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The concept of sustainability requires environmentally friendly and socially acceptable methods of production and use, and this is no less true in the construction branch. Since the mid-1980s international organisations have been advocating the concept and since the environmental summit in Rio de Janeiro in 1992 it has become the centre of worldwide attention. In the(...)
Sustainable architecture and urbanism : concepts, technologies, examples
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The concept of sustainability requires environmentally friendly and socially acceptable methods of production and use, and this is no less true in the construction branch. Since the mid-1980s international organisations have been advocating the concept and since the environmental summit in Rio de Janeiro in 1992 it has become the centre of worldwide attention. In the context of architecture the concept calls for the use of intelligent technology, innovative constructions, ecologically friendly materials and use of energy which looks to the environment. This book sets out with an overview of the various approaches and developments in sustainable architecture, followed by an in-depth section on urbanism looking at several European towns. In the third section the technologies, materials and methods of ecological architecture are examined. Concluding the volume are 23 sophisticated and innovative examples from Europe which include works of Metron, Behnisch & Partner, Sonia Cortesse, Ian Ritchie, and Kauffmann Theilig & Partner amongst others.
Architecture écologique
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This book presents a terrestrial description of the Seagram Building. It aims to describe how humans and nature interact with the thin crust of the planet. Architecture reorganizes nature and society in particular ways that today demand overt attention and new methods of description. ''The immense material, energy and labor involved in building require a fresh(...)
Unless: the Seagram building construction ecology
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This book presents a terrestrial description of the Seagram Building. It aims to describe how humans and nature interact with the thin crust of the planet. Architecture reorganizes nature and society in particular ways that today demand overt attention and new methods of description. ''The immense material, energy and labor involved in building require a fresh interpretation that better situates the ecological and social potential of design. Architecture and society would benefit from alternative descriptions of building and architecture as terrestrial activities that help imagine how to maximize the impact of architecture on its environment. I argue that the enhancement of a particular building should be inextricable from the enhancement of its world-system and construction ecology. A 'beautiful' building engendered through the vulgarity of uneven exchanges and processes of underdevelopment is no longer a tenable conceit in such a framework. Design can and should evince the inherent solidarity and reciprocity of people, places and politics involved in building architecture.''
Structures d’ingénierie
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Olivier Vallerand investigates how queer critiques, building on pioneering feminist work, question the relation between identity and architecture and highlight normative constructs underlying domestic spaces. He draws out a genealogy of queer space in theoretical discourse in architecture, studying projects by Mark Robbins, Joel Sanders, J Mayer H, Elmgreen & Dragset,(...)
Unplanned visitors: queering the ethics and aesthetics of domestic space
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Olivier Vallerand investigates how queer critiques, building on pioneering feminist work, question the relation between identity and architecture and highlight normative constructs underlying domestic spaces. He draws out a genealogy of queer space in theoretical discourse in architecture, studying projects by Mark Robbins, Joel Sanders, J Mayer H, Elmgreen & Dragset, Andrés Jaque, and MYCKET, among others. These works blur the traditional borders between architecture and art to emphasize the tensions between private and public and their impact on assumptions about domestic space and family structure. Sexuality and gender have long been influential in understanding the construction of domestic space, its meanings, often revealing a binary division of private and public, female and male. By reconstructing the foundation of queer critiques of space and by analyzing the representation of domesticity in contemporary art and architecture, Unplanned Visitors shows the blurring of private and public that can occur in any domestic space and explores the potential of queer theory for understanding, and designing, the built environment.
Théorie de l’architecture
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Selected research projects and architecture exploring the role of design within complex social, political and environmental conditions Toshiko Mori is a New York-based architect and Professor in the Practice of Architecture at the Harvard University Graduate School of Design for many years. As a long-time member of the World Economic Forum's Global Agenda Council on the(...)
Architecture, monographies
novembre 2020
Toshiko Mori Architect: Observations
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Selected research projects and architecture exploring the role of design within complex social, political and environmental conditions Toshiko Mori is a New York-based architect and Professor in the Practice of Architecture at the Harvard University Graduate School of Design for many years. As a long-time member of the World Economic Forum's Global Agenda Council on the Future of Cities, Mori led research and inquiry into sustainable architecture, enhancing cities' livability, and creating efficient urban services. Mori is also on the board of Dassault Systems, a company connecting technology to environment and life science. She has also founded the platform VisionArc, a think tank dedicated to exploring the role of design within complex social and environmental issues. This book will focus on TMA's projects based on research, and the impact of socially valuable projects to society. The book will illustrate how the observation of the architect operates as opposed to how the imagination of the architect manifests itself.
Architecture, monographies
Eating in theory
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As we taste, chew, swallow, digest, and excrete, our foods transform us, while our eating, in its turn, affects the wider earthly environment. In 'Eating in Theory' Annemarie Mol takes inspiration from these transformative entanglements to rethink what it is to be human. Drawing on fieldwork at food conferences, research labs, health care facilities, restaurants, and her(...)
Eating in theory
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As we taste, chew, swallow, digest, and excrete, our foods transform us, while our eating, in its turn, affects the wider earthly environment. In 'Eating in Theory' Annemarie Mol takes inspiration from these transformative entanglements to rethink what it is to be human. Drawing on fieldwork at food conferences, research labs, health care facilities, restaurants, and her own kitchen table, Mol reassesses the work of authors such as Hannah Arendt, Maurice Merleau-Ponty, Hans Jonas, and Emmanuel Levinas. They celebrated the allegedly unique capability of humans to rise above their immediate bodily needs. Mol, by contrast, appreciates that as humans we share our fleshy substance with other living beings, whom we cultivate, cut into pieces, transport, prepare, and incorporate—and to whom we leave our excesses. This has far-reaching philosophical consequences. Taking human eating seriously suggests a reappraisal of being as transformative, knowing as entangling, doing as dispersed, and relating as a matter of inescapable dependence.
Bouffe
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At age eleven, Michael Kenna developed his first roll of black and white film in a makeshift darkroom at St. Joseph’s College, Upholland, the seminary he attended with the idea of becoming a Catholic priest. Kenna abandoned his religious calling after leaving the seminary, but his experiences there have continued to inform his work for decades. These photographs were(...)
Michael Kenna: St. Josephs College, Upholland
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At age eleven, Michael Kenna developed his first roll of black and white film in a makeshift darkroom at St. Joseph’s College, Upholland, the seminary he attended with the idea of becoming a Catholic priest. Kenna abandoned his religious calling after leaving the seminary, but his experiences there have continued to inform his work for decades. These photographs were taken when Kenna returned to visit the now-shuttered school in the early 2000s. Kenna is also revisiting a way of life that may be disappearing—not only the, at times, ruthless discipline of the British boarding school, but also the somber beauty of religious practice. His camera captures the architecture of the school’s built environment as well as its spiritual architecture. Kenna’s detailed biographical essay about his experiences and observations at St. Joseph's reveal much about the way Kenna thinks and works. A critical essay by Vincent Miles focuses on the 110-year history of the college, contextualizing Kenna’s time there.
Monographies photo
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With rapid increases in urban populations, there is an urgent need to transform our world's cities in keeping with ecological imperatives and democratic principles. A growing worldwide citizen movement is attempting to challenge bureaucratic administrations and replace the politics of fear with neighborhood power, direct democracy, and solidarity. They believe that(...)
Take the city: Voices of radical municipalism
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With rapid increases in urban populations, there is an urgent need to transform our world's cities in keeping with ecological imperatives and democratic principles. A growing worldwide citizen movement is attempting to challenge bureaucratic administrations and replace the politics of fear with neighborhood power, direct democracy, and solidarity. They believe that threats of capitalism, totalitarianism, and climate change require imaginative political resistance rooted where they live. Combining political theory, philosophy, history, and intimate narrative, ''Take the city!'' presents an expansive view of municipalist movements around the world. With over twenty contributors, including David Harvey, this anthology provides crucial insights into the challenges ahead by looking at and beyond municipal electoral politics. Stories of diverse regions and issues illuminate the nuances of municipalist movements of the past and present, providing a roadmap of the fight for our future. From Seattle to Kurdistan, Burlington to Oaxaca, Barcelona to Mississippi, and Vienna to Montreal, contributors carefully consider the intertwined questions concerning current crises in housing, the environment, democracy, and capitalism.
L'humain et la ville
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The number one cause of global warming is architecture - the buildings. Buildings are responsible for 40% of the Co2 that is emitted into the atmosphere. The architects must take this responsibility and move from geopolitics towards biosphere politics. This publication is a real test of how this can be achieved. The context for the intervention is an existing historic(...)
Cloud 9: a green new deal, from geopolitics to biosphere politics
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The number one cause of global warming is architecture - the buildings. Buildings are responsible for 40% of the Co2 that is emitted into the atmosphere. The architects must take this responsibility and move from geopolitics towards biosphere politics. This publication is a real test of how this can be achieved. The context for the intervention is an existing historic building in Barcelona, the Centre of Arts Santa Monica; a building to explore the Third Industrial Revolution as the potential of a transformation towards an empathic architecture. Nature should let us show the path. Cloud 9 equipped the trees in front of Arts Santa Monica with sensors that capture data on temperature, humidity and light energy to inform the building. The intervention is an installation on the facade that produces energy from the environment, like the sun and wind. It is an additional skin which allows control of natural light and regulates solar radiation.
Architecture écologique
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Somewhere in the course of the late twentieth century, Dubai became more than itself. The city was, suddenly, a postmodern urban spectacle rising from the desert—precisely the glittering global consumer utopia imagined by Dubai’s rulers and merchant elite. "In Dubai, the City as Corporation", Ahmed Kanna looks behind this seductive vision to reveal the role of cultural(...)
Dubai, the city as corporation
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Somewhere in the course of the late twentieth century, Dubai became more than itself. The city was, suddenly, a postmodern urban spectacle rising from the desert—precisely the glittering global consumer utopia imagined by Dubai’s rulers and merchant elite. "In Dubai, the City as Corporation", Ahmed Kanna looks behind this seductive vision to reveal the role of cultural and political forces in shaping both the image and the reality of Dubai. Exposing local struggles over power and meaning in the making and representation of Dubai, Kanna examines the core questions of what gets built and for whom. This publication offers an instructive picture of how different factions—from local and non-Arab residents and expatriate South Asians to the cultural and economic elites of the city—have all participated in the creation and marketing of Dubai. The result is an unparalleled account of the ways in which the built environment shapes and is shaped by the experience of globalization and neoliberalism in a diverse, multinational city.
Théorie de l’urbanisme
Dan Graham
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Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham as situated his work on the borders between these different strains of contemporary practice. Although varying(...)
Dan Graham
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Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham as situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham's artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham's extensive writings on his own work have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham's art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall.