6832 Résultats
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livres
livres
Titre:
Paysages d'entre-villes
Paysages d'entre-villes
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Douzième titre de la collection " l'atelier du sculpteur ", le catalogue Paysages d'entre-villes est consacré à la question du paysage contemporain, aux limites de la ville et de la nature sauvage dans ce qu'il est convenu d'appeler les terrains vagues, les territoires périphériques, les friches. Autan de paysage dont le lien direct avec nos craintes inconscientes n'a(...)
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Douzième titre de la collection " l'atelier du sculpteur ", le catalogue Paysages d'entre-villes est consacré à la question du paysage contemporain, aux limites de la ville et de la nature sauvage dans ce qu'il est convenu d'appeler les terrains vagues, les territoires périphériques, les friches. Autan de paysage dont le lien direct avec nos craintes inconscientes n'a(...)
Publication:
janvier 1900, Paris
janvier 1900, Paris
Titre:
Paysages d'entre-villes
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Douzième titre de la collection " l'atelier du sculpteur ", le catalogue Paysages d'entre-villes est consacré à la question du paysage contemporain, aux limites de la ville et de la nature sauvage dans ce qu'il est convenu d'appeler les terrains vagues, les territoires périphériques, les friches. Autan de paysage dont le lien direct avec nos craintes inconscientes n'a rien à envier aux paysages extrêmes des romantiques. C'est dans les zones périphériques que l'on trouve aujourd'hui les mystères, les légendes, les frayeurs qui, autrefois, hantaient les forêts aux abords des villes et des villages. C'est cet équilibre instable et dynamique du paysage qu'abordent les artistes réunis dans le catalogue de cette exposition en confrontation avec la série "Sculpture pour l'architecture" que Zadkine a réalisée dans la deuxième moitié des années 1960.
Paysages d'entre-villes
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Douzième titre de la collection " l'atelier du sculpteur ", le catalogue Paysages d'entre-villes est consacré à la question du paysage contemporain, aux limites de la ville et de la nature sauvage dans ce qu'il est convenu d'appeler les terrains vagues, les territoires périphériques, les friches. Autan de paysage dont le lien direct avec nos craintes inconscientes n'a rien à envier aux paysages extrêmes des romantiques. C'est dans les zones périphériques que l'on trouve aujourd'hui les mystères, les légendes, les frayeurs qui, autrefois, hantaient les forêts aux abords des villes et des villages. C'est cet équilibre instable et dynamique du paysage qu'abordent les artistes réunis dans le catalogue de cette exposition en confrontation avec la série "Sculpture pour l'architecture" que Zadkine a réalisée dans la deuxième moitié des années 1960.
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livres
livres
Publication:
janvier 1900, Paris
janvier 1900, Paris
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livres
livres
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$75.00
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a(...)
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a(...)
Titre:
Brand new: art and commodity in the 1980s
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a legitimate gallery business in SoHo. Coinciding with the rise of modern branding and the onset of the information age, artists’ focus on commodities and consumerism began as satire but came to be much more complex: commodities and associated phenomena, such as advertising, now served as vessels for ideas, politics, and personal relationships in “brand-new” types of painting, sculpture, photography, installation, and performance.
Brand new: art and commodity in the 1980s
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a legitimate gallery business in SoHo. Coinciding with the rise of modern branding and the onset of the information age, artists’ focus on commodities and consumerism began as satire but came to be much more complex: commodities and associated phenomena, such as advertising, now served as vessels for ideas, politics, and personal relationships in “brand-new” types of painting, sculpture, photography, installation, and performance.
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livres
livres
Publication:
février 2018
février 2018
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livres
livres
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This catalogue was published on the occasion of the exhibition All-Inclusive. A Tourist World Schrirn Kunsthalle Frankfurt 30 january- 04 may 2008 This entertaining and often hilarious exhibition catalog from Schirn Kunsthalle Frankfurt is a thought-provoking exploration of our global society through the tourist experience. The curators see tourism as something that(...)
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This catalogue was published on the occasion of the exhibition All-Inclusive. A Tourist World Schrirn Kunsthalle Frankfurt 30 january- 04 may 2008 This entertaining and often hilarious exhibition catalog from Schirn Kunsthalle Frankfurt is a thought-provoking exploration of our global society through the tourist experience. The curators see tourism as something that(...)
Publication:
juin 2008, Köln
juin 2008, Köln
Titre:
All-inclusive a tourist world
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This catalogue was published on the occasion of the exhibition All-Inclusive. A Tourist World Schrirn Kunsthalle Frankfurt 30 january- 04 may 2008 This entertaining and often hilarious exhibition catalog from Schirn Kunsthalle Frankfurt is a thought-provoking exploration of our global society through the tourist experience. The curators see tourism as something that perpetuates clichés about cultural and national identity; real landscapes blur into artificial geographies like ski resort-themed water parks, indoor beaches with synthetic sun lamps, or aircraft carriers equipped with roller coasters and volcanoes. More than 30 artists create photography, multimedia installations, sculpture and prose travelogues that veer between the authentic and the absurd, attempting to answer the question: how should tourists interact with the bogus world of tourism, and what should they learn?
All-inclusive a tourist world
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This catalogue was published on the occasion of the exhibition All-Inclusive. A Tourist World Schrirn Kunsthalle Frankfurt 30 january- 04 may 2008 This entertaining and often hilarious exhibition catalog from Schirn Kunsthalle Frankfurt is a thought-provoking exploration of our global society through the tourist experience. The curators see tourism as something that perpetuates clichés about cultural and national identity; real landscapes blur into artificial geographies like ski resort-themed water parks, indoor beaches with synthetic sun lamps, or aircraft carriers equipped with roller coasters and volcanoes. More than 30 artists create photography, multimedia installations, sculpture and prose travelogues that veer between the authentic and the absurd, attempting to answer the question: how should tourists interact with the bogus world of tourism, and what should they learn?
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livres
livres
Publication:
juin 2008, Köln
juin 2008, Köln
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livres
livres
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
$79.95
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
Titre:
Slow art: the experience of looking, sacred images to James Turrell
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Slow art: the experience of looking, sacred images to James Turrell
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$79.95
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Classification:
livres
livres
Publication:
juin 2017
juin 2017
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$83.00
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The modernist parks and gardens of Brazilian landscape architect and garden designer Roberto Burle Marx (1909–1994) earned him awards, widespread acclaim, and international fame. Over a 60-year career, he designed more than 2,000 gardens worldwide, the most famous of which are those he created in collaboration with the architect Oscar Niemeyer for Brasília. Although he is(...)
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The modernist parks and gardens of Brazilian landscape architect and garden designer Roberto Burle Marx (1909–1994) earned him awards, widespread acclaim, and international fame. Over a 60-year career, he designed more than 2,000 gardens worldwide, the most famous of which are those he created in collaboration with the architect Oscar Niemeyer for Brasília. Although he is(...)
Publication:
février 2016
février 2016
Titre:
Roberto Burle Marx: Brazilian Modernist
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The modernist parks and gardens of Brazilian landscape architect and garden designer Roberto Burle Marx (1909–1994) earned him awards, widespread acclaim, and international fame. Over a 60-year career, he designed more than 2,000 gardens worldwide, the most famous of which are those he created in collaboration with the architect Oscar Niemeyer for Brasília. Although he is best known for his landscape work, Burle Marx was a prolific artist in a variety of media, and his larger body of work—which includes paintings, drawings, tile mosaics, sculpture, textile design, jewelry, theater costumes, and more—is critical to understanding his importance as a modernist. An avid horticulturalist, he was among the first to denounce deforestation in the Amazon region; he also discovered over thirty species of Brazilian flora, which bear his name.
Roberto Burle Marx: Brazilian Modernist
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The modernist parks and gardens of Brazilian landscape architect and garden designer Roberto Burle Marx (1909–1994) earned him awards, widespread acclaim, and international fame. Over a 60-year career, he designed more than 2,000 gardens worldwide, the most famous of which are those he created in collaboration with the architect Oscar Niemeyer for Brasília. Although he is best known for his landscape work, Burle Marx was a prolific artist in a variety of media, and his larger body of work—which includes paintings, drawings, tile mosaics, sculpture, textile design, jewelry, theater costumes, and more—is critical to understanding his importance as a modernist. An avid horticulturalist, he was among the first to denounce deforestation in the Amazon region; he also discovered over thirty species of Brazilian flora, which bear his name.
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livres
livres
Publication:
février 2016
février 2016
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livres
livres
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The Post-War period of progressive civic architecture and art gave rise to some of the UK's most important pieces of publically owned artwork. From the Chadwick figures in Roehampton and a bronze Hepworth in Cardiff to the less well-known Cuminsky murals in Skelmersdale and the vivid Schottland shapes in Warwick, these works of art have become familiar companions,(...)
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The Post-War period of progressive civic architecture and art gave rise to some of the UK's most important pieces of publically owned artwork. From the Chadwick figures in Roehampton and a bronze Hepworth in Cardiff to the less well-known Cuminsky murals in Skelmersdale and the vivid Schottland shapes in Warwick, these works of art have become familiar companions,(...)
Titre:
Concrete poetry: post-war modernist public art
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The Post-War period of progressive civic architecture and art gave rise to some of the UK's most important pieces of publically owned artwork. From the Chadwick figures in Roehampton and a bronze Hepworth in Cardiff to the less well-known Cuminsky murals in Skelmersdale and the vivid Schottland shapes in Warwick, these works of art have become familiar companions, backdrops to British lives. Now with the increased interest in the buildings and architects of the Post-War era the time is right to consider the role of sculpture in these Modernist landscapes. There is also an urgency to this photographic survey, as many crucial works have been lost or destroyed. As acclaimed photographer Simon Phipps journeyed around the UK he uncovered forgotten treasures as well as unexplained losses.
Concrete poetry: post-war modernist public art
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The Post-War period of progressive civic architecture and art gave rise to some of the UK's most important pieces of publically owned artwork. From the Chadwick figures in Roehampton and a bronze Hepworth in Cardiff to the less well-known Cuminsky murals in Skelmersdale and the vivid Schottland shapes in Warwick, these works of art have become familiar companions, backdrops to British lives. Now with the increased interest in the buildings and architects of the Post-War era the time is right to consider the role of sculpture in these Modernist landscapes. There is also an urgency to this photographic survey, as many crucial works have been lost or destroyed. As acclaimed photographer Simon Phipps journeyed around the UK he uncovered forgotten treasures as well as unexplained losses.
Classification:
livres
livres
Publication:
avril 2019
avril 2019
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
Titre:
Young & Giroux
Young & Giroux
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Daniel Young and Christian Giroux have been making art together for nearly ten years. Their sculpture, public art and film installations are the product of an ongoing conversation concerning mid-century modernity, and the production of space and the built environment. This first in-depth monograph provides a career overview as well as an exploration of the duo's latest(...)
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Daniel Young and Christian Giroux have been making art together for nearly ten years. Their sculpture, public art and film installations are the product of an ongoing conversation concerning mid-century modernity, and the production of space and the built environment. This first in-depth monograph provides a career overview as well as an exploration of the duo's latest(...)
Titre:
Young & Giroux
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Daniel Young and Christian Giroux have been making art together for nearly ten years. Their sculpture, public art and film installations are the product of an ongoing conversation concerning mid-century modernity, and the production of space and the built environment. This first in-depth monograph provides a career overview as well as an exploration of the duo's latest and most emblematic project, Beta Boole - sculptures involving Ikea furniture. The term Boole comes from the 3D computer modeling operation of adding and subtracting simple forms to generate more complex ones. These pieces of furniture provide both a recognizable and vernacular set of domestic forms, which perversely realize the Modernist goal of universal design through the machinations of globalization. Brancusi, Gordon Matta-Clark, and the Japanese architectural office SANAA are among their critical influences.
Young & Giroux
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Daniel Young and Christian Giroux have been making art together for nearly ten years. Their sculpture, public art and film installations are the product of an ongoing conversation concerning mid-century modernity, and the production of space and the built environment. This first in-depth monograph provides a career overview as well as an exploration of the duo's latest and most emblematic project, Beta Boole - sculptures involving Ikea furniture. The term Boole comes from the 3D computer modeling operation of adding and subtracting simple forms to generate more complex ones. These pieces of furniture provide both a recognizable and vernacular set of domestic forms, which perversely realize the Modernist goal of universal design through the machinations of globalization. Brancusi, Gordon Matta-Clark, and the Japanese architectural office SANAA are among their critical influences.
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livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Art canadien
Art canadien
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livres
livres
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$55.00
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the(...)
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the(...)
Titre:
Tokyo 1955-1970: a new avant-garde
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the first publication in English to focus in depth on the full scope of postwar art in Japan. Essays by scholars Hayashi Michio and Miryam Sas and curator Mika Yoshitake discuss critical concepts in art and culture at this time, including “graphism,” which manifested itself across various mediums; the development of new sculptural languages; and the “intermedia” tendency that engendered provocative cross-pollination among artistic genres. Masatoshi Nakajima provides an illustrated chronology and Yuri Mitsuda supplies artist biographies.
Tokyo 1955-1970: a new avant-garde
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the first publication in English to focus in depth on the full scope of postwar art in Japan. Essays by scholars Hayashi Michio and Miryam Sas and curator Mika Yoshitake discuss critical concepts in art and culture at this time, including “graphism,” which manifested itself across various mediums; the development of new sculptural languages; and the “intermedia” tendency that engendered provocative cross-pollination among artistic genres. Masatoshi Nakajima provides an illustrated chronology and Yuri Mitsuda supplies artist biographies.
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livres
livres
Publication:
octobre 2012
octobre 2012
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livres
livres
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$57.50
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This book presents 35 photos of the Getty Center taken shortly before the 1997 opening of its new multipurpose complex designed by Richard Meier. Published to coincide with the 20th anniversary of the center, the book reveals behind-the-scenes views of the building as objects from J. Paul Getty’s painting, sculpture and decorative arts collections were being installed(...)
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This book presents 35 photos of the Getty Center taken shortly before the 1997 opening of its new multipurpose complex designed by Richard Meier. Published to coincide with the 20th anniversary of the center, the book reveals behind-the-scenes views of the building as objects from J. Paul Getty’s painting, sculpture and decorative arts collections were being installed(...)
Sujet:
Monographies photo
Monographies photo
Publication:
février 2018
février 2018
Titre:
Robert Polidori: synchrony and diachrony. Photographs of the J. Paul Getty Museum 1997
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This book presents 35 photos of the Getty Center taken shortly before the 1997 opening of its new multipurpose complex designed by Richard Meier. Published to coincide with the 20th anniversary of the center, the book reveals behind-the-scenes views of the building as objects from J. Paul Getty’s painting, sculpture and decorative arts collections were being installed inside it. In September 1997 the New Yorker commissioned Robert Polidori (born 1951) to photograph Meier’s building. Within 48 hours he had made images of its exterior but was dissatisfied. Polidori wanted to document the museum’s interior, and proceeded to photograph the rooms in which artworks were either freshly installed or still being so. The resulting photos show the museum in the process of taking shape, expose the mechanics of curatorship.
Robert Polidori: synchrony and diachrony. Photographs of the J. Paul Getty Museum 1997
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Résumé:
This book presents 35 photos of the Getty Center taken shortly before the 1997 opening of its new multipurpose complex designed by Richard Meier. Published to coincide with the 20th anniversary of the center, the book reveals behind-the-scenes views of the building as objects from J. Paul Getty’s painting, sculpture and decorative arts collections were being installed inside it. In September 1997 the New Yorker commissioned Robert Polidori (born 1951) to photograph Meier’s building. Within 48 hours he had made images of its exterior but was dissatisfied. Polidori wanted to document the museum’s interior, and proceeded to photograph the rooms in which artworks were either freshly installed or still being so. The resulting photos show the museum in the process of taking shape, expose the mechanics of curatorship.
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livres
livres
Publication:
février 2018
février 2018
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$63.95
(disponible en magasin)
Résumé:
In her works, Ulla von Brandenburg interlinks various genres to create highly symbolic, staged presentations: sculpture, installation and film, performance, fashion and music, silhouettes and wall drawings. The exhibition space becomes a stage for her examination of the various modes of expression found in theater, the play with fiction and reality, role and identity. For(...)
$63.95
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In her works, Ulla von Brandenburg interlinks various genres to create highly symbolic, staged presentations: sculpture, installation and film, performance, fashion and music, silhouettes and wall drawings. The exhibition space becomes a stage for her examination of the various modes of expression found in theater, the play with fiction and reality, role and identity. For(...)
Titre:
Ulla von Brandenbrg: The Motion's Method
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In her works, Ulla von Brandenburg interlinks various genres to create highly symbolic, staged presentations: sculpture, installation and film, performance, fashion and music, silhouettes and wall drawings. The exhibition space becomes a stage for her examination of the various modes of expression found in theater, the play with fiction and reality, role and identity. For her solo exhibition in the Darmstadt Artists' Colony Museum, Ulla von Brandenburg focuses on an installation developed specifically for this venue, which stands in connection with the unique history of the Mathildenhöhe as a think tank and experimental laboratory of modernism. She stages works from the Darmstadt Municipal Art Collection in combination with her own objects, whereby the focus is laid not only on the historic reception of the works, but also on questions of presentation, perception, and mediation.
Ulla von Brandenbrg: The Motion's Method
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$63.95
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In her works, Ulla von Brandenburg interlinks various genres to create highly symbolic, staged presentations: sculpture, installation and film, performance, fashion and music, silhouettes and wall drawings. The exhibition space becomes a stage for her examination of the various modes of expression found in theater, the play with fiction and reality, role and identity. For her solo exhibition in the Darmstadt Artists' Colony Museum, Ulla von Brandenburg focuses on an installation developed specifically for this venue, which stands in connection with the unique history of the Mathildenhöhe as a think tank and experimental laboratory of modernism. She stages works from the Darmstadt Municipal Art Collection in combination with her own objects, whereby the focus is laid not only on the historic reception of the works, but also on questions of presentation, perception, and mediation.
Classification:
livres
livres
Publication:
juillet 2018
juillet 2018
