Along some American highways
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Andrew Cross's photographs depict the spaces of the long distance road-trip - the places passed through and passed by - a landscape that is now familiar almost wherever we are. It is the vernacular landscape of a growing consumer culture - fast food outlets, shopping malls, distribution depots, truck stops - that have congregated around highway exits and(...)
Monographies photo
septembre 2003, London / New York
Along some American highways
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Andrew Cross's photographs depict the spaces of the long distance road-trip - the places passed through and passed by - a landscape that is now familiar almost wherever we are. It is the vernacular landscape of a growing consumer culture - fast food outlets, shopping malls, distribution depots, truck stops - that have congregated around highway exits and intersections. This volume further contributes to his already widely published and exhibited body of work, both in Europe and America. With "Along some American highways" Andrew Cross continues his preoccupation with the functions and environments of motorised transportation. Andrew Cross brings together the inherent romanticism of the road journey with the corporate culture that now so dominates not only the environment of the American road-trip but also the wider world. His photographs are a traveller's glance of places that are themselves transient and impermanent, but all pervasive.
Monographies photo
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Founded in 1951 by visionary textile designer Armi Ratia and her husband, Viljo, the Marimekko Corporation in Finland not only sparked a revolution in pattern making but also pioneered a new definition of fashion that embraced the entire home environment. This book presents more than one hundred examples of the Marimekko fashions and home furnishings that gave the(...)
Marimekko : fabrics fashion architecture
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Founded in 1951 by visionary textile designer Armi Ratia and her husband, Viljo, the Marimekko Corporation in Finland not only sparked a revolution in pattern making but also pioneered a new definition of fashion that embraced the entire home environment. This book presents more than one hundred examples of the Marimekko fashions and home furnishings that gave the company a definitive presence on the world design stage. The book considers the history of the company from its founding through today and examines Marimekko’s impact on design in Finland and around the world. The company’s most important designers, including Maija Isola and Vuokko Eskolin-Nurmesniemi, their contributions, and their stylistic development are also discussed. In addition, the book examines Marimekko home and office interiors and how they reflected the lifestyle envisioned in Armi Ratia’s broad, radical definition of fashion.
Design, monographies
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By the late twentieth century, idyllic depictions of eighteenth-century manorial landscapes had become artistic expressions of dislocation. Western agricultural paradigms had shifted, as had the relationship between art and agriculture. The Cultivated Landscape uses over seventy illustrations to look at the development of Western agriculture from feudal times to the(...)
février 2008, Montréal, Kingston, London, Ithaca
The cultivated landscape: an exploration of art and agriculture
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By the late twentieth century, idyllic depictions of eighteenth-century manorial landscapes had become artistic expressions of dislocation. Western agricultural paradigms had shifted, as had the relationship between art and agriculture. The Cultivated Landscape uses over seventy illustrations to look at the development of Western agriculture from feudal times to the present. Craig Pearson and Judith Nasby discuss the evolution of how we think about agriculture, its use of the land and impact on landscape, and how landscape has been portrayed historically in art. They also offer a wider discussion on the role that science and economics have played in agricultural development and the parallels to changes in art form. The Cultivated Landscape ends with a discussion of the complex issues facing agriculture today, the need for greater connectivity between agriculture and our environment, and options for the future.
Han Sungpil
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In his works of art the Korean photographer Han Sungpil confronts the themes of environment, energy production, and humankind’s impact on nature. The three series in this book of photographs are distinguished by their surprising perspective, which goes beyond the visual vocabulary normally found in environmental documentations. Whether it’s a painterly French landscape(...)
Han Sungpil
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In his works of art the Korean photographer Han Sungpil confronts the themes of environment, energy production, and humankind’s impact on nature. The three series in this book of photographs are distinguished by their surprising perspective, which goes beyond the visual vocabulary normally found in environmental documentations. Whether it’s a painterly French landscape featuring nuclear power plants, presented as a scene of idyllic perfection, or a search for the relics of whale hunting and coal mining in the Arctic and Antarctic, Sungpil’s photographs tell, artfully and critically, of nature’s sublimity and humankind’s overexploitation of it. Photographs of abandoned trawlers, whaling stations, and industrial ruins set in front of monumental, ice-covered landscapes shift the focus to the exploitation of ecological resources, leaving the viewer speechless. Sungpil was awarded the Ilwoo Foundation’s prize for his moving works of art.
Monographies photo
Michael Webb: two journeys
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The artist Michael Webb, trained as an architect, operates at the intersection of art and architecture and is widely known for creatively exploring the outer limits of drawing techniques, including orthographic and perspectival projection systems. He is a founding member of Archigram, which formed at the Architectural Association in London in the early 1960s. The(...)
Architecture, monographies
juin 2018
Michael Webb: two journeys
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The artist Michael Webb, trained as an architect, operates at the intersection of art and architecture and is widely known for creatively exploring the outer limits of drawing techniques, including orthographic and perspectival projection systems. He is a founding member of Archigram, which formed at the Architectural Association in London in the early 1960s. The legendary avant-garde group is known for their fantastical projects that were often interpreted as critiques of contemporary architectural theory and practice. "Two Journeys" is the first comprehensive monograph on Webb’s oeuvre and assembles sixty years of the artist’s work into a continuously evolving narrative about the multifaceted relationships among the built environment, landscape, and moving vehicles. He investigates these relationships through the act of drawing using notions of time, space, and speed, which are artfully mediated by the precision of mathematics and tempered by abstraction.
Architecture, monographies
Sarah Crowner: Patterns
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American painter Sarah Crowner (born 1974) revisits the art historical legacy of abstract painting in a language of collage and domestic craft, piecing together gorgeous geometric abstractions and vibrant color fields out of stitched-together cloth fragments of different colors. “It’s a way of creating form by joining material,” Crowner says of her process. “They are(...)
Sarah Crowner: Patterns
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American painter Sarah Crowner (born 1974) revisits the art historical legacy of abstract painting in a language of collage and domestic craft, piecing together gorgeous geometric abstractions and vibrant color fields out of stitched-together cloth fragments of different colors. “It’s a way of creating form by joining material,” Crowner says of her process. “They are really objects more than paintings.” "Sarah Crowner: Patterns" is the second artist’s book in a series that Crowner has been developing around the formal aspects of her painting practice; the first was 2012’s Format. In this publication, Crowner devotes her attention to patterns from a range of sources: from those found in nature and the built environment to fashion and the plastic arts. Juxtaposed throughout this selection are images from Crowner’s recent work, specifically her recent paintings, murals and tiled floors.
Mark Dion
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Since the late 1980s Dion (b. 1961, Massachusetts) has been delving into the tropes and research methods of scientists, explorers, museum curators and archaeologists. He has created a body of work that playfully presents art as scientific enquiry or field work, questioning how knowledge is gathered, classified and displayed. Five installations will be displayed at(...)
mai 2018
Mark Dion
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Since the late 1980s Dion (b. 1961, Massachusetts) has been delving into the tropes and research methods of scientists, explorers, museum curators and archaeologists. He has created a body of work that playfully presents art as scientific enquiry or field work, questioning how knowledge is gathered, classified and displayed. Five installations will be displayed at Whitechapel Gallery: a scholar’s study invites us to unravel intricate drawings and models; the "Bureau for the Centre of the Study for Surrealism and its Legacy" displays the strange magic of obsolete things; the muddy banks of the Thames have also yielded their treasures for poetic display in a gigantic cabinet; while a Dickensian Curiosity Shop tempts us with the bizarre aura of American bric-a-brac. Each immersive environment is also a habitat, evoking the characters that observe, conserve or exploit the natural world.
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Catalogue of the exhibition ''Sixteen Chinese Museums. Fifteen Chinese Architects''.The exhibition reflects on the role museums play as motors of progress within the socio-political and cultural landscape in China today. It simultaneously presents and enquires into this role, and the associated tasks and aims of museums and cultural spaces, against the backdrop of the(...)
Sixteen chinese museums: fifteen chinese architects
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Catalogue of the exhibition ''Sixteen Chinese Museums. Fifteen Chinese Architects''.The exhibition reflects on the role museums play as motors of progress within the socio-political and cultural landscape in China today. It simultaneously presents and enquires into this role, and the associated tasks and aims of museums and cultural spaces, against the backdrop of the global, digital, urban and demographic challenges of the 21st Century, as well as the more locally-specific concerns of heritage and identity. Taking each of sixteen museums as case studies, the exhibition focuses on a set of crucial questions. How is local and national identity defined by the museum design and curation? How does the museum function within the context of its local social and urban environment? Which form or shape was identified as being most suitable for the museum’s function and its context?
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For ten years Camille Seaman has documented the rapidly changing landscapes of Earth's polar regions. As an expedition photographer aboard small ships in the Arctic and Antarctic, she has chronicled the accelerating effects of global warming on the jagged face of nearly fifty thousand icebergs. Seaman's unique perspective of the landscape is entwined with her Native(...)
Melting away: a ten-year journey through our endangered polar regions
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For ten years Camille Seaman has documented the rapidly changing landscapes of Earth's polar regions. As an expedition photographer aboard small ships in the Arctic and Antarctic, she has chronicled the accelerating effects of global warming on the jagged face of nearly fifty thousand icebergs. Seaman's unique perspective of the landscape is entwined with her Native American upbringing: she sees no two icebergs as alike; each responds to its environment uniquely, almost as if they were living beings. Through Seaman's lens, each towering chunk of ice—breathtakingly beautiful in layers of smoky gray and turquoise blue—takes on a distinct personality, giving her work the feel of majestic portraiture. Melting Away collects seventy-five of Seaman's most captivating photographs, lifeaffirming images that reveal not only what we have already lost, but more importantly what we still have that is worth fighting to save.
Photographie- collections
Maison d'Artiste, an unfinished icon by De Stijl. Theo van Doesburg and Cornelis van Eesteren
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Though it was never built, the design for the legendary artist’s house Maison d’Artiste is one of the key works of the Dutch avant-garde movement De Stijl. Created in 1923 by painter Theo van Doesburg and architect Cornelis van Eesteren for De Stijl’s first group exhibition, the Maison d’Artiste was intended to encapsulate what De Stijl aspired to: a new everyday(...)
Maison d'Artiste, an unfinished icon by De Stijl. Theo van Doesburg and Cornelis van Eesteren
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Though it was never built, the design for the legendary artist’s house Maison d’Artiste is one of the key works of the Dutch avant-garde movement De Stijl. Created in 1923 by painter Theo van Doesburg and architect Cornelis van Eesteren for De Stijl’s first group exhibition, the Maison d’Artiste was intended to encapsulate what De Stijl aspired to: a new everyday environment achieved through the harmonious fusion of painting and architecture. The scale model presented De Stijl’s ideal space for life and work, with a gym, a music room and a studio, as well as living spaces like guest rooms and bathrooms. Maison d’Artiste: An Unfinished Icon by De Stijl explores the revolutionary cultural importance of the design, its significance for the history of De Stijl and its place in a history of the unbuilt architecture of the 20th century.
Architecture, monographies