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The artist’s workplace has always been an idealized utopia as well as the domain of dirty, backbreaking work. Written descriptions, paintings, prints, and even photographs of the artist’s atelier distort as much as they document. This illuminating cultural history of the artist’s studio charts the myth and reality of the creative space from Ancient Greece to the(...)
The artist's studio: A cultural history
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The artist’s workplace has always been an idealized utopia as well as the domain of dirty, backbreaking work. Written descriptions, paintings, prints, and even photographs of the artist’s atelier distort as much as they document. This illuminating cultural history of the artist’s studio charts the myth and reality of the creative space from Ancient Greece to the present. Tracing a history that extends far beyond the bohemian, romantic, and renaissance cults of the artist, each chapter focuses on key developments of the studio space as seen in a variety of familiar and unfamiliar images. Mythical and divine makers and some amateurs are included, alongside craftspeople— potters, illuminators, weavers, embroiderers, and architects— along with artists such as Artemisia Gentileschi, Claude Monet, Michelangelo, Rosa Bonheur, and Diego Rivera. Each carefully chosen example places the studio within a cultural and political context, with the aim of correcting the historical imbalance that has distorted the picture by leaving out the many artisans who collaborated with artists. Leading authority James Hall also extends the discussion to the artist’s museum and the artist’s house, as well as the development of portable studios, with sections on ''plein air'' painting and drawing in the East.
Théorie de l’art
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Hilma af Klint was born in Sweden in 1862. She would grow up to be an artist, and her life would be filled with magic and mystery. Hilma lived at a time when people were fascinated by what they couldn’t see. The invention of the telegraph and telephone made it possible to communicate over long distances, and spiritualists believed it was possible to speak with the(...)
The art and life of Hilma af Klint
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Hilma af Klint was born in Sweden in 1862. She would grow up to be an artist, and her life would be filled with magic and mystery. Hilma lived at a time when people were fascinated by what they couldn’t see. The invention of the telegraph and telephone made it possible to communicate over long distances, and spiritualists believed it was possible to speak with the dead. When Hilma began to hear the spirits, she found a new purpose for her paintings. For nearly one hundred years her paintings were forgotten, but when they were rediscovered they changed the history of art.
Littérature jeunesse
Forever Saul Leiter
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Saul Leiter’s painterly images evoke the flow and rhythm of life on the midcentury streets of New York in luminous color, at a time when his contemporaries were shooting in black and white. His mastery of color is displayed in unconventional cityscapes in which reflections, transparency, complex framing, and mirroring effects are married to a very personal printing style,(...)
Forever Saul Leiter
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Saul Leiter’s painterly images evoke the flow and rhythm of life on the midcentury streets of New York in luminous color, at a time when his contemporaries were shooting in black and white. His mastery of color is displayed in unconventional cityscapes in which reflections, transparency, complex framing, and mirroring effects are married to a very personal printing style, creating a unique kind of urban view; his complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment. Leiter’s studio in New York’s East Village, where he lived from 1952 until his death in 2013, is now home to the Saul Leiter Foundation, which is undertaking a full-scale survey and organization of Leiter’s more than eighty thousand images with the aim of compiling his complete archive. This volume contains items discovered through this undertaking: valuable documents that reveal the secrets of Saul Leiter’s process, unpublished works, popular color works, black-and-white images that have never been published before, as well as images that hold the memories of those closest to him, taken in private. As Saul Leiter said, ''photographs are often treated as capturing important moments, but they are really small fragments and memories of the world that never ends.''
Monographies photo
Marianne Mueller: Stairs etc
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Over the years Marianne Mueller has accumulated an archive of photographs taken both at home and on extended journeys. Completely nonhierarchical, the pictures capture whatever strikes the artist’s fancy. In STAIRS ETC, her archive has supplied the copious images of the designed and built world around us. Laid out in double-page blocks and organized by the simplest of(...)
Marianne Mueller: Stairs etc
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Over the years Marianne Mueller has accumulated an archive of photographs taken both at home and on extended journeys. Completely nonhierarchical, the pictures capture whatever strikes the artist’s fancy. In STAIRS ETC, her archive has supplied the copious images of the designed and built world around us. Laid out in double-page blocks and organized by the simplest of categories (from chairs and tables to fountains and pools), the photographs emulate a pseudo-encyclopedic overview of ordinary objects captured with eloquent nonchalance and a discriminating eye for what we tend to write off as irrelevant and insignificant. Mueller invites us on a journey as absurdly comical as it is poetic, where we find ourselves meandering through the miracles and madness of a universe that is chock-full of things.
Monographies photo
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Jour, nuit, jour, nuit. Pas de lune dans ce ciel d’encre, mais un j, un u, un g, un e. Relier pour lire, point à point, lettre à lettre, page à page : une phrase se dessine sous la mine du crayon gris. Dans ce carnet étoilé, une série de trente-huit constellations typographiques à tracer à la règle, à main levée, en lignes droites ou courbes. La collection Carnets à(...)
Carnet à jouer : Constellations
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Jour, nuit, jour, nuit. Pas de lune dans ce ciel d’encre, mais un j, un u, un g, un e. Relier pour lire, point à point, lettre à lettre, page à page : une phrase se dessine sous la mine du crayon gris. Dans ce carnet étoilé, une série de trente-huit constellations typographiques à tracer à la règle, à main levée, en lignes droites ou courbes. La collection Carnets à jouer est une série de jeux graphiques conçue par Sophie Cure et Aurélien Farina. Ils abordent des thématiques propres au design graphique en complément du Cahier d’exploration graphique paru en 2022. De l’exercice unique, on passe à la série, à la variation. Ces carnets permettent d’explorer, d’essayer, tester, rater, rater encore pour mieux recommencer.
cahiers d'activités
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In the age of the Anthropocene, in which humanity acts on cycles and systems with all its power and capital, architecture and energy together mean more than operational or embodied energy, active and passive solutions. In the face of the climate crisis, beyond the phase-out of fossil fuels, architecture has a mediating role; it is about socio-cultural rethinking.(...)
Disquietude: Architecture and energy in Portugal
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In the age of the Anthropocene, in which humanity acts on cycles and systems with all its power and capital, architecture and energy together mean more than operational or embodied energy, active and passive solutions. In the face of the climate crisis, beyond the phase-out of fossil fuels, architecture has a mediating role; it is about socio-cultural rethinking. Disquietude addresses the entanglement between architecture and energy in the 20th century, using Portugal as an example. Featuring different local Portuguese voices, the publication identifies the potential for a transition that could be local, sustainable, diverse, and just and be meaningful also in an international perspective.
Franco Fontana : Invisible
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Tout au long de ses soixante années de carrière, Franco Fontana a photographié ce que l’on ne voit pas, réussissant à fixer dans l’objectif une image « autre », détachée de la réalité, libérée du sujet représenté. Son travail sur la géométrie, les proportions et la composition lui a permis d’atteindre par paliers une synthèse conceptuelle qui est à la fois son langage(...)
Franco Fontana : Invisible
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Tout au long de ses soixante années de carrière, Franco Fontana a photographié ce que l’on ne voit pas, réussissant à fixer dans l’objectif une image « autre », détachée de la réalité, libérée du sujet représenté. Son travail sur la géométrie, les proportions et la composition lui a permis d’atteindre par paliers une synthèse conceptuelle qui est à la fois son langage personnel et sa manifestation formelle. Ce volume est le résultat d’une exploration minutieuse des archives de l’artiste, qui a fait émerger des clichés inédits, allant des recherches les plus expérimentales aux manifestations les plus libres de sa subjectivité, sans négliger pour autant les images iconiques qui ont rendu leur auteur célèbre dans le monde entier.
Monographies photo
Carnet à jouet : Maillages
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Quel fil tirer entre ces mailles ? Trouver des chemins et faire surgir des formes inattendues, se laisser porter par le mouvement des vagues, naviguer entre les verticales et les horizontales, suivre la diagonale, bifurquer sur un cercle. Filets de pêche, grillages, tissages, plans de cités perdues, fenêtres ouvertes sur des mondes à inventer : ce carnet propose une série(...)
Carnet à jouet : Maillages
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Quel fil tirer entre ces mailles ? Trouver des chemins et faire surgir des formes inattendues, se laisser porter par le mouvement des vagues, naviguer entre les verticales et les horizontales, suivre la diagonale, bifurquer sur un cercle. Filets de pêche, grillages, tissages, plans de cités perdues, fenêtres ouvertes sur des mondes à inventer : ce carnet propose une série de trente et une grilles à colorier ou surligner ; des supports de composition pour dessiner lettres, pictogrammes ou autres motifs de tous bords. La collection Carnets à jouer est une série de jeux graphiques conçue par Sophie Cure et Aurélien Farina. Ils abordent des thématiques propres au design graphique en complément du Cahier d’exploration graphique paru en 2022. De l’exercice unique, on passe à la série, à la variation. Ces carnets permettent d’explorer, d’essayer, tester, rater, rater encore pour mieux recommencer.
cahiers d'activités
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Cities, like the people that live in them, are subject to the attention economy. In ''The city authentic,'' author David A. Banks shows how cities are transforming themselves to appeal to modern desires for authentic urban living through the attention-grabbing tactics of social media influencers and reality-TV stars. Blending insightful analysis with pop culture, this(...)
The city authentic: how the attention economy builds urban America
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Cities, like the people that live in them, are subject to the attention economy. In ''The city authentic,'' author David A. Banks shows how cities are transforming themselves to appeal to modern desires for authentic urban living through the attention-grabbing tactics of social media influencers and reality-TV stars. Blending insightful analysis with pop culture, this engaging study of New York State’s Capital Region is an accessible glimpse into the social phenomena that influence contemporary cities. The rising economic fortunes of cities in the Rust Belt, Banks argues, are due in part to the markers of its previous decay—which translate into signs of urban authenticity on the internet. ''The city authentic'' unpacks the odd connection between digital media and derelict buildings, the consequences of how we think about industry and place, and the political processes that have enabled a new paradigm in urban planning. Mixing urban sociology with media and cultural studies, Banks offers a lively account of how urban life and development are changing in the twenty-first century.
Théorie de l’urbanisme
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Founded in 2008, the French-Lebanese firm of Youssef Tohme Architects and Associates has a delicate signature that takes the regional context as its starting point in developing an individual architectural language. By using a wide variety of materials that interact with the built environment, they create buildings that evolve over time alongside their inhabitants. The(...)
Intimacies: The architecture of Youssef Tohme
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Founded in 2008, the French-Lebanese firm of Youssef Tohme Architects and Associates has a delicate signature that takes the regional context as its starting point in developing an individual architectural language. By using a wide variety of materials that interact with the built environment, they create buildings that evolve over time alongside their inhabitants. The book documents twelve of the firm’s projects – from a single-family home to a museum, including urban interventions in Beirut, Paris, Bordeaux, Marseille, and Bucharest. The book also includes an essay that takes a comprehensive look at the working methods of this firm, focusing in particular on the dimension of time and the changes that occur as the buildings are used.
Architecture, monographies