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The nineteenth century saw the emergence of a new genre of architectural writing: the grand history of world architecture. This genre often expressed a deeply Eurocentric worldview, largely dismissing non-Western architecture through narratives of historical progress and stylistic beauty. Yet even as nineteenth-century historians worked to construct an exclusive(...)
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The nineteenth century saw the emergence of a new genre of architectural writing: the grand history of world architecture. This genre often expressed a deeply Eurocentric worldview, largely dismissing non-Western architecture through narratives of historical progress and stylistic beauty. Yet even as nineteenth-century historians worked to construct an exclusive(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 2023
octobre 2023
Titre:
Narrating the globe: The emergence of world histories of architecture
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The nineteenth century saw the emergence of a new genre of architectural writing: the grand history of world architecture. This genre often expressed a deeply Eurocentric worldview, largely dismissing non-Western architecture through narratives of historical progress and stylistic beauty. Yet even as nineteenth-century historians worked to construct an exclusive architectural canon, they were engaged in constant debate over its categories and constraints. ''Narrating the globe'' traces the emergence of this historical canon, exposing the questions and problems that prompted the canon’s very formation. Bringing together architectural historians from around the world, this collection of essays—the first comprehensive examination of the nineteenth-century architectural history survey as a literary genre—includes overviews of the origins and legacy of the global architecture survey genre, as well as close examinations of key works, including books by lesser-known but intriguing authors such as Louisa C. Tuthill, Christian L. Stieglitz, and Daniel Ramée, and the more famous surveys by James Fergusson, Franz Kugler, Banister Fletcher, and Auguste Choisy.
Narrating the globe: The emergence of world histories of architecture
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The nineteenth century saw the emergence of a new genre of architectural writing: the grand history of world architecture. This genre often expressed a deeply Eurocentric worldview, largely dismissing non-Western architecture through narratives of historical progress and stylistic beauty. Yet even as nineteenth-century historians worked to construct an exclusive architectural canon, they were engaged in constant debate over its categories and constraints. ''Narrating the globe'' traces the emergence of this historical canon, exposing the questions and problems that prompted the canon’s very formation. Bringing together architectural historians from around the world, this collection of essays—the first comprehensive examination of the nineteenth-century architectural history survey as a literary genre—includes overviews of the origins and legacy of the global architecture survey genre, as well as close examinations of key works, including books by lesser-known but intriguing authors such as Louisa C. Tuthill, Christian L. Stieglitz, and Daniel Ramée, and the more famous surveys by James Fergusson, Franz Kugler, Banister Fletcher, and Auguste Choisy.
Classification:
livres
livres
Publication:
octobre 2023
octobre 2023
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$54.00
(disponible en magasin)
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The term 'style' has fallen spectacularly out of fashion in architectural circles. Once a conceptual key to understanding architecture’s inner workings, today style seems to be associated with superficiality, formalism, and obsolete periodization. But how did style—once defined by German sociologist Georg Simmel as a place where one is 'no longer alone'—in architecture(...)
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The term 'style' has fallen spectacularly out of fashion in architectural circles. Once a conceptual key to understanding architecture’s inner workings, today style seems to be associated with superficiality, formalism, and obsolete periodization. But how did style—once defined by German sociologist Georg Simmel as a place where one is 'no longer alone'—in architecture(...)
Titre:
Style and solitude: The history of an architectural problem
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The term 'style' has fallen spectacularly out of fashion in architectural circles. Once a conceptual key to understanding architecture’s inner workings, today style seems to be associated with superficiality, formalism, and obsolete periodization. But how did style—once defined by German sociologist Georg Simmel as a place where one is 'no longer alone'—in architecture actually work? How was it used and what did it mean? In ''Style and solitude,'' Mari Hvattum seeks to understand the apparent death of style, returning to its birthplace in the late eighteenth century, and charting how it grew to influence modern architectural discourse and practice. As Hvattum explains, German thinkers of the eighteenth and nineteenth century offered competing ideas of what style was and how it should be applied in architecture. From Karl Friedrich Schinkel’s thoughtful eclecticism to King Maximilian II’s attempt to capture the zeitgeist in an architectural competition, style was at the center of fascinating experiments and furious disputes. Starting with Johann Joachim Winckelmann’s invention of the period style and ending a century later with Gottfried Semper’s generative theory of style, Hvattum explores critical debates that are still ongoing today.
Style and solitude: The history of an architectural problem
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The term 'style' has fallen spectacularly out of fashion in architectural circles. Once a conceptual key to understanding architecture’s inner workings, today style seems to be associated with superficiality, formalism, and obsolete periodization. But how did style—once defined by German sociologist Georg Simmel as a place where one is 'no longer alone'—in architecture actually work? How was it used and what did it mean? In ''Style and solitude,'' Mari Hvattum seeks to understand the apparent death of style, returning to its birthplace in the late eighteenth century, and charting how it grew to influence modern architectural discourse and practice. As Hvattum explains, German thinkers of the eighteenth and nineteenth century offered competing ideas of what style was and how it should be applied in architecture. From Karl Friedrich Schinkel’s thoughtful eclecticism to King Maximilian II’s attempt to capture the zeitgeist in an architectural competition, style was at the center of fascinating experiments and furious disputes. Starting with Johann Joachim Winckelmann’s invention of the period style and ending a century later with Gottfried Semper’s generative theory of style, Hvattum explores critical debates that are still ongoing today.
Classification:
livres
livres
Publication:
juin 2023
juin 2023
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$66.00
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The architectural drawing might seem to be a quintessentially modern form, and indeed many histories of the genre begin in the early modern period with Italian Renaissance architects such as Alberti. Yet the Middle Ages also had a remarkably sophisticated way of drawing and writing about architecture. ''God’s own language'' takes us to twelfth-century Paris, where a(...)
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The architectural drawing might seem to be a quintessentially modern form, and indeed many histories of the genre begin in the early modern period with Italian Renaissance architects such as Alberti. Yet the Middle Ages also had a remarkably sophisticated way of drawing and writing about architecture. ''God’s own language'' takes us to twelfth-century Paris, where a(...)
Titre:
God's own language: Architectural drawing in the twelfth century
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The architectural drawing might seem to be a quintessentially modern form, and indeed many histories of the genre begin in the early modern period with Italian Renaissance architects such as Alberti. Yet the Middle Ages also had a remarkably sophisticated way of drawing and writing about architecture. ''God’s own language'' takes us to twelfth-century Paris, where a Scottish monk named Richard of Saint Victor, along with his mentor Hugh, developed an innovative visual and textual architectural language. In the process, he devised techniques and terms that we still use today, from sectional elevations to the word “plan.” Surprisingly, however, Richard’s detailed drawings appeared not in an architectural treatise but in a widely circulated set of biblical commentaries. Seeing architecture as a way of communicating with the divine, Richard drew plans and elevations for such biblical constructions as Noah’s ark and the temple envisioned by the prophet Ezekiel. Interpreting Richard and Hugh’s drawings and writings within the context of the thriving theological and intellectual cultures of medieval Paris, Karl Kinsella argues that the popularity of these works suggests that, centuries before the Renaissance, there was a large circle of readers with a highly developed understanding of geometry and the visual language of architecture.
God's own language: Architectural drawing in the twelfth century
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The architectural drawing might seem to be a quintessentially modern form, and indeed many histories of the genre begin in the early modern period with Italian Renaissance architects such as Alberti. Yet the Middle Ages also had a remarkably sophisticated way of drawing and writing about architecture. ''God’s own language'' takes us to twelfth-century Paris, where a Scottish monk named Richard of Saint Victor, along with his mentor Hugh, developed an innovative visual and textual architectural language. In the process, he devised techniques and terms that we still use today, from sectional elevations to the word “plan.” Surprisingly, however, Richard’s detailed drawings appeared not in an architectural treatise but in a widely circulated set of biblical commentaries. Seeing architecture as a way of communicating with the divine, Richard drew plans and elevations for such biblical constructions as Noah’s ark and the temple envisioned by the prophet Ezekiel. Interpreting Richard and Hugh’s drawings and writings within the context of the thriving theological and intellectual cultures of medieval Paris, Karl Kinsella argues that the popularity of these works suggests that, centuries before the Renaissance, there was a large circle of readers with a highly developed understanding of geometry and the visual language of architecture.
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livres
livres
Publication:
juin 2023
juin 2023
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$54.00
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In ''Vitruvius: Writing the body of architecture,'' Indra Kagis McEwen argued that Vitruvius's first-century BCE treatise ''De architectura'' was informed by imperial ideology, giving architecture a role in the imperial Roman project of world rule. In her sequel, ''All the King's Horses,'' McEwen focuses on the early Renaissance reception of Vitruvius's thought beginning(...)
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In ''Vitruvius: Writing the body of architecture,'' Indra Kagis McEwen argued that Vitruvius's first-century BCE treatise ''De architectura'' was informed by imperial ideology, giving architecture a role in the imperial Roman project of world rule. In her sequel, ''All the King's Horses,'' McEwen focuses on the early Renaissance reception of Vitruvius's thought beginning(...)
Titre:
All the king's horses: Vitruvius in an age of princes
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In ''Vitruvius: Writing the body of architecture,'' Indra Kagis McEwen argued that Vitruvius's first-century BCE treatise ''De architectura'' was informed by imperial ideology, giving architecture a role in the imperial Roman project of world rule. In her sequel, ''All the King's Horses,'' McEwen focuses on the early Renaissance reception of Vitruvius's thought beginning with Petrarch—a political reception preoccupied with legitimating existing power structures. During this ''age of princes'' various signori took over Italian towns and cities, displacing independent communes and their avowed ideal of the common good. Architects, taking up Vitruvius's mantle, designed buildings and other structures for these princes with the intent of celebrating and making their power manifest. Through meticulous descriptions of the work of architects and artists from Alberti to Leonardo, McEwen explains how architecture became an instrument of control in the early Italian Renaissance. She shows how architectural magnificence supported claims to power, a phenomenon best displayed in one of the era's most prominent monumental themes: the equestrian statue of a prince, in which the horse became an emanation of the will of the rider, its strength the expression of his strength.
All the king's horses: Vitruvius in an age of princes
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In ''Vitruvius: Writing the body of architecture,'' Indra Kagis McEwen argued that Vitruvius's first-century BCE treatise ''De architectura'' was informed by imperial ideology, giving architecture a role in the imperial Roman project of world rule. In her sequel, ''All the King's Horses,'' McEwen focuses on the early Renaissance reception of Vitruvius's thought beginning with Petrarch—a political reception preoccupied with legitimating existing power structures. During this ''age of princes'' various signori took over Italian towns and cities, displacing independent communes and their avowed ideal of the common good. Architects, taking up Vitruvius's mantle, designed buildings and other structures for these princes with the intent of celebrating and making their power manifest. Through meticulous descriptions of the work of architects and artists from Alberti to Leonardo, McEwen explains how architecture became an instrument of control in the early Italian Renaissance. She shows how architectural magnificence supported claims to power, a phenomenon best displayed in one of the era's most prominent monumental themes: the equestrian statue of a prince, in which the horse became an emanation of the will of the rider, its strength the expression of his strength.
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livres
livres
Publication:
avril 2023
avril 2023
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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In "Women and Climate Change", Nicole Detraz asks where women in the global North figure in the picture, what that means, and why it matters. Her answers fill critical gaps in what we know about the politics of climate change and gender. The author provides a nuanced account of the characteristics, conditions, and positions associated with women's activities in and(...)
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In "Women and Climate Change", Nicole Detraz asks where women in the global North figure in the picture, what that means, and why it matters. Her answers fill critical gaps in what we know about the politics of climate change and gender. The author provides a nuanced account of the characteristics, conditions, and positions associated with women's activities in and(...)
Titre:
Women and climate change: Examining discourses from the global North
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In "Women and Climate Change", Nicole Detraz asks where women in the global North figure in the picture, what that means, and why it matters. Her answers fill critical gaps in what we know about the politics of climate change and gender. The author provides a nuanced account of the characteristics, conditions, and positions associated with women's activities in and experiences of climate change—a multifaceted portrayal of women that also demonstrates the generalization and essentializing that can hinder goals of sustainability and gender justice. Because gender is a social construction, Detraz reminds us, change is possible. Her book offers the suggestion, and the hope, that identifying connections between ideas of gender and climate change might also alter our vision of a livable future.
Women and climate change: Examining discourses from the global North
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In "Women and Climate Change", Nicole Detraz asks where women in the global North figure in the picture, what that means, and why it matters. Her answers fill critical gaps in what we know about the politics of climate change and gender. The author provides a nuanced account of the characteristics, conditions, and positions associated with women's activities in and experiences of climate change—a multifaceted portrayal of women that also demonstrates the generalization and essentializing that can hinder goals of sustainability and gender justice. Because gender is a social construction, Detraz reminds us, change is possible. Her book offers the suggestion, and the hope, that identifying connections between ideas of gender and climate change might also alter our vision of a livable future.
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livres
livres
Publication:
février 2023
février 2023
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livres
livres
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Global crises, from melting Arctic ice to ecosystem collapse and the sixth mass extinction, challenge our age-old belief in nature as a phoenix with an infinite ability to regenerate itself from the ashes of destruction. Moving from antiquity to the present and back, Michael Marder provides an integrated examination of philosophies of nature drawn from traditions around(...)
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Global crises, from melting Arctic ice to ecosystem collapse and the sixth mass extinction, challenge our age-old belief in nature as a phoenix with an infinite ability to regenerate itself from the ashes of destruction. Moving from antiquity to the present and back, Michael Marder provides an integrated examination of philosophies of nature drawn from traditions around(...)
Titre:
The phoenix complex: A philosophy of nature
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Global crises, from melting Arctic ice to ecosystem collapse and the sixth mass extinction, challenge our age-old belief in nature as a phoenix with an infinite ability to regenerate itself from the ashes of destruction. Moving from antiquity to the present and back, Michael Marder provides an integrated examination of philosophies of nature drawn from traditions around the world to illuminate the theological, mythical, and philosophical origins of the contemporary environmental emergency. From there, he probes the contradictions and deadlocks of our current predicament to propose a philosophy of nature for the twenty-first century. As Marder analyzes our reliance on the image and idea of the phoenix to organize our thoughts about the natural world, he outlines the obstacles in the path of formulating a revitalized philosophy of nature. His critical exposition of the phoenix complex draws on Chinese, Indian, Russian, European, and North African traditions. Throughout, Marder lets the figure of the phoenix guide readers through theories of immortality, intergenerational and interspecies relations, infinity compatible with finitude, resurrection, reincarnation, and a possibility of liberation from cycles of rebirth.
The phoenix complex: A philosophy of nature
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Global crises, from melting Arctic ice to ecosystem collapse and the sixth mass extinction, challenge our age-old belief in nature as a phoenix with an infinite ability to regenerate itself from the ashes of destruction. Moving from antiquity to the present and back, Michael Marder provides an integrated examination of philosophies of nature drawn from traditions around the world to illuminate the theological, mythical, and philosophical origins of the contemporary environmental emergency. From there, he probes the contradictions and deadlocks of our current predicament to propose a philosophy of nature for the twenty-first century. As Marder analyzes our reliance on the image and idea of the phoenix to organize our thoughts about the natural world, he outlines the obstacles in the path of formulating a revitalized philosophy of nature. His critical exposition of the phoenix complex draws on Chinese, Indian, Russian, European, and North African traditions. Throughout, Marder lets the figure of the phoenix guide readers through theories of immortality, intergenerational and interspecies relations, infinity compatible with finitude, resurrection, reincarnation, and a possibility of liberation from cycles of rebirth.
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livres
livres
Publication:
juillet 2023
juillet 2023
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livres
livres
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$25.95
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Between 1979 and 1981, Alfredo Jaar asked Chileans a deceptively simple question: "Are you happy?" Through private interviews, sidewalk polls and video-recorded forums, among other interventions, Jaar's three-year and seven-phase project, ''Studies on happiness'', addressed a furtive and fearful population living under Augusto Pinochet's military dictatorship. It also(...)
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Between 1979 and 1981, Alfredo Jaar asked Chileans a deceptively simple question: "Are you happy?" Through private interviews, sidewalk polls and video-recorded forums, among other interventions, Jaar's three-year and seven-phase project, ''Studies on happiness'', addressed a furtive and fearful population living under Augusto Pinochet's military dictatorship. It also(...)
Titre:
Alfredo Jaar: Studies on happiness
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Between 1979 and 1981, Alfredo Jaar asked Chileans a deceptively simple question: "Are you happy?" Through private interviews, sidewalk polls and video-recorded forums, among other interventions, Jaar's three-year and seven-phase project, ''Studies on happiness'', addressed a furtive and fearful population living under Augusto Pinochet's military dictatorship. It also spoke to a country in transition, as a newly adopted constitution remade Chile through privatisation and other neoliberal reforms. In its varied interventions and direct mode of address, ''Studies on happiness'' functioned as a feedback device meant to catalyse a critical awareness with its blunt questioning. Edward A. Vazquez contextualises Studies on Happiness within Jaar's early production and situates his practice within a Chilean art world haunted by the residues of political violence. This study foregrounds the project's historical embeddedness and the deep political stakes of its apparent sociality, recognising the crucial role that context has always played in Jaar's practice. By turning to the Santiago of Studies on Happiness, Vazquez explores the work's political and art historical environment and provides a wedge to realign current interpretations of Chilean art and hemispheric conceptualism with the openness central to Jaar's project.
Alfredo Jaar: Studies on happiness
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Between 1979 and 1981, Alfredo Jaar asked Chileans a deceptively simple question: "Are you happy?" Through private interviews, sidewalk polls and video-recorded forums, among other interventions, Jaar's three-year and seven-phase project, ''Studies on happiness'', addressed a furtive and fearful population living under Augusto Pinochet's military dictatorship. It also spoke to a country in transition, as a newly adopted constitution remade Chile through privatisation and other neoliberal reforms. In its varied interventions and direct mode of address, ''Studies on happiness'' functioned as a feedback device meant to catalyse a critical awareness with its blunt questioning. Edward A. Vazquez contextualises Studies on Happiness within Jaar's early production and situates his practice within a Chilean art world haunted by the residues of political violence. This study foregrounds the project's historical embeddedness and the deep political stakes of its apparent sociality, recognising the crucial role that context has always played in Jaar's practice. By turning to the Santiago of Studies on Happiness, Vazquez explores the work's political and art historical environment and provides a wedge to realign current interpretations of Chilean art and hemispheric conceptualism with the openness central to Jaar's project.
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livres
livres
Publication:
novembre 2023
novembre 2023
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of(...)
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of(...)
Titre:
Dissonant waves: Ernst Schoen and experimental sound in the 20th century
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of permitted experimentalism under the Weimar Republic for those who would foster aesthetic, technical, and political revolution. The counterreaction was Nazism—and Schoen and his milieux fell victim to it, found ways out of it, or hit against it with all their might. ''Dissonant waves'' tracks the life of Ernst Schoen—poet, composer, radio programmer, theorist, and best friend of Walter Benjamin from childhood—as he moves between Frankfurt, Berlin, Paris, and London. It casts radio history and practice into concrete spaces, into networks of friends and institutions, into political exigencies and domestic plights, and into broader aesthetic discussions of the politicization of art and the aestheticization of politics. Through friendship and comradeship, a position in state-backed radio, imprisonment, exile, networking in a new country, re-emigration, ill-treatment, neglect, Schoen suffers the century and articulates its broken promises.
Dissonant waves: Ernst Schoen and experimental sound in the 20th century
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of permitted experimentalism under the Weimar Republic for those who would foster aesthetic, technical, and political revolution. The counterreaction was Nazism—and Schoen and his milieux fell victim to it, found ways out of it, or hit against it with all their might. ''Dissonant waves'' tracks the life of Ernst Schoen—poet, composer, radio programmer, theorist, and best friend of Walter Benjamin from childhood—as he moves between Frankfurt, Berlin, Paris, and London. It casts radio history and practice into concrete spaces, into networks of friends and institutions, into political exigencies and domestic plights, and into broader aesthetic discussions of the politicization of art and the aestheticization of politics. Through friendship and comradeship, a position in state-backed radio, imprisonment, exile, networking in a new country, re-emigration, ill-treatment, neglect, Schoen suffers the century and articulates its broken promises.
Classification:
livres
livres
Publication:
septembre 2023
septembre 2023
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$37.00
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Résumé:
''Dan Graham, some rockin’'' is a compilation of fifteen interviews (two of them previously unpublished) between Dan Graham and artist friends, architects, musicians, art critics, and curators from various parts of our world. In these interviews Graham’s intense interest in and observation of cultural phenomena such as rock music, urbanism, architecture, corporate(...)
$37.00
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''Dan Graham, some rockin’'' is a compilation of fifteen interviews (two of them previously unpublished) between Dan Graham and artist friends, architects, musicians, art critics, and curators from various parts of our world. In these interviews Graham’s intense interest in and observation of cultural phenomena such as rock music, urbanism, architecture, corporate(...)
Titre:
Dan Graham, some rockin': Old and recent Dan Graham interviews
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''Dan Graham, some rockin’'' is a compilation of fifteen interviews (two of them previously unpublished) between Dan Graham and artist friends, architects, musicians, art critics, and curators from various parts of our world. In these interviews Graham’s intense interest in and observation of cultural phenomena such as rock music, urbanism, architecture, corporate culture, and art world politics and their historical development overlaps and interferes with the articulated interest of the interviewers in Graham’s art, sense of humor, attitude, and point of view in regard of a huge variety of topics. Two essays, besides the ''Introduction,'' are added to this compilation: the essay ''The museum in evolution'' by Dan Graham, and an essay by the editor, Gregor Stemmrich, on the development and far reaching implications of Graham’s art.
Dan Graham, some rockin': Old and recent Dan Graham interviews
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''Dan Graham, some rockin’'' is a compilation of fifteen interviews (two of them previously unpublished) between Dan Graham and artist friends, architects, musicians, art critics, and curators from various parts of our world. In these interviews Graham’s intense interest in and observation of cultural phenomena such as rock music, urbanism, architecture, corporate culture, and art world politics and their historical development overlaps and interferes with the articulated interest of the interviewers in Graham’s art, sense of humor, attitude, and point of view in regard of a huge variety of topics. Two essays, besides the ''Introduction,'' are added to this compilation: the essay ''The museum in evolution'' by Dan Graham, and an essay by the editor, Gregor Stemmrich, on the development and far reaching implications of Graham’s art.
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livres
livres
Publication:
février 2023
février 2023
Classification:
livres
livres
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$30.00
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Compiled here for the first time, the selected writings of Aria Dean (b. 1993, Los Angeles) mount a trenchant critique of representational systems. A visual artist and filmmaker, Dean has also emerged as one of the leading critical voices of her generation through a body of writing that maps the forces of aesthetic theory, image regimes, and visibility onto questions of(...)
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Compiled here for the first time, the selected writings of Aria Dean (b. 1993, Los Angeles) mount a trenchant critique of representational systems. A visual artist and filmmaker, Dean has also emerged as one of the leading critical voices of her generation through a body of writing that maps the forces of aesthetic theory, image regimes, and visibility onto questions of(...)
Titre:
Bad infinity: Selected writings
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Compiled here for the first time, the selected writings of Aria Dean (b. 1993, Los Angeles) mount a trenchant critique of representational systems. A visual artist and filmmaker, Dean has also emerged as one of the leading critical voices of her generation through a body of writing that maps the forces of aesthetic theory, image regimes, and visibility onto questions of race and power. Dean’s work across media has long been defined by what she calls a “fixation on the subject and its borders,” and the texts collected here filter that inquiry through digital networks, art history, and Black radical thought. Equally at home discussing artists who embrace difficulty—from Robert Morris to David Hammons, Lorna Simpson, and Ulysses Jenkins—and conceptual frameworks such as Afropessimism, Dean often contends with how theoretical positions brush against the grain of lived reality: how the Structuralism handed down from the academy, for instance, can be commingled with critiques of structural racism, or how Georges Bataille’s notion of base matter transforms through an encounter with Blackness.
Bad infinity: Selected writings
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Résumé:
Compiled here for the first time, the selected writings of Aria Dean (b. 1993, Los Angeles) mount a trenchant critique of representational systems. A visual artist and filmmaker, Dean has also emerged as one of the leading critical voices of her generation through a body of writing that maps the forces of aesthetic theory, image regimes, and visibility onto questions of race and power. Dean’s work across media has long been defined by what she calls a “fixation on the subject and its borders,” and the texts collected here filter that inquiry through digital networks, art history, and Black radical thought. Equally at home discussing artists who embrace difficulty—from Robert Morris to David Hammons, Lorna Simpson, and Ulysses Jenkins—and conceptual frameworks such as Afropessimism, Dean often contends with how theoretical positions brush against the grain of lived reality: how the Structuralism handed down from the academy, for instance, can be commingled with critiques of structural racism, or how Georges Bataille’s notion of base matter transforms through an encounter with Blackness.
Classification:
livres
livres
Publication:
mai 2023
mai 2023
Sujet:
Théorie de l’art
Théorie de l’art
