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A comprehensive overview of Southern California’s most experimental architecture, showcasing the highly expressive work of famed architects such as Frank Gehry and Thom Mayne, as well as the best of the new guard. This is the first critical examination and history of what was first identified as the "L.A. School" in the 1990s, which has influenced much of American(...)
A new sculpturalism: contemporary architecture from southern California
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A comprehensive overview of Southern California’s most experimental architecture, showcasing the highly expressive work of famed architects such as Frank Gehry and Thom Mayne, as well as the best of the new guard. This is the first critical examination and history of what was first identified as the "L.A. School" in the 1990s, which has influenced much of American architecture in the last twenty-five years. This expansive new book examines contemporary Southern California architecture from 1987 to the present, exploring its experimental nature, sculptural tendency, and exciting evolution. This volume complements a major exhibition at the Museum of Contemporary Art, Los Angeles, and is part of the Getty Research Institute exhibition initiative "Los Angeles Architecture, 1940–1990." Contributions by leading architectural historians coupled with an impressive collection of images present recent works in terms of sculpturalism and urbanism, and consider the impact of the history and environment of Los Angeles, as well as the creative and working processes.
Architecture contemporaine
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''Humane ecology: Eight positions'' features a group of contemporary artists who consider the intertwined natural and social dimensions of environmental questions: Eddie Rodolfo Aparicio, Korakrit Arunanondchai, Carolina Caycedo, Allison Janae Hamilton, Juan Antonio Olivares, Christine Howard Sandoval, Pallavi Sen, and Kandis Williams. These artists—through their work in(...)
septembre 2023
Humane ecology: Eight positions
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''Humane ecology: Eight positions'' features a group of contemporary artists who consider the intertwined natural and social dimensions of environmental questions: Eddie Rodolfo Aparicio, Korakrit Arunanondchai, Carolina Caycedo, Allison Janae Hamilton, Juan Antonio Olivares, Christine Howard Sandoval, Pallavi Sen, and Kandis Williams. These artists—through their work in sculpture, video, sound installation, and plantings—think in the relational terms implied by ecology, the study of how organisms relate to one another and their environment. They explore themes such as the extraction and exploitation of both places and people, kinships with the more-than-human world, and ancient traditions of relation to the land that take on new urgency and form. Against posthumanist tendencies to “decenter” the human, these artists center different humans, ones routinely excluded from dominant discourses of environmentalism. The publication presents entries on each artist in addition to scholarly essays on the exhibition concept, genealogies of land art, and settler colonial histories of the Berkshires.
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Environments associated with migration are often seen as provisional, lacking history or architecture. As Anooradha Iyer Siddiqi demonstrates in "Architecture of migration," a refugee camp's aesthetic and material landscapes-even if born out of emergency-reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement,(...)
Architecture of migration: The Dadaab Refugee Camps and Humanitarian Settlement
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Environments associated with migration are often seen as provisional, lacking history or architecture. As Anooradha Iyer Siddiqi demonstrates in "Architecture of migration," a refugee camp's aesthetic and material landscapes-even if born out of emergency-reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement, tracing spatial and racial politics in the Dadaab refugee camps established in 1991 on the Kenya-Somalia border-at once a dense setting that manifests decades of architectural, planning, and design initiatives and a much older constructed environment that reflects its own ways of knowing. She moves beyond ahistorical representations of camps and their inhabitants by constructing a material and visual archive of Dadaab, finding long migratory traditions in the architecture, spatial practices, landscapes, and iconography of refugees and humanitarians. Countering conceptualizations of refugee camps as sites of border transgression, criminality, and placelessness, Siddiqi instead theorizes them as complex settlements, ecologies, and material archives created through histories of partitions, sedentarizations, domesticities, and migrations.
Théorie de l’architecture
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Becoming Water takes the reader on a tour of Canada’s glaciers, describing the stories they tell and educating the reader about how glaciers came to be, how they work and what their future holds in our warming world. By visiting Canada’s high and low Arctic and the mountain West, the reader will learn how varied and complex our glaciers really are, how they are measured(...)
Becoming water: glaciers in a warming world
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Becoming Water takes the reader on a tour of Canada’s glaciers, describing the stories they tell and educating the reader about how glaciers came to be, how they work and what their future holds in our warming world. By visiting Canada’s high and low Arctic and the mountain West, the reader will learn how varied and complex our glaciers really are, how they are measured and how they figure into the national and global story of inevitable change. The reader will learn to think like a scientist, in particular how to look at climate-related data that contains cycles, trends and shifts, and then ponder what questions to ask in the face of our dramatically changing environment. This book encourages Canadians to explore upstream from ourselves, learning about our origins and how climate change and encroaching human settlement are drastically affecting our glaciers and therefore the natural and human landscapes that lie below—and are dependent upon—them.
Architecture du Canada
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Soviet mass housing is a contradictory but unique phenomenon. It is usually blamed for creating the most monotonous built environment in the history of mankind, thus constituting a symbol of individual suppression and dejection. The construction programme launched in the post-Stalinist era was the largest undertaken in modern architectural history worldwide. At the same(...)
Towards a Typology of Soviet Mass Housing: Prefabrication in the USSR 1955 a 1991
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Soviet mass housing is a contradictory but unique phenomenon. It is usually blamed for creating the most monotonous built environment in the history of mankind, thus constituting a symbol of individual suppression and dejection. The construction programme launched in the post-Stalinist era was the largest undertaken in modern architectural history worldwide. At the same time, Soviet mass housing fulfilled a colossal social role, providing tens of millions of families with their own apartments. It shaped the culture and everyday life of nearly all Soviet citizens. Yet, due to the very scale of construction, it managed to evolve into a complex world denoting an abundance of myths and secrets, achievements and failures. Soviet mass housing is indisputably intriguing, but nevertheless it is still neglected as a theme of research. Therefore, the time is ripe for a critical appraisal of this ambitious project. The authors aim to identify the most significant mass housing series designed and engineered from Kaliningrad to Vladivostok.
Logements collectifs
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Since 1812, when architect Robert Mills drew up plans for rebuilding the steeple of Independence Hall, the impulse to preserve historic American sites and buildings has snowballed. Today tens of thousands of buildings and some 5000 historic districts are recognized by the federally coordinated National Register of Historic Places. In part an illustrated historical survey,(...)
Keeping time: the history and theory of preservation in America
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Since 1812, when architect Robert Mills drew up plans for rebuilding the steeple of Independence Hall, the impulse to preserve historic American sites and buildings has snowballed. Today tens of thousands of buildings and some 5000 historic districts are recognized by the federally coordinated National Register of Historic Places. In part an illustrated historical survey, in part a handbook for civic activists, this primer by the first Keeper of the National Register of Historic Places traces the shift in the preservation movement from the restoration of isolated landmarks and houses where "Washington slept," to an emphasis on outdoor museums (Old Salem, N.C.; Sturbridge Village, Mass.) and, in recent years, a concern for the neighborhood in which a building stands. Through a case study of the Historic Savannah Foundation, which has saved some 1000 buildings in that city, Murtagh illustrates how the public can treat the built environment as a conservable national resource.
Guides des villes
Natural architecture
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Never has the relationship between art and nature been more complicated and more fragile, but also richer and more fascinating. The artists and architects in Natural Architecture have transformed the act of building into an art form capable of sparking new relationships with nature, landscape, and the environment. Natural Architecture presents sixty-six site-specific(...)
Natural architecture
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Never has the relationship between art and nature been more complicated and more fragile, but also richer and more fascinating. The artists and architects in Natural Architecture have transformed the act of building into an art form capable of sparking new relationships with nature, landscape, and the environment. Natural Architecture presents sixty-six site-specific installations that use raw materials, manual labor, and natural stimuli to create truly green architecture that is as organic as the materials with which it is created. Projects by Olafur Eliasson, Patrick Dougherty, Nils-Udo, Ex. Studio, Edward Ng, nArchitects, and many others are shown together for the first time. Selected for their commitment to the use of raw materials, manual labor, and natural inspiration, these works are vividly displayed in photographs, drawings, and models. As organic as the materials with which they are built, these creations allow the changing landscape to naturally overtake each structure until it finally decomposes. Each project is accompanied by a series of photographs, drawings, and models.
Architecture écologique
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A new world is emerging in China, with urbanization and the wholesale globalization of daily life moving at unprecedented speed. The Communist Party line has been replaced by maxims about working together to build a modern, economically resilient country. Cities are being rigorously adapted to fit this new vision, with disastrous consequences for existing structures and(...)
septembre 2006, Rotterdam
China contemporary : architecture, art, visual culture
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A new world is emerging in China, with urbanization and the wholesale globalization of daily life moving at unprecedented speed. The Communist Party line has been replaced by maxims about working together to build a modern, economically resilient country. Cities are being rigorously adapted to fit this new vision, with disastrous consequences for existing structures and neighborhoods. Social and societal balances have been swiftly, radically altered. Can Chinese identity survive in a consumer society and a radically transformed urban environment, both conceived on a Western model? This first interdisciplinary overview of the country’s contemporary arts, architecture, urban planning and visual culture--including television, photography, newspapers, games and blogs - offers the work of some 20 Chinese artists considering these issues, and projects by some 10 Chinese architectural firms. "China contemporary" finds that a mix of long standing tradition, decades of Communism and hurriedly translated Western capitalism have resulted in an exciting visual and formal idiom.
The plan of Chicago
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Arguably the most influential document in the history of urban planning, Daniel Burnham’s 1909 Plan of Chicago, coauthored by Edward Bennett and produced in collaboration with the Commercial Club of Chicago, proposed many of the city’s most distinctive features, including its lakefront parks and roadways, the Magnificent Mile, and Navy Pier. Carl Smith’s history reveals(...)
The plan of Chicago
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Arguably the most influential document in the history of urban planning, Daniel Burnham’s 1909 Plan of Chicago, coauthored by Edward Bennett and produced in collaboration with the Commercial Club of Chicago, proposed many of the city’s most distinctive features, including its lakefront parks and roadways, the Magnificent Mile, and Navy Pier. Carl Smith’s history reveals the Plan’s central role in shaping the ways people envision the cityscape and urban life itself. Smith’s narrative begins with a survey of Chicago’s stunning rise from a tiny frontier settlement to the nation’s second-largest city. He then offers an illuminating exploration of the Plan’s creation and reveals how it embodies the renowned architect’s belief that cities can and must be remade for the better. The Plan defined the City Beautiful movement and was the first comprehensive attempt to reimagine a major American city. Smith points out the ways the Plan continues to influence debates, even a century after its publication, about how to create a vibrant and habitable urban environment.
Théorie de l’urbanisme
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A heightened interest in the role of the senses in society is sweeping the social sciences, supplanting older paradigms and challenging conventional theories of representation. This journal provides a forum for the exploration of this new area of inquiry - the senses in culture and society. It brings together work in the social sciences and incorporates cutting-edge(...)
The senses & society : vol. 01, issue 01, march 2006
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A heightened interest in the role of the senses in society is sweeping the social sciences, supplanting older paradigms and challenging conventional theories of representation. This journal provides a forum for the exploration of this new area of inquiry - the senses in culture and society. It brings together work in the social sciences and incorporates cutting-edge developments in art, design and architecture. Every volume contains something for and about each of the senses, both singly and in all sorts of novel configurations. Shaped by culture, gender and class, the senses mediate between mind and body, idea and object, self and environment. The senses are increasingly extended beyond the body through technology, and catered to by designers and marketers, yet persistently elude all efforts to capture and control them. Artists now experiment with the senses in bold new ways, disrupting conventional canons of aesthetics. Simply put, sensation is fundamental to our experience of the world.
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