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"Catalogue" is the quirky title of this, the first collection of the work of Project Orange, the highly successful and inovative design and architecture practice. Project Orange, having demonstrated a keen interest in design and cultural issues through their work, referencing here, with tongue-in-cheek and yet soberly, the previous 'catalogues' of IKEA, Sears, Habitat,(...)
Catalogue : Project Orange architecture & design
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"Catalogue" is the quirky title of this, the first collection of the work of Project Orange, the highly successful and inovative design and architecture practice. Project Orange, having demonstrated a keen interest in design and cultural issues through their work, referencing here, with tongue-in-cheek and yet soberly, the previous 'catalogues' of IKEA, Sears, Habitat, and the like. Concerned, at the same time, with the relationship between ideas, interiors and buildings, Project Orange consider that progress and recent technological advances mean that the way people percieve their environments are always in flux. For them, architecture literally provides the containers for us to work and live within; but more than this, these containers create a framework of meaning for inhabitation and lifestyle. In "Catalogue" these and other of Project Orange's beliefs are made accessible to everybody with an interest in style, design and the built environment.
Architecture, monographies
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Asmara, the capital of the small east African country of Eritrea, bordering the Red Sea, is one of the most important and exciting architectural ‘discoveries’ of recent years. Built almost entirely in the 1930s by the Italians, Asmara has one of the highest concentrations of modernist architecture anywhere in the world, and has evocatively been described as “the Miami of(...)
septembre 2003, London
Asmara : Africa's secret modernist city
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Asmara, the capital of the small east African country of Eritrea, bordering the Red Sea, is one of the most important and exciting architectural ‘discoveries’ of recent years. Built almost entirely in the 1930s by the Italians, Asmara has one of the highest concentrations of modernist architecture anywhere in the world, and has evocatively been described as “the Miami of Africa”. Desperate to build quickly, the colonial government of the time allowed radical architectural experimentation that would not have found favour in the more conservative European environment. Asmara therefore became one of the world’s prime locations for architectural innovation during the Modern Movement. That this occurred at all is remarkable enough, but that these buildings should have survived in such numbers today makes it one of the finest modernist cities in the world. This is a building-by-building survey, illustrated with rare archival material and specially commissioned photographs
$58.00
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London’s Foreign Office Architects are redefining the "shopping center" typology in Istanbul; rather than being an isolated world of consumption, cut off from its urban environment, their "Meydan" mall forms a public square in a new part of town, a place of meetings and encounters. The interior of the central European city, evolved over the centuries, is the role model(...)
Architecture, monographies
mars 2008, Berlin
Meydan Shopping Square : a new prototype by FOA / ein neuer prototyp von FOA ; a METRO Group project in Istanbul
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London’s Foreign Office Architects are redefining the "shopping center" typology in Istanbul; rather than being an isolated world of consumption, cut off from its urban environment, their "Meydan" mall forms a public square in a new part of town, a place of meetings and encounters. The interior of the central European city, evolved over the centuries, is the role model for this new building. The publication documents Meydan’s development – from the international competition among firms such as BRT Architects, Chapman + Taylor and J.S.K. Architects to its construction – and describes the challenges of concept and design through reports and interviews. The developers of this project have taken on responsibility for urban planning and searched for possible answers to the problems affecting the megacity of Istanbul, in which public squares and green areas are few and far between. The resulting architecture blends into Istanbul’s cityscape in a very remarkable way.
Architecture, monographies
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"Emerging Nature" documents the work of the Argentinian architect, graphic designer and industrial designer Emilio Ambasz. The publication discusses his projects ranging from buildings and urban gardens including green facade vertical gardens to exhibition designs and everyday objects. The comprehensive volume features essays by various experts, interviews, a wealth of(...)
Emilio Ambasz : emerging nature, precursor of architecture and design
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"Emerging Nature" documents the work of the Argentinian architect, graphic designer and industrial designer Emilio Ambasz. The publication discusses his projects ranging from buildings and urban gardens including green facade vertical gardens to exhibition designs and everyday objects. The comprehensive volume features essays by various experts, interviews, a wealth of color photographs and drawings. Ambasz’s main concern is to integrate nature and construction into architectural design, which is why he is regarded as one of the most important pioneers of Green Architecture. In his work a combination of landscape and architecture emerges, in which his respect for the environment and ecological sustainability becomes clear. A prime example of this is the Fukuoka Prefectural International Hall in Japan: a building that houses more than 100,000 m2 of exhibition spaces, theaters and offices is also an open green area in the form of a hanging garden.
Architecture, monographies
Towards an articulated phenomenological interpretation of architecture: phenomenal phenomenology
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This book sheds light on the contemporary status of phenomenological discourse in architecture and investigates its current scholastic as well as practical position. Starting with a concise introduction to the philosophical grounds of phenomenology from the points of view of Husserl, Merleau-Ponty and Heidegger, it presents a critical reading of the works of some leading(...)
Towards an articulated phenomenological interpretation of architecture: phenomenal phenomenology
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This book sheds light on the contemporary status of phenomenological discourse in architecture and investigates its current scholastic as well as practical position. Starting with a concise introduction to the philosophical grounds of phenomenology from the points of view of Husserl, Merleau-Ponty and Heidegger, it presents a critical reading of the works of some leading figures of architectural phenomenology in both theory and practice, such as Christian Norberg-Schultz, Kenneth Frampton, Juhani Pallasmaa, and Steven Holl. Highlighting the main challenges of the current phenomenological discourse in architecture, this book formulates a more articulated method of 'phenomenological interpretation' – dubbed 'phenomenal phenomenology' - as a new and innovative method of interpreting the built environment. Finally, using Tadao Ando's Langen Foundation Museum as a case study, it investigates the architect's contribution to phenomenological discourse, interprets and analyzes the Museum building using the new heuristic method, and thus provides a clear example of its applicability.
Théorie de l’architecture
Destruction
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The effects and meanings of destruction are central to the work of many of our most influential artists. Since the early 1960s, artists have employed destruction to creative ends. Here destruction changes from a negative state or passive condition to a highly productive category. The destructive subversion of media imagery aims to release us from its controlling effects.(...)
Destruction
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The effects and meanings of destruction are central to the work of many of our most influential artists. Since the early 1960s, artists have employed destruction to creative ends. Here destruction changes from a negative state or passive condition to a highly productive category. The destructive subversion of media imagery aims to release us from its controlling effects. The self-destructing artwork extinguishes art’s fixity as arrested form and ushers in the ephemeral and contingent "open work." This anthology explores artworks that convey the threat of destruction an how they have disrupted the perceived integrity of built structures and institutions. Artistic acts of iconoclasm or risk to the self have raised consciousness of authoritarian oppression. More understated works explore the theme of destruction in armed conflict, media violence, and threats to the environment. These text make up the first collection to be focused systematically on destruction in modern and contemporary art.
Théorie de l’art
livres
Manuel Gallego
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Manuel Gallego (born 1936), a disciple of the most important Spanish architect of the post-war period, Alejandro de la Sota, is perhaps the best exponent of radical architecture in Spain today. His rational buildings - a series of broken primary forms (...)
Architecture, monographies
octobre 1998, Basel
Manuel Gallego
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Manuel Gallego (born 1936), a disciple of the most important Spanish architect of the post-war period, Alejandro de la Sota, is perhaps the best exponent of radical architecture in Spain today. His rational buildings - a series of broken primary forms grounded in the particulars of the place, where the spaces created open up to the outside and the walls act as the connecting elements between architecture and nature - stand out for their striking sculptural expression. The radical nature of his architecture is solidly rooted in the vernacular, giving rise to innovative designs in which the use of local materials (stone, wood, glass, metal) and the handling of light create an intimate dialogue between the man-made and the surrounding environment. This monograph on the Spanish architect Manuel Gallego, who received the Spanish Architecture Award is 1997, is the first on one of the most important representatives of modern Spanish architecture.
livres
octobre 1998, Basel
Architecture, monographies
livres
The language of landscape
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Offering examples that range across thousands of years and five continents, Spirn examines urban, rural, and natural landscapes. She discusses the thought of renowned landscape authors--Thomas Jefferson, Frank Lloyd Wright, Frederick Law Olmsted, Lawrence Halprin--and of less well known pioneers, including Australian architect Glenn Murcutt and Danish landscape artist C.(...)
The language of landscape
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Offering examples that range across thousands of years and five continents, Spirn examines urban, rural, and natural landscapes. She discusses the thought of renowned landscape authors--Thomas Jefferson, Frank Lloyd Wright, Frederick Law Olmsted, Lawrence Halprin--and of less well known pioneers, including Australian architect Glenn Murcutt and Danish landscape artist C. Th. Sørensen. She discusses instances of great landscape designers using landscape fluently, masterfully, and sometimes cynically. And, in a probing analysis of the many meanings of landscape, Spirn shows how one person’s ideal landscape may be another’s nightmare, how Utopian landscapes can be dark. There is danger when we lose the connection between a place and our understanding of it, Spirn warns, and she calls for change in the way we shape our environment, based on the notions of nature as a set of ideas and landscape as the expression of action and ideas in place.
livres
mai 2000, New haven
Théorie du paysage
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Every city has at least one, and great cities often have more. From the Louvre to the Bilbao Guggenheim, the museum has had a long-standing relationship with the city. This ground-breaking volume examines the meaning of museum architecture in the urban environment, considering important issues such as forms of civic representation, urban regeneration, cultural tourism and(...)
The architecture of the museum : symbolic structures, urban contexts
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Every city has at least one, and great cities often have more. From the Louvre to the Bilbao Guggenheim, the museum has had a long-standing relationship with the city. This ground-breaking volume examines the meaning of museum architecture in the urban environment, considering important issues such as forms of civic representation, urban regeneration, cultural tourism and the museumification of the city itself. Bringing together an international group of distinguished scholars from a range of disciplines, this volume bridges the gap between museum studies and traditional architectural history. The contributors explore the conceptual architectural frameworks that govern the museum's diverse symbolic structures and focus attention on the complex ways in which museums function in the city. Ranging from the 17th century to the present day, the detailed and thoroughly researched case studies are drawn from Great Britain, continental Europe, South America and Australia.
Muséologie
livres
Shigeru Ban
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Shigeru Ban may be best known for his evocative Curtain Wall House in Tokyo----a highlight of the Museum of Modern Art's 1999 Un-Private House exhibit----but few know the range of this Japanese architect's work. In this first English-language monograph on Ban, 30 built (...)
Shigeru Ban
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Shigeru Ban may be best known for his evocative Curtain Wall House in Tokyo----a highlight of the Museum of Modern Art's 1999 Un-Private House exhibit----but few know the range of this Japanese architect's work. In this first English-language monograph on Ban, 30 built projects reveal his inventiveness and humanitarianism. Ban's primary objectives in his work are the use of low-cost materials and the dissolution of the boundaries between interior and exterior spaces. His paper tube designs, which he first created as emergency housing for victims of Rwanda's civil war, were later reconfigured for earthquake victims in Kobe and were incorporated in Ban's Japanese Pavilion at Hannover Expo 2000. Influenced by the Japanese tradition of linking the home with the surrounding environment, Ban has created buildings such as Hanegi Forest and Walls-less House that invite nature to coexist with design.
livres
décembre 2000, New York
Architecture, monographies