Une brève histoire du jardin
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Le premier jardin est celui de l'homme ayant choisi de faire cesser l'errance. Il n'y a pas d'époque pour cette étape dans la vie d'un homme ou d'une société. Le premier jardin est vivrier. Le jardin potager est le premier jardin. Il est intemporel car il fonde l'histoire des jardins mais la traverse et la marque profondément dans toutes ses périodes. Le premier jardin(...)
Une brève histoire du jardin
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Le premier jardin est celui de l'homme ayant choisi de faire cesser l'errance. Il n'y a pas d'époque pour cette étape dans la vie d'un homme ou d'une société. Le premier jardin est vivrier. Le jardin potager est le premier jardin. Il est intemporel car il fonde l'histoire des jardins mais la traverse et la marque profondément dans toutes ses périodes. Le premier jardin est un enclos. Il convient de protéger le bien précieux du jardin ; les légumes, les fruits, puis les fleurs, les animaux, l'art de vivre, ce qui, au fil du temps, ne cessera d'apparaître comme le " meilleur ". C'est la façon d'interpréter le meilleur qui, en fonction des modèles de civilisation, va déterminer le style des jardins. La notion de meilleur, de bien précieux, ne cesse d'évoluer. La scénographie destinée à valoriser le meilleur s'adapte au changement des fondamentaux du jardin mais le principe du jardin demeure constant : s'approcher le plus possible du paradis.
Théorie du paysage
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While we all live our lives in designed landscapes of various types, only on occasion do we consider what these landscapes mean to us and how they have acquired that significance. Can a landscape architect or garden designer really imbue new settings with meaning, or does meaning evolve over time, created by those who perceive and use these landscapes? What role does the(...)
Meaning in landscape architecture and gardens: Four essays, Four commentaries
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While we all live our lives in designed landscapes of various types, only on occasion do we consider what these landscapes mean to us and how they have acquired that significance. Can a landscape architect or garden designer really imbue new settings with meaning, or does meaning evolve over time, created by those who perceive and use these landscapes? What role does the selection and arrangement of plants and hard materials play in this process and just where does the passage of time enter into the equation? These questions collectively provide the core material for Meaning in Landscape Architecture and Gardens, a compendium of four landmark essays written over a period of twenty years by leading scholars in the field of landscape architecture. New commentaries by the authors accompany each of the essays and reflect on the thinking behind them as well as the evolution of the author’s thoughts since their original publication.
Théorie du paysage
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In Weeds, writer Richard Mabey embarks on a journey with the historical breadth of Michael Pollan. Weaving together the insights of botanists, gardeners, artists, and writers with his own travels and lifelong fascination, Mabey shows how these plants can destroy ecosystems but also can restore war zones and derelict cities.
Weeds: In defense of nature's most unloved plants
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In Weeds, writer Richard Mabey embarks on a journey with the historical breadth of Michael Pollan. Weaving together the insights of botanists, gardeners, artists, and writers with his own travels and lifelong fascination, Mabey shows how these plants can destroy ecosystems but also can restore war zones and derelict cities.
Théorie du paysage
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James Howard Kunstler is best known for his unflinching commentary on the collapse of the American dream in the face of the reality of Peak Oil. Written as a long-form conversational interview, The Kunstler Cast explores urban planning, architecture, transportation, energy, society and culture from the perspective of an 'embedded' reporter on the Kunstler beat.
The Kunstler Cast: conversations with James Howard Kunstler
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James Howard Kunstler is best known for his unflinching commentary on the collapse of the American dream in the face of the reality of Peak Oil. Written as a long-form conversational interview, The Kunstler Cast explores urban planning, architecture, transportation, energy, society and culture from the perspective of an 'embedded' reporter on the Kunstler beat.
Théorie de l’urbanisme
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Today the human impact on our planet can hardly be underestimated. Climate change, population explosion, genetic manipulation, digital networks, plastic islands floating in the oceans. This book explores our changing notion of nature. How nature has become one of the most successful products of our time, much of what we perceive as nature is merely a simulation(...)
Next nature: nature changes along with us
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Today the human impact on our planet can hardly be underestimated. Climate change, population explosion, genetic manipulation, digital networks, plastic islands floating in the oceans. This book explores our changing notion of nature. How nature has become one of the most successful products of our time, much of what we perceive as nature is merely a simulation although a romanticized idea of a balanced, harmonic, inherently good and threatened entity. How evolution continues nonetheless. How technology - traditionally created to protect us from the forces of nature - gives rise to a next nature, that is just as wild, cruel, unpredictable and threatening as ever. How we are playing with fire again and again. How we should be careful in doing so, yet how this is also what makes us human.
Théorie du paysage
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Synesthetic design strives to develop products that systematically incorporate all five senses. In future, the current wealth of medical technical insights in psychology, physiology, motor functions, and neurology and the development of innovative materials with astonishing new properties will open up almost unlimited opportunities for the designer s creativity. Haverkamp(...)
Synesthetic design: handbook for a multisensory approach
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Synesthetic design strives to develop products that systematically incorporate all five senses. In future, the current wealth of medical technical insights in psychology, physiology, motor functions, and neurology and the development of innovative materials with astonishing new properties will open up almost unlimited opportunities for the designer s creativity. Haverkamp brings together for the first time precisely those aspects of this fundamental knowledge that are specifically relevant for designers. The result is a clear and well-organized handbook that offers designers of all schools a a solid foundation for their own designs. Michael Haverkamp has been working on the concept of multi-sensory design for many years; he is an internationally recognized expert on sound design and synesthesia research in general.
Théorie du design
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On the Beyond is a far-reaching conversation between the Los Angeles-based artists Mike Kelley and Jim Shaw and art historian John C. Welchman. Touching on religion, dreams, hallucination, UFOs and other forms of experiential or speculative transcendence, the trio also discusses the American landscape and the sublime, utopian and memorial architectures, and the defiantly(...)
On the beyond: A conversation between Mike Kelley, Jim Shaw, and John C. Welchman
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On the Beyond is a far-reaching conversation between the Los Angeles-based artists Mike Kelley and Jim Shaw and art historian John C. Welchman. Touching on religion, dreams, hallucination, UFOs and other forms of experiential or speculative transcendence, the trio also discusses the American landscape and the sublime, utopian and memorial architectures, and the defiantly complex capacity of art itself to go beyond.
Théorie de l’art
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This anthology collects, substaniates, and demonstrates the importance of the religious imagination within Western modern and contemporary architecture. The essays written expressly for the anthology take a critical look at the relationship between religion and architecture in the twentieth century, as well as giving a brief look at the pre-history of the modern(...)
The religious imagination in modern and contemporary architecture
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This anthology collects, substaniates, and demonstrates the importance of the religious imagination within Western modern and contemporary architecture. The essays written expressly for the anthology take a critical look at the relationship between religion and architecture in the twentieth century, as well as giving a brief look at the pre-history of the modern movement and its relationship to religion and architecture. These are grounded by and help to explicate the reprinted essays that are culled from the last one hundred years.
Théorie de l’architecture
Usage
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Si l'Usage est un code, l'application du code dans les usages donne lieu à de multiples arbitrages résultant d'interactions entre les individus et les espaces pratiqués.
Usage
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Si l'Usage est un code, l'application du code dans les usages donne lieu à de multiples arbitrages résultant d'interactions entre les individus et les espaces pratiqués.
Théorie de l’architecture
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Curieuse idée : un jardin construit selon des formules mathématiques, où la métaphysique est dissimulée par la perspective, l'épistémologie circonscrite par la géométrie, et la rhétorique accordée à la mobilité de nos corps. Le jardin à la française est une étude sur la perspective et une incitation au mouvement. Géométrisation d'une pensée, figuration du désir, il(...)
Miroirs de l'infini : le jardin à la française et la métaphysique au XVIIe siècle
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Curieuse idée : un jardin construit selon des formules mathématiques, où la métaphysique est dissimulée par la perspective, l'épistémologie circonscrite par la géométrie, et la rhétorique accordée à la mobilité de nos corps. Le jardin à la française est une étude sur la perspective et une incitation au mouvement. Géométrisation d'une pensée, figuration du désir, il correspond, sous Louis XIV, à une théâtralisation du pouvoir absolu. Ce livre se veut, à sa manière, un "guide philosophique" des jardins à la française : Vaux-le-Vicomte, Versailles, Chantilly. Il est une invite à parcourir les jardins autrement, dans une optique philosophique qui rendrait encore plus vif le plaisir, sensuel, de leur découverte.
Théorie du paysage