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[Place of publication not identified] : Lateral Addition, 2016.
A Partial Exegesis of Cricket, its Laws and Rituals.
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[Place of publication not identified] : Lateral Addition, 2016.
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In 1950, Indian prime minister Jawaharlal Nehru invited legendary French-Swiss architect Le Corbusier to embark on one of the greatest experiments in urban planning history: to build a new capital Chandigarh, a city whose monumental modernism promised to free India from the fetters of colonial tradition. 'six decades after its founding and on the eve of its becoming a(...)
Chandigarh revealed: Le Corbusier's city today
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In 1950, Indian prime minister Jawaharlal Nehru invited legendary French-Swiss architect Le Corbusier to embark on one of the greatest experiments in urban planning history: to build a new capital Chandigarh, a city whose monumental modernism promised to free India from the fetters of colonial tradition. 'six decades after its founding and on the eve of its becoming a UNESCO World Heritage Site in 2016, photographer and Chandigarh resident Shaun Fynn was granted unprecedented access to turn his lens on Le Corbusier's city and capture what is rarely seen: the living metropolis behind the master plan. Fynn's captivating images of the city and its inhabitants reveal how the poetry of the architect's compositions has been shaped by the tumult of everyday life. Alongside descriptions of the city's architectural highlights, Chandigarh Revealed features a foreword by Le Corbusier authority Maristella Casciato, an essay by architectural historian Vikram ditya Prak sh, an interview with M. N. Sharma one of two surviving members of Le Corbusier's team and custom-designed maps to orient readers.
Architecture, monographies
le Corbusier le Grand
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Le Corbusier (1887-1965) was born Charles-Edouard Jeanneret in La Chaux-de-Fonds, Switzerland. The self-named Le Corbusier was not only the creator of some of the most important and impressive buildings of the last century--Villa Savoye at Poissy, the Chapel of Notre-Dame-du-Haut at Ronchamp, the capitol complex in Chandigarh, India--he was also an accomplished painter,(...)
Architecture, monographies
mai 2008, New York
le Corbusier le Grand
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Le Corbusier (1887-1965) was born Charles-Edouard Jeanneret in La Chaux-de-Fonds, Switzerland. The self-named Le Corbusier was not only the creator of some of the most important and impressive buildings of the last century--Villa Savoye at Poissy, the Chapel of Notre-Dame-du-Haut at Ronchamp, the capitol complex in Chandigarh, India--he was also an accomplished painter, sculptor, furniture designer, urbanist, and author. His work and social theories continue to be a dominant force in the world of architecture and design, while his elegant bearing, bow tie, and round black eyeglasses are still today a signature look for architects around the world. Le Corbusier Le Grand’s oversized format and luxurious binding reflect the legendary status of this “giant” of twentieth-century architecture and design. The book includes an insightful introductory essay by France’s most authoritative architectural historian and critic, Jean-Louis Cohen, and incisive chapter introductions by highly regarded Le Corbusier scholar Tim Benton. A separate booklet includes translations of documents, many of which have never been translated into English before.
Architecture, monographies
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In ''The sovereign self', Grant H. Kester examines the evolving discourse of aesthetic autonomy from its origins in the Enlightenment through avant-garde projects and movements in the nineteenth and twentieth centuries. Kester traces the idea of aesthetic autonomy-the sense that art should be autonomous from social forces while retaining the ability to reflect back(...)
The sovereign self: Aesthetic autonomy from the Enlightenment to the Avant-Garde
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In ''The sovereign self', Grant H. Kester examines the evolving discourse of aesthetic autonomy from its origins in the Enlightenment through avant-garde projects and movements in the nineteenth and twentieth centuries. Kester traces the idea of aesthetic autonomy-the sense that art should be autonomous from social forces while retaining the ability to reflect back critically on society-through Kant, Schiller, Hegel, Marx, and Adorno. Kester critiques the use of aesthetic autonomy as the basis for understanding the nature of art and the shifting relationship between art and revolutionary praxis. He shows that dominant discourses of aesthetic autonomy reproduce the very forms of bourgeois liberalism that autonomy discourse itself claims to challenge. Analyzing avant-garde art and political movements in Russia, India, Latin America, and elsewhere, Kester retheorizes the aesthetic beyond autonomy. Ultimately, Kester demonstrates that the question of aesthetic autonomy has ramifications that extend beyond art to encompass the nature of political transformation and forms of anticolonial resistance that challenge the Eurocentric concept of ''Man,'' upon which the aesthetic itself often depends.
Théorie de l’art
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This new monograph delves into an exciting selection of esteemed works by Delhi-based firm Morphogenesis, one of the most productive and creative architectural firms in India and a world-leader in zero net energy and sustainable design. This richly illustrated book combines stunning imagery with a comprehensive study outlining the firms strong philosophical design intent(...)
Morphogenesis. The Indian perspective. The global context.
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This new monograph delves into an exciting selection of esteemed works by Delhi-based firm Morphogenesis, one of the most productive and creative architectural firms in India and a world-leader in zero net energy and sustainable design. This richly illustrated book combines stunning imagery with a comprehensive study outlining the firms strong philosophical design intent across a vast range of typologies: residential; institutional; commercial; hospitality; offices; houses; interiors; public and master planning. Morphogenesis reinterprets India's architectural roots and consistently employs passive environmental solutions for a unique, contextual contemporary language. The Morphogenesis journey is a reflection of the contemporary Indian perspective within the global context, incorporating its inspired, forward-thinking vision while respectfully referencing the spirit of traditional Indian subcontinental architecture, and all the while maintaining an intimate focus on the environmental context and culture of the project. This spectacularly beautiful volume is a strong addition to IMAGES' collection of the renowned Master Architect Series and a superb example of an engaged, highly principled and vibrant emerging architectural practice in Asia that is defining a global architectural brand for countries that share similar extraordinary levels of diversity in climate, scale, economy, and typology as is seen across the subcontinent.
Architecture, monographies
livres
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of(...)
Mysterious skin: male bodies in contemporary cinema
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of major experts explore the treatment of masculinity and the male body in the cinemas of Africa, Australia, China, France, Germany, Great Britain, India, North America, Spain, Taiwan and Vietnam, as well as Hollywood. Their common concern is to reveal how the representation of the male body is used in films to convey a country’s anxieties about its national identity and history, as well as how it engages with questions of racial, sexual or gender politics. They discuss key actors, directors and films of these countries, from Ewan MacGregor in Peter Greenaway’s The Pillow Book, through the films of Wong Kar Wai, to Paul Hogan as Mick Dundee in Crocodile Dundee. In so doing, Mysterious Skin also provides a strong overview of important cinema produced around the world in the last twenty years.
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janvier 1900
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Designated by King George V to replace Calcutta as capital of British India, New Delhi was constructed between 1912 and 1929 under the eye of architect Sir Edward Lutyens who sought to bring to this British colony a sense of classicism, order, and institutional beauty. With more than 300 colour and black and white illustrations, plans and photographs, this book presents(...)
Imperial Delhi : the British capital of the Indian Empire
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Designated by King George V to replace Calcutta as capital of British India, New Delhi was constructed between 1912 and 1929 under the eye of architect Sir Edward Lutyens who sought to bring to this British colony a sense of classicism, order, and institutional beauty. With more than 300 colour and black and white illustrations, plans and photographs, this book presents the most comprehensive examination to date of how this city was envisioned, planned, and constructed. From the massive war memorial arch and resplendent sandstone and marble government house to the spacious gardens and the gloriously imposing Viceroy's House, the evidence of Lutyen’s architectural genius is everywhere throughout New Delhi. As architectural historian Andreas Volwahsen discusses the importance of Lutyen’s work he provides a fascinating account of the making of a city: the contentious debates and cultural considerations, the inspiration and the painstaking construction, and finally the ways in which New Delhi has evolved into a modern city. With the growing interest in the preservation of historic sights worldwide, this magnificently detailed yet highly accessible history is certain to become a classic in the fields of architecture and urban design.
Arch Moyen-Orient
Movements & moments
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In 1930s Bolivia, self-described Anarchist Cholas form a libertarian trade union. In the Northern Highlands of Vietnam, the songs of one girl’s youth lead her to a life of activism. In the Philippines, female elders from Kalinga blaze a trail when pushed into impromptu protest. Equally striking accounts from Brazil, Chile, Ecuador, India, Nepal, Peru and Thailand weave a(...)
Movements & moments
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In 1930s Bolivia, self-described Anarchist Cholas form a libertarian trade union. In the Northern Highlands of Vietnam, the songs of one girl’s youth lead her to a life of activism. In the Philippines, female elders from Kalinga blaze a trail when pushed into impromptu protest. Equally striking accounts from Brazil, Chile, Ecuador, India, Nepal, Peru and Thailand weave a tapestry of trauma and triumph, shedding light on not-too-distant histories otherwise overlooked. Indigenous Peoples all over the world have always had to stand their ground in the face of colonialism. While the details may differ, what these stories have in common is their commitment to resistance in a world that puts profit before respect, and western notions of progress before their own. Movements and Moments is an introductory glimpse into how Indegenous Peoples tell these stories in their own words. From Southeast Asia to South America, vibrant communities must grapple with colonial realities to assert ownership over their lands and traditions. This project was undertaken in cooperation with the Goethe-Institut Indonesien in Jakarta. These stories were selected from an open call across 42 countries to spotlight feminist movements and advocacies in the Global South.
Illustration
The Playground Project
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Until sometime in the 1980s, playgrounds were places for social experiments, risky projects and spectacular sculptures. Architects, urban planners, artists, parents and children were invited to leave their comfort zones and to venture something new in the design and use of playgrounds. The Playground Project explores these exemplary initiatives, pioneering acts and(...)
The Playground Project
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Until sometime in the 1980s, playgrounds were places for social experiments, risky projects and spectacular sculptures. Architects, urban planners, artists, parents and children were invited to leave their comfort zones and to venture something new in the design and use of playgrounds. The Playground Project explores these exemplary initiatives, pioneering acts and adventures in designing modern childhood. Examples from Europe, the US, Japan and India are discussed in depth and illustrated with numerous images. Truly a comprehensive overview, this volume includes works by artists, architects and landscape architects such as Marjory Allen, Joseph Brown, Riccardo Dalisi, Richard Dattner, Aldo van Eyck, M. Paul Friedberg, Group Ludic (Xavier de la Salle, Simon Koszel, David Roditi), Alfred Ledermann and Alfred Trachsel, Palle Nielsen, Egon Møller-Nielsen, Isamu Noguchi, Joseph Schagerl, Mitsuru Senda and Carl Theodor Sørensen. Swiss political scientist and urban planner Gabriela Burkhalter contributes an introduction, and essays by Xavier de la Salle, Sreejata Roy and Vincent Romagny investigate the stakes of the architectural and artistic experiments surveyed. The first comprehensive overview of this kind, The Playground Project addresses laymen as well as experts who want to do more on the playground than just seesaw and swing.
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Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of(...)
Noir urbanisms: Dystopic images of the modern city
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Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of dystopic representation--because the history of the modern city is inseparable from the production and circulation of images--and examines their strengths and limits as urban criticism. Contributors explore dystopic images of the modern city in Germany, Mexico, Japan, India, South Africa, China, and the United States. Their topics include Weimar representations of urban dystopia in Fritz Lang's 1927 film Metropolis; 1960s modernist architecture in Mexico City; Hollywood film noir of the 1940s and 1950s; the recurring fictional destruction of Tokyo in postwar Japan's sci-fi doom culture; the urban fringe in Bombay cinema; fictional explorations of urban dystopia in postapartheid Johannesburg; and Delhi's out-of-control and media-saturated urbanism in the 1980s and 1990s. What emerges in Noir Urbanisms is the unsettling and disorienting alchemy between dark representations and the modern urban experience.