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$82.50
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In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. (...)
décembre 1998, Cambridge, Mass.
Power of display : a history of the exhibition installations at the museum of modern art
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In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. Focusing on over two hundred photographs of the visually rich but overlooked history of exhibitions, Staniszewski documents and deciphers an essential chapter of twentieth-century art and culture and provides a historical and theoretical framework for a primary area of contemporary aesthetic practice--installation-based art. Among the artists, designers, architects, and curators whose installations the author features are Dennis Adams, Alfred H. Barr, Jr., Herbert Bayer, René d'Harnoncourt, Ray and Charles Eames, Hans Haacke, David Hammons, Philip Johnson, Frederick Kiesler, Barbara Kruger, Louise Lawler, El Lissitzky, Adrian Piper, Lilly Reich, William Rubin, Paul Rudolph, Edward Steichen, Giuseppe Terragni, and Kirk Varnedoe.
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décembre 1998, Cambridge, Mass.
livres
Mood River
$63.95
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From an i-MAC computer to a Karim Rashid trashcan to a Philippe Starck stool to an Issey Miyake coat to a Frank Gehry building, design shapes our sense of being in today's world. "Mood River" examines the cornucopia of objects that form the complex visual fabric of our lives, titillate our senses, modulate our moods, and pique our desires. By scanning contemporary art and(...)
Design d’intérieur
février 2002, Columbus, Ohio
Mood River
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From an i-MAC computer to a Karim Rashid trashcan to a Philippe Starck stool to an Issey Miyake coat to a Frank Gehry building, design shapes our sense of being in today's world. "Mood River" examines the cornucopia of objects that form the complex visual fabric of our lives, titillate our senses, modulate our moods, and pique our desires. By scanning contemporary art and design, and loosely organizing thousands of sundry objects into four categories of moods--Bliss, Ecstasy, Rage, and Trauma--"Mood River" aims to arouse a deep respect for the complex economic, technical, and aesthetic processes that join the diverse elements of our material life into that most elusive of unities: a world. Essays by Jeffrey Kipnis, Sanford Kwinter, Annetta Massie, Chee Perlman and Jose Oubrerie. Foreword by Philip Johnson. Introduction by Sherri Geldin.
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février 2002, Columbus, Ohio
Design d’intérieur
Modern American houses : fifty years of design in architectural record, revised and expanded edition
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"Architectural record" is the premier architectural magazine in America, with a devoted following among architects, designers, and the increasingly design-minded public. Drawing from the roster of award-winning residences featured since 1956 in "Record houses", the magazine's prestigious “best of” annual issue, this revised and expanded edition of the 1996 Abrams book(...)
Modern American houses : fifty years of design in architectural record, revised and expanded edition
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"Architectural record" is the premier architectural magazine in America, with a devoted following among architects, designers, and the increasingly design-minded public. Drawing from the roster of award-winning residences featured since 1956 in "Record houses", the magazine's prestigious “best of” annual issue, this revised and expanded edition of the 1996 Abrams book showcases more than 75 of the most innovative and influential houses built in the last 50 years. Designed by such luminaries as Philip Johnson, Richard Meier, Gwathmey Siegel & Associates, Frank Gehry, and the 2005 Pritzker Prize–winner Thom Mayne of Morphosis, these houses have helped shape the direction of residential architecture. Texts by six noted architectural writers provide commentary on the key trends and developments of residential architecture in the last half century, and each decade is represented by a portfolio of photographs, along with numerous plans and drawings.
Architecture résidentielle
Frey
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Lorsque Albert Frey (1903-1998) a quitté sa Suisse natale pour les Etats-Unis, en 1930, ce fut en emportant l'influence de son mentor, Le Corbusier. L'innovatrice Aluminaire House, développée avec A. L. Kocher, fut exposée en 1932 par Henry-Russell Hitchcock et Philip Johnson lors de la légendaire exposition « Le style international : l architecture depuis 1922 », au(...)
Architecture, monographies
octobre 2008, Hong Kong, Köln, Tokyo, Paris, Londres
Frey
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Lorsque Albert Frey (1903-1998) a quitté sa Suisse natale pour les Etats-Unis, en 1930, ce fut en emportant l'influence de son mentor, Le Corbusier. L'innovatrice Aluminaire House, développée avec A. L. Kocher, fut exposée en 1932 par Henry-Russell Hitchcock et Philip Johnson lors de la légendaire exposition « Le style international : l architecture depuis 1922 », au Musée d Art Moderne de New York, comme une illustration rare du mouvement en Amérique. Peu après Frey découvrit le désert californien, où il s'établit et réalisa la plus grande partie de son oeuvre. Cherchant tout au long de sa vie de nouvelles manières de construire, et travaillant également sur les matériaux préfabriqués, il publia régulièrement les résultats de ses recherches. Son talent visionnaire et ses demeures élégantes et clairement structurées ont fait de lui le fondateur du « modernisme du désert ».
Architecture, monographies
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban(...)
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban Cabeza de Baca, Adjua Gargi Nzinga Greaves, David Johnson, Suzanne Kite, Charmaine Lee, Philip Matthews, Nat Ward, and Sara J. Winston, ''Return to the field'' assembles a dense and resonant, multi-vocal conversation threaded together by Kruis’ book-length poem, ''A Connectome.'' ''Return to the field'' is published on the occasion of Martha Tuttle's exhibition and sculptural installation, ''A stone that thinks of Enceladus,'' on view at Storm King Art Center (New Windsor, New York) from July 15, 2020 through November 8, 2021.
Littérature et poésie
Building Seagram
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The Seagram building rises over New York’s Park Avenue, seeming to float above the street with perfect lines of bronze and glass. Considered one of the greatest icons of twentieth-century architecture, the building was commissioned by Samuel Bronfman, founder of the Canadian distillery dynasty Seagram. Bronfman’s daughter Phyllis Lambert was twenty-seven years old when(...)
Building Seagram
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The Seagram building rises over New York’s Park Avenue, seeming to float above the street with perfect lines of bronze and glass. Considered one of the greatest icons of twentieth-century architecture, the building was commissioned by Samuel Bronfman, founder of the Canadian distillery dynasty Seagram. Bronfman’s daughter Phyllis Lambert was twenty-seven years old when she took over the search for an architect and chose Mies van der Rohe, a pioneering modern master of what he termed “skin and bones” architecture. Mies, who designed the elegant, deceptively simple thirty-eight-story tower along with Philip Johnson, emphasized the beauty of structure and fine materials, and set the building back from the avenue, creating an urban oasis with the building’s plaza. Through her choice, Lambert established her role as a leading architectural patron and singlehandedly changed the face of American urban architecture.
Théorie de l’architecture
Artek and the Aaltos
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Best known for the production of Aalto’s famous bentwood furniture, Artek was a multifaceted design company that created numerous innovative products. This extensively illustrated book is based on an extraordinary range of newly discovered archival materials that shed new light on Artek’s history. It looks at the close working relationship between Alvar Aalto and Aino(...)
Artek and the Aaltos
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Best known for the production of Aalto’s famous bentwood furniture, Artek was a multifaceted design company that created numerous innovative products. This extensively illustrated book is based on an extraordinary range of newly discovered archival materials that shed new light on Artek’s history. It looks at the close working relationship between Alvar Aalto and Aino Marsio-Aalto, and the critical roles they played in its establishment and development internationally. Reissued in hard cover and with an enlarged trim size, greater prominence is given to the more than 500 drawings and photographs, including a selection never-before published. The addition of a chronology that traces the parallel history of Artek and the Aalto office offers an unprecedented understanding of the many projects they created together. The original text received the 2018 Philip Johnson Award for outstanding exhibition catalogue by the Society of Architectural Historians.
Design, monographies
Neuroarchitecture
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Architectural spaces are anchors for our memory. We find our place in the room by means of our sensory perception; the brain makes use of surfaces and spatial systems in order to organize the world we live in. Taking this principle as a given, this volume tracks what happens when the results of recent neuroscientific research are applied to architectural practice. In this(...)
Neuroarchitecture
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Architectural spaces are anchors for our memory. We find our place in the room by means of our sensory perception; the brain makes use of surfaces and spatial systems in order to organize the world we live in. Taking this principle as a given, this volume tracks what happens when the results of recent neuroscientific research are applied to architectural practice. In this volume, architectural theorist Christoph Metzger analyzes buildings designed by Alvar Aalto, Sou Fujimoto, Hugo Häring, Philip Johnson, Hermann Muthesius, Juhani Pallasmaa, James Stirling, Frank Lloyd Wright and Peter Zumthor in order to develop criteria for a modern, human-focused architecture that builds on neuroscientific knowledge. "Neuroarchitecture" links neuroscience, perception theory and Gestalt psychology, as well as music, art and architecture, in a holistic approach that focuses on the laws of structure formation and the movement of the individual within architectural space.
Architecture contemporaine
$55.00
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"The `restoration' of Notre Dame de Paris has always been controversial. Viollet-le-Duc and Jean Baptiste Lassus have long been cast as the handmaidens of nineteenth-century positivism, instilling a vision of rational structure and historical development on the cathedral only recently purged of its Revolutionary years as a Temple of Reason. Writing a history of the(...)
The gargoyles of Notre-Dame: medievalism and the monster of modernity
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"The `restoration' of Notre Dame de Paris has always been controversial. Viollet-le-Duc and Jean Baptiste Lassus have long been cast as the handmaidens of nineteenth-century positivism, instilling a vision of rational structure and historical development on the cathedral only recently purged of its Revolutionary years as a Temple of Reason. Writing a history of the cathedral's bevy of gargoyles, Michael Camille brilliantly confirms Viollet-le-Duc's definition of `restoration' as both a word and thing of modern coinage. This last work of one of our time's great medievalists is, like Victor Hugo's Notre Dame de Paris, at once monumental and wide ranging, yet always focused on a demonic protagonist. Provocative, at times profoundly insightful, Michael Camille unveils the fantasies and anxieties of both Viollet-le-Duc and all the restorations since in the veils of meaning and emotions of France's most visited cathedral." Barry Bergdoll, Philip Johnson Chief Curator of Architecture and Design, Museum of Modern Art
Histoire jusqu’à 1900
$29.99
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NYSR produces the Portfolio every few years, both as a showcase of the very best in contemporary architectural illustration, and as a resource for architects, developers, and designers who wish to commission renderings of their own. This edition is by far the largest we have produced to date, and features over 360 color renderings by 46 top illustrators, a foreword by(...)
janvier 2005, New York
Rendering: NYSR portfolio of architectural & interior
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NYSR produces the Portfolio every few years, both as a showcase of the very best in contemporary architectural illustration, and as a resource for architects, developers, and designers who wish to commission renderings of their own. This edition is by far the largest we have produced to date, and features over 360 color renderings by 46 top illustrators, a foreword by Alan Ritchie of Philip Johnson/Alan Ritchie Architects, and contact information for each artist. The illustrators featured in the NYSR Portfolio represent a broad array of styles and techniques; from traditional media such as watercolor and gouache, to digital renderings, to hybrid renderings that combine computer and hand work. As a design professional, you know that renderings are often the most public face of your project prior to construction. The right rendering can help sell your ideas to clients, prospective tenants, regulatory bodies, and communities. Within the Portfolio, it is our hope that you will find the right illustrator for your project.