Philosophy for passengers
$21.95
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Résumé:
While there are entire bookstore sections—and even entire bookstores—devoted to travel, there have been few books on the universal experience of being a passenger. With this book, philosopher Michael Marder fills the gap, offering a philosophical guide to passengerhood. He takes readers from ticketing and preboarding (preface and introduction) through a series of stops(...)
Philosophy for passengers
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$21.95
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While there are entire bookstore sections—and even entire bookstores—devoted to travel, there have been few books on the universal experience of being a passenger. With this book, philosopher Michael Marder fills the gap, offering a philosophical guide to passengerhood. He takes readers from ticketing and preboarding (preface and introduction) through a series of stops and detours (reflections on topics including time, space, existence, boredom, our sense of self, and our sense of the senses), to destination and disembarking (conclusion).
Trajets
C magazine 157 : Kink
$12.00
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New issue now available at the bookstore! Kink gives us an opportunity to question the limits of convention as they meet with hierarchical systems. Taking kink as a shapeshifter—a conscious negotiation of desire and relations based on principles like consent—this issue embraces queerness, disobedience, disruption, and complex embodiment. Through artistic explorations(...)
C magazine 157 : Kink
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$12.00
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New issue now available at the bookstore! Kink gives us an opportunity to question the limits of convention as they meet with hierarchical systems. Taking kink as a shapeshifter—a conscious negotiation of desire and relations based on principles like consent—this issue embraces queerness, disobedience, disruption, and complex embodiment. Through artistic explorations of BDSM, impact play, subspace, fan fiction, eroticized debt, Indigenous-settler relations, and more, contributors dive into the fleshy and political consequences of desire as sites to reinvent our bonds to one another.
Revues
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A library is a collection of books kept for use. That axiom is key to this book. Even the title is sly: the portable document format refers both to texts assembled in the library at dextersinister.org, and to this other artifact of technology, a pocket-sized, hardcover book. Includes 13 texts by a variety of writers that investigate contemporary publishing in its(...)
Théorie de l’art
mai 2010
Dexter Sinister: Portable document format
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A library is a collection of books kept for use. That axiom is key to this book. Even the title is sly: the portable document format refers both to texts assembled in the library at dextersinister.org, and to this other artifact of technology, a pocket-sized, hardcover book. Includes 13 texts by a variety of writers that investigate contemporary publishing in its broadest sense, stemming from a New York basement workshop and bookstore in 2006. The second part consists of reproductions of a series of 10 images titled W.A.S.T.E. Proof Prints, with their extended captions.
Théorie de l’art
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This first-ever history of the legendary bohemian bookstore in Paris interweaves essays and poetry from dozens of writers associated with the shop--Allen Ginsberg, Anaïs Nin, Ethan Hawke, Robert Stone and Jeanette Winterson, among others--with hundreds of never-before-seen archival pieces, including photographs of James Baldwin, William Burroughs and Langston Hughes, plus(...)
septembre 2016
Shakespeare and company Paris: a history of the rag & bone shop of the heart
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This first-ever history of the legendary bohemian bookstore in Paris interweaves essays and poetry from dozens of writers associated with the shop--Allen Ginsberg, Anaïs Nin, Ethan Hawke, Robert Stone and Jeanette Winterson, among others--with hundreds of never-before-seen archival pieces, including photographs of James Baldwin, William Burroughs and Langston Hughes, plus a foreword by the celebrated British novelist Jeanette Winterson and an epilogue by Sylvia Whitman, the daughter of the store’s founder, George Whitman. The book has been edited by Krista Halverson, director of the newly founded Shakespeare and Company publishing house.
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Dick Higgins, founder of Something Else Press (1964-1974), created the Great Bear imprint to publish pamphlets that were quickly printed and easily disseminated, guaranteeing wide distribution and accessibility. Ranging in length from 16 to 32 pages, saddle-stitched and printed on varying color stock, these booklets showcased the work of some of the most innovative(...)
A great bear pamphlet #11 diary: how to improve the world (you will only make matters worse), continued part three (1967)
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Dick Higgins, founder of Something Else Press (1964-1974), created the Great Bear imprint to publish pamphlets that were quickly printed and easily disseminated, guaranteeing wide distribution and accessibility. Ranging in length from 16 to 32 pages, saddle-stitched and printed on varying color stock, these booklets showcased the work of some of the most innovative writers and artists across the twentieth century. All pamphlets have been out of print since their original publications in the 1960s. Thanks to the editorial initiative Primary Information from New York they are now available again, and the CCA bookstore carries all of them in stock.
$37.95
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Vito Acconci is well-known as a concept and performing artist who was far ahead of his time. In 2003, he realized one of his first architectural projects : for his artist-and-gallerist friend Kenny Schachter he designed the multifunctional gallery space conTEMPorary in New York. This experimental space became programmatic for their further collaboration, up to their(...)
Théorie de l’architecture
juin 2005, Wien / New York
Art becomes architecture becomes art : a conversation between
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Vito Acconci is well-known as a concept and performing artist who was far ahead of his time. In 2003, he realized one of his first architectural projects : for his artist-and-gallerist friend Kenny Schachter he designed the multifunctional gallery space conTEMPorary in New York. This experimental space became programmatic for their further collaboration, up to their latest project in King’s Cross, London. Over the past years, Vito Acconci has moved towards architecture. Today’s Acconci Studio covers planning for such diverse projects as the Skateboard Park in San Juan, the Inside-Out Bookstore for Documenta X, or an urban planning for Tel Aviv. Vito Acconci and Kenny Schachter met for two discussions in London and Basel in 2004 and 2005.
Théorie de l’architecture
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Mechudzu is a book which represents questions, not answers. The work of Bryan Cantley, and his firm, Form:uLA, based in Los Angeles, is intended to be confounding – a practice that is a theory, a theory of practice, practice as theory. Cantley’s work is part of the permanent collection of the San Francisco Museum of Modern Art. Other exhibits of note include a featured(...)
Mechudzu: new rhetorics for architecture
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Mechudzu is a book which represents questions, not answers. The work of Bryan Cantley, and his firm, Form:uLA, based in Los Angeles, is intended to be confounding – a practice that is a theory, a theory of practice, practice as theory. Cantley’s work is part of the permanent collection of the San Francisco Museum of Modern Art. Other exhibits of note include a featured exhibition at the Form Zero Bookstore / Gallery in Los Angeles and solo exhibitions “Enantiomorph Inversion Factor” at the Architecture Gallery at Cal Poly Pomona and “Wool and H2O” at the UCLA School of Architecture. This book documents Cantley’s work with illustrations combined with essays by acknowledged experts as there are Aaron Betsky, Dora Epstein Jones, Ruth Keffer, Wes Jones + Doug Jackson and Neil Spiller.
Architecture, monographies
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This volume gathers a collection of 50 texts on book design written by designers Siri Lee Lindskrog and Amanda-Li Kollberg of Berlin-based graphic and type design studio Formal Settings. The texts are based on a selection of books from the private collection of the Hopscotch Reading Room, a conceptual bookstore and event space in Berlin. Each text centers on a single book(...)
juin 2024
Notes on book design: By formal settings
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This volume gathers a collection of 50 texts on book design written by designers Siri Lee Lindskrog and Amanda-Li Kollberg of Berlin-based graphic and type design studio Formal Settings. The texts are based on a selection of books from the private collection of the Hopscotch Reading Room, a conceptual bookstore and event space in Berlin. Each text centers on a single book from the collection, examining its visual and tactile elements—from materials to layout to binding to typography. The essays explore the role and potential of books through the lens of design, mapping what their physical forms communicate about their content. Lindskrog and Kollberg draw parallels between each book as a design object and the cultural movements, political landscapes and economic conditions under which they were created. The 50 texts are paired with an introduction by Formal Settings, a foreword by Hopscotch Reading Room and an afterword in which designer, author and educator Prem Krishnamurthy offers additional framing and perspective to the project.
$50.00
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In the 1970s, mass-produced, cheaply printed science-fiction novels were thriving. The paper was rough, the titles outrageous, and the cover art astounding. Over the course of the decade, a stable of talented painters, comic-book artists, and designers produced thousands of the most eye-catching book covers to ever grace bookstore shelves (or spinner racks). Curiously,(...)
Worlds beyond time: Sci-Fi art of the 1970s
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$50.00
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In the 1970s, mass-produced, cheaply printed science-fiction novels were thriving. The paper was rough, the titles outrageous, and the cover art astounding. Over the course of the decade, a stable of talented painters, comic-book artists, and designers produced thousands of the most eye-catching book covers to ever grace bookstore shelves (or spinner racks). Curiously, the pieces commissioned for these covers often had very little to do with the contents of the books they were selling, but by leaning heavily on psychedelic imagery, far-out landscapes, and trippy surrealism, the art was able to satisfy the same space race–fueled appetite for the big ideas and brave new worlds that sci-fi writers were boldly pushing forward. In Worlds Beyond Time: Sci-Fi Art of the 1970s, Adam Rowe—who has been curating, championing, and resurrecting the best and most obscure art that 1970s sci-fi has to offer on his blog 70s Sci-Fi Art—introduces readers to the biggest names in the genre, including Chris Foss, Peter Elson, Tim White, Jack.
livres
Description:
xxiv, 422 p. : ill. ; 23 cm.
Toronto : University of Toronto Press, c2012.
The domestic space reader / edited by Chiara Briganti and Kathy Mezei.
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Description:
xxiv, 422 p. : ill. ; 23 cm.
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Toronto : University of Toronto Press, c2012.