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What has planetary-scale computation done to our geopolitical realities? It takes different forms at different scales—from energy and mineral sourcing and subterranean cloud infrastructure to urban software and massive universal addressing systems; from interfaces drawn by the augmentation of the hand and eye to users identified by self-quantification and the arrival of(...)
The stack: On software and sovereignty. 10th anniversary edition
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What has planetary-scale computation done to our geopolitical realities? It takes different forms at different scales—from energy and mineral sourcing and subterranean cloud infrastructure to urban software and massive universal addressing systems; from interfaces drawn by the augmentation of the hand and eye to users identified by self-quantification and the arrival of legions of sensors, algorithms, and robots. Together, how do these distort and deform modern political geographies and produce new territories in their own image? In an account that is both theoretical and technical, drawing on political philosophy, design theory, and computer science, Bratton explores six layers of ''The Stack'': Earth, Cloud, City, Address, Interface, User.
Programmed inequality: how Britain discarded women technologists and lost its edge in computing
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In 1944, Britain led the world in electronic computing. By 1974, the British computer industry was all but extinct. What happened in the intervening thirty years holds lessons for all postindustrial superpowers. As Britain struggled to use technology to retain its global power, the nation’s inability to manage its technical labor force hobbled its transition into the(...)
Programmed inequality: how Britain discarded women technologists and lost its edge in computing
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In 1944, Britain led the world in electronic computing. By 1974, the British computer industry was all but extinct. What happened in the intervening thirty years holds lessons for all postindustrial superpowers. As Britain struggled to use technology to retain its global power, the nation’s inability to manage its technical labor force hobbled its transition into the information age. In "Programmed inequality", Marie Hicks explores the story of labor feminization and gendered technocracy that undercut British efforts to computerize. That failure sprang from the government’s systematic neglect of its largest trained technical workforce simply because they were women. Women were a hidden engine of growth in high technology from World War II to the 1960s. As computing experienced a gender flip, becoming male-identified in the 1960s and 1970s, labor problems grew into structural ones and gender discrimination caused the nation’s largest computer user—the civil service and sprawling public sector—to make decisions that were disastrous for the British computer industry and the nation as a whole.
The big archive
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The typewriter, the card index, and the filing cabinet: these are technologies and modalities of the archive. To the bureaucrat, archives contain little more than garbage, paperwork no longer needed; to the historian, on the other hand, the archive’s content stands as a quasi-objective correlative of the “living” past. Twentieth-century art made use of the archive in a(...)
The big archive
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The typewriter, the card index, and the filing cabinet: these are technologies and modalities of the archive. To the bureaucrat, archives contain little more than garbage, paperwork no longer needed; to the historian, on the other hand, the archive’s content stands as a quasi-objective correlative of the “living” past. Twentieth-century art made use of the archive in a variety of ways—from what Spieker calls Marcel Duchamp’s “anemic archive” of readymades and El Lissitzky’s Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In "The big archive", Sven Spieker investigates the archive—as both bureaucratic institution and index of evolving attitudes toward contingent time in science and art—and finds it to be a crucible of twentieth-century modernism.
L'âge des postmachines
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Depuis l'Antiquité, avec le mythe de Galatée, l'objet qui s'anime traverse les âges et les arts. Comment l'imaginaire contemporain s'est-il emparé de la machine ? Sa représentation, sa symbolique, les récits qui lui sont associés sont évidemment tributaires de ceux de la société en général, du discours sur le progrès, du rapport à la technique. L'évolution des(...)
mars 2020
L'âge des postmachines
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Depuis l'Antiquité, avec le mythe de Galatée, l'objet qui s'anime traverse les âges et les arts. Comment l'imaginaire contemporain s'est-il emparé de la machine ? Sa représentation, sa symbolique, les récits qui lui sont associés sont évidemment tributaires de ceux de la société en général, du discours sur le progrès, du rapport à la technique. L'évolution des technologies du numérique et ses conséquences imprévisibles pour l'humanité ont rendu nécessaire le débat philosophique portant sur nos rapports avec elle. La machine est inséparable du sujet qui la crée, et les théories et les fantasmes autour d'une posthumanité ou du transhumanisme sont autant de réponses à cette symbiose imaginée ou réelle. Pour comprendre la spécificité et l'identité de la machine - ou plutôt des machines -, cet ouvrage convoque non seulement la littérature et le cinéma, mais il explore aussi sa matérialisation dans les arts plastiques, les réseaux sociaux, les dispositifs écraniques, la bande dessinée et les jeux vidéo. En tout, dix-sept textes où se côtoient automates, intelligences artificielles et postmachines dans différents milieux - in vivo, in vitro, in silico - dont certains relèvent de dispositifs et de systèmes auto-engendrés.
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The influential Presence Project brought together an international group of collaborators in 2001 to investigate how technology can be used to increase the presence of older people in their local communities. This became a groundbreaking project for practice-based design research, exploring approaches and methods that have resonated since. The design team rejected a(...)
The presence project, 2nd edition
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The influential Presence Project brought together an international group of collaborators in 2001 to investigate how technology can be used to increase the presence of older people in their local communities. This became a groundbreaking project for practice-based design research, exploring approaches and methods that have resonated since. The design team rejected a problem-solving approach, focusing instead on creating new and unusual situations for communication and insight. They introduced cutting-edge methods and developed challenging designs that they tested in the communities themselves. This book documents the Presence Project's development of key concepts in contemporary technology design, including cultural probes, design workbooks, and speculative design. Original Presence Project participants may have been surprised that the methods they invented became standard practice; the theme of the project was to break out of conventional approaches and try something radically new. With a new preface by Bill Gaver and an introduction by Phoebe Sengers, this reissue of The Presence Project gives readers a glimpse into the thinking behind this influential project and ideas about how to bring it to bear on today's design problems.
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Les diagrammes, cartes et visualisations de données ont conquis le domaine de la recherche en arts, lettres et sciences humaines. Pour certains chercheurs, ces formes graphiques consistent à exploiter des données quantitatives jusqu’ici délaissées, pour d’autres, elles offrent la possibilité d’explorer les relations discrètes qu’entretiennent des corpus hétérogènes. Mais(...)
Visualisation : l'interprétation modélisante
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Les diagrammes, cartes et visualisations de données ont conquis le domaine de la recherche en arts, lettres et sciences humaines. Pour certains chercheurs, ces formes graphiques consistent à exploiter des données quantitatives jusqu’ici délaissées, pour d’autres, elles offrent la possibilité d’explorer les relations discrètes qu’entretiennent des corpus hétérogènes. Mais sur quels fondements épistémologiques reposent ces opérations techniques et intellectuelles ? Dans le cadre de la production du savoir et de son interprétation en régime numérique, est-il possible de dépasser le simple effet d’affichage des données, et d’envisager autrement les interfaces et les logiciels ? Johanna Drucker livre dans cet ouvrage une alternative aux formes dominantes de la visualisation de l’information. Héritière de la tradition humaniste, elle propose une approche qui réhabilite l’idée d’un sujet situé et incarné qui expérimente et conceptualise les connaissances par le prisme de la représentation graphique.
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To live in data in the twenty-first century is to be incessantly extracted from, classified and categorized, statisti-fied, sold, and surveilled. Data - our data - is mined and processed for profit, power, and political gain. In Living in Data, Thorp asks a crucial question of our time: How do we stop passively inhabiting data, and instead become active citizens of it?
Living in data: a citizen's guide to a better information future
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To live in data in the twenty-first century is to be incessantly extracted from, classified and categorized, statisti-fied, sold, and surveilled. Data - our data - is mined and processed for profit, power, and political gain. In Living in Data, Thorp asks a crucial question of our time: How do we stop passively inhabiting data, and instead become active citizens of it?
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In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, 'Material witness' moves through a series of cases that provide insight into the ways in(...)
Material witness: Media, forensics, evidence
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In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, 'Material witness' moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather.
Promenade en Enfer
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Longtemps soumises à la censure ecclésiastique, certaines bibliothèques conservaient les ouvrages mis à l’Index dans un huis clos mythique nommé Enfer. La simple lecture d’une œuvre proscrite par l’Église pouvait entraîner la damnation éternelle de l’âme. La levée de l’Index dans les années 1960 a entraîné le démantèlement des sections logeant les livres interdits qui ont(...)
Promenade en Enfer
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Longtemps soumises à la censure ecclésiastique, certaines bibliothèques conservaient les ouvrages mis à l’Index dans un huis clos mythique nommé Enfer. La simple lecture d’une œuvre proscrite par l’Église pouvait entraîner la damnation éternelle de l’âme. La levée de l’Index dans les années 1960 a entraîné le démantèlement des sections logeant les livres interdits qui ont disparu tout en conservant leurs secrets. L’une des rares collections encore existantes des livres mis à l’Index, regroupant des centaines de volumes, se retrouve cependant dans la bibliothèque historique du Séminaire de Québec, fondé en 1663. Pierrette Lafond lève le voile sur ces ouvrages jugés immoraux, hérétiques ou dangereux, témoins silencieux de la censure pendant trois siècles et qui racontent un volet occulté de l’histoire morale et culturelle du Québec.
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Organized by interpretive categories such as space, infrastructure, and imaginaries, this volume uses historical and contemporary examples of how laboratories are fundamentally connected to changes in the contemporary university. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining(...)
décembre 2021
The lab book: situated practices in media studies
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Organized by interpretive categories such as space, infrastructure, and imaginaries, this volume uses historical and contemporary examples of how laboratories are fundamentally connected to changes in the contemporary university. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining their space, and a glossary of key hybrid lab techniques.