Doris Salcedo
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Colombian artist Doris Salcedo (b.1958) is one of today's most internationally respected South American sculptors. Inspired as much by poetry and philosophy as by the affecting material qualities of sculpture, Salcedo subtly and painstakingly transforms everyday household objects and garments - symbols of a vanished existence and of the human tragedies that are its(...)
janvier 2000, London
Doris Salcedo
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Colombian artist Doris Salcedo (b.1958) is one of today's most internationally respected South American sculptors. Inspired as much by poetry and philosophy as by the affecting material qualities of sculpture, Salcedo subtly and painstakingly transforms everyday household objects and garments - symbols of a vanished existence and of the human tragedies that are its cause. In Atrabiliaros (1991-6) abandoned shoes of "disappeared" Colombian people, half-concealed behind membranes of animal fibre, become ghost-like symbols of mourning. In Salcedo's ongoing untitled works, wooden furnishings, worn by long use and filled with concrete, mutely evoke the lives they once served. American art critic Nancy Princenthal surveys Salcedo's work in terms of the universal themes it evokes, contextualized in discussion of contemporary scultural practice. New York-based poet and curator Carlos Basualdo discusses with the artist her formative influences, which range from the art of precedecessors such as Joseph Beuys to the writings of philosophers and poets. German literary critic Andreas Huyssen focuses on Salcedo's sculpture Unland: The Orphan's Tunic (1997). For the "Arist's Choice", Salcedo has selected two texts: an extract from "Otherwise than being" (1974) by philosopher Emmanuel Levinas, and poems by Paul Celan. The Doris Salcedo's observations on the human condition and its reflection in the work of poets, novelists and thinkers are discussed in conversation with art historian Charles Merewether.
livres
Graftworld
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In addition to Graft’s the widely published projects, like the prize-winning Hotel Q in Berlin, Restaurants Fix and Stack in Las Vegas and several international houses, the exhibition will focus on the new and unpublished work of Graft, including numerous high-rise buildings, special hotel designs and private residences, research installations as well as public(...)
Graftworld
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In addition to Graft’s the widely published projects, like the prize-winning Hotel Q in Berlin, Restaurants Fix and Stack in Las Vegas and several international houses, the exhibition will focus on the new and unpublished work of Graft, including numerous high-rise buildings, special hotel designs and private residences, research installations as well as public projects. Graftworld refers to Graft’s specific method of work process, which fuses syntactic, semantic and phenomenological aspects into architecture. Graft uses narrative elements of cinema, exploiting space - time interconnections through storyboarding with progressive technical research of long term collaborations with various companies. The exhibit will showcase this methodology in an accessible, usable exhibition sculpture, an interactive lounge displaying not only projects of all three office locations but providing chillout zones to relax as well. Classical distinctive architecture elements like floor, wall and ceiling will be fused into a lounge-display-hybrid. Graftworld is thought to be inclusive and rather crosses and blurs boundaries than accepting their exclusive nature. This approach also touches on the increasing transition of distinct modern mono-functional living and working environments, that are blending into new urban lifestyles of the metropolitan nomads. Graftworld proposes architecture that can evolve to be sculpture, be furniture, be a product, be an urban scenario, be landscape at the same time. Design, methodology and technology are not classically “displayed”, but are integrated in the Graftworld.
livres
janvier 2007, Berlin
petits formats
vidéo
The Poetics of Architecture / [presented by] Emilio Ambasz (Emilio Ambasz & Associates Inc.).
Description:
1 online resource (1 video file (31 minutes)) : sound, color
London, England : Pidgeon Digital, 1987.
The Poetics of Architecture / [presented by] Emilio Ambasz (Emilio Ambasz & Associates Inc.).
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1 online resource (1 video file (31 minutes)) : sound, color
vidéo
London, England : Pidgeon Digital, 1987.
MoMA PS1 : a history
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Since its inception in the early 1970s, MoMA PS1 in Long Island City, Queens, has been a crucible for radical experimentation. Committed to New York City as well as to maintaining an international scope, PS1 has always put the artist at the center, engaging practitioners at work in every discipline from performance, music, dance, poetry and new media to painting,(...)
octobre 2019
MoMA PS1 : a history
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Since its inception in the early 1970s, MoMA PS1 in Long Island City, Queens, has been a crucible for radical experimentation. Committed to New York City as well as to maintaining an international scope, PS1 has always put the artist at the center, engaging practitioners at work in every discipline from performance, music, dance, poetry and new media to painting, sculpture, photography and architecture. This publication captures the vibrancy of a long and venerable tradition that began with the legendary series of performances and events organized by founder Alanna Heiss under the Brooklyn Bridge in 1971.
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Published in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific period between 1960 and 1972, this volume highlights examples of Roth’s most exciting and innovative books and graphics. An essay by curator Sarah Suzuki uses an extended investigation of “Snow” (1964–1969), a complex book-sculpture, as a touchstone from which to further(...)
Wait, later this will be nothing: editions by Dieter Roth
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Published in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific period between 1960 and 1972, this volume highlights examples of Roth’s most exciting and innovative books and graphics. An essay by curator Sarah Suzuki uses an extended investigation of “Snow” (1964–1969), a complex book-sculpture, as a touchstone from which to further investigate Roth’s use of language, iconography, technical innovations and relationships to other artists. A conservation essay offers two case studies that explore preservation issues and address larger concerns about the challenges of conserving contemporary art and organic materials.
livres
Description:
xxii, 467 pages, 40 unnumbered pages of plates : illustrations ; 24 cm
Chicago : University of Chicago Press, 1996.
The autumn of the Middle Ages / Johan Huizinga ; translated by Rodney J. Payton and Ulrich Mammitzsch.
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xxii, 467 pages, 40 unnumbered pages of plates : illustrations ; 24 cm
livres
Chicago : University of Chicago Press, 1996.
livres
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xv, 732 pages : illustrations (some color) ; 32 cm
New York : Guggenheim Museum : Distributed by Rizzoli International Publications, ©1992.
The great utopia : the Russian and Soviet avant-garde, 1915-1932 / Solomon R. Guggenheim Museum [and others].
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xv, 732 pages : illustrations (some color) ; 32 cm
livres
New York : Guggenheim Museum : Distributed by Rizzoli International Publications, ©1992.
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"Supplement 7: Joar Nango – Uncle Doug’s fishing shack" traces Nango’s artistic process, mapping the development of his temporary installation and sculpture Uncle Doug’s Fishing Shack presented at Plug In ICA (Winnipeg) in 2019 as part of STAGES. The publication features an interview between Nango and Indigenous architect David Thomas, and texts by Indigenous architect(...)
décembre 2023
Supplement 7: Joar Nango—Uncle Doug’s fishing shack
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"Supplement 7: Joar Nango – Uncle Doug’s fishing shack" traces Nango’s artistic process, mapping the development of his temporary installation and sculpture Uncle Doug’s Fishing Shack presented at Plug In ICA (Winnipeg) in 2019 as part of STAGES. The publication features an interview between Nango and Indigenous architect David Thomas, and texts by Indigenous architect Ryan Gorrie, Australian architecture lecturer Timothy O’Rourke, and Canadian architecture scholar Courtney R. Thompson. This publication is part of Fillip’s Supplements series, with this edition published in collaboration with Plug In ICA (Winnipeg) and the Art Gallery of York University (Toronto). Supplement 7 is edited by Jenifer Papararo.
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This unprecedented visual survey celebrates the work of 42 contemporary artists, from rising stars to globally recognized names, including Theresa Hak Kyung Cha, Kyungah Ham, Kimsooja, Lee Bul, Mire Lee, Minouk Lim, Haegue Yang, and Yun Suknam. Organized by themes including queer politics, ecofeminism, the diaspora, and abstraction, Korean Feminist Artists features(...)
Korean Feminist Artists: Confront and deconstruct
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This unprecedented visual survey celebrates the work of 42 contemporary artists, from rising stars to globally recognized names, including Theresa Hak Kyung Cha, Kyungah Ham, Kimsooja, Lee Bul, Mire Lee, Minouk Lim, Haegue Yang, and Yun Suknam. Organized by themes including queer politics, ecofeminism, the diaspora, and abstraction, Korean Feminist Artists features artworks across painting, sculpture, photography, film, video, installation, handicrafts, and performance. Through rich imagery and insightful writing, the book explores the quest of these pioneering artists for social, cultural, and sexual equality, from their confrontations with the mainstream art establishment to the significance of their aesthetic and political interventions.
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer(...)
Marcel Dzama: drawing on a revolution
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer into an enigmatic world of life and death, calm and violence, where irony, ridicule, and sexual themes disguise allusions to contemporary social and political issues. This catalogue of drawings, dioramas, and other works is published on the occasion of an exhibition of Dzamas work at La Casa Encendida in Madrid.