptural environments, social commentary and urban(...)
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Despite his tragically short career, the influence of Gordon Matta-Clark (1943-1978) is ever more pervasive. Central to the explosion of creativity in New York's SoHo in the 1970s, Matta-Clark turned his focus on the city itself, slicing through abandoned buildings to create works that were at once large-scale sculptural environments, social commentary and urban(...)
Publication:
janvier 1900, Tucson
janvier 1900, Tucson
Titre:
Gordon Matta-Clark : the space between
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Despite his tragically short career, the influence of Gordon Matta-Clark (1943-1978) is ever more pervasive. Central to the explosion of creativity in New York's SoHo in the 1970s, Matta-Clark turned his focus on the city itself, slicing through abandoned buildings to create works that were at once large-scale sculptural environments, social commentary and urban performance pieces. His aim was to unravel the grammar of architecture and "turn a building into a state of mind". The 'building cuts' remain Matta-Clark’s best-known works, although today they exist only through film and photographic documentation. Armed with a movie camera, he explored the hidden spaces beneath Paris and London. He handed out free food and 'fresh air' on the streets, created architecture from refuse, and planned visionary architectural projects. His engagement with the urban landscape also led him to set up an artist-run restaurant, Food. This elegant produced book complements an exhibition at the Centre for Contemporary Art, Glasgow and the Architectural Association, London.
Gordon Matta-Clark : the space between
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Despite his tragically short career, the influence of Gordon Matta-Clark (1943-1978) is ever more pervasive. Central to the explosion of creativity in New York's SoHo in the 1970s, Matta-Clark turned his focus on the city itself, slicing through abandoned buildings to create works that were at once large-scale sculptural environments, social commentary and urban performance pieces. His aim was to unravel the grammar of architecture and "turn a building into a state of mind". The 'building cuts' remain Matta-Clark’s best-known works, although today they exist only through film and photographic documentation. Armed with a movie camera, he explored the hidden spaces beneath Paris and London. He handed out free food and 'fresh air' on the streets, created architecture from refuse, and planned visionary architectural projects. His engagement with the urban landscape also led him to set up an artist-run restaurant, Food. This elegant produced book complements an exhibition at the Centre for Contemporary Art, Glasgow and the Architectural Association, London.
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livres
livres
Publication:
janvier 1900, Tucson
janvier 1900, Tucson
Classification:
périodiques
périodiques
Titre:
AA Files 76: Summer 2019
AA Files 76: Summer 2019
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AA Files 76 is structured as a glossary of terms relevant to contemporary debate in architecture. Each entry has been contributed by a different author, and represents a personal position as much as an attempt to frame the topic in a broader context; the issue therefore maps both a landscape of current concerns, interests, and ambitions, and also an overview of diverse(...)
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AA Files 76 is structured as a glossary of terms relevant to contemporary debate in architecture. Each entry has been contributed by a different author, and represents a personal position as much as an attempt to frame the topic in a broader context; the issue therefore maps both a landscape of current concerns, interests, and ambitions, and also an overview of diverse(...)
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AA Files 76: Summer 2019
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AA Files 76 is structured as a glossary of terms relevant to contemporary debate in architecture. Each entry has been contributed by a different author, and represents a personal position as much as an attempt to frame the topic in a broader context; the issue therefore maps both a landscape of current concerns, interests, and ambitions, and also an overview of diverse positions and forms of practice. The authors of this glossary are practitioners, academics, students, lawyers, politicians, activists, and their contributions do not only seek to explore the potential of the themes put forward, but also to question the ways in which we can discuss space - as designers, as scholars, as citizens.
AA Files 76: Summer 2019
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AA Files 76 is structured as a glossary of terms relevant to contemporary debate in architecture. Each entry has been contributed by a different author, and represents a personal position as much as an attempt to frame the topic in a broader context; the issue therefore maps both a landscape of current concerns, interests, and ambitions, and also an overview of diverse positions and forms of practice. The authors of this glossary are practitioners, academics, students, lawyers, politicians, activists, and their contributions do not only seek to explore the potential of the themes put forward, but also to question the ways in which we can discuss space - as designers, as scholars, as citizens.
Classification:
périodiques
périodiques
Publication:
octobre 2019
octobre 2019
Sujet:
Revues
Revues
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livres
livres
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Blouin Orzes est un bureau d'architectes montréalais dont la pratique est essentiellement dédiée aux communautés inuites du Grand Nord québécois et canadien. « Salluit : Explorations nordiques » prend la forme d'un carnet de voyage qui fait un survol de leurs projets et de leurs rencontres avec des personnes d’une résilience exceptionnelle au cœur de paysages(...)
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Blouin Orzes est un bureau d'architectes montréalais dont la pratique est essentiellement dédiée aux communautés inuites du Grand Nord québécois et canadien. « Salluit : Explorations nordiques » prend la forme d'un carnet de voyage qui fait un survol de leurs projets et de leurs rencontres avec des personnes d’une résilience exceptionnelle au cœur de paysages(...)
Publication:
juin 2024
juin 2024
Titre:
Salluit : Explorations nordiques / Northern journeys
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Blouin Orzes est un bureau d'architectes montréalais dont la pratique est essentiellement dédiée aux communautés inuites du Grand Nord québécois et canadien. « Salluit : Explorations nordiques » prend la forme d'un carnet de voyage qui fait un survol de leurs projets et de leurs rencontres avec des personnes d’une résilience exceptionnelle au cœur de paysages grandioses. Blouin Orzes is a Montreal-based architecture firm whose practice is dedicated to Inuit communities in the Far North of Quebec and Canada. "Salluit: Northern Journeys" takes the form of a travel diary that documents the firm's projects and their encounters with an exceptionally resilient people in the heart of a sublime landscape.
Salluit : Explorations nordiques / Northern journeys
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Blouin Orzes est un bureau d'architectes montréalais dont la pratique est essentiellement dédiée aux communautés inuites du Grand Nord québécois et canadien. « Salluit : Explorations nordiques » prend la forme d'un carnet de voyage qui fait un survol de leurs projets et de leurs rencontres avec des personnes d’une résilience exceptionnelle au cœur de paysages grandioses. Blouin Orzes is a Montreal-based architecture firm whose practice is dedicated to Inuit communities in the Far North of Quebec and Canada. "Salluit: Northern Journeys" takes the form of a travel diary that documents the firm's projects and their encounters with an exceptionally resilient people in the heart of a sublime landscape.
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livres
livres
Publication:
juin 2024
juin 2024
Classification:
périodiques
périodiques
Titre:
AV 185: Alejandro Aravena
AV 185: Alejandro Aravena
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The Chilean Pritzker Prize winner takes centre stage in this timely instalment. Remarkable for his drive to put into practice ideas that can bring improvement to the city and peoples’ lives, Alejandro Aravena is taking this one step further with his theme for the 15th Venice Architecture Biennale, “Reporting from the Front”. In keeping with this line of inquiry, the(...)
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The Chilean Pritzker Prize winner takes centre stage in this timely instalment. Remarkable for his drive to put into practice ideas that can bring improvement to the city and peoples’ lives, Alejandro Aravena is taking this one step further with his theme for the 15th Venice Architecture Biennale, “Reporting from the Front”. In keeping with this line of inquiry, the(...)
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AV 185: Alejandro Aravena
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The Chilean Pritzker Prize winner takes centre stage in this timely instalment. Remarkable for his drive to put into practice ideas that can bring improvement to the city and peoples’ lives, Alejandro Aravena is taking this one step further with his theme for the 15th Venice Architecture Biennale, “Reporting from the Front”. In keeping with this line of inquiry, the magazine offers readers the chance to discover the stories of many other architects from around the globe whose work has brought positive change to the built environment. Divided among participatory design, civic service, and sustainable landscape, the projects herein give an exemplary overview of Aravena’s distinctive practice.
AV 185: Alejandro Aravena
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The Chilean Pritzker Prize winner takes centre stage in this timely instalment. Remarkable for his drive to put into practice ideas that can bring improvement to the city and peoples’ lives, Alejandro Aravena is taking this one step further with his theme for the 15th Venice Architecture Biennale, “Reporting from the Front”. In keeping with this line of inquiry, the magazine offers readers the chance to discover the stories of many other architects from around the globe whose work has brought positive change to the built environment. Divided among participatory design, civic service, and sustainable landscape, the projects herein give an exemplary overview of Aravena’s distinctive practice.
Classification:
périodiques
périodiques
Publication:
juin 2016
juin 2016
Sujet:
Revues
Revues
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livres
livres
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The photographer Édouard Baldus (1813-1889), a central figure in the early development of French photography and acknowledged in his day as a pioneer in the still-experimental field, was widely acclaimed both for his aesthetic sensitivity and for his technical prowess. Establishing a new mode of representing architecture and describing the emerging modern landscape with(...)
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The photographer Édouard Baldus (1813-1889), a central figure in the early development of French photography and acknowledged in his day as a pioneer in the still-experimental field, was widely acclaimed both for his aesthetic sensitivity and for his technical prowess. Establishing a new mode of representing architecture and describing the emerging modern landscape with(...)
Sujet:
Publications du CCA
Publications du CCA
Publication:
octobre 1994, Montréal / New York
octobre 1994, Montréal / New York
Titre:
The photographs of Edouard Baldus
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The photographer Édouard Baldus (1813-1889), a central figure in the early development of French photography and acknowledged in his day as a pioneer in the still-experimental field, was widely acclaimed both for his aesthetic sensitivity and for his technical prowess. Establishing a new mode of representing architecture and describing the emerging modern landscape with magnificent authority, he enjoyed high patronage in the 1850s and 1860s. Yet, despite the artist's renown during his lifetime, his name is all but unknown today, his work savored only by connoisseurs. This book, the first to chronicle the life and career of this important artist, brings his work once more before the public. The superb quality of the reproductions captures the subtle tones and soft matte surfaces of the original prints, many of which are published here for the first time. Baldus made his reputation with views of the monuments of Paris and the south of France, with dramatic landscape of the Auvergne, with photographs of the New Louvre, and with a poignant record of the devastating floods of 1856. But it is his two railroad albums -- the first commissioned in 1855 by Baron James de Rothschild for presentation to Queen Victoria, the second in 1861 by the Paris-Lyon-Méditerranée railroad company -- that are his greatest achievement. Here he brought together his earlier architectural and scenic images with bold geometric views of the modern landscape -- railroad tracks, stations, bridges, viaducts, and tunnels -- to address the influence of technology (of which both the railroad and the camera are prime examples). In so doing, Baldus anticipated the concerns of Impressionnist painters a decade later and those of many artists of our own day, meeting his task with a clarity and directness not since surpassed.
The photographs of Edouard Baldus
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The photographer Édouard Baldus (1813-1889), a central figure in the early development of French photography and acknowledged in his day as a pioneer in the still-experimental field, was widely acclaimed both for his aesthetic sensitivity and for his technical prowess. Establishing a new mode of representing architecture and describing the emerging modern landscape with magnificent authority, he enjoyed high patronage in the 1850s and 1860s. Yet, despite the artist's renown during his lifetime, his name is all but unknown today, his work savored only by connoisseurs. This book, the first to chronicle the life and career of this important artist, brings his work once more before the public. The superb quality of the reproductions captures the subtle tones and soft matte surfaces of the original prints, many of which are published here for the first time. Baldus made his reputation with views of the monuments of Paris and the south of France, with dramatic landscape of the Auvergne, with photographs of the New Louvre, and with a poignant record of the devastating floods of 1856. But it is his two railroad albums -- the first commissioned in 1855 by Baron James de Rothschild for presentation to Queen Victoria, the second in 1861 by the Paris-Lyon-Méditerranée railroad company -- that are his greatest achievement. Here he brought together his earlier architectural and scenic images with bold geometric views of the modern landscape -- railroad tracks, stations, bridges, viaducts, and tunnels -- to address the influence of technology (of which both the railroad and the camera are prime examples). In so doing, Baldus anticipated the concerns of Impressionnist painters a decade later and those of many artists of our own day, meeting his task with a clarity and directness not since surpassed.
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livres
livres
Publication:
octobre 1994, Montréal / New York
octobre 1994, Montréal / New York
Sujet:
Publications du CCA
Publications du CCA
Classification:
livres
livres
Titre:
Infinite suburbia
Infinite suburbia
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Infinite Suburbia is the culmination of the MIT Norman B. Leventhal Center for Advanced Urbanism's yearlong study of the future of suburban development. Extensive research, an exhibition, and a conference at MIT's Media Lab, this groundbreaking collection presents fifty-two essays by seventy-four authors from twenty different fields, including, but not limited to, design,(...)
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Infinite Suburbia is the culmination of the MIT Norman B. Leventhal Center for Advanced Urbanism's yearlong study of the future of suburban development. Extensive research, an exhibition, and a conference at MIT's Media Lab, this groundbreaking collection presents fifty-two essays by seventy-four authors from twenty different fields, including, but not limited to, design,(...)
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Infinite suburbia
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Infinite Suburbia is the culmination of the MIT Norman B. Leventhal Center for Advanced Urbanism's yearlong study of the future of suburban development. Extensive research, an exhibition, and a conference at MIT's Media Lab, this groundbreaking collection presents fifty-two essays by seventy-four authors from twenty different fields, including, but not limited to, design, architecture, landscape, planning, history, demographics, social justice, familial trends, policy, energy, mobility, health, environment,economics, and applied and future technologies. This exhaustive compilation is richly illustrated with a wealth of photography, aerial drone shots, drawings, plans, diagrams, charts, maps, and archival materials, making it the definitive statement on suburbia at the beginning of the twenty-first century.
Infinite suburbia
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Infinite Suburbia is the culmination of the MIT Norman B. Leventhal Center for Advanced Urbanism's yearlong study of the future of suburban development. Extensive research, an exhibition, and a conference at MIT's Media Lab, this groundbreaking collection presents fifty-two essays by seventy-four authors from twenty different fields, including, but not limited to, design, architecture, landscape, planning, history, demographics, social justice, familial trends, policy, energy, mobility, health, environment,economics, and applied and future technologies. This exhaustive compilation is richly illustrated with a wealth of photography, aerial drone shots, drawings, plans, diagrams, charts, maps, and archival materials, making it the definitive statement on suburbia at the beginning of the twenty-first century.
Classification:
livres
livres
Publication:
octobre 2017
octobre 2017
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Titre:
Peter Steinhauer: Cocoons
Peter Steinhauer: Cocoons
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Since 1993, Peter Steinhauer has documented the many facets of Asian culture, with a keen eye for architecture, urban landscape, and man-made structures and environments. On his first visit to Hong Kong in 1994, arriving at the old Kai Tak International Airport, Steinhauer noticed a very large structure encaged in bamboo and swathed in yellow material standing out beneath(...)
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Since 1993, Peter Steinhauer has documented the many facets of Asian culture, with a keen eye for architecture, urban landscape, and man-made structures and environments. On his first visit to Hong Kong in 1994, arriving at the old Kai Tak International Airport, Steinhauer noticed a very large structure encaged in bamboo and swathed in yellow material standing out beneath(...)
Titre:
Peter Steinhauer: Cocoons
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Since 1993, Peter Steinhauer has documented the many facets of Asian culture, with a keen eye for architecture, urban landscape, and man-made structures and environments. On his first visit to Hong Kong in 1994, arriving at the old Kai Tak International Airport, Steinhauer noticed a very large structure encaged in bamboo and swathed in yellow material standing out beneath a canopy of clouds, glowing against the monochromatic, urban skyline. Hong Kong is the final stronghold of the bamboo scaffolders who once practiced their trade at construction sites throughout Asia. Reproduced in this book are 100 images that reflect Steinhauer's fascination with these hauntingly beautiful and monumental edifices, their bamboo scaffolding draped in brightly hued material.
Peter Steinhauer: Cocoons
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Since 1993, Peter Steinhauer has documented the many facets of Asian culture, with a keen eye for architecture, urban landscape, and man-made structures and environments. On his first visit to Hong Kong in 1994, arriving at the old Kai Tak International Airport, Steinhauer noticed a very large structure encaged in bamboo and swathed in yellow material standing out beneath a canopy of clouds, glowing against the monochromatic, urban skyline. Hong Kong is the final stronghold of the bamboo scaffolders who once practiced their trade at construction sites throughout Asia. Reproduced in this book are 100 images that reflect Steinhauer's fascination with these hauntingly beautiful and monumental edifices, their bamboo scaffolding draped in brightly hued material.
Classification:
livres
livres
Publication:
novembre 2018
novembre 2018
Sujet:
Monographies photo
Monographies photo
Classification:
périodiques
périodiques
Titre:
Decoration : 306090 10
Decoration : 306090 10
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With this volume, 306090 launches a new series of books. In this volume mixing contemporary building projects with commentary and criticism, interviews, studios and student work, 306090 takes on one of the taboos of contemporary architecture: decoration. Daring to talk about a phenomenon that is all around, but has been unspeakable throughout the 20th century; this volume(...)
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With this volume, 306090 launches a new series of books. In this volume mixing contemporary building projects with commentary and criticism, interviews, studios and student work, 306090 takes on one of the taboos of contemporary architecture: decoration. Daring to talk about a phenomenon that is all around, but has been unspeakable throughout the 20th century; this volume(...)
Titre:
Decoration : 306090 10
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With this volume, 306090 launches a new series of books. In this volume mixing contemporary building projects with commentary and criticism, interviews, studios and student work, 306090 takes on one of the taboos of contemporary architecture: decoration. Daring to talk about a phenomenon that is all around, but has been unspeakable throughout the 20th century; this volume of 306090 is as indispensable as previous titles addressing emerging trends in design, planning, landscape and education. "Decoration" contains a mix of work, 'from every angle' of the ideological spectrum, and from a diverse group of contributors, including students, architects and professionals, as well as established minds in practice and pedagogy. "Decoration" includes contributions from Jesse Reiser, Kent Bloomer, Kengo Kuma, Nina Rappaport, and Meredith Warner.
Decoration : 306090 10
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With this volume, 306090 launches a new series of books. In this volume mixing contemporary building projects with commentary and criticism, interviews, studios and student work, 306090 takes on one of the taboos of contemporary architecture: decoration. Daring to talk about a phenomenon that is all around, but has been unspeakable throughout the 20th century; this volume of 306090 is as indispensable as previous titles addressing emerging trends in design, planning, landscape and education. "Decoration" contains a mix of work, 'from every angle' of the ideological spectrum, and from a diverse group of contributors, including students, architects and professionals, as well as established minds in practice and pedagogy. "Decoration" includes contributions from Jesse Reiser, Kent Bloomer, Kengo Kuma, Nina Rappaport, and Meredith Warner.
Classification:
périodiques
périodiques
Publication:
septembre 2006, New York
septembre 2006, New York
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
The arts of China after 1620
The arts of China after 1620
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The Arts of China after 1620 concludes a major three-volume survey that examines China's huge wealth of art, architecture and artefacts from prehistoric times to the present. Beginning with discussions of 'fine' art and painting and progressing to analysis of carving and sculpture, ceramics, glassware and textiles, the authors demonstrate how, in the age of the Emperors(...)
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The Arts of China after 1620 concludes a major three-volume survey that examines China's huge wealth of art, architecture and artefacts from prehistoric times to the present. Beginning with discussions of 'fine' art and painting and progressing to analysis of carving and sculpture, ceramics, glassware and textiles, the authors demonstrate how, in the age of the Emperors(...)
Sujet:
Histoire jusqu'à 1900, Asie
Histoire jusqu'à 1900, Asie
Publication:
septembre 2006, New Haven / London
septembre 2006, New Haven / London
Titre:
The arts of China after 1620
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The Arts of China after 1620 concludes a major three-volume survey that examines China's huge wealth of art, architecture and artefacts from prehistoric times to the present. Beginning with discussions of 'fine' art and painting and progressing to analysis of carving and sculpture, ceramics, glassware and textiles, the authors demonstrate how, in the age of the Emperors Kangxi, Yongzheng and Qianlong, the 'decorative' arts rose to a prominence quite unlike the western experience. Avoiding misrepresentative categorization, they single out period styles, as well as identifying repeated phases of archaism and Buddhist art, and discuss characteristic groups of jade, ivory, ceramics, glassware and textiles. They consider the importance of the imperial workshops and their role in developing craftsmen's skills and encouraging the cross-over of techniques from different disciplines and they present the compelling influence of Emperor Qianlong's aesthetic innovations. In architecture the vast plan and overwhelming authority of the imperial buildings contrasts with the restrained subtlety of domestic architecture and garden design where magnificent rocks were the principal feature, just as in landscape painting. The survey concludes by examining the development of East/West trade and the effects of commercialization on Chinese arts and crafts. This handsome, well-illustrated book provides a scholarly and illuminating resource for all students of the arts of China.
The arts of China after 1620
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The Arts of China after 1620 concludes a major three-volume survey that examines China's huge wealth of art, architecture and artefacts from prehistoric times to the present. Beginning with discussions of 'fine' art and painting and progressing to analysis of carving and sculpture, ceramics, glassware and textiles, the authors demonstrate how, in the age of the Emperors Kangxi, Yongzheng and Qianlong, the 'decorative' arts rose to a prominence quite unlike the western experience. Avoiding misrepresentative categorization, they single out period styles, as well as identifying repeated phases of archaism and Buddhist art, and discuss characteristic groups of jade, ivory, ceramics, glassware and textiles. They consider the importance of the imperial workshops and their role in developing craftsmen's skills and encouraging the cross-over of techniques from different disciplines and they present the compelling influence of Emperor Qianlong's aesthetic innovations. In architecture the vast plan and overwhelming authority of the imperial buildings contrasts with the restrained subtlety of domestic architecture and garden design where magnificent rocks were the principal feature, just as in landscape painting. The survey concludes by examining the development of East/West trade and the effects of commercialization on Chinese arts and crafts. This handsome, well-illustrated book provides a scholarly and illuminating resource for all students of the arts of China.
Classification:
livres
livres
Publication:
septembre 2006, New Haven / London
septembre 2006, New Haven / London
Sujet:
Histoire jusqu'à 1900, Asie
Histoire jusqu'à 1900, Asie
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livres
livres
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$31.95
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Given an ideal situation to work with, the Zurich architects Marcel Meili and Markus Peter designed and built a new training and meeting center for Swiss Re in Rüschlikon. Backed by an ambitious client and a substantial budget, they developed an expansive park complex overlooking Lake Zurich and the Bodmer mansion, a protected historical monument, into a setting in which(...)
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Given an ideal situation to work with, the Zurich architects Marcel Meili and Markus Peter designed and built a new training and meeting center for Swiss Re in Rüschlikon. Backed by an ambitious client and a substantial budget, they developed an expansive park complex overlooking Lake Zurich and the Bodmer mansion, a protected historical monument, into a setting in which(...)
Sujet:
petits formats
petits formats
Publication:
février 2002, Ostfildern
février 2002, Ostfildern
Titre:
Swiss Re Rüschilkon : centre for global dialogue
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Given an ideal situation to work with, the Zurich architects Marcel Meili and Markus Peter designed and built a new training and meeting center for Swiss Re in Rüschlikon. Backed by an ambitious client and a substantial budget, they developed an expansive park complex overlooking Lake Zurich and the Bodmer mansion, a protected historical monument, into a setting in which architecture and art, landscape and interior space, old and new combine to form a complex whole. The result is not a manifesto of a particular style but the equally perfect and subtle interpretation of a real place and the programmatic vision it inspires. The Art Commission of Swiss Re chose a "strategy of systematic artistic interventions in existing space". The design of all furniture and interiors was entrusted to the hands of renowned artists and architects. Adolf Krischanitz and Hermann Czech designed the furniture and the "Red Bar" in the Gardener's Lodge. Gilbert Bretterbauer supervised the design and selection of textiles. Artist Günther Förg handled the color design for all of the interiors in the old mansion. The old grounds had been preserved almost entirely in their original condition. The existing stands of trees served as a framework for the detailed design of the park complex by landscape architects Kienast Vogt and Partner. With photographs by Margherita Spiluttini
Swiss Re Rüschilkon : centre for global dialogue
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Résumé:
Given an ideal situation to work with, the Zurich architects Marcel Meili and Markus Peter designed and built a new training and meeting center for Swiss Re in Rüschlikon. Backed by an ambitious client and a substantial budget, they developed an expansive park complex overlooking Lake Zurich and the Bodmer mansion, a protected historical monument, into a setting in which architecture and art, landscape and interior space, old and new combine to form a complex whole. The result is not a manifesto of a particular style but the equally perfect and subtle interpretation of a real place and the programmatic vision it inspires. The Art Commission of Swiss Re chose a "strategy of systematic artistic interventions in existing space". The design of all furniture and interiors was entrusted to the hands of renowned artists and architects. Adolf Krischanitz and Hermann Czech designed the furniture and the "Red Bar" in the Gardener's Lodge. Gilbert Bretterbauer supervised the design and selection of textiles. Artist Günther Förg handled the color design for all of the interiors in the old mansion. The old grounds had been preserved almost entirely in their original condition. The existing stands of trees served as a framework for the detailed design of the park complex by landscape architects Kienast Vogt and Partner. With photographs by Margherita Spiluttini
Classification:
livres
livres
Publication:
février 2002, Ostfildern
février 2002, Ostfildern
Sujet:
petits formats
petits formats
