7378 Résultats
Classification:
livres
livres
Actions:
Exemplaires:
Description:
159 pages : illustrations (chiefly color); 26 cm
Description:
159 pages : illustrations (chiefly color); 26 cm
Auteur:
Sujet:
Publication:
New York, NY : Guggenheim Museum, [2023], ©2023
New York, NY : Guggenheim Museum, [2023], ©2023
Titre:
Sarah Sze : timelapse / with contributions by Hilton Als, Kyung An, Molly Nesbit.
Actions:
Exemplaires:
Description:
159 pages : illustrations (chiefly color); 26 cm
Sarah Sze : timelapse / with contributions by Hilton Als, Kyung An, Molly Nesbit.
Actions:
Exemplaires:
Description:
159 pages : illustrations (chiefly color); 26 cm
Classification:
livres
livres
Publication:
New York, NY : Guggenheim Museum, [2023], ©2023
New York, NY : Guggenheim Museum, [2023], ©2023
Auteur:
Sujet:
Classification:
livres
livres
Prix:
$32.95
(disponible sur commande)
Résumé:
Cell phones, automatic teller machines, and the Internet have incontrovertibly become part of our daily lives, indistinguishable from other components of our habitual everyday activity. Life does not seem to have been fundamentally changed by these hi-tech, information-giving tools of convenience--or has it? Have we, unawares, become accustomed to a new way of living? And(...)
$32.95
(disponible sur commande)
Résumé:
Cell phones, automatic teller machines, and the Internet have incontrovertibly become part of our daily lives, indistinguishable from other components of our habitual everyday activity. Life does not seem to have been fundamentally changed by these hi-tech, information-giving tools of convenience--or has it? Have we, unawares, become accustomed to a new way of living? And(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 2004, Berlin
septembre 2004, Berlin
Titre:
Dot city : relational urbanism and new media in the Bauhaus Kolleg
Actions:
Prix:
$32.95
(disponible sur commande)
Résumé:
Cell phones, automatic teller machines, and the Internet have incontrovertibly become part of our daily lives, indistinguishable from other components of our habitual everyday activity. Life does not seem to have been fundamentally changed by these hi-tech, information-giving tools of convenience--or has it? Have we, unawares, become accustomed to a new way of living? And how can designers make creative use of these new digital possibilities? This publication of the Fourth International Bauhaus Kolleg--a year-long thematic graduate session run by the Bauhaus Dessau Foundation--offers strategies for employing digital media to integrate the unpredictable and the unplanned into urban existence. "Dot.City" asks and answers many questions: Can the use of information and communication technology counteract the continuous processes of devaluation, the loss of urban identity, the lack of multifunctional networks? Can the activation and implementation of new social techniques of knowledge production compensate for missing economical impulses and functions? How do such processes generate new species of urban values? Is it possible to re-program local social resources using intelligent network technologies? What do urban action areas designed for this purpose look like? And how can urban information spheres and physical urban spaces penetrate each other?
Dot city : relational urbanism and new media in the Bauhaus Kolleg
Actions:
Prix:
$32.95
(disponible sur commande)
Résumé:
Cell phones, automatic teller machines, and the Internet have incontrovertibly become part of our daily lives, indistinguishable from other components of our habitual everyday activity. Life does not seem to have been fundamentally changed by these hi-tech, information-giving tools of convenience--or has it? Have we, unawares, become accustomed to a new way of living? And how can designers make creative use of these new digital possibilities? This publication of the Fourth International Bauhaus Kolleg--a year-long thematic graduate session run by the Bauhaus Dessau Foundation--offers strategies for employing digital media to integrate the unpredictable and the unplanned into urban existence. "Dot.City" asks and answers many questions: Can the use of information and communication technology counteract the continuous processes of devaluation, the loss of urban identity, the lack of multifunctional networks? Can the activation and implementation of new social techniques of knowledge production compensate for missing economical impulses and functions? How do such processes generate new species of urban values? Is it possible to re-program local social resources using intelligent network technologies? What do urban action areas designed for this purpose look like? And how can urban information spheres and physical urban spaces penetrate each other?
Classification:
livres
livres
Publication:
septembre 2004, Berlin
septembre 2004, Berlin
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Actions:
Prix:
$85.00
(disponible sur commande)
Résumé:
Many prophesied that the printed book would be doomed by developments in digital media. Far from it! The book has not only survived, but as tactile qualities have gained significance in our increasingly digital world there is also more unhindered experimentation with bound paper pages now than ever before. The materiality of the medium can give sensual emphasis to(...)
$85.00
(disponible sur commande)
Résumé:
Many prophesied that the printed book would be doomed by developments in digital media. Far from it! The book has not only survived, but as tactile qualities have gained significance in our increasingly digital world there is also more unhindered experimentation with bound paper pages now than ever before. The materiality of the medium can give sensual emphasis to(...)
Publication:
avril 2008, Berlin
avril 2008, Berlin
Titre:
Fully booked: cover art & design for books
Actions:
Prix:
$85.00
(disponible sur commande)
Résumé:
Many prophesied that the printed book would be doomed by developments in digital media. Far from it! The book has not only survived, but as tactile qualities have gained significance in our increasingly digital world there is also more unhindered experimentation with bound paper pages now than ever before. The materiality of the medium can give sensual emphasis to complex visual and textual content or appreciate its value. Some content isn t even apparent until it takes the form of a real object the printed book. Fully Booked is devoted to current cover and book design. It presents material from printed publications that succeed in striking a crucial balance between the market s demands for availability, legibility and durability on the one hand and sophisticated visual and content design on the other. By featuring projects in this experimental field that combine enormous creativity with skilled craftsmanship, Fully Booked also reveals trends in today s graphic design. In addition, Fully Booked presents a choice selection of artist books. Created by hand and printed in limited editions, these publications push the boundaries of conventional book design. Its range of inspiring examples not only makes Fully Booked a must-have for graphic designers, book creators and publishers, but also for every book lover.
Fully booked: cover art & design for books
Actions:
Prix:
$85.00
(disponible sur commande)
Résumé:
Many prophesied that the printed book would be doomed by developments in digital media. Far from it! The book has not only survived, but as tactile qualities have gained significance in our increasingly digital world there is also more unhindered experimentation with bound paper pages now than ever before. The materiality of the medium can give sensual emphasis to complex visual and textual content or appreciate its value. Some content isn t even apparent until it takes the form of a real object the printed book. Fully Booked is devoted to current cover and book design. It presents material from printed publications that succeed in striking a crucial balance between the market s demands for availability, legibility and durability on the one hand and sophisticated visual and content design on the other. By featuring projects in this experimental field that combine enormous creativity with skilled craftsmanship, Fully Booked also reveals trends in today s graphic design. In addition, Fully Booked presents a choice selection of artist books. Created by hand and printed in limited editions, these publications push the boundaries of conventional book design. Its range of inspiring examples not only makes Fully Booked a must-have for graphic designers, book creators and publishers, but also for every book lover.
Classification:
livres
livres
Publication:
avril 2008, Berlin
avril 2008, Berlin
Classification:
livres
livres
Actions:
Prix:
$56.00
(disponible en magasin)
Résumé:
''Collective Intelligence'' is an innovative monograph that documents the last ten years of Polish-born conceptual artist Agnieszka Kurant’s interdisciplinary practice. It includes newly commissioned texts by renowned thinkers in science, philosophy, art, technology, anthropology, and economics. Kurant’s experimental work investigates collective and nonhuman(...)
$56.00
(disponible en magasin)
Résumé:
''Collective Intelligence'' is an innovative monograph that documents the last ten years of Polish-born conceptual artist Agnieszka Kurant’s interdisciplinary practice. It includes newly commissioned texts by renowned thinkers in science, philosophy, art, technology, anthropology, and economics. Kurant’s experimental work investigates collective and nonhuman(...)
Publication:
décembre 2025
décembre 2025
Titre:
Agnieszka Kurant: Collective intelligence
Actions:
Prix:
$56.00
(disponible en magasin)
Résumé:
''Collective Intelligence'' is an innovative monograph that documents the last ten years of Polish-born conceptual artist Agnieszka Kurant’s interdisciplinary practice. It includes newly commissioned texts by renowned thinkers in science, philosophy, art, technology, anthropology, and economics. Kurant’s experimental work investigates collective and nonhuman intelligences and their impact on transformations of the human, the future of labor and creativity, and the exploitations within digital capitalism. Questioning the ideology of individualism, Kurant proposes that we rethink human and more-than-human worlds from a perspective of plural subjectivity, and, through this fundamental shift in perspective, posits the possibility of alternative political imaginaries. Her work probes the replacement of individual authorship with collective intelligence—a phenomenon observed in slime molds, termite colonies, social movements, cities, the internet, and inside our brains. In her collaborative practice, the artist investigates artificial intelligence, emergence, cybernetics, automation, artificial life, mining industries, and energy circuits to explore our collective evolution and the shifting status of objects in relation to agency, value, circulation, and redistribution. Through crowdsourcing the production of her artworks to thousands of humans and nonhumans, Kurant creates unstable, hybrid forms that constantly evolve. Her works, oscillating between biological, digital, and geological, embody the crumbling distinctions between what is natural and artificial, real and synthetic, and life and nonlife.
Agnieszka Kurant: Collective intelligence
Actions:
Prix:
$56.00
(disponible en magasin)
Résumé:
''Collective Intelligence'' is an innovative monograph that documents the last ten years of Polish-born conceptual artist Agnieszka Kurant’s interdisciplinary practice. It includes newly commissioned texts by renowned thinkers in science, philosophy, art, technology, anthropology, and economics. Kurant’s experimental work investigates collective and nonhuman intelligences and their impact on transformations of the human, the future of labor and creativity, and the exploitations within digital capitalism. Questioning the ideology of individualism, Kurant proposes that we rethink human and more-than-human worlds from a perspective of plural subjectivity, and, through this fundamental shift in perspective, posits the possibility of alternative political imaginaries. Her work probes the replacement of individual authorship with collective intelligence—a phenomenon observed in slime molds, termite colonies, social movements, cities, the internet, and inside our brains. In her collaborative practice, the artist investigates artificial intelligence, emergence, cybernetics, automation, artificial life, mining industries, and energy circuits to explore our collective evolution and the shifting status of objects in relation to agency, value, circulation, and redistribution. Through crowdsourcing the production of her artworks to thousands of humans and nonhumans, Kurant creates unstable, hybrid forms that constantly evolve. Her works, oscillating between biological, digital, and geological, embody the crumbling distinctions between what is natural and artificial, real and synthetic, and life and nonlife.
Classification:
livres
livres
Publication:
décembre 2025
décembre 2025
Classification:
livres
livres
Prix:
$39.00
(disponible sur commande)
Résumé:
Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it(...)
$39.00
(disponible sur commande)
Résumé:
Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it(...)
Titre:
The camera does the rest: how Polaroid changed photography
Actions:
Prix:
$39.00
(disponible sur commande)
Résumé:
Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it encouraged photographic play as well as new forms of artistic practice. Drawing on unprecedented access to the archives of the Polaroid Corporation, Buse reveals Polaroid as photography at its most intimate, where the photographer, photograph, and subject sit in close proximity in both time and space—making Polaroid not only the perfect party camera but also the tool for frankly salacious pictures taking. Along the way, Buse tells the story of the Polaroid Corporation and its ultimately doomed hard-copy wager against the rising tide of digital imaging technology. He explores the continuities and the differences between Polaroid and digital, reflecting on what Polaroid can tell us about how we snap photos today. Richly illustrated, The Camera Does the Rest will delight historians, art critics, analog fanatics, photographers, and all those who miss the thrill of waiting to see what develops.
The camera does the rest: how Polaroid changed photography
Actions:
Prix:
$39.00
(disponible sur commande)
Résumé:
Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it encouraged photographic play as well as new forms of artistic practice. Drawing on unprecedented access to the archives of the Polaroid Corporation, Buse reveals Polaroid as photography at its most intimate, where the photographer, photograph, and subject sit in close proximity in both time and space—making Polaroid not only the perfect party camera but also the tool for frankly salacious pictures taking. Along the way, Buse tells the story of the Polaroid Corporation and its ultimately doomed hard-copy wager against the rising tide of digital imaging technology. He explores the continuities and the differences between Polaroid and digital, reflecting on what Polaroid can tell us about how we snap photos today. Richly illustrated, The Camera Does the Rest will delight historians, art critics, analog fanatics, photographers, and all those who miss the thrill of waiting to see what develops.
Classification:
livres
livres
Publication:
avril 2016
avril 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Logic of the collection
Logic of the collection
Actions:
Prix:
$39.00
(disponible sur commande)
Résumé:
In modernity, the museum was the institution that made art accessible to the broader public. An artwork was collected if it was considered beautiful, passionate, engaged, or critical—and primarily if it was deemed historically relevant. But today, with the total availability and saturation of images, the museum has lost its privileged status as the exclusive place for the(...)
$39.00
(disponible sur commande)
Résumé:
In modernity, the museum was the institution that made art accessible to the broader public. An artwork was collected if it was considered beautiful, passionate, engaged, or critical—and primarily if it was deemed historically relevant. But today, with the total availability and saturation of images, the museum has lost its privileged status as the exclusive place for the(...)
Titre:
Logic of the collection
Actions:
Prix:
$39.00
(disponible sur commande)
Résumé:
In modernity, the museum was the institution that made art accessible to the broader public. An artwork was collected if it was considered beautiful, passionate, engaged, or critical—and primarily if it was deemed historically relevant. But today, with the total availability and saturation of images, the museum has lost its privileged status as the exclusive place for the display of art. In our age of digital media, how does a particular artwork get selected for a museum collection? Which symbolic criteria must this artwork satisfy for it to obtain value? And in what ways does the institution of the museum remain relevant? 'Logic of the Collection' is framed by Boris Groys’s original and provocative proposition: an artwork is considered historically relevant if it fits the logic of the museum collection. In these critical essays, the philosopher and theorist of art and media analyzes the relationship between the logic of the collection and various modern ideologies. He reflects on the explosion of art production and distribution through the ascendency of digital media as well as the ways in which the accumulated artworks will be collected and preserved in the future, as the potential limits of public and private collections are reached.
Logic of the collection
Actions:
Prix:
$39.00
(disponible sur commande)
Résumé:
In modernity, the museum was the institution that made art accessible to the broader public. An artwork was collected if it was considered beautiful, passionate, engaged, or critical—and primarily if it was deemed historically relevant. But today, with the total availability and saturation of images, the museum has lost its privileged status as the exclusive place for the display of art. In our age of digital media, how does a particular artwork get selected for a museum collection? Which symbolic criteria must this artwork satisfy for it to obtain value? And in what ways does the institution of the museum remain relevant? 'Logic of the Collection' is framed by Boris Groys’s original and provocative proposition: an artwork is considered historically relevant if it fits the logic of the museum collection. In these critical essays, the philosopher and theorist of art and media analyzes the relationship between the logic of the collection and various modern ideologies. He reflects on the explosion of art production and distribution through the ascendency of digital media as well as the ways in which the accumulated artworks will be collected and preserved in the future, as the potential limits of public and private collections are reached.
Classification:
livres
livres
Publication:
août 2021
août 2021
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Actions:
Exemplaires:
Description:
320 pages : illustrations ; 30 cm + 1 audio disc (72 min., 20 sec. : digital ; 4 3/4 in.)
Description:
320 pages : illustrations ; 30 cm + 1 audio disc (72 min., 20 sec. : digital ; 4 3/4 in.)
Auteur:
Sujet:
Publication:
New York : Harry N. Abrams, 1994., ©1994
New York : Harry N. Abrams, 1994., ©1994
Titre:
The oral history of modern architecture : interviews with the greatest architects of the twentieth century / John Peter.
Actions:
Exemplaires:
Description:
320 pages : illustrations ; 30 cm + 1 audio disc (72 min., 20 sec. : digital ; 4 3/4 in.)
The oral history of modern architecture : interviews with the greatest architects of the twentieth century / John Peter.
Actions:
Exemplaires:
Description:
320 pages : illustrations ; 30 cm + 1 audio disc (72 min., 20 sec. : digital ; 4 3/4 in.)
Classification:
livres
livres
Publication:
New York : Harry N. Abrams, 1994., ©1994
New York : Harry N. Abrams, 1994., ©1994
Auteur:
Sujet:
Classification:
livres
livres
Titre:
Modern futures
Modern futures
Actions:
Prix:
$34.95
(disponible en magasin)
Résumé:
There has been a groundswell of interest in modernist architecture in recent years, particularly buildings from the second half of the twentieth century. Individuals and groups are engaging with modernist environments in the form of popular histories, documentaries and community projects, and digital and social media. Alongside this growing popularity however, many of(...)
$34.95
(disponible en magasin)
Résumé:
There has been a groundswell of interest in modernist architecture in recent years, particularly buildings from the second half of the twentieth century. Individuals and groups are engaging with modernist environments in the form of popular histories, documentaries and community projects, and digital and social media. Alongside this growing popularity however, many of(...)
Titre:
Modern futures
Actions:
Prix:
$34.95
(disponible en magasin)
Résumé:
There has been a groundswell of interest in modernist architecture in recent years, particularly buildings from the second half of the twentieth century. Individuals and groups are engaging with modernist environments in the form of popular histories, documentaries and community projects, and digital and social media. Alongside this growing popularity however, many of these buildings are under threat from demolition and regeneration. "Modern futures" explores these trends, their connections, and how more popular and creative engagements might be used to inform the uncertain future of modernist architecture.
Modern futures
Actions:
Prix:
$34.95
(disponible en magasin)
Résumé:
There has been a groundswell of interest in modernist architecture in recent years, particularly buildings from the second half of the twentieth century. Individuals and groups are engaging with modernist environments in the form of popular histories, documentaries and community projects, and digital and social media. Alongside this growing popularity however, many of these buildings are under threat from demolition and regeneration. "Modern futures" explores these trends, their connections, and how more popular and creative engagements might be used to inform the uncertain future of modernist architecture.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Modernisme
Modernisme
Classification:
périodiques
périodiques
Prix:
$59.50
(disponible sur commande)
Résumé:
Angelidakis is an architect working at the intersection of digital culture and architectural production. In these parallel realities he treats the internet (eg. Second Life) as a place where ideas are born and get tested, and where new social behaviours define the way our society will develop in years to come. These experiments have a real life counterpart in his(...)
$59.50
(disponible sur commande)
Résumé:
Angelidakis is an architect working at the intersection of digital culture and architectural production. In these parallel realities he treats the internet (eg. Second Life) as a place where ideas are born and get tested, and where new social behaviours define the way our society will develop in years to come. These experiments have a real life counterpart in his(...)
Titre:
DD 25: Internet suburbia, Andreas Angelidakis, Greece-Norway
Actions:
Prix:
$59.50
(disponible sur commande)
Résumé:
Angelidakis is an architect working at the intersection of digital culture and architectural production. In these parallel realities he treats the internet (eg. Second Life) as a place where ideas are born and get tested, and where new social behaviours define the way our society will develop in years to come. These experiments have a real life counterpart in his exhibition and installation design, furniture, urban planning and housing projects. Many of the designs are reproduced here with the help of images, photographs and models.
DD 25: Internet suburbia, Andreas Angelidakis, Greece-Norway
Actions:
Prix:
$59.50
(disponible sur commande)
Résumé:
Angelidakis is an architect working at the intersection of digital culture and architectural production. In these parallel realities he treats the internet (eg. Second Life) as a place where ideas are born and get tested, and where new social behaviours define the way our society will develop in years to come. These experiments have a real life counterpart in his exhibition and installation design, furniture, urban planning and housing projects. Many of the designs are reproduced here with the help of images, photographs and models.
Classification:
périodiques
périodiques
Publication:
mai 2008, Seoul
mai 2008, Seoul
Sujet:
Revues
Revues
Classification:
vidéo
vidéo
Actions:
Prix:
$22.00
(disponible sur commande)
Résumé:
In Immemory, Marker uses the format of the CD-ROM to create a multilayered, multimedia memoir. The reader investigates “zones” of travel, war, cinema and poetry, navigating through photographs, film clips, music and text, as if physically exploring Marker’s memory itself. The result is a veritable twenty-first century Remembrance of Things Past, an exploration of the(...)
$22.00
(disponible sur commande)
Résumé:
In Immemory, Marker uses the format of the CD-ROM to create a multilayered, multimedia memoir. The reader investigates “zones” of travel, war, cinema and poetry, navigating through photographs, film clips, music and text, as if physically exploring Marker’s memory itself. The result is a veritable twenty-first century Remembrance of Things Past, an exploration of the(...)
Titre:
Immemory: a cd-rom by Chris Marker
Actions:
Prix:
$22.00
(disponible sur commande)
Résumé:
In Immemory, Marker uses the format of the CD-ROM to create a multilayered, multimedia memoir. The reader investigates “zones” of travel, war, cinema and poetry, navigating through photographs, film clips, music and text, as if physically exploring Marker’s memory itself. The result is a veritable twenty-first century Remembrance of Things Past, an exploration of the state of memory in our digital era. With it, Marker has both invented a literary form and perfected it. System Requirements: Mac OS X 10.4.11 or later, including 10.5 Leopard.
Immemory: a cd-rom by Chris Marker
Actions:
Prix:
$22.00
(disponible sur commande)
Résumé:
In Immemory, Marker uses the format of the CD-ROM to create a multilayered, multimedia memoir. The reader investigates “zones” of travel, war, cinema and poetry, navigating through photographs, film clips, music and text, as if physically exploring Marker’s memory itself. The result is a veritable twenty-first century Remembrance of Things Past, an exploration of the state of memory in our digital era. With it, Marker has both invented a literary form and perfected it. System Requirements: Mac OS X 10.4.11 or later, including 10.5 Leopard.
Classification:
vidéo
vidéo
Publication:
janvier 2009, Cambridge
janvier 2009, Cambridge
Sujet:
DVD vidéo
DVD vidéo
