7377 Résultats
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As cultural heritage institutions across the nation grapple with the realization that their collecting histories have captured an incomplete picture of history, curators and archivists like Dorothy Berry have been drawn into complicated conversations. "The house archives built and other thoughts on Black archival possibilities" brings together years of those conversations(...)
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As cultural heritage institutions across the nation grapple with the realization that their collecting histories have captured an incomplete picture of history, curators and archivists like Dorothy Berry have been drawn into complicated conversations. "The house archives built and other thoughts on Black archival possibilities" brings together years of those conversations(...)
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The house archives built and other thoughts on Black archival possibilities
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As cultural heritage institutions across the nation grapple with the realization that their collecting histories have captured an incomplete picture of history, curators and archivists like Dorothy Berry have been drawn into complicated conversations. "The house archives built and other thoughts on Black archival possibilities" brings together years of those conversations from their origins in conference halls, webinars, and reading rooms to open them up to the public. The labor and theory that upholds archives has been obscured, but our understandings of history and ourselves rest on those invisible foundations. This book clarifies those foundations while offering new possibilities for imagining archival futures in and outside of institutional holdings.
The house archives built and other thoughts on Black archival possibilities
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As cultural heritage institutions across the nation grapple with the realization that their collecting histories have captured an incomplete picture of history, curators and archivists like Dorothy Berry have been drawn into complicated conversations. "The house archives built and other thoughts on Black archival possibilities" brings together years of those conversations from their origins in conference halls, webinars, and reading rooms to open them up to the public. The labor and theory that upholds archives has been obscured, but our understandings of history and ourselves rest on those invisible foundations. This book clarifies those foundations while offering new possibilities for imagining archival futures in and outside of institutional holdings.
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octobre 2025
octobre 2025
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Today our world is under the watchful and tireless eye of computer vision, with cameras and monitors tracing our every move. Furthermore, generative AI is now able to render a synthetic world indistinguishable from reality for us to explore. Trevor Paglen goes in search of the ways and means of understanding this new visual universe. Instead of asking what these(...)
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Today our world is under the watchful and tireless eye of computer vision, with cameras and monitors tracing our every move. Furthermore, generative AI is now able to render a synthetic world indistinguishable from reality for us to explore. Trevor Paglen goes in search of the ways and means of understanding this new visual universe. Instead of asking what these(...)
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How to see like a machine: Images after AI
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Today our world is under the watchful and tireless eye of computer vision, with cameras and monitors tracing our every move. Furthermore, generative AI is now able to render a synthetic world indistinguishable from reality for us to explore. Trevor Paglen goes in search of the ways and means of understanding this new visual universe. Instead of asking what these technologies “say” about the world, he teaches us to ask what they “do” and where such images come from. Exploring the esoteric worlds of psyops, UFO imagery, magicians, and public relation gurus, Paglen shows that this apparently alien realm is more human, but much stranger, than we imagine.
How to see like a machine: Images after AI
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Today our world is under the watchful and tireless eye of computer vision, with cameras and monitors tracing our every move. Furthermore, generative AI is now able to render a synthetic world indistinguishable from reality for us to explore. Trevor Paglen goes in search of the ways and means of understanding this new visual universe. Instead of asking what these technologies “say” about the world, he teaches us to ask what they “do” and where such images come from. Exploring the esoteric worlds of psyops, UFO imagery, magicians, and public relation gurus, Paglen shows that this apparently alien realm is more human, but much stranger, than we imagine.
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mai 2026
mai 2026
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À l’heure où nos traces numériques s’accumulent, une nouvelle forme de mémoire émerge. Les technomémoires désignent ces formes hybrides que nous construisons à travers les plateformes numériques et les objets connectés. Des albums photos enrichis par l’intelligence artificielle aux assistants qui mémorisent nos habitudes, des médias socionumériques qui stockent nos(...)
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À l’heure où nos traces numériques s’accumulent, une nouvelle forme de mémoire émerge. Les technomémoires désignent ces formes hybrides que nous construisons à travers les plateformes numériques et les objets connectés. Des albums photos enrichis par l’intelligence artificielle aux assistants qui mémorisent nos habitudes, des médias socionumériques qui stockent nos(...)
Publication:
janvier 2026
janvier 2026
Titre:
Technomémoires : mémoire, souvenirs et technologies émergentes
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À l’heure où nos traces numériques s’accumulent, une nouvelle forme de mémoire émerge. Les technomémoires désignent ces formes hybrides que nous construisons à travers les plateformes numériques et les objets connectés. Des albums photos enrichis par l’intelligence artificielle aux assistants qui mémorisent nos habitudes, des médias socionumériques qui stockent nos interactions aux objets connectés qui documentent nos comportements quotidiens, un nouvel écosystème mémoriel se dessine. Ce livre en explore les contours à travers trois axes?: la mémoire collective ancrée dans les territoires et les objets?; les pratiques personnelles façonnées par nos interactions numériques?; et les perspectives ouvertes par l’intelligence artificielle dans la gestion – et la fabrication – de nos souvenirs. Il s’adresse aux spécialistes de la mémoire et des médias, aux personnes étudiantes en sciences humaines et sociales, ainsi qu’au grand public curieux de comprendre ce que signifie se souvenir au XXIe siècle, à l’ère des machines qui «?se remémorent?»… supposément mieux que nous.
Technomémoires : mémoire, souvenirs et technologies émergentes
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À l’heure où nos traces numériques s’accumulent, une nouvelle forme de mémoire émerge. Les technomémoires désignent ces formes hybrides que nous construisons à travers les plateformes numériques et les objets connectés. Des albums photos enrichis par l’intelligence artificielle aux assistants qui mémorisent nos habitudes, des médias socionumériques qui stockent nos interactions aux objets connectés qui documentent nos comportements quotidiens, un nouvel écosystème mémoriel se dessine. Ce livre en explore les contours à travers trois axes?: la mémoire collective ancrée dans les territoires et les objets?; les pratiques personnelles façonnées par nos interactions numériques?; et les perspectives ouvertes par l’intelligence artificielle dans la gestion – et la fabrication – de nos souvenirs. Il s’adresse aux spécialistes de la mémoire et des médias, aux personnes étudiantes en sciences humaines et sociales, ainsi qu’au grand public curieux de comprendre ce que signifie se souvenir au XXIe siècle, à l’ère des machines qui «?se remémorent?»… supposément mieux que nous.
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livres
livres
Publication:
janvier 2026
janvier 2026
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livres
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What has planetary-scale computation done to our geopolitical realities? It takes different forms at different scales—from energy and mineral sourcing and subterranean cloud infrastructure to urban software and massive universal addressing systems; from interfaces drawn by the augmentation of the hand and eye to users identified by self-quantification and the arrival of(...)
$48.00
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What has planetary-scale computation done to our geopolitical realities? It takes different forms at different scales—from energy and mineral sourcing and subterranean cloud infrastructure to urban software and massive universal addressing systems; from interfaces drawn by the augmentation of the hand and eye to users identified by self-quantification and the arrival of(...)
Titre:
The stack: On software and sovereignty. 10th anniversary edition
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What has planetary-scale computation done to our geopolitical realities? It takes different forms at different scales—from energy and mineral sourcing and subterranean cloud infrastructure to urban software and massive universal addressing systems; from interfaces drawn by the augmentation of the hand and eye to users identified by self-quantification and the arrival of legions of sensors, algorithms, and robots. Together, how do these distort and deform modern political geographies and produce new territories in their own image? In an account that is both theoretical and technical, drawing on political philosophy, design theory, and computer science, Bratton explores six layers of ''The Stack'': Earth, Cloud, City, Address, Interface, User.
The stack: On software and sovereignty. 10th anniversary edition
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What has planetary-scale computation done to our geopolitical realities? It takes different forms at different scales—from energy and mineral sourcing and subterranean cloud infrastructure to urban software and massive universal addressing systems; from interfaces drawn by the augmentation of the hand and eye to users identified by self-quantification and the arrival of legions of sensors, algorithms, and robots. Together, how do these distort and deform modern political geographies and produce new territories in their own image? In an account that is both theoretical and technical, drawing on political philosophy, design theory, and computer science, Bratton explores six layers of ''The Stack'': Earth, Cloud, City, Address, Interface, User.
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mars 2026
mars 2026
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Earth Moves, Bernard Cache's first major work, conceptualizes a series of architectural images as vehicles for two important developments. First, he offers a new understanding of the architectural image itself. Following Gilles Deleuze and Henri Bergson, he develops an account of the image that is nonrepresentational and constructive—images as constituents of a primary,(...)
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Earth Moves, Bernard Cache's first major work, conceptualizes a series of architectural images as vehicles for two important developments. First, he offers a new understanding of the architectural image itself. Following Gilles Deleuze and Henri Bergson, he develops an account of the image that is nonrepresentational and constructive—images as constituents of a primary,(...)
Titre:
Earth moves: the furnishing of territories
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Earth Moves, Bernard Cache's first major work, conceptualizes a series of architectural images as vehicles for two important developments. First, he offers a new understanding of the architectural image itself. Following Gilles Deleuze and Henri Bergson, he develops an account of the image that is nonrepresentational and constructive—images as constituents of a primary, image world, of which subjectivity itself is a special kind of image. Second, Cache redefines architecture beyond building proper to include cinematic, pictoral, and other framings. Complementary to this classification, Cache offers what is to date the only Deleuzean architectural development of the "fold," a form and concept that has become important over the last few years. For Cache, as for Deleuze, what is significant about the fold is that it provides a way to rethink the relationship between interior and exterior, between past and present, and between architecture and the urban.
Earth moves: the furnishing of territories
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Earth Moves, Bernard Cache's first major work, conceptualizes a series of architectural images as vehicles for two important developments. First, he offers a new understanding of the architectural image itself. Following Gilles Deleuze and Henri Bergson, he develops an account of the image that is nonrepresentational and constructive—images as constituents of a primary, image world, of which subjectivity itself is a special kind of image. Second, Cache redefines architecture beyond building proper to include cinematic, pictoral, and other framings. Complementary to this classification, Cache offers what is to date the only Deleuzean architectural development of the "fold," a form and concept that has become important over the last few years. For Cache, as for Deleuze, what is significant about the fold is that it provides a way to rethink the relationship between interior and exterior, between past and present, and between architecture and the urban.
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livres
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janvier 1995
janvier 1995
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Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information(...)
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Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information(...)
Titre:
Control: digitality as cultural logic
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Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information economy" possible while at the same time obscuring its effects on material social spaces. In so doing, Franklin traces three intertwined threads: the relationships among information, labor, and social management that emerged in the nineteenth century; the mid-twentieth-century diffusion of computational metaphors; and the appearance of informatic principles in certain contemporary socioeconomic and cultural practices. Drawing on critical theory, media theory, and the history of science, Franklin names control as the episteme grounding late capitalism. Beyond any specific device or set of technically mediated practices, digitality functions within this episteme as the logical basis for reshaped concepts of labor, subjectivity, and collectivity, as well as for the intensification of older modes of exclusion and dispossession. In tracking the pervasiveness of this logical mode into the present, Franklin locates the cultural traces of control across a diverse body of objects and practices, from cybernetics to economic theory and management styles, and from concepts of language and subjectivity to literary texts, films, and video games.
Control: digitality as cultural logic
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Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information economy" possible while at the same time obscuring its effects on material social spaces. In so doing, Franklin traces three intertwined threads: the relationships among information, labor, and social management that emerged in the nineteenth century; the mid-twentieth-century diffusion of computational metaphors; and the appearance of informatic principles in certain contemporary socioeconomic and cultural practices. Drawing on critical theory, media theory, and the history of science, Franklin names control as the episteme grounding late capitalism. Beyond any specific device or set of technically mediated practices, digitality functions within this episteme as the logical basis for reshaped concepts of labor, subjectivity, and collectivity, as well as for the intensification of older modes of exclusion and dispossession. In tracking the pervasiveness of this logical mode into the present, Franklin locates the cultural traces of control across a diverse body of objects and practices, from cybernetics to economic theory and management styles, and from concepts of language and subjectivity to literary texts, films, and video games.
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livres
livres
Publication:
novembre 2015
novembre 2015
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L'auteure analyse les codes et les usages des membres de communautés d'internautes amateurs de produits Apple. Elle montre que l'imaginaire déployé découle d'une volonté de la marque de créer un univers technologique au sein duquel les attentes et les rêves des clients sont comblés par une offre de produits informatiques.
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L'auteure analyse les codes et les usages des membres de communautés d'internautes amateurs de produits Apple. Elle montre que l'imaginaire déployé découle d'une volonté de la marque de créer un univers technologique au sein duquel les attentes et les rêves des clients sont comblés par une offre de produits informatiques.
Titre:
Les Fans d'Apple : enquête sur les réseaux sociaux
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L'auteure analyse les codes et les usages des membres de communautés d'internautes amateurs de produits Apple. Elle montre que l'imaginaire déployé découle d'une volonté de la marque de créer un univers technologique au sein duquel les attentes et les rêves des clients sont comblés par une offre de produits informatiques.
Les Fans d'Apple : enquête sur les réseaux sociaux
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L'auteure analyse les codes et les usages des membres de communautés d'internautes amateurs de produits Apple. Elle montre que l'imaginaire déployé découle d'une volonté de la marque de créer un univers technologique au sein duquel les attentes et les rêves des clients sont comblés par une offre de produits informatiques.
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livres
livres
Publication:
février 2016
février 2016
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livres
livres
Titre:
Manifestly Haraway
Manifestly Haraway
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Provocative, and controversial when first published thirty years ago, Donna Haraway’s “Cyborg Manifesto” is even more relevant today, when the divisions that she so eloquently challenges—of human and machine but also of gender, class, race, ethnicity, sexuality, and location—are increasingly complex. The subsequent “Companion Species Manifesto,” which further questions(...)
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Provocative, and controversial when first published thirty years ago, Donna Haraway’s “Cyborg Manifesto” is even more relevant today, when the divisions that she so eloquently challenges—of human and machine but also of gender, class, race, ethnicity, sexuality, and location—are increasingly complex. The subsequent “Companion Species Manifesto,” which further questions(...)
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Manifestly Haraway
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Provocative, and controversial when first published thirty years ago, Donna Haraway’s “Cyborg Manifesto” is even more relevant today, when the divisions that she so eloquently challenges—of human and machine but also of gender, class, race, ethnicity, sexuality, and location—are increasingly complex. The subsequent “Companion Species Manifesto,” which further questions the human–nonhuman disjunction, is no less urgently needed in our time of environmental crisis and profound polarization.
Manifestly Haraway
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Provocative, and controversial when first published thirty years ago, Donna Haraway’s “Cyborg Manifesto” is even more relevant today, when the divisions that she so eloquently challenges—of human and machine but also of gender, class, race, ethnicity, sexuality, and location—are increasingly complex. The subsequent “Companion Species Manifesto,” which further questions the human–nonhuman disjunction, is no less urgently needed in our time of environmental crisis and profound polarization.
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livres
livres
Publication:
avril 2016
avril 2016
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livres
livres
Titre:
Moving archives
Moving archives
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The image of the dusty, undisturbed archive has been swept away in response to growing interest across disciplines in the materials they house and the desire to find and make meaning through an engagement with those materials. Archival studies scholars and archivists are developing related theoretical frameworks and practices that recognize that the archives are anything(...)
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The image of the dusty, undisturbed archive has been swept away in response to growing interest across disciplines in the materials they house and the desire to find and make meaning through an engagement with those materials. Archival studies scholars and archivists are developing related theoretical frameworks and practices that recognize that the archives are anything(...)
Titre:
Moving archives
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$85.00
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The image of the dusty, undisturbed archive has been swept away in response to growing interest across disciplines in the materials they house and the desire to find and make meaning through an engagement with those materials. Archival studies scholars and archivists are developing related theoretical frameworks and practices that recognize that the archives are anything but static. Archival deposits are proliferating, and the architects, practitioners, and scholars engaged with them are scarcely able to keep abreast of them. Archives, archival theory, and archival practice are on the move. But what of the archives that were once safely housed and have since been lost, or are under threat? What of the urgency that underscores the appeals made on behalf of these archives? As scholars in this volume argue, archives—their materialization, their preservation, and the research produced about them—are moving in a different way: they are involved in an emotionally engaged and charged process, one that acts equally upon archival subjects and those engaged with them. So too do archives at once represent members of various communities and the fields of study drawn to them. "Moving Archives" grounds itself in the critical trajectory related to what Sara Ahmed calls “affective economies” to offer fresh insights about the process of archiving and approaching literary materials. These economies are not necessarily determined by ethical impulses, although many scholars have called out for such impulses to underwrite current archival practices; rather, they form the crucial affective contexts for the legitimization of archival caches in the present moment and for future use.
Moving archives
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The image of the dusty, undisturbed archive has been swept away in response to growing interest across disciplines in the materials they house and the desire to find and make meaning through an engagement with those materials. Archival studies scholars and archivists are developing related theoretical frameworks and practices that recognize that the archives are anything but static. Archival deposits are proliferating, and the architects, practitioners, and scholars engaged with them are scarcely able to keep abreast of them. Archives, archival theory, and archival practice are on the move. But what of the archives that were once safely housed and have since been lost, or are under threat? What of the urgency that underscores the appeals made on behalf of these archives? As scholars in this volume argue, archives—their materialization, their preservation, and the research produced about them—are moving in a different way: they are involved in an emotionally engaged and charged process, one that acts equally upon archival subjects and those engaged with them. So too do archives at once represent members of various communities and the fields of study drawn to them. "Moving Archives" grounds itself in the critical trajectory related to what Sara Ahmed calls “affective economies” to offer fresh insights about the process of archiving and approaching literary materials. These economies are not necessarily determined by ethical impulses, although many scholars have called out for such impulses to underwrite current archival practices; rather, they form the crucial affective contexts for the legitimization of archival caches in the present moment and for future use.
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livres
livres
Publication:
janvier 2020
janvier 2020
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livres
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Au cours des deux dernières décennies, la production de données numériques a connu une croissance sans précédent, redéfinissant la puissance entre États, mais aussi acteurs privés (GAFAM) et autres (hackers, cybercriminels, etc.). Cette redéfinition conduit à interroger la notion de frontière dans ce contexte non-clos où la localisation physique peut ne pas correspondre à(...)
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Au cours des deux dernières décennies, la production de données numériques a connu une croissance sans précédent, redéfinissant la puissance entre États, mais aussi acteurs privés (GAFAM) et autres (hackers, cybercriminels, etc.). Cette redéfinition conduit à interroger la notion de frontière dans ce contexte non-clos où la localisation physique peut ne pas correspondre à(...)
Titre:
Géopolitique des données numériques
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Au cours des deux dernières décennies, la production de données numériques a connu une croissance sans précédent, redéfinissant la puissance entre États, mais aussi acteurs privés (GAFAM) et autres (hackers, cybercriminels, etc.). Cette redéfinition conduit à interroger la notion de frontière dans ce contexte non-clos où la localisation physique peut ne pas correspondre à la location logique ou juridique. Pour traiter cette masse de données disparates, il a fallu créer des outils (Big Data, intelligence artificielles) qui modifient également les rapports de puissance entre les États. Mais dont l'usage modifie aussi l'analyse géopolitique elle-même. Dans cet ouvrage, Amaël Cattaruzza analyse comment les données numériques ont doublement modifié la géopolitique.
Géopolitique des données numériques
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Au cours des deux dernières décennies, la production de données numériques a connu une croissance sans précédent, redéfinissant la puissance entre États, mais aussi acteurs privés (GAFAM) et autres (hackers, cybercriminels, etc.). Cette redéfinition conduit à interroger la notion de frontière dans ce contexte non-clos où la localisation physique peut ne pas correspondre à la location logique ou juridique. Pour traiter cette masse de données disparates, il a fallu créer des outils (Big Data, intelligence artificielles) qui modifient également les rapports de puissance entre les États. Mais dont l'usage modifie aussi l'analyse géopolitique elle-même. Dans cet ouvrage, Amaël Cattaruzza analyse comment les données numériques ont doublement modifié la géopolitique.
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livres
livres
Publication:
mars 2019
mars 2019
