$21.95
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Google, Facebook, Amazon, mais aussi les banques et les assureurs : la constitution d’énormes bases de données (les « big data ») confère une place de plus en plus centrale aux algorithmes. L’ambition de ce livre est de montrer comment ces nouvelles techniques de calcul bouleversent notre société. À travers le classement de l’information, la personnalisation publicitaire,(...)
novembre 2015
À quoi rêvent les algorithmes. Nos vies à l'heure des big data
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Google, Facebook, Amazon, mais aussi les banques et les assureurs : la constitution d’énormes bases de données (les « big data ») confère une place de plus en plus centrale aux algorithmes. L’ambition de ce livre est de montrer comment ces nouvelles techniques de calcul bouleversent notre société. À travers le classement de l’information, la personnalisation publicitaire, la recommandation de produits, le ciblage des comportements ou l’orientation des déplacements, les méga-calculateurs sont en train de s’immiscer, de plus en plus intimement, dans la vie des individus. Or, loin d’être de simples outils techniques, les algorithmes véhiculent un projet politique. Comprendre leur logique, les valeurs et le type de société qu’ils promeuvent, c’est donner aux internautes les moyens de reprendre du pouvoir dans la société des calculs.
Visuality for architects: architectural creativity and modern theories of perception and imagination
$32.00
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This book examines the ways in which new theories of human visuality create a different understanding of architectural design, practice, and education. This new understanding coincides with and supports formalist approaches to architecture that have become influential in recent years as a result of the digital revolution in architectural design.
Visuality for architects: architectural creativity and modern theories of perception and imagination
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This book examines the ways in which new theories of human visuality create a different understanding of architectural design, practice, and education. This new understanding coincides with and supports formalist approaches to architecture that have become influential in recent years as a result of the digital revolution in architectural design.
Théorie de l’architecture
Something between us
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Presenting works that conceive of the human being as a social animal, 'Something between us' looks at interpretations of love and empathy in the digital age by artists Kirstin Burckhardt, Miriam Cahn, Teboho Edkins, Vivian Greven, Luzia Hürzeler, Alice Musiol, Warren Neidich, Stefan Panhans, Sibylle Springer, Thomas Taube and Andrea Winkler.
avril 2021
Something between us
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Presenting works that conceive of the human being as a social animal, 'Something between us' looks at interpretations of love and empathy in the digital age by artists Kirstin Burckhardt, Miriam Cahn, Teboho Edkins, Vivian Greven, Luzia Hürzeler, Alice Musiol, Warren Neidich, Stefan Panhans, Sibylle Springer, Thomas Taube and Andrea Winkler.
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This book examines morphogenetic processes based on a combination of digital and analogue modeling and manufacturing techniques. These modules can in many cases be translated into architectural designs. They show an exciting new avenues in educational motivation, using a systematic architectural approach as well as an understanding of complex geometries.
Modular structures in design and architecture
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This book examines morphogenetic processes based on a combination of digital and analogue modeling and manufacturing techniques. These modules can in many cases be translated into architectural designs. They show an exciting new avenues in educational motivation, using a systematic architectural approach as well as an understanding of complex geometries.
petits formats
livres
Description:
256 pages : illustrations (some color) ; 28 cm
New York : Whitney Museum of American Art ; Göttingen : Steidl, [2002], ©2002
Michal Rovner : the space between / Sylvia Wolf ; with an essay by Michael Rush and a conversation between Michal Rovner and Leon Golub.
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Description:
256 pages : illustrations (some color) ; 28 cm
livres
New York : Whitney Museum of American Art ; Göttingen : Steidl, [2002], ©2002
périodiques
Description:
1 online resource
Madrid, Spain : Iberoamericana ; Frankfurt am Main : Vervuert, 2003-, Madrid, Spain : Iberoamericana Editorial Vervuert
Revista internacional de lingüística iberoamericana : RILI.
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1 online resource
périodiques
Madrid, Spain : Iberoamericana ; Frankfurt am Main : Vervuert, 2003-, Madrid, Spain : Iberoamericana Editorial Vervuert
périodiques
Revue d'histoire des sciences / Centre international de synthèse, Section d'histoire des sciences.
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1 online resource
Paris : Presses universitaires de France, 1971-
Revue d'histoire des sciences / Centre international de synthèse, Section d'histoire des sciences.
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1 online resource
périodiques
Paris : Presses universitaires de France, 1971-
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Since 1989, the year the World Wide Web was born, the art world has grappled with the rise of networked culture. This unprecedented survey of the artists and innovators in this area from 1989 to today is interwoven with the personal narrative of one of the leading voices on the digital world. In this book, Omar Kholeif, whose prolific career parallels the growth of the(...)
Internet art: from the birth of the web to NFTs
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Since 1989, the year the World Wide Web was born, the art world has grappled with the rise of networked culture. This unprecedented survey of the artists and innovators in this area from 1989 to today is interwoven with the personal narrative of one of the leading voices on the digital world. In this book, Omar Kholeif, whose prolific career parallels the growth of the internet, tells the story of this mass medium and how it has fostered new possibilities for artists, both analog and digital. The book showcases work spanning a range of media from legendary artists including Lawrence Abu Hamdan, Lynn Hershman Leeson, Nam June Paik, Heather Phillipson, and Wu Tsang. Tracing the key artists and innovators from the emergence of browser-based art to the dawn of NFTs, this is a tale for the present and the future.
Théorie de l’art
Philipp Schaerer: bildbauten
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Philipp Schaerer's works are the outcome of a skillful amalgamation of photographic knowledge, compositional skills, digital craftsmanship, and the specificities of architectural practice. His imaged architectures do not correspond with actual buildings but instead both challenge the role of the photograph as documentary evidence and, equally, critique how architecture is(...)
Monographies photo
janvier 2016
Philipp Schaerer: bildbauten
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Philipp Schaerer's works are the outcome of a skillful amalgamation of photographic knowledge, compositional skills, digital craftsmanship, and the specificities of architectural practice. His imaged architectures do not correspond with actual buildings but instead both challenge the role of the photograph as documentary evidence and, equally, critique how architecture is consumed today. When first released in 2010 in German and French, this book was the only comprehensive presentation of Philipp Schaerer's work available. And while the perpetual development of information technology and digital photography is continuously rebalancing the relationship between architecture and its visual representation, the architect's synthetic images continue to occupy a relevant position within this debate. The Bildbauten series, assembled here in its original twenty-four plates and extended by eight additional new works, speaks a powerful visual language that transcends the barriers of any written text.
Monographies photo
$36.00
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During a time when pop stars become famous thanks to sex tapes that have been leaked online, it is clear that the Internet is not immune to the draw of the media. Yet art, academia and activism continue to promote the Internet as an untouched utopia. Animal Spirits: A Bestiary of the Commons addresses the double standard dominating contemporary media discourse and(...)
Animal spirits: a bestiary of the commons
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During a time when pop stars become famous thanks to sex tapes that have been leaked online, it is clear that the Internet is not immune to the draw of the media. Yet art, academia and activism continue to promote the Internet as an untouched utopia. Animal Spirits: A Bestiary of the Commons addresses the double standard dominating contemporary media discourse and shatters the myths of creative commons, free software and open-source movements, suggesting that "free culture" is an economic parasite siphoning money through peer-to-peer networks. Theorist and digital fetishist Matteo Pasquinelli uses the metaphor of the animal body--which Paul Virilio has characterized as instinctual and reactionary--to counter what he sees as a capitalist exploitation of collective imagery, calling for a radical new understanding of the forces at work behind the digital economy and cultural production.
Théorie/ philosophie