13698 Résultats
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Leon Battista Alberti (1404–1472) was one of the most prolific and original writers of the Italian Renaissance—a fact often eclipsed by his more celebrated achievements as an art theorist and architect, and by Jacob Burckhardt’s mythologizing of Alberti as a “Renaissance or Universal Man.” In this book, Martin McLaughlin counters this partial perspective on Alberti,(...)
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Leon Battista Alberti (1404–1472) was one of the most prolific and original writers of the Italian Renaissance—a fact often eclipsed by his more celebrated achievements as an art theorist and architect, and by Jacob Burckhardt’s mythologizing of Alberti as a “Renaissance or Universal Man.” In this book, Martin McLaughlin counters this partial perspective on Alberti,(...)
Titre:
Leon Battista Alberti: Writer and humanist
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Leon Battista Alberti (1404–1472) was one of the most prolific and original writers of the Italian Renaissance—a fact often eclipsed by his more celebrated achievements as an art theorist and architect, and by Jacob Burckhardt’s mythologizing of Alberti as a “Renaissance or Universal Man.” In this book, Martin McLaughlin counters this partial perspective on Alberti, considering him more broadly as a writer dedicated to literature and humanism, a major protagonist and experimentalist in the literary scene of early Renaissance Italy. McLaughlin, a noted authority on Alberti, examines all of Alberti’s major works in Latin and the Italian vernacular and analyzes his vast knowledge of classical texts and culture.
Leon Battista Alberti: Writer and humanist
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Leon Battista Alberti (1404–1472) was one of the most prolific and original writers of the Italian Renaissance—a fact often eclipsed by his more celebrated achievements as an art theorist and architect, and by Jacob Burckhardt’s mythologizing of Alberti as a “Renaissance or Universal Man.” In this book, Martin McLaughlin counters this partial perspective on Alberti, considering him more broadly as a writer dedicated to literature and humanism, a major protagonist and experimentalist in the literary scene of early Renaissance Italy. McLaughlin, a noted authority on Alberti, examines all of Alberti’s major works in Latin and the Italian vernacular and analyzes his vast knowledge of classical texts and culture.
Classification:
livres
livres
Publication:
juin 2024
juin 2024
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$39.95
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"Contemporanea" is a nascent lexicon for the twenty-first century edited by seasoned philosophers and authors Michael Marder and Giovanbattista Tusa. The collection showcases perspectives from a range of noteworthy thinkers in philosophy, ecology, and cultural studies, as well as artists, from across the globe, including Slavoj Zizek, Timothy Morton, Denise Ferreira Da(...)
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"Contemporanea" is a nascent lexicon for the twenty-first century edited by seasoned philosophers and authors Michael Marder and Giovanbattista Tusa. The collection showcases perspectives from a range of noteworthy thinkers in philosophy, ecology, and cultural studies, as well as artists, from across the globe, including Slavoj Zizek, Timothy Morton, Denise Ferreira Da(...)
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Contemporanea: a glossary for the twenty-first century
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"Contemporanea" is a nascent lexicon for the twenty-first century edited by seasoned philosophers and authors Michael Marder and Giovanbattista Tusa. The collection showcases perspectives from a range of noteworthy thinkers in philosophy, ecology, and cultural studies, as well as artists, from across the globe, including Slavoj Zizek, Timothy Morton, Denise Ferreira Da Silva, and Vandana Shiva, who each describe what they anticipate will be the concepts shaping the trajectory of this century—everything from the world state to the nuclear taboo, automation to Teslaism, plant sexuality to arachnomancy, and ecotrauma to resonances, to name a few. This century, as the editors explain, has to date grounded itself in the debris of the preceding century, whose revolutions and struggles failed to transform our time: post-colonialism, post-fascism, and post-liberalism have morphed into neocolonialism, neoliberalism, and neofascism, often combined in a previously unimaginable mix. And, just as the political developments at the beginning of the twenty-first century revived and reshuffled those of the preceding epoch, so too have philosophical trends sought to breathe fresh life into the stillborn -isms of the past—realism, vitalism, logicism, materialism, empiricism, criticism—adding the adjective "new" and sometimes "radical" before them. To articulate a different future, another language is needed. And, to develop another language, one needs to develop fresh concepts, including the concepts proposed in this collection.
Contemporanea: a glossary for the twenty-first century
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"Contemporanea" is a nascent lexicon for the twenty-first century edited by seasoned philosophers and authors Michael Marder and Giovanbattista Tusa. The collection showcases perspectives from a range of noteworthy thinkers in philosophy, ecology, and cultural studies, as well as artists, from across the globe, including Slavoj Zizek, Timothy Morton, Denise Ferreira Da Silva, and Vandana Shiva, who each describe what they anticipate will be the concepts shaping the trajectory of this century—everything from the world state to the nuclear taboo, automation to Teslaism, plant sexuality to arachnomancy, and ecotrauma to resonances, to name a few. This century, as the editors explain, has to date grounded itself in the debris of the preceding century, whose revolutions and struggles failed to transform our time: post-colonialism, post-fascism, and post-liberalism have morphed into neocolonialism, neoliberalism, and neofascism, often combined in a previously unimaginable mix. And, just as the political developments at the beginning of the twenty-first century revived and reshuffled those of the preceding epoch, so too have philosophical trends sought to breathe fresh life into the stillborn -isms of the past—realism, vitalism, logicism, materialism, empiricism, criticism—adding the adjective "new" and sometimes "radical" before them. To articulate a different future, another language is needed. And, to develop another language, one needs to develop fresh concepts, including the concepts proposed in this collection.
Classification:
livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
Inventing future cities
Inventing future cities
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We cannot predict future cities, but we can invent them. Cities are largely unpredictable because they are complex systems that are more like organisms than machines. Neither the laws of economics nor the laws of mechanics apply; cities are the product of countless individual and collective decisions that do not conform to any grand plan. They are the product of our(...)
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We cannot predict future cities, but we can invent them. Cities are largely unpredictable because they are complex systems that are more like organisms than machines. Neither the laws of economics nor the laws of mechanics apply; cities are the product of countless individual and collective decisions that do not conform to any grand plan. They are the product of our(...)
Titre:
Inventing future cities
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We cannot predict future cities, but we can invent them. Cities are largely unpredictable because they are complex systems that are more like organisms than machines. Neither the laws of economics nor the laws of mechanics apply; cities are the product of countless individual and collective decisions that do not conform to any grand plan. They are the product of our inventions; they evolve. In Inventing Future Cities, Michael Batty explores what we need to understand about cities in order to invent their future. Batty outlines certain themes—principles—that apply to all cities. He investigates not the invention of artifacts but inventive processes. Today form is becoming ever more divorced from function; information networks now shape the traditional functions of cities as places of exchange and innovation. By the end of this century, most of the world's population will live in cities, large or small, sometimes contiguous, and always connected; in an urbanized world, it will be increasingly difficult to define a city by its physical boundaries.
Inventing future cities
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We cannot predict future cities, but we can invent them. Cities are largely unpredictable because they are complex systems that are more like organisms than machines. Neither the laws of economics nor the laws of mechanics apply; cities are the product of countless individual and collective decisions that do not conform to any grand plan. They are the product of our inventions; they evolve. In Inventing Future Cities, Michael Batty explores what we need to understand about cities in order to invent their future. Batty outlines certain themes—principles—that apply to all cities. He investigates not the invention of artifacts but inventive processes. Today form is becoming ever more divorced from function; information networks now shape the traditional functions of cities as places of exchange and innovation. By the end of this century, most of the world's population will live in cities, large or small, sometimes contiguous, and always connected; in an urbanized world, it will be increasingly difficult to define a city by its physical boundaries.
Classification:
livres
livres
Publication:
juin 2024
juin 2024
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Prix:
$66.00
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Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects' engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But(...)
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Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects' engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But(...)
Titre:
Prior art: Patents and the nature of invention in architecture
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Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects' engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But patent culture was never directly translatable to the field of architecture, which tended to negotiate issues of technological innovation in the context of the more abstract issues of artistic influence and formal expression. In "Prior art," scholar Peter Christensen offers the first full-scale monographic treatment of this complex relationship between art and invention.
Prior art: Patents and the nature of invention in architecture
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Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects' engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But patent culture was never directly translatable to the field of architecture, which tended to negotiate issues of technological innovation in the context of the more abstract issues of artistic influence and formal expression. In "Prior art," scholar Peter Christensen offers the first full-scale monographic treatment of this complex relationship between art and invention.
Classification:
livres
livres
Publication:
mai 2024
mai 2024
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Prix:
$34.00
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In "Exit interview," the prominent art critics and historians Hal Foster and Benjamin Buchloh discuss their intellectual foundations and the projects they've worked on together, from October magazine to Art Since 1900. Through three engaging conversations, Foster engages Buchloh on his early influences and aspirations, his formative years in Berlin, London, and(...)
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In "Exit interview," the prominent art critics and historians Hal Foster and Benjamin Buchloh discuss their intellectual foundations and the projects they've worked on together, from October magazine to Art Since 1900. Through three engaging conversations, Foster engages Buchloh on his early influences and aspirations, his formative years in Berlin, London, and(...)
Titre:
Exit interview: Benjamin Buchloh in conversation with Hal Foster
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In "Exit interview," the prominent art critics and historians Hal Foster and Benjamin Buchloh discuss their intellectual foundations and the projects they've worked on together, from October magazine to Art Since 1900. Through three engaging conversations, Foster engages Buchloh on his early influences and aspirations, his formative years in Berlin, London, and Dusseldorf, and his career in North America, while exploring the impact of other art historians and critics. Buchloh candidly addresses his successes, critical significance, and unexplored avenues in art history, providing a unique window into his motivations and experiences. With a powerful postface by Buchloh, "Exit interview" builds from biography and anecdote to important reflection on one's critical life as a whole.
Exit interview: Benjamin Buchloh in conversation with Hal Foster
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In "Exit interview," the prominent art critics and historians Hal Foster and Benjamin Buchloh discuss their intellectual foundations and the projects they've worked on together, from October magazine to Art Since 1900. Through three engaging conversations, Foster engages Buchloh on his early influences and aspirations, his formative years in Berlin, London, and Dusseldorf, and his career in North America, while exploring the impact of other art historians and critics. Buchloh candidly addresses his successes, critical significance, and unexplored avenues in art history, providing a unique window into his motivations and experiences. With a powerful postface by Buchloh, "Exit interview" builds from biography and anecdote to important reflection on one's critical life as a whole.
Classification:
livres
livres
Publication:
avril 2024
avril 2024
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$19.95
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Résumé:
The stirring speech given by Peter Sloterdijk in Lucerne in October 2022. From time immemorial, humanity has had to organize their "metabolism with nature." For Marx, the most important factor in this process was labor. When Prometheus, according to the myth, brought fire to earth, another crucial input was added. Fire has been used to cook food and harden tools for(...)
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The stirring speech given by Peter Sloterdijk in Lucerne in October 2022. From time immemorial, humanity has had to organize their "metabolism with nature." For Marx, the most important factor in this process was labor. When Prometheus, according to the myth, brought fire to earth, another crucial input was added. Fire has been used to cook food and harden tools for(...)
Titre:
Prometheus's remorse: From the gift of fire to global arson
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The stirring speech given by Peter Sloterdijk in Lucerne in October 2022. From time immemorial, humanity has had to organize their "metabolism with nature." For Marx, the most important factor in this process was labor. When Prometheus, according to the myth, brought fire to earth, another crucial input was added. Fire has been used to cook food and harden tools for hundreds of thousands of years. In this sense, it can be said that all history implies the history of the uses of fire. But whereas trees could only be burnt once, labor and fire shifted with the discovery of underground deposits of coal and oil. Modern humanity, according to Peter Sloterdijk, can be considered a collective of arsonists who set fire to the underground forests and moors. If Prometheus were to return to earth today, he might regret his gift; after all, what looms is nothing less than Ekpyrosis, the demise of the world in fire. And only a new, energetic pacifism can prevent this catastrophe.
Prometheus's remorse: From the gift of fire to global arson
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$19.95
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Résumé:
The stirring speech given by Peter Sloterdijk in Lucerne in October 2022. From time immemorial, humanity has had to organize their "metabolism with nature." For Marx, the most important factor in this process was labor. When Prometheus, according to the myth, brought fire to earth, another crucial input was added. Fire has been used to cook food and harden tools for hundreds of thousands of years. In this sense, it can be said that all history implies the history of the uses of fire. But whereas trees could only be burnt once, labor and fire shifted with the discovery of underground deposits of coal and oil. Modern humanity, according to Peter Sloterdijk, can be considered a collective of arsonists who set fire to the underground forests and moors. If Prometheus were to return to earth today, he might regret his gift; after all, what looms is nothing less than Ekpyrosis, the demise of the world in fire. And only a new, energetic pacifism can prevent this catastrophe.
Classification:
livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
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$65.00
(disponible en magasin)
Résumé:
During the Holocaust, approximately 50,000 Jews survived in occupied Poland and Ukraine by seeking shelter in unlikely hiding spots. Driven by necessity, they were forced to take refuge in unexpected and inhospitable spaces such as tree hollows, closets, basements or sewers—remaining there for hours, days and sometimes even months. Architect, scholar and artist Natalia(...)
$65.00
(disponible en magasin)
Résumé:
During the Holocaust, approximately 50,000 Jews survived in occupied Poland and Ukraine by seeking shelter in unlikely hiding spots. Driven by necessity, they were forced to take refuge in unexpected and inhospitable spaces such as tree hollows, closets, basements or sewers—remaining there for hours, days and sometimes even months. Architect, scholar and artist Natalia(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
avril 2024
avril 2024
Titre:
Hideouts: Architecture of survival
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$65.00
(disponible en magasin)
Résumé:
During the Holocaust, approximately 50,000 Jews survived in occupied Poland and Ukraine by seeking shelter in unlikely hiding spots. Driven by necessity, they were forced to take refuge in unexpected and inhospitable spaces such as tree hollows, closets, basements or sewers—remaining there for hours, days and sometimes even months. Architect, scholar and artist Natalia Romik has identified and studied several such hideouts that still exist today. Her research accentuates the material and spatial dimensions of living in hiding, gathering the evidence of vernacular architectural creativity employed under life-threatening conditions. Romik views hideouts as concealed monuments to the ingenuity of Holocaust survivors and their helpers. This interdisciplinary catalog makes tangible the fragile physical reality of these places and addresses the fundamental question of the function of architecture in relation to the history of violence and our culture of commemoration.
Hideouts: Architecture of survival
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$65.00
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Résumé:
During the Holocaust, approximately 50,000 Jews survived in occupied Poland and Ukraine by seeking shelter in unlikely hiding spots. Driven by necessity, they were forced to take refuge in unexpected and inhospitable spaces such as tree hollows, closets, basements or sewers—remaining there for hours, days and sometimes even months. Architect, scholar and artist Natalia Romik has identified and studied several such hideouts that still exist today. Her research accentuates the material and spatial dimensions of living in hiding, gathering the evidence of vernacular architectural creativity employed under life-threatening conditions. Romik views hideouts as concealed monuments to the ingenuity of Holocaust survivors and their helpers. This interdisciplinary catalog makes tangible the fragile physical reality of these places and addresses the fundamental question of the function of architecture in relation to the history of violence and our culture of commemoration.
Classification:
livres
livres
Publication:
avril 2024
avril 2024
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Citizens of the cosmos
Citizens of the cosmos
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$39.95
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"Citizens of the cosmos" examines the artist Anton Vidokle’s films and the Cosmist philosophy underpinning them. It features essays and conversations with Vidokle by seminal contemporary theorists, curators, and artists: Franco "Bifo" Berardi, Keti Chukhrov, Liam Gillick, Boris Groys, Daniel Muzyczuk, Miguel Amado and Georgia Perkins, Elizabeth Povinelli, and Raqs Media(...)
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"Citizens of the cosmos" examines the artist Anton Vidokle’s films and the Cosmist philosophy underpinning them. It features essays and conversations with Vidokle by seminal contemporary theorists, curators, and artists: Franco "Bifo" Berardi, Keti Chukhrov, Liam Gillick, Boris Groys, Daniel Muzyczuk, Miguel Amado and Georgia Perkins, Elizabeth Povinelli, and Raqs Media(...)
Titre:
Citizens of the cosmos
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$39.95
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"Citizens of the cosmos" examines the artist Anton Vidokle’s films and the Cosmist philosophy underpinning them. It features essays and conversations with Vidokle by seminal contemporary theorists, curators, and artists: Franco "Bifo" Berardi, Keti Chukhrov, Liam Gillick, Boris Groys, Daniel Muzyczuk, Miguel Amado and Georgia Perkins, Elizabeth Povinelli, and Raqs Media Collective. This is the first book to survey Vidokle’s Cosmism-related filmic output, begun in 2014, and includes full scripts from the films. The book’s contributors speculate on Vidokle’s Cosmist conceptions of technological immortality, resurrection of all ancestors, radical museology, and space travel, grappling with how these ideas embroil or crystallize contemporary theories, artistic and technological imaginaries: atmospheric manipulation, cryonics, biopolitics, extraplanetary prospecting, geo-engineering, genetics.
Citizens of the cosmos
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$39.95
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Résumé:
"Citizens of the cosmos" examines the artist Anton Vidokle’s films and the Cosmist philosophy underpinning them. It features essays and conversations with Vidokle by seminal contemporary theorists, curators, and artists: Franco "Bifo" Berardi, Keti Chukhrov, Liam Gillick, Boris Groys, Daniel Muzyczuk, Miguel Amado and Georgia Perkins, Elizabeth Povinelli, and Raqs Media Collective. This is the first book to survey Vidokle’s Cosmism-related filmic output, begun in 2014, and includes full scripts from the films. The book’s contributors speculate on Vidokle’s Cosmist conceptions of technological immortality, resurrection of all ancestors, radical museology, and space travel, grappling with how these ideas embroil or crystallize contemporary theories, artistic and technological imaginaries: atmospheric manipulation, cryonics, biopolitics, extraplanetary prospecting, geo-engineering, genetics.
Classification:
livres
livres
Publication:
août 2024
août 2024
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$25.95
(disponible en magasin)
Résumé:
What is magic? And what can it do? In this book, Jessica Backsell interrogates the magic of the art world and culture’s stubborn habit of foregrounding art as representative of an alternative value system. Through the empirical example of the freeport—luxury warehouses where valuable art is stored for preservation and taxation purposes—Backsell explores the implications(...)
$25.95
(disponible en magasin)
Résumé:
What is magic? And what can it do? In this book, Jessica Backsell interrogates the magic of the art world and culture’s stubborn habit of foregrounding art as representative of an alternative value system. Through the empirical example of the freeport—luxury warehouses where valuable art is stored for preservation and taxation purposes—Backsell explores the implications(...)
Titre:
Provoking Freeport Magic: Art assemblage in late capitalism
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$25.95
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What is magic? And what can it do? In this book, Jessica Backsell interrogates the magic of the art world and culture’s stubborn habit of foregrounding art as representative of an alternative value system. Through the empirical example of the freeport—luxury warehouses where valuable art is stored for preservation and taxation purposes—Backsell explores the implications of understanding the art world through contingent entanglements and practices. Examining the contested site of the freeport, Backsell addresses the dichotomous “culture v. capitalism” debate by showing how magic is not an innate and mysterious quality. Rather, it is a practice, a central yet unexplored element of curatorial toolboxes, that unfolds through what Backsell denotes as the enactment of “conspicuous withdrawal.” This insight, she argues, sheds new light and understanding on broader political issues in contemporary market society.
Provoking Freeport Magic: Art assemblage in late capitalism
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Prix:
$25.95
(disponible en magasin)
Résumé:
What is magic? And what can it do? In this book, Jessica Backsell interrogates the magic of the art world and culture’s stubborn habit of foregrounding art as representative of an alternative value system. Through the empirical example of the freeport—luxury warehouses where valuable art is stored for preservation and taxation purposes—Backsell explores the implications of understanding the art world through contingent entanglements and practices. Examining the contested site of the freeport, Backsell addresses the dichotomous “culture v. capitalism” debate by showing how magic is not an innate and mysterious quality. Rather, it is a practice, a central yet unexplored element of curatorial toolboxes, that unfolds through what Backsell denotes as the enactment of “conspicuous withdrawal.” This insight, she argues, sheds new light and understanding on broader political issues in contemporary market society.
Classification:
livres
livres
Publication:
juillet 2024
juillet 2024
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Actions:
Prix:
$36.95
(disponible sur commande)
Résumé:
The world is marked by deepening conflicts—between democracies and autocracies, woke and populist identity politics, rich and poor, continued environmental exploitation and harsh complications like climate change. In "The monadic age," Ingo Niermann argues that, stirred by rapid developments in automation and AI, these manifold crises are about to culminate in a new(...)
$36.95
(disponible sur commande)
Résumé:
The world is marked by deepening conflicts—between democracies and autocracies, woke and populist identity politics, rich and poor, continued environmental exploitation and harsh complications like climate change. In "The monadic age," Ingo Niermann argues that, stirred by rapid developments in automation and AI, these manifold crises are about to culminate in a new(...)
Titre:
The monadic age: Notes on the coming social order
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$36.95
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Résumé:
The world is marked by deepening conflicts—between democracies and autocracies, woke and populist identity politics, rich and poor, continued environmental exploitation and harsh complications like climate change. In "The monadic age," Ingo Niermann argues that, stirred by rapid developments in automation and AI, these manifold crises are about to culminate in a new paradigm of self-sufficiency—monadism—that overturns the liberal era and forces a reinvention of all social parameters. Today, two major post-liberal dispositions are unfolding. On the one side, people envision a harmonious community of all human and nonhuman beings (multi-species kinship, a rainbow of identities). On the other side, people isolate themselves within their own identities and belongings (filter bubbles, safe spaces, gated communities, charter cities, prepping). Monadism recognizes that these two seemingly contradictory dispositions stem from a similar understanding of the world: one is more optimistic, the other more pessimistic, but ultimately they’re interdependent. Before seeking harmony, we humans, a highly dominant species, must first of all restrain ourselves from coercive interactions with our environment. And to protect ourselves sufficiently from our environment, we must minimize its abuse.
The monadic age: Notes on the coming social order
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Prix:
$36.95
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Résumé:
The world is marked by deepening conflicts—between democracies and autocracies, woke and populist identity politics, rich and poor, continued environmental exploitation and harsh complications like climate change. In "The monadic age," Ingo Niermann argues that, stirred by rapid developments in automation and AI, these manifold crises are about to culminate in a new paradigm of self-sufficiency—monadism—that overturns the liberal era and forces a reinvention of all social parameters. Today, two major post-liberal dispositions are unfolding. On the one side, people envision a harmonious community of all human and nonhuman beings (multi-species kinship, a rainbow of identities). On the other side, people isolate themselves within their own identities and belongings (filter bubbles, safe spaces, gated communities, charter cities, prepping). Monadism recognizes that these two seemingly contradictory dispositions stem from a similar understanding of the world: one is more optimistic, the other more pessimistic, but ultimately they’re interdependent. Before seeking harmony, we humans, a highly dominant species, must first of all restrain ourselves from coercive interactions with our environment. And to protect ourselves sufficiently from our environment, we must minimize its abuse.
Classification:
livres
livres
Publication:
avril 2024
avril 2024
Sujet:
Théorie/ philosophie
Théorie/ philosophie
