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Organized by interpretive categories such as space, infrastructure, and imaginaries, this volume uses historical and contemporary examples of how laboratories are fundamentally connected to changes in the contemporary university. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining(...)
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Organized by interpretive categories such as space, infrastructure, and imaginaries, this volume uses historical and contemporary examples of how laboratories are fundamentally connected to changes in the contemporary university. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining(...)
Publication:
décembre 2021
décembre 2021
Titre:
The lab book: situated practices in media studies
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Organized by interpretive categories such as space, infrastructure, and imaginaries, this volume uses historical and contemporary examples of how laboratories are fundamentally connected to changes in the contemporary university. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining their space, and a glossary of key hybrid lab techniques.
The lab book: situated practices in media studies
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Organized by interpretive categories such as space, infrastructure, and imaginaries, this volume uses historical and contemporary examples of how laboratories are fundamentally connected to changes in the contemporary university. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining their space, and a glossary of key hybrid lab techniques.
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livres
livres
Publication:
décembre 2021
décembre 2021
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livres
livres
Titre:
World brain
World brain
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In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a "World Brain," as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of "The War of the Worlds" and other science fiction(...)
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In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a "World Brain," as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of "The War of the Worlds" and other science fiction(...)
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World brain
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In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a "World Brain," as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of "The War of the Worlds" and other science fiction classics, was imagining something like a predigital Wikipedia. The World Encyclopedia would provide a summary of verified reality (in about forty volumes); it would be widely available, free of copyright, and utilize the latest technology. Of course, as Bruce Sterling points out in the foreword to this edition of Wells's work, the World Brain didn't happen; the internet did. And yet, Wells anticipated aspects of the internet, envisioning the World Brain as a technical system of networked knowledge (in Sterling's words, a "hypothetical super-gadget"). Wells's optimism about the power of information might strike readers today as naïvely utopian, but possibly also inspirational.
World brain
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In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a "World Brain," as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of "The War of the Worlds" and other science fiction classics, was imagining something like a predigital Wikipedia. The World Encyclopedia would provide a summary of verified reality (in about forty volumes); it would be widely available, free of copyright, and utilize the latest technology. Of course, as Bruce Sterling points out in the foreword to this edition of Wells's work, the World Brain didn't happen; the internet did. And yet, Wells anticipated aspects of the internet, envisioning the World Brain as a technical system of networked knowledge (in Sterling's words, a "hypothetical super-gadget"). Wells's optimism about the power of information might strike readers today as naïvely utopian, but possibly also inspirational.
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livres
livres
Publication:
août 2021
août 2021
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livres
livres
Titre:
Data feminism
Data feminism
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Today, data science is a form of power. It has been used to expose injustice, improve health outcomes, and topple governments. But it has also been used to discriminate, police, and surveil. This potential for good, on the one hand, and harm, on the other, makes it essential to ask: Data science by whom? Data science for whom? Data science with whose interests in mind?(...)
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Today, data science is a form of power. It has been used to expose injustice, improve health outcomes, and topple governments. But it has also been used to discriminate, police, and surveil. This potential for good, on the one hand, and harm, on the other, makes it essential to ask: Data science by whom? Data science for whom? Data science with whose interests in mind?(...)
Publication:
mars 2020
mars 2020
Titre:
Data feminism
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Today, data science is a form of power. It has been used to expose injustice, improve health outcomes, and topple governments. But it has also been used to discriminate, police, and surveil. This potential for good, on the one hand, and harm, on the other, makes it essential to ask: Data science by whom? Data science for whom? Data science with whose interests in mind? The narratives around big data and data science are overwhelmingly white, male, and techno-heroic. In ''Data feminism,'' Catherine D'Ignazio and Lauren Klein present a new way of thinking about data science and data ethics—one that is informed by intersectional feminist thought. Illustrating data feminism in action, D'Ignazio and Klein show how challenges to the male/female binary can help challenge other hierarchical (and empirically wrong) classification systems. They explain how, for example, an understanding of emotion can expand our ideas about effective data visualization, and how the concept of invisible labor can expose the significant human efforts required by our automated systems. And they show why the data never, ever ''speak for themselves.'' ''Data feminism'' offers strategies for data scientists seeking to learn how feminism can help them work toward justice, and for feminists who want to focus their efforts on the growing field of data science. But ''Data feminism'' is about much more than gender. It is about power, about who has it and who doesn't, and about how those differentials of power can be challenged and changed.
Data feminism
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Today, data science is a form of power. It has been used to expose injustice, improve health outcomes, and topple governments. But it has also been used to discriminate, police, and surveil. This potential for good, on the one hand, and harm, on the other, makes it essential to ask: Data science by whom? Data science for whom? Data science with whose interests in mind? The narratives around big data and data science are overwhelmingly white, male, and techno-heroic. In ''Data feminism,'' Catherine D'Ignazio and Lauren Klein present a new way of thinking about data science and data ethics—one that is informed by intersectional feminist thought. Illustrating data feminism in action, D'Ignazio and Klein show how challenges to the male/female binary can help challenge other hierarchical (and empirically wrong) classification systems. They explain how, for example, an understanding of emotion can expand our ideas about effective data visualization, and how the concept of invisible labor can expose the significant human efforts required by our automated systems. And they show why the data never, ever ''speak for themselves.'' ''Data feminism'' offers strategies for data scientists seeking to learn how feminism can help them work toward justice, and for feminists who want to focus their efforts on the growing field of data science. But ''Data feminism'' is about much more than gender. It is about power, about who has it and who doesn't, and about how those differentials of power can be challenged and changed.
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livres
livres
Publication:
mars 2020
mars 2020
Classification:
livres
livres
Titre:
The smartness mandate
The smartness mandate
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In this book, the authors suggest that "smartness" is not primarily a technology, but rather an epistemology. Through this lens, they offer a critical exploration of the practices, technologies, and subjects that such an understanding relies upon—above all, artificial intelligence and machine learning. They approach these not simply as techniques for solving problems of(...)
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In this book, the authors suggest that "smartness" is not primarily a technology, but rather an epistemology. Through this lens, they offer a critical exploration of the practices, technologies, and subjects that such an understanding relies upon—above all, artificial intelligence and machine learning. They approach these not simply as techniques for solving problems of(...)
Publication:
décembre 2022
décembre 2022
Titre:
The smartness mandate
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In this book, the authors suggest that "smartness" is not primarily a technology, but rather an epistemology. Through this lens, they offer a critical exploration of the practices, technologies, and subjects that such an understanding relies upon—above all, artificial intelligence and machine learning. They approach these not simply as techniques for solving problems of calculations, but rather as modes of managing life (human and other) in terms of neo-Darwinian evolution, distributed intelligences, and "resilience," all of which have serious implications for society, politics, and the environment.
The smartness mandate
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In this book, the authors suggest that "smartness" is not primarily a technology, but rather an epistemology. Through this lens, they offer a critical exploration of the practices, technologies, and subjects that such an understanding relies upon—above all, artificial intelligence and machine learning. They approach these not simply as techniques for solving problems of calculations, but rather as modes of managing life (human and other) in terms of neo-Darwinian evolution, distributed intelligences, and "resilience," all of which have serious implications for society, politics, and the environment.
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livres
livres
Publication:
décembre 2022
décembre 2022
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livres
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The only way to handle data responsibly, says Melanie Feinberg in this incisive work, is to take into account its human character. Though the data she discusses may seem familiar, close scrutiny shows it to be ambiguous, complicated, and uncertain: unruly. Drawing on the tools of information science, she uses everyday events to demonstrate a practical, critical, and(...)
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The only way to handle data responsibly, says Melanie Feinberg in this incisive work, is to take into account its human character. Though the data she discusses may seem familiar, close scrutiny shows it to be ambiguous, complicated, and uncertain: unruly. Drawing on the tools of information science, she uses everyday events to demonstrate a practical, critical, and(...)
Titre:
Everyday adventures with unruly data
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The only way to handle data responsibly, says Melanie Feinberg in this incisive work, is to take into account its human character. Though the data she discusses may seem familiar, close scrutiny shows it to be ambiguous, complicated, and uncertain: unruly. Drawing on the tools of information science, she uses everyday events to demonstrate a practical, critical, and generative mode of thinking about data: its creation, management, aggregation, and use. As she reflects on the implications of commonplace events, Feinberg explicates fundamental concepts of data that reveal the many tiny design decisions—which may not even seem like design at all—that shape how data comes to be. Through the themes of serendipity, objectivity, equivalence, interoperability, taxonomy, labels, and locality, she illuminates the surprisingly pervasive role of data in our daily thoughts and lives.
Everyday adventures with unruly data
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Résumé:
The only way to handle data responsibly, says Melanie Feinberg in this incisive work, is to take into account its human character. Though the data she discusses may seem familiar, close scrutiny shows it to be ambiguous, complicated, and uncertain: unruly. Drawing on the tools of information science, she uses everyday events to demonstrate a practical, critical, and generative mode of thinking about data: its creation, management, aggregation, and use. As she reflects on the implications of commonplace events, Feinberg explicates fundamental concepts of data that reveal the many tiny design decisions—which may not even seem like design at all—that shape how data comes to be. Through the themes of serendipity, objectivity, equivalence, interoperability, taxonomy, labels, and locality, she illuminates the surprisingly pervasive role of data in our daily thoughts and lives.
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livres
livres
Publication:
octobre 2022
octobre 2022
Classification:
livres
livres
Titre:
DNA 14: Archives and Utopia
DNA 14: Archives and Utopia
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Résumé:
Traditional archivism runs the risk of perpetuating hegemonic ways of thinking by anticipating what will be of importance in the future through the framework of present-day realities and power structures. These genre-busting ruminations gather new methods for designing views of potential worlds and forms of archival activism.
$21.00
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Résumé:
Traditional archivism runs the risk of perpetuating hegemonic ways of thinking by anticipating what will be of importance in the future through the framework of present-day realities and power structures. These genre-busting ruminations gather new methods for designing views of potential worlds and forms of archival activism.
Publication:
décembre 2022
décembre 2022
Titre:
DNA 14: Archives and Utopia
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$21.00
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Résumé:
Traditional archivism runs the risk of perpetuating hegemonic ways of thinking by anticipating what will be of importance in the future through the framework of present-day realities and power structures. These genre-busting ruminations gather new methods for designing views of potential worlds and forms of archival activism.
DNA 14: Archives and Utopia
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$21.00
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Traditional archivism runs the risk of perpetuating hegemonic ways of thinking by anticipating what will be of importance in the future through the framework of present-day realities and power structures. These genre-busting ruminations gather new methods for designing views of potential worlds and forms of archival activism.
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livres
livres
Publication:
décembre 2022
décembre 2022
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livres
Titre:
Module B. 2015/2019
Module B. 2015/2019
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MODULE B. interroge la bibliothèque en tant qu’espace de classement, de présentation et de collection d’un savoir personnel ou collectif. À l’ère du numérique, il s’agit aussi de dégager la signification de la bibliothèque, sa manière d’agencer un espace, sa définition matérielle et les formes de sa virtualisation. Lors de l’inauguration du projet MODULE B. en 2015, le(...)
$20.00
(disponible en magasin)
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MODULE B. interroge la bibliothèque en tant qu’espace de classement, de présentation et de collection d’un savoir personnel ou collectif. À l’ère du numérique, il s’agit aussi de dégager la signification de la bibliothèque, sa manière d’agencer un espace, sa définition matérielle et les formes de sa virtualisation. Lors de l’inauguration du projet MODULE B. en 2015, le(...)
Titre:
Module B. 2015/2019
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$20.00
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MODULE B. interroge la bibliothèque en tant qu’espace de classement, de présentation et de collection d’un savoir personnel ou collectif. À l’ère du numérique, il s’agit aussi de dégager la signification de la bibliothèque, sa manière d’agencer un espace, sa définition matérielle et les formes de sa virtualisation. Lors de l’inauguration du projet MODULE B. en 2015, le visiteur était amené à remplir l’une des 16 fiches du répertoire créé pour l’occasion, portant chacune un intitulé différent, une interrogation particulière sur la définition d’une bibliothèque, à travers un prisme différent. Suite à l’exposition de Module B. à hon\ books en 2019, antoine lefebvre editions publie la collection des fiches recueillies par le collectif.
Module B. 2015/2019
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MODULE B. interroge la bibliothèque en tant qu’espace de classement, de présentation et de collection d’un savoir personnel ou collectif. À l’ère du numérique, il s’agit aussi de dégager la signification de la bibliothèque, sa manière d’agencer un espace, sa définition matérielle et les formes de sa virtualisation. Lors de l’inauguration du projet MODULE B. en 2015, le visiteur était amené à remplir l’une des 16 fiches du répertoire créé pour l’occasion, portant chacune un intitulé différent, une interrogation particulière sur la définition d’une bibliothèque, à travers un prisme différent. Suite à l’exposition de Module B. à hon\ books en 2019, antoine lefebvre editions publie la collection des fiches recueillies par le collectif.
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livres
livres
Publication:
octobre 2022
octobre 2022
Classification:
livres
livres
Prix:
$25.00
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Résumé:
This volume explores the curious afterlives of the floppy disk in the 21st century through the work of those involved with the medium today. The book reflects on notions of obsolescence, media preservation and nostalgia, and challenges these by showing the endurance and versatility of this familiar piece of technology. From floppy filmmakers to floppy painters and beyond:(...)
$25.00
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This volume explores the curious afterlives of the floppy disk in the 21st century through the work of those involved with the medium today. The book reflects on notions of obsolescence, media preservation and nostalgia, and challenges these by showing the endurance and versatility of this familiar piece of technology. From floppy filmmakers to floppy painters and beyond:(...)
Publication:
novembre 2022
novembre 2022
Titre:
Floppy disk fever: The curious afterlives of a flexible medium
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$25.00
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This volume explores the curious afterlives of the floppy disk in the 21st century through the work of those involved with the medium today. The book reflects on notions of obsolescence, media preservation and nostalgia, and challenges these by showing the endurance and versatility of this familiar piece of technology. From floppy filmmakers to floppy painters and beyond: what drives people to continue working with the medium that is typically deemed obsolete? What challenges and affordances does it provide? And what does the future hold in store for the familiar black square? By looking at the current presence of past technology we can assess our present-day situation and speculate on the future developments of our media landscape. After all, the technology of the past is also part of our future. This volume features interviews with key players in the contemporary floppy-disk world, including not only artists and filmmakers using floppy disks in their practice but also businessmen, archivists and museum proprietors working to preserve the medium.
Floppy disk fever: The curious afterlives of a flexible medium
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$25.00
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This volume explores the curious afterlives of the floppy disk in the 21st century through the work of those involved with the medium today. The book reflects on notions of obsolescence, media preservation and nostalgia, and challenges these by showing the endurance and versatility of this familiar piece of technology. From floppy filmmakers to floppy painters and beyond: what drives people to continue working with the medium that is typically deemed obsolete? What challenges and affordances does it provide? And what does the future hold in store for the familiar black square? By looking at the current presence of past technology we can assess our present-day situation and speculate on the future developments of our media landscape. After all, the technology of the past is also part of our future. This volume features interviews with key players in the contemporary floppy-disk world, including not only artists and filmmakers using floppy disks in their practice but also businessmen, archivists and museum proprietors working to preserve the medium.
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livres
livres
Publication:
novembre 2022
novembre 2022
Classification:
livres
livres
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$31.00
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Résumé:
Today on almost every desk in every office sits a computer. Eighty years ago, desktops were equipped with a nonelectronic data processing machine: a card file. In this publication, Markus Krajewski traces the evolution of this proto-computer of rearrangeable parts (file cards) that became ubiquitous in offices between the world wars. The story begins with Konrad(...)
$31.00
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Résumé:
Today on almost every desk in every office sits a computer. Eighty years ago, desktops were equipped with a nonelectronic data processing machine: a card file. In this publication, Markus Krajewski traces the evolution of this proto-computer of rearrangeable parts (file cards) that became ubiquitous in offices between the world wars. The story begins with Konrad(...)
Titre:
Paper machines : about cards & catalogs, 1548-1929
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$31.00
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Today on almost every desk in every office sits a computer. Eighty years ago, desktops were equipped with a nonelectronic data processing machine: a card file. In this publication, Markus Krajewski traces the evolution of this proto-computer of rearrangeable parts (file cards) that became ubiquitous in offices between the world wars. The story begins with Konrad Gessner, a sixteenth-century Swiss polymath who described a new method of processing data: to cut up a sheet of handwritten notes into slips of paper, with one fact or topic per slip, and arrange as desired. In the late eighteenth century, the card catalog became the librarian's answer to the threat of information overload. Then, at the turn of the twentieth century, business adopted the technology of the card catalog as a bookkeeping tool. Krajewski explores this conceptual development and casts the card file as a "universal paper machine" that accomplishes the basic operations of Turing's universal discrete machine: storing, processing, and transferring data. In telling his story, Krajewski takes the reader on a number of illuminating detours, telling us, for example, that the card catalog and the numbered street address emerged at the same time in the same city (Vienna), and that Harvard University's home-grown cataloging system grew out of a librarian's laziness; and that Melvil Dewey (originator of the Dewey Decimal System) helped bring about the technology transfer of card files to business.
Paper machines : about cards & catalogs, 1548-1929
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$31.00
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Résumé:
Today on almost every desk in every office sits a computer. Eighty years ago, desktops were equipped with a nonelectronic data processing machine: a card file. In this publication, Markus Krajewski traces the evolution of this proto-computer of rearrangeable parts (file cards) that became ubiquitous in offices between the world wars. The story begins with Konrad Gessner, a sixteenth-century Swiss polymath who described a new method of processing data: to cut up a sheet of handwritten notes into slips of paper, with one fact or topic per slip, and arrange as desired. In the late eighteenth century, the card catalog became the librarian's answer to the threat of information overload. Then, at the turn of the twentieth century, business adopted the technology of the card catalog as a bookkeeping tool. Krajewski explores this conceptual development and casts the card file as a "universal paper machine" that accomplishes the basic operations of Turing's universal discrete machine: storing, processing, and transferring data. In telling his story, Krajewski takes the reader on a number of illuminating detours, telling us, for example, that the card catalog and the numbered street address emerged at the same time in the same city (Vienna), and that Harvard University's home-grown cataloging system grew out of a librarian's laziness; and that Melvil Dewey (originator of the Dewey Decimal System) helped bring about the technology transfer of card files to business.
Classification:
livres
livres
Publication:
octobre 2011
octobre 2011
Classification:
livres
livres
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$39.95
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Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely(...)
$39.95
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Résumé:
Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely(...)
Publication:
janvier 2012
janvier 2012
Titre:
A thousand eyes: media technology, law and esthetics
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Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media. What questions of representation, judgment and justice cross borders between art and the law? Through the contribution of internationally renowned artists and scholars, this anthology explores how the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation. Artistic contributions by John Baldessari, Dan Graham, Harun Farocki, Stan Douglas, Aernout Mik, Agency, Judy Radul, Renzo Martens, Ana Torfs, The Atlas Group, René Magritte, Model Court, Rana Hamadeh, Thomas Demand, Les Levine Essays by Julie A. Cassiday, Costas Douzinas, Piyel Haldar, Martin Jay, Peter Goodrich, Richard Mohr, Judy Radul, Avital Ronell, Eyal Sivan, Cornelia Vismann
A thousand eyes: media technology, law and esthetics
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$39.95
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Résumé:
Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media. What questions of representation, judgment and justice cross borders between art and the law? Through the contribution of internationally renowned artists and scholars, this anthology explores how the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation. Artistic contributions by John Baldessari, Dan Graham, Harun Farocki, Stan Douglas, Aernout Mik, Agency, Judy Radul, Renzo Martens, Ana Torfs, The Atlas Group, René Magritte, Model Court, Rana Hamadeh, Thomas Demand, Les Levine Essays by Julie A. Cassiday, Costas Douzinas, Piyel Haldar, Martin Jay, Peter Goodrich, Richard Mohr, Judy Radul, Avital Ronell, Eyal Sivan, Cornelia Vismann
Classification:
livres
livres
Publication:
janvier 2012
janvier 2012
