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Take Rem Koolhaas’s lauded new Seattle Public Library, and remove it from its context. Would it be as beautiful? Would it lose something of its meaning (not to mention the books off the shelves), if you picked it up and placed it elsewhere? Is it even possible for a building to have no relation whatsoever to the place where it is erected? Is it pointless to talk about(...)
Open house : towards a new architecture
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Take Rem Koolhaas’s lauded new Seattle Public Library, and remove it from its context. Would it be as beautiful? Would it lose something of its meaning (not to mention the books off the shelves), if you picked it up and placed it elsewhere? Is it even possible for a building to have no relation whatsoever to the place where it is erected? Is it pointless to talk about architecture as a pure intellectual enterprise, without grounding it in its surroundings? These are among the important questions raised by the German architecture scholar Florentine Sack in this exploration of the philosophical, aesthetic, and subjective links between a building and its environment. Drawing upon traditions as old as that of the Japanese house through models of classical Western modernism, she brings the notion of unity to bear on contemporary architecture, referring to exemplary buildings by Koolhaas, Herzog & de Meuron, Peter Zumthor, Kazuyo Sejima, Ryue Nishizawa, and many others.
Architecture résidentielle
Vanishing point
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Over the past few decades, discussions of contemporary architecture have tended to concentrate on a select few innovative building projects that promise to single-handedly change their urban landscapes. "Vanishing point" conversely focuses on aspects of the built environment that are far less singular yet arguably more influential: spaces that anthropologist Marc Augé(...)
Vanishing point
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Over the past few decades, discussions of contemporary architecture have tended to concentrate on a select few innovative building projects that promise to single-handedly change their urban landscapes. "Vanishing point" conversely focuses on aspects of the built environment that are far less singular yet arguably more influential: spaces that anthropologist Marc Augé terms "non-places"--hotels, shopping malls, freeways, corporate high-rises, airport terminals, gambling casinos, themed restaurants, and other visually intoxicating yet banal environments that people pass through, often on their way to somewhere else. Reflecting this, the artists in "Vanishing point" make an effort to "place" these characterless locations. They interpret rather than document architectural spaces in order to convey the range of emotions and physical sensations that they evoke. Includes the resulting paintings, photographs, videos, and installations by emerging and established artists such as Fabian Birgfeld, Dike Blair, Marco Brambilla, Jonah Freeman, Carla Klein, Sabine Hornig, Luisa Lambri, Won Ju Lim, Sarah Morris, Deborah Stratman, Amelie Von Wulffen, and Amy Wheeler.
livres
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In this volume Peter Calthorpe, renowned West Coast town planner and author, presents the case for New Urbanism, a movement that has enjoyed meteoric success since he co-founded it in the early 1990s. More utopian and civic than Everyday Urbanism, it promotes mixed-use and transit-oriented development and redevelopment of our cities, as well as walkability and(...)
New urbanism : Peter Calthorpe vs. Lars Lerup, Michigan debates on urbanism vol.II
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In this volume Peter Calthorpe, renowned West Coast town planner and author, presents the case for New Urbanism, a movement that has enjoyed meteoric success since he co-founded it in the early 1990s. More utopian and civic than Everyday Urbanism, it promotes mixed-use and transit-oriented development and redevelopment of our cities, as well as walkability and socio-economic diversity. Less avant-garde than Post Urbanism, it embraces traditional urban and architectural scale and typologies. Lars Lerup, Dean of the School of Architecture at Rice University and author, responds with counter-arguments and case studies in a passionate but constructive exchange. Historian Robert Fishman, Professor of Architecture and Urban Planning at Taubman College and the author of several seminal books on urbanism, introduces and moderates the discussion, and offers a postscript. This compelling and insightful publication, with scores of images, features timely topics for architects, urban planners and designers, developers, government officials, landscape architects, students, and citizens interested in the fate of their urban environment.
livres
février 2005, Ann Arbor
Théorie de l’urbanisme
livres
Everyday urbanism : Margaret Crawford vs. Michael Speaks, Michigan debates on urbanism vol. I
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Everyday Urbanism is one of three books in the "Michigan Debates on Urbanism" series that also features New Urbanism and Post Urbanism. Each book represents a distinct, inevitable, but still-emerging paradigm in contemporary urbanism, and is an elaboration on public debates held at the University of Michigan's Taubman College of Architecture and Urban Planning during the(...)
Everyday urbanism : Margaret Crawford vs. Michael Speaks, Michigan debates on urbanism vol. I
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Everyday Urbanism is one of three books in the "Michigan Debates on Urbanism" series that also features New Urbanism and Post Urbanism. Each book represents a distinct, inevitable, but still-emerging paradigm in contemporary urbanism, and is an elaboration on public debates held at the University of Michigan's Taubman College of Architecture and Urban Planning during the winter of 2004. In this volume Margaret Crawford, co-author of "Everyday Urbanism" and Professor of Architecture at Harvard University, is the protagonist. She presents the case for an informal, bottom-up urbanism that celebrates and builds on everyday, ordinary life and reality, with little pretense about the possibility of a tidy or ideal built environment. Michael Speaks, Graduate Program Director at the Southern California Institute of Architecture and a widely published author, is the respondent. Rahul Mehrotra, Associate Professor of Architecture and Urban Design at the University of Michigan and award-winning Bombay designer, introduces and moderates the exchange.
livres
février 2005, Ann Arbor
Théorie de l’urbanisme
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First published in 1996, "The eyes of the skin" is a classic of architectural theory. It asks the far-reaching question why, when there are five senses, is one single sense-- sight-- so predominant in architectural culture and design? With the ascendancy of the digital and the all-pervasive use of the image electronically, the subject is all the more pressing and topical(...)
The eyes of the skin, 4th edition
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First published in 1996, "The eyes of the skin" is a classic of architectural theory. It asks the far-reaching question why, when there are five senses, is one single sense-- sight-- so predominant in architectural culture and design? With the ascendancy of the digital and the all-pervasive use of the image electronically, the subject is all the more pressing and topical since the first edition’s publication. Juhani Pallasmaa argues that the suppression of the other four sensory realms has led to the overall impoverishment of our built environment, often diminishing the emphasis on the spatial experience of a building and architecture’s ability to inspire, engage and be wholly life enhancing. For a student reading this text for the first time, "The eyes of the skin" is a revelation. It provides a fresh, compelling insight into architectural culture which continues to inspire more than a quarter-century after its initial publication.
Théorie de l’architecture
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"Poetic imaginations" at Aedes stages a chapter on Zhu Pei’s handling of the ‘collective historical experience’, topography, function and contemporary context of a location. The exhibition presents six representative cultural buildings that, despite their different functions and surroundings, are related to one another by characteristic structures, materials and(...)
Studio Zhu Rei: Poetic imaginations - Interweaving architecture with traditional values
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"Poetic imaginations" at Aedes stages a chapter on Zhu Pei’s handling of the ‘collective historical experience’, topography, function and contemporary context of a location. The exhibition presents six representative cultural buildings that, despite their different functions and surroundings, are related to one another by characteristic structures, materials and architectural forms. Based on impressively crafted architectural models, sketches, documentary films and publications, the process of creating these examples is presented in greater depth. While the built environment in China has undergone rapid transformation, Zhu Pei has reflected on historical-philosophical ideas of harmony between people and nature and weaving traditional architectural knowledge into contemporary spatial solutions. His conceptual considerations are based on elements from the tradition of Shan Shui painting, which is deeply rooted in Chinese culture. It is a particular form of landscape painting whose indispensable components are mountains and water. It shows and teaches a mode of perception that regards us as human beings not as an antithesis to, but instead as part of "nature."
Architecture, monographies
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Architect Frida Escobedo’s (b. 1979) designs for public spaces have received global accolades. In 2022, she was commissioned to design the new Oscar L. Tang and H.M. Agnes Hsu-Tang Wing for Modern and Contemporary Art at The Metropolitan Museum of Art. Suspended Moment is the first overall survey of her career to-date including her award-winning structures that treat(...)
Architecture, monographies
avril 2025
Suspended moment: The architecture of Frida Escobedo
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Architect Frida Escobedo’s (b. 1979) designs for public spaces have received global accolades. In 2022, she was commissioned to design the new Oscar L. Tang and H.M. Agnes Hsu-Tang Wing for Modern and Contemporary Art at The Metropolitan Museum of Art. Suspended Moment is the first overall survey of her career to-date including her award-winning structures that treat space as a language—layered, responsive, and reflective of both a site’s history and its present. This timely profile of the first woman to design a wing at the Museum explores Escobedo’s attention to gender, accessibility, and the environment. Focusing on both temporary and permanent structures in the context of her burgeoning career, the publication delves into Escobedo’s two-decade multimedia practice. Interviews with the architect alongside informed essays discuss the bases of her work and her diverse inspirations, ranging from concrete poetry to her hometown of Mexico City, which she describes as a "modern metropolis with ancient roots . . . in other words, a living, breathing museum."
Architecture, monographies
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"Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations." Taking Annie Ernaux’s unique(...)
mars 2024
Exteriors: Annie Ernaud and photography
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"Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations." Taking Annie Ernaux’s unique artistic endeavour to "describe reality as through the eyes of a photographer and to preserve the mystery and opacity of the lives I encountered," this project by writer and curator Lou Stoppard uncovers the profound ways the written and visual image can inform and inflect on one another. In doing so, it proposes a new way of thinking about literature and photography, and the ways in which shared themes – such as class, travel, social stereotypes, and individual identity within the modern urban environment – might be explored between these two forms.
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In 1966, Billy Klüver and Fred Waldhauer, engineers at Bell Labs in Murray Hill, New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.’s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances(...)
Sensing the future: Experiments in Art and Technology (E.A.T)
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In 1966, Billy Klüver and Fred Waldhauer, engineers at Bell Labs in Murray Hill, New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.’s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances at the 69th Regiment Armory in Manhattan. Its second major event, the Pepsi Pavilion at Expo ’70 in Osaka, Japan, presented a multisensory environment for the first world exposition held in Asia. At these events, and in the hundreds of collaborations E.A.T. facilitated in between, the participants—including John Cage, Lucinda Childs, Deborah Hay, Steve Paxton, Yvonne Rainer, and David Tudor—imagined innovative ways for art and science to intersect and enrich society. "Sensing the future" tells the story of these collaborations between artists and engineers and how they led to new installations and technology-based artworks.
Théorie de l’art
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There is a creative explosion of work taking place in architecture and design schools exploring materials such as mycelium, clay/earth, engineered timber, bio-based plastics and algae. This handbook of low- and no-carbon materials for architects and designers focuses on sustainable materials, their sourcing, technical properties and the processes required for their use in(...)
Sustainable and Regenerative Materials for Architecture: A Sourcebook
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There is a creative explosion of work taking place in architecture and design schools exploring materials such as mycelium, clay/earth, engineered timber, bio-based plastics and algae. This handbook of low- and no-carbon materials for architects and designers focuses on sustainable materials, their sourcing, technical properties and the processes required for their use in architecture. The book showcases new and rediscovered processes for material fabrication, responsible sourcing and creative material design. Material properties (structural, thermal, fire, health and life safety) are described and case studies from around the world illustrate the inventive ways in which these materials have been deployed in the built environment. The book is designed as an introduction to the exciting and rapidly changing world of construction materials. With a better understanding of the social, environmental and economic sustainability of any given material - alongside its technical properties - students of architecture can lead the change in responsible and creative material use.
Architecture écologique