703 Résultats
Titre:
Artek and the Aaltos
Artek and the Aaltos
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$90.00
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Résumé:
Best known for the production of Aalto’s famous bentwood furniture, Artek was a multifaceted design company that created numerous innovative products. This extensively illustrated book is based on an extraordinary range of newly discovered archival materials that shed new light on Artek’s history. It looks at the close working relationship between Alvar Aalto and Aino(...)
$90.00
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Best known for the production of Aalto’s famous bentwood furniture, Artek was a multifaceted design company that created numerous innovative products. This extensively illustrated book is based on an extraordinary range of newly discovered archival materials that shed new light on Artek’s history. It looks at the close working relationship between Alvar Aalto and Aino(...)
Titre:
Artek and the Aaltos
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Prix:
$90.00
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Résumé:
Best known for the production of Aalto’s famous bentwood furniture, Artek was a multifaceted design company that created numerous innovative products. This extensively illustrated book is based on an extraordinary range of newly discovered archival materials that shed new light on Artek’s history. It looks at the close working relationship between Alvar Aalto and Aino Marsio-Aalto, and the critical roles they played in its establishment and development internationally. Reissued in hard cover and with an enlarged trim size, greater prominence is given to the more than 500 drawings and photographs, including a selection never-before published. The addition of a chronology that traces the parallel history of Artek and the Aalto office offers an unprecedented understanding of the many projects they created together. The original text received the 2018 Philip Johnson Award for outstanding exhibition catalogue by the Society of Architectural Historians.
Artek and the Aaltos
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Prix:
$90.00
(disponible sur commande)
Résumé:
Best known for the production of Aalto’s famous bentwood furniture, Artek was a multifaceted design company that created numerous innovative products. This extensively illustrated book is based on an extraordinary range of newly discovered archival materials that shed new light on Artek’s history. It looks at the close working relationship between Alvar Aalto and Aino Marsio-Aalto, and the critical roles they played in its establishment and development internationally. Reissued in hard cover and with an enlarged trim size, greater prominence is given to the more than 500 drawings and photographs, including a selection never-before published. The addition of a chronology that traces the parallel history of Artek and the Aalto office offers an unprecedented understanding of the many projects they created together. The original text received the 2018 Philip Johnson Award for outstanding exhibition catalogue by the Society of Architectural Historians.
Sujet:
Design, monographies
Design, monographies
Titre:
Return to the field
Return to the field
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$24.00
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban(...)
$24.00
(disponible sur commande)
Résumé:
''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban(...)
Titre:
Return to the field
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$24.00
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Résumé:
''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban Cabeza de Baca, Adjua Gargi Nzinga Greaves, David Johnson, Suzanne Kite, Charmaine Lee, Philip Matthews, Nat Ward, and Sara J. Winston, ''Return to the field'' assembles a dense and resonant, multi-vocal conversation threaded together by Kruis’ book-length poem, ''A Connectome.'' ''Return to the field'' is published on the occasion of Martha Tuttle's exhibition and sculptural installation, ''A stone that thinks of Enceladus,'' on view at Storm King Art Center (New Windsor, New York) from July 15, 2020 through November 8, 2021.
Return to the field
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$24.00
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Résumé:
''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban Cabeza de Baca, Adjua Gargi Nzinga Greaves, David Johnson, Suzanne Kite, Charmaine Lee, Philip Matthews, Nat Ward, and Sara J. Winston, ''Return to the field'' assembles a dense and resonant, multi-vocal conversation threaded together by Kruis’ book-length poem, ''A Connectome.'' ''Return to the field'' is published on the occasion of Martha Tuttle's exhibition and sculptural installation, ''A stone that thinks of Enceladus,'' on view at Storm King Art Center (New Windsor, New York) from July 15, 2020 through November 8, 2021.
Sujet:
Littérature et poésie
Littérature et poésie
Titre:
Building Seagram
Building Seagram
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$79.95
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The Seagram building rises over New York’s Park Avenue, seeming to float above the street with perfect lines of bronze and glass. Considered one of the greatest icons of twentieth-century architecture, the building was commissioned by Samuel Bronfman, founder of the Canadian distillery dynasty Seagram. Bronfman’s daughter Phyllis Lambert was twenty-seven years old when(...)
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The Seagram building rises over New York’s Park Avenue, seeming to float above the street with perfect lines of bronze and glass. Considered one of the greatest icons of twentieth-century architecture, the building was commissioned by Samuel Bronfman, founder of the Canadian distillery dynasty Seagram. Bronfman’s daughter Phyllis Lambert was twenty-seven years old when(...)
Titre:
Building Seagram
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The Seagram building rises over New York’s Park Avenue, seeming to float above the street with perfect lines of bronze and glass. Considered one of the greatest icons of twentieth-century architecture, the building was commissioned by Samuel Bronfman, founder of the Canadian distillery dynasty Seagram. Bronfman’s daughter Phyllis Lambert was twenty-seven years old when she took over the search for an architect and chose Mies van der Rohe, a pioneering modern master of what he termed “skin and bones” architecture. Mies, who designed the elegant, deceptively simple thirty-eight-story tower along with Philip Johnson, emphasized the beauty of structure and fine materials, and set the building back from the avenue, creating an urban oasis with the building’s plaza. Through her choice, Lambert established her role as a leading architectural patron and singlehandedly changed the face of American urban architecture.
Building Seagram
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$79.95
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Résumé:
The Seagram building rises over New York’s Park Avenue, seeming to float above the street with perfect lines of bronze and glass. Considered one of the greatest icons of twentieth-century architecture, the building was commissioned by Samuel Bronfman, founder of the Canadian distillery dynasty Seagram. Bronfman’s daughter Phyllis Lambert was twenty-seven years old when she took over the search for an architect and chose Mies van der Rohe, a pioneering modern master of what he termed “skin and bones” architecture. Mies, who designed the elegant, deceptively simple thirty-eight-story tower along with Philip Johnson, emphasized the beauty of structure and fine materials, and set the building back from the avenue, creating an urban oasis with the building’s plaza. Through her choice, Lambert established her role as a leading architectural patron and singlehandedly changed the face of American urban architecture.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Titre:
Neuroarchitecture
Neuroarchitecture
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$46.95
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Résumé:
Architectural spaces are anchors for our memory. We find our place in the room by means of our sensory perception; the brain makes use of surfaces and spatial systems in order to organize the world we live in. Taking this principle as a given, this volume tracks what happens when the results of recent neuroscientific research are applied to architectural practice. In this(...)
$46.95
(disponible en magasin)
Résumé:
Architectural spaces are anchors for our memory. We find our place in the room by means of our sensory perception; the brain makes use of surfaces and spatial systems in order to organize the world we live in. Taking this principle as a given, this volume tracks what happens when the results of recent neuroscientific research are applied to architectural practice. In this(...)
Titre:
Neuroarchitecture
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$46.95
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Résumé:
Architectural spaces are anchors for our memory. We find our place in the room by means of our sensory perception; the brain makes use of surfaces and spatial systems in order to organize the world we live in. Taking this principle as a given, this volume tracks what happens when the results of recent neuroscientific research are applied to architectural practice. In this volume, architectural theorist Christoph Metzger analyzes buildings designed by Alvar Aalto, Sou Fujimoto, Hugo Häring, Philip Johnson, Hermann Muthesius, Juhani Pallasmaa, James Stirling, Frank Lloyd Wright and Peter Zumthor in order to develop criteria for a modern, human-focused architecture that builds on neuroscientific knowledge. "Neuroarchitecture" links neuroscience, perception theory and Gestalt psychology, as well as music, art and architecture, in a holistic approach that focuses on the laws of structure formation and the movement of the individual within architectural space.
Neuroarchitecture
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$46.95
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Résumé:
Architectural spaces are anchors for our memory. We find our place in the room by means of our sensory perception; the brain makes use of surfaces and spatial systems in order to organize the world we live in. Taking this principle as a given, this volume tracks what happens when the results of recent neuroscientific research are applied to architectural practice. In this volume, architectural theorist Christoph Metzger analyzes buildings designed by Alvar Aalto, Sou Fujimoto, Hugo Häring, Philip Johnson, Hermann Muthesius, Juhani Pallasmaa, James Stirling, Frank Lloyd Wright and Peter Zumthor in order to develop criteria for a modern, human-focused architecture that builds on neuroscientific knowledge. "Neuroarchitecture" links neuroscience, perception theory and Gestalt psychology, as well as music, art and architecture, in a holistic approach that focuses on the laws of structure formation and the movement of the individual within architectural space.
Sujet:
Architecture contemporaine
Architecture contemporaine
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$55.00
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Résumé:
"The `restoration' of Notre Dame de Paris has always been controversial. Viollet-le-Duc and Jean Baptiste Lassus have long been cast as the handmaidens of nineteenth-century positivism, instilling a vision of rational structure and historical development on the cathedral only recently purged of its Revolutionary years as a Temple of Reason. Writing a history of the(...)
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"The `restoration' of Notre Dame de Paris has always been controversial. Viollet-le-Duc and Jean Baptiste Lassus have long been cast as the handmaidens of nineteenth-century positivism, instilling a vision of rational structure and historical development on the cathedral only recently purged of its Revolutionary years as a Temple of Reason. Writing a history of the(...)
Titre:
The gargoyles of Notre-Dame: medievalism and the monster of modernity
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$55.00
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Résumé:
"The `restoration' of Notre Dame de Paris has always been controversial. Viollet-le-Duc and Jean Baptiste Lassus have long been cast as the handmaidens of nineteenth-century positivism, instilling a vision of rational structure and historical development on the cathedral only recently purged of its Revolutionary years as a Temple of Reason. Writing a history of the cathedral's bevy of gargoyles, Michael Camille brilliantly confirms Viollet-le-Duc's definition of `restoration' as both a word and thing of modern coinage. This last work of one of our time's great medievalists is, like Victor Hugo's Notre Dame de Paris, at once monumental and wide ranging, yet always focused on a demonic protagonist. Provocative, at times profoundly insightful, Michael Camille unveils the fantasies and anxieties of both Viollet-le-Duc and all the restorations since in the veils of meaning and emotions of France's most visited cathedral." Barry Bergdoll, Philip Johnson Chief Curator of Architecture and Design, Museum of Modern Art
The gargoyles of Notre-Dame: medievalism and the monster of modernity
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$55.00
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Résumé:
"The `restoration' of Notre Dame de Paris has always been controversial. Viollet-le-Duc and Jean Baptiste Lassus have long been cast as the handmaidens of nineteenth-century positivism, instilling a vision of rational structure and historical development on the cathedral only recently purged of its Revolutionary years as a Temple of Reason. Writing a history of the cathedral's bevy of gargoyles, Michael Camille brilliantly confirms Viollet-le-Duc's definition of `restoration' as both a word and thing of modern coinage. This last work of one of our time's great medievalists is, like Victor Hugo's Notre Dame de Paris, at once monumental and wide ranging, yet always focused on a demonic protagonist. Provocative, at times profoundly insightful, Michael Camille unveils the fantasies and anxieties of both Viollet-le-Duc and all the restorations since in the veils of meaning and emotions of France's most visited cathedral." Barry Bergdoll, Philip Johnson Chief Curator of Architecture and Design, Museum of Modern Art
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
Prix:
$29.99
(disponible en magasin)
Résumé:
NYSR produces the Portfolio every few years, both as a showcase of the very best in contemporary architectural illustration, and as a resource for architects, developers, and designers who wish to commission renderings of their own. This edition is by far the largest we have produced to date, and features over 360 color renderings by 46 top illustrators, a foreword by(...)
$29.99
(disponible en magasin)
Résumé:
NYSR produces the Portfolio every few years, both as a showcase of the very best in contemporary architectural illustration, and as a resource for architects, developers, and designers who wish to commission renderings of their own. This edition is by far the largest we have produced to date, and features over 360 color renderings by 46 top illustrators, a foreword by(...)
Publication:
janvier 2005, New York
janvier 2005, New York
Titre:
Rendering: NYSR portfolio of architectural & interior
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$29.99
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Résumé:
NYSR produces the Portfolio every few years, both as a showcase of the very best in contemporary architectural illustration, and as a resource for architects, developers, and designers who wish to commission renderings of their own. This edition is by far the largest we have produced to date, and features over 360 color renderings by 46 top illustrators, a foreword by Alan Ritchie of Philip Johnson/Alan Ritchie Architects, and contact information for each artist. The illustrators featured in the NYSR Portfolio represent a broad array of styles and techniques; from traditional media such as watercolor and gouache, to digital renderings, to hybrid renderings that combine computer and hand work. As a design professional, you know that renderings are often the most public face of your project prior to construction. The right rendering can help sell your ideas to clients, prospective tenants, regulatory bodies, and communities. Within the Portfolio, it is our hope that you will find the right illustrator for your project.
Rendering: NYSR portfolio of architectural & interior
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Prix:
$29.99
(disponible en magasin)
Résumé:
NYSR produces the Portfolio every few years, both as a showcase of the very best in contemporary architectural illustration, and as a resource for architects, developers, and designers who wish to commission renderings of their own. This edition is by far the largest we have produced to date, and features over 360 color renderings by 46 top illustrators, a foreword by Alan Ritchie of Philip Johnson/Alan Ritchie Architects, and contact information for each artist. The illustrators featured in the NYSR Portfolio represent a broad array of styles and techniques; from traditional media such as watercolor and gouache, to digital renderings, to hybrid renderings that combine computer and hand work. As a design professional, you know that renderings are often the most public face of your project prior to construction. The right rendering can help sell your ideas to clients, prospective tenants, regulatory bodies, and communities. Within the Portfolio, it is our hope that you will find the right illustrator for your project.
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$21.95
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Résumé:
What makes an architect tick? What is the state of architecture today? How do architects view each other's work? No one can answer these questions better than the practitioners themselves. In this publication Cecil Balmond, Norman Foster, Frank Gehry, Zaha Hadid, Philip Johnson, Rem Koolhaas, Daniel Libeskind, I. M. Pei, and others offer a wide-ranging assortment of(...)
$21.95
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Résumé:
What makes an architect tick? What is the state of architecture today? How do architects view each other's work? No one can answer these questions better than the practitioners themselves. In this publication Cecil Balmond, Norman Foster, Frank Gehry, Zaha Hadid, Philip Johnson, Rem Koolhaas, Daniel Libeskind, I. M. Pei, and others offer a wide-ranging assortment of(...)
Titre:
Talking architecture: interviews with architects
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Prix:
$21.95
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Résumé:
What makes an architect tick? What is the state of architecture today? How do architects view each other's work? No one can answer these questions better than the practitioners themselves. In this publication Cecil Balmond, Norman Foster, Frank Gehry, Zaha Hadid, Philip Johnson, Rem Koolhaas, Daniel Libeskind, I. M. Pei, and others offer a wide-ranging assortment of perspectives on contemporary architecture and the architects' roles in shaping the state of the art today. Each interview focuses on the unique contributions of its subject and is accompanied by images of their most important works. With a no-holds-barred approach the author obtains interesting details about their ideas on architecture in general, from where they get their inspiration to what formative experiences led them to become architects in the first place. Updated with new images, this informative, accessible, and endlessly fascinating collection offers a chance to compare, contrast, and get to know the architects that are shaping the world we live in.
Talking architecture: interviews with architects
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Prix:
$21.95
(disponible sur commande)
Résumé:
What makes an architect tick? What is the state of architecture today? How do architects view each other's work? No one can answer these questions better than the practitioners themselves. In this publication Cecil Balmond, Norman Foster, Frank Gehry, Zaha Hadid, Philip Johnson, Rem Koolhaas, Daniel Libeskind, I. M. Pei, and others offer a wide-ranging assortment of perspectives on contemporary architecture and the architects' roles in shaping the state of the art today. Each interview focuses on the unique contributions of its subject and is accompanied by images of their most important works. With a no-holds-barred approach the author obtains interesting details about their ideas on architecture in general, from where they get their inspiration to what formative experiences led them to become architects in the first place. Updated with new images, this informative, accessible, and endlessly fascinating collection offers a chance to compare, contrast, and get to know the architects that are shaping the world we live in.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
The Zoology Lesson.
The Zoology Lesson.
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Description:
1 online resource.
Auteur:
- Pseudo-Galenus,,
- Albert, Bruce,,
- Ballard, J. G.,,
- Benjamin, Walter,,
- Blaschka, Leopold,,
- Blaschka, Rudolph,,
- Bourgery, Jean Baptiste Marc,,
- Bowker, C. Geoffrey,,
- Brecht, Bertolt,,
- Burnett, Graham D.,,
- Caillois, Roger,,
- Cioran, E. M.,,
- Cohen, Deborah R.,,
- Cuvier, Georges,,
- Daston, Lorraine,,
- Davis, Heather,,
- De Landa, Manuel,,
- Deleuze, Gilles,,
- D'Holbach, Baron,,
- Dick, Phillip K.,,
- Doyle, Arthur Conan,,
- Enloe, Linda J.,,
- Foucault, Michel,,
- Gerrard, John,,
- Guattari, Felix,,
- Haeckel, Ernst,,
- Haraway, Donna Jeanne,,
- Hegel, Georg Wilhelm Friedrich,,
- Hubbard, L Ron,,
- Irigaray, Luce,,
- Johnson, Roswell,,
- Kafka, Franz,,
- Kaufman, Eleanor,,
- Kohn, Eduardo,,
- Kolbert, Elizabeth,,
- Kopenawa, Davi,,
- Kovitz, Rob,,
- Kulper, Amy Catania,,
- Latour, Bruno,,
- Leibniz, Gottfried,,
- Linnaeus, Carl,,
- Lyon, Mary F.,,
- Mangin, Arthur,,
- McMillan, Grant R.,,
- Miklouho-Maclay, Nikolai,,
- Montlezun, Armand de,,
- Morris, Michael A.,,
- Myers, Natasha,,
- Nancy, Jean-Luc,,
- Park, Katherine,,
- Peale, Charles Willson,,
- Rizal, Jose,,
- Roberts, Sandy,,
- Serres, Michel,,
- Solomon, Jonathan D.,,
- Springer, Anna-Sophie,,
- Star, Susan Leigh,,
- Stengers, Isabelle,,
- Tsing, Anna Lowenhaupt,,
- Turpin, E. (Étienne),,
- Visvanathan, Shiv,,
- Woolgar, Steve,,
- Zedd, Nick,,
- anonymous,,
- Cryonics Institute/Immortalist Society,,
- Library Stack,,
- The Delaware State Board of Charities,,
- Unesco,,
- Library Stack.
Sujet:
- Archives.,
- Ecology.,
- Imperialism.,
- Library science.,
- Impérialisme.,
- Bibliothéconomie.,
- library science.,
- Art.,
- Databases.
Publication:
[Place of publication not identified] : The Volume Project, 2016.
[Place of publication not identified] : The Volume Project, 2016.
Classification:
livres
livres
Publication:
[Place of publication not identified] : The Volume Project, 2016.
[Place of publication not identified] : The Volume Project, 2016.
Auteur:
- Pseudo-Galenus,,
- Albert, Bruce,,
- Ballard, J. G.,,
- Benjamin, Walter,,
- Blaschka, Leopold,,
- Blaschka, Rudolph,,
- Bourgery, Jean Baptiste Marc,,
- Bowker, C. Geoffrey,,
- Brecht, Bertolt,,
- Burnett, Graham D.,,
- Caillois, Roger,,
- Cioran, E. M.,,
- Cohen, Deborah R.,,
- Cuvier, Georges,,
- Daston, Lorraine,,
- Davis, Heather,,
- De Landa, Manuel,,
- Deleuze, Gilles,,
- D'Holbach, Baron,,
- Dick, Phillip K.,,
- Doyle, Arthur Conan,,
- Enloe, Linda J.,,
- Foucault, Michel,,
- Gerrard, John,,
- Guattari, Felix,,
- Haeckel, Ernst,,
- Haraway, Donna Jeanne,,
- Hegel, Georg Wilhelm Friedrich,,
- Hubbard, L Ron,,
- Irigaray, Luce,,
- Johnson, Roswell,,
- Kafka, Franz,,
- Kaufman, Eleanor,,
- Kohn, Eduardo,,
- Kolbert, Elizabeth,,
- Kopenawa, Davi,,
- Kovitz, Rob,,
- Kulper, Amy Catania,,
- Latour, Bruno,,
- Leibniz, Gottfried,,
- Linnaeus, Carl,,
- Lyon, Mary F.,,
- Mangin, Arthur,,
- McMillan, Grant R.,,
- Miklouho-Maclay, Nikolai,,
- Montlezun, Armand de,,
- Morris, Michael A.,,
- Myers, Natasha,,
- Nancy, Jean-Luc,,
- Park, Katherine,,
- Peale, Charles Willson,,
- Rizal, Jose,,
- Roberts, Sandy,,
- Serres, Michel,,
- Solomon, Jonathan D.,,
- Springer, Anna-Sophie,,
- Star, Susan Leigh,,
- Stengers, Isabelle,,
- Tsing, Anna Lowenhaupt,,
- Turpin, E. (Étienne),,
- Visvanathan, Shiv,,
- Woolgar, Steve,,
- Zedd, Nick,,
- anonymous,,
- Cryonics Institute/Immortalist Society,,
- Library Stack,,
- The Delaware State Board of Charities,,
- Unesco,,
- Library Stack.
Sujet:
- Archives.,
- Ecology.,
- Imperialism.,
- Library science.,
- Impérialisme.,
- Bibliothéconomie.,
- library science.,
- Art.,
- Databases.
Classification:
livres
livres
Actions:
Prix:
$70.95
(disponible sur commande)
Résumé:
Pedro Guerrero spent his entire career, more than 60 years, photographing houses of some of the most illustrious American architects and artists of the twentieth century. Emerging from a modest background, his first professional job at the age of twenty-two in 1939 was photographing Taliesin West, the Arizona home of Frank Lloyd Wright. For the next 20 years, Guerrero was(...)
$70.95
(disponible sur commande)
Résumé:
Pedro Guerrero spent his entire career, more than 60 years, photographing houses of some of the most illustrious American architects and artists of the twentieth century. Emerging from a modest background, his first professional job at the age of twenty-two in 1939 was photographing Taliesin West, the Arizona home of Frank Lloyd Wright. For the next 20 years, Guerrero was(...)
Titre:
Pedro E. Guerrero : a photographer's journey
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Prix:
$70.95
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Résumé:
Pedro Guerrero spent his entire career, more than 60 years, photographing houses of some of the most illustrious American architects and artists of the twentieth century. Emerging from a modest background, his first professional job at the age of twenty-two in 1939 was photographing Taliesin West, the Arizona home of Frank Lloyd Wright. For the next 20 years, Guerrero was the chief visual interpreter of Wright's home. Guerrero was soon photographing houses belonging to such legendary artists and architects as Alexander Calder, Louise Nevelson, Marcel Breuer, John Huston, Philip Johnson, Julia Child, Edward Stone, and Alexi Brodovitch. Spanning nearly a century, "Pedro E. Guerrero : a photographer's journey" is a fascinating memoir illustrated with over 190 of the author's own photographs. Guerrero steps out from behind the camera and, for the first time, tells his own story along with the stories of the contradictory and complex lives of the extraordinary people he has known, including candid anecdotes about the personal quirks of some of America's legendary magazine editors, architects, and artists.
Pedro E. Guerrero : a photographer's journey
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Prix:
$70.95
(disponible sur commande)
Résumé:
Pedro Guerrero spent his entire career, more than 60 years, photographing houses of some of the most illustrious American architects and artists of the twentieth century. Emerging from a modest background, his first professional job at the age of twenty-two in 1939 was photographing Taliesin West, the Arizona home of Frank Lloyd Wright. For the next 20 years, Guerrero was the chief visual interpreter of Wright's home. Guerrero was soon photographing houses belonging to such legendary artists and architects as Alexander Calder, Louise Nevelson, Marcel Breuer, John Huston, Philip Johnson, Julia Child, Edward Stone, and Alexi Brodovitch. Spanning nearly a century, "Pedro E. Guerrero : a photographer's journey" is a fascinating memoir illustrated with over 190 of the author's own photographs. Guerrero steps out from behind the camera and, for the first time, tells his own story along with the stories of the contradictory and complex lives of the extraordinary people he has known, including candid anecdotes about the personal quirks of some of America's legendary magazine editors, architects, and artists.
Classification:
livres
livres
Publication:
mars 2007, New York
mars 2007, New York
Sujet:
Monographies photo
Monographies photo
Titre:
Machine art, 1934
Machine art, 1934
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$49.95
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Résumé:
In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass(...)
$49.95
(disponible sur commande)
Résumé:
In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass(...)
Titre:
Machine art, 1934
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Prix:
$49.95
(disponible sur commande)
Résumé:
In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
Machine art, 1934
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Résumé:
In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.