audio
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1 online resource.
[Place of publication not identified] : Seeing Is Forgetting, 2018.
LA-Based Curator and Founder of Public Fiction, Lauren Mackler.
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1 online resource.
audio
[Place of publication not identified] : Seeing Is Forgetting, 2018.
périodiques
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volumes : $b illustrations ; 25 cm
Guildford, U.K. : Butterworth Scientific Ltd., c1990-, Abingdon, UK : Taylor & Francis
Museum management and curatorship.
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volumes : $b illustrations ; 25 cm
périodiques
Guildford, U.K. : Butterworth Scientific Ltd., c1990-, Abingdon, UK : Taylor & Francis
audio
The Club.
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1 online resource.
[Place of publication not identified] : Disintegrator, 2024.
audio
[Place of publication not identified] : Disintegrator, 2024.
périodiques
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8 volumes : illustrations ; 25 cm
Guildford, England : Butterworths, ©1982-1989.
The International journal of museum management and curatorship.
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8 volumes : illustrations ; 25 cm
périodiques
Guildford, England : Butterworths, ©1982-1989.
audio
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1 online resource.
[Place of publication not identified] : Scratching the Surface, 2021.
audio
[Place of publication not identified] : Scratching the Surface, 2021.
audio
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1 online resource.
[Place of publication not identified] : Seeing Is Forgetting, 2016.
LA-Based BBQLA Gallerists/Artists Adam Beris, Timo Fahler, and Thomas Linder.
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audio
[Place of publication not identified] : Seeing Is Forgetting, 2016.
livres
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397 pages : color illustrations, maps ; 28 cm
Orleans : HYX, 2010.
Claude Parent : L'aeuvre construite/L'oeuvre Graphique.
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397 pages : color illustrations, maps ; 28 cm
livres
Orleans : HYX, 2010.
audio
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1 online resource.
[Place of publication not identified] : Scratching the Surface, 2021.
audio
[Place of publication not identified] : Scratching the Surface, 2021.
$52.00
(disponible en magasin)
Résumé:
Traditional Japanese architecture is characterized by the working of natural materials such as wood, earth, and rock into remarkable structures. This precious cultural heritage has been preserved over the years in the form not only of the buildings themselves, but also of scale models created during repairs and other occasions. This book turns to those astoundingly(...)
Japanese architecture: traditional skills and natural materials
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$52.00
(disponible en magasin)
Résumé:
Traditional Japanese architecture is characterized by the working of natural materials such as wood, earth, and rock into remarkable structures. This precious cultural heritage has been preserved over the years in the form not only of the buildings themselves, but also of scale models created during repairs and other occasions. This book turns to those astoundingly precise models to give a historical overview of the artistry and craftsmanship handed down through the generations in buildings of wide-ranging styles and techniques, from the seventh-century five-storied pagoda at Horyuji temple in Nara to the 1933 Nihombashi Takashimaya department store in Tokyo. Also included is a chapter on architectural plans, tools, and other materials illustrating the “traditional skills, techniques and knowledge of the conservation and transmission of wooden architecture in Japan,” which was inscribed on the UNESCO Intangible Cultural Heritage list in 2020. The accompanying discussion details efforts to overcome today’s challenges in passing Japan’s architectural heritage on to the next generation, including attracting and training new artisans, furthering skills, and securing tools and raw materials.
Histoire jusqu'à 1900, Asie
$37.00
(disponible sur commande)
Résumé:
Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and(...)
mars 2008, Texas
John Chamberlain The Foam Sculpture
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$37.00
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Résumé:
Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and tightened it to create dynamic tensions, which resulted in seductively rounded volumes. These sculptures are essential to Chamberlain's oeuvre, and this is the first publication to address them. Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005-2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85 foam sculptures, constituting an almost complete catalogue of this group, and an update to Chamberlain's catalogue raisonne of 1986. Essays by Klaus Kertess, Iris Winkelmeyer and Marianne Stockebrand treat the sculptures in the larger context of Chamberlain's oeuvre and discuss the issue of conservation.