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Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America. OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation(...)
Armed by design: osters and Publications of Cuba's OSPAAAL
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Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America. OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation movements and leftist political parties almost exclusively from the Global South. Based in Havana, OSPAAAL produced nearly five hundred posters, magazines, and books beginning in the late 1960s, with most of their work ceasing by the late 1980s. Until 2019, OSPAAAL was a political organization focused on fighting US imperialism and supporting liberation movements aroundthe world through poster production, regularly produced publications, and a series of books featuring the writings of the intellectual leadership of these movements. ''Armed By Design'' brings together artists and thinkers from around the world whose work has been impacted by the legacy of OSPAAAL. These contributions reflect on impacts of OSPAAAL's work on regional movements, including in the Arab world and Korea, design iconography, the evolution of tricontinentalism, our present-day.
Théorie de l’art
Levante
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This book brings together a set of stories, episodes, conversations, thoughts and white lies that depict the processes of making, negotiating, questioning, inhabiting and remembering architecture. The stories don’t follow any specific order and, ideally, one shouldn’t actually ever finish reading the book.
Levante
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This book brings together a set of stories, episodes, conversations, thoughts and white lies that depict the processes of making, negotiating, questioning, inhabiting and remembering architecture. The stories don’t follow any specific order and, ideally, one shouldn’t actually ever finish reading the book.
Théorie de l’architecture
$24.95
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The idea that our homes can communicate professional as well as personal identities may seem as new as the work-from-home revolution. But it was second nature to the ancient Romans, for whom the home was in many ways the center of public and private life. Roman authors saw infinite practical and symbolic value in houses, and they have much to say about them. "How to make(...)
How to make a home: An ancient guide to style and comfort
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The idea that our homes can communicate professional as well as personal identities may seem as new as the work-from-home revolution. But it was second nature to the ancient Romans, for whom the home was in many ways the center of public and private life. Roman authors saw infinite practical and symbolic value in houses, and they have much to say about them. "How to make a home" presents some of the best Roman writings on houses—from buying and selling to designing and decorating.
Théorie de l’architecture
Art in a state of siege
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What do artworks look like in extreme cases of collective experience? What signals do artists send when enemies are at the city walls and the rule of law breaks down, or when a tyrant suspends the law to attack from inside? "Art in a state of siege" tells the story of three compelling images created in dangerous moments and the people who experienced them—from Philip II(...)
Art in a state of siege
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What do artworks look like in extreme cases of collective experience? What signals do artists send when enemies are at the city walls and the rule of law breaks down, or when a tyrant suspends the law to attack from inside? "Art in a state of siege" tells the story of three compelling images created in dangerous moments and the people who experienced them—from Philip II of Spain to Carl Schmitt—whose panicked gaze turned artworks into omens.
Théorie de l’art
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Peter Szendy offers a subtle, persuasive, and unprecedented account of the time of reading and its scene of address, one that is as archaic as it is contemporary. When we read, are we listening to a voice or being read to? If it is not a private and monologic exercise, how do we understand the populated scene of reading? What reads when we read, and how does reading push(...)
Powers of reading: From Plato to audiobooks
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Peter Szendy offers a subtle, persuasive, and unprecedented account of the time of reading and its scene of address, one that is as archaic as it is contemporary. When we read, are we listening to a voice or being read to? If it is not a private and monologic exercise, how do we understand the populated scene of reading? What reads when we read, and how does reading push and pull between temporalities and voices? Why do we keep leaving the text when we seek to obey the injunction to stay within its terms?
Théorie/ philosophie
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In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of(...)
Queer moderns: Max Ewing's jazz age New York
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In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of modern art, music, dance, and literature and enter a world of interracial friendship, "queer space," and experimentation that shone brightly before being swept away by the Depression. It is a remarkable story that reveals that the history of modernism is more queer and more Black than previously recognized. In the 1920s, Ewing became part of an international coterie of artists led by Carl Van Vechten and Muriel Draper. In Europe, he was entertained by Gertrude Stein, met Stravinsky, and took a road trip with Romaine Brooks and Natalie Barney. In 1928, in a closet in his apartment, Ewing created the "Gallery of extraordinary portraits", an installation of photos of his favorite celebrities—Black and white, clothed and nude. For his "Carnival of Venice", he took portraits of more than a hundred friends—including Paul Robeson, Berenice Abbott, Isamu Noguchi, Agnes de Mille, and E. E. Cummings—posed in front of a backdrop of Saint Mark’s Square.
Théorie de l’art
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In her classic book ''The Global City'', Saskia Sassen tells how New York, London, and Tokyo became command centers of the emerging global economy and, in the process, underwent massive and parallel changes. The book reorients the way we think about how cities shape and are shaped by globalization and provides lessons for the future.
The global city: New York, London, Tokyo
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In her classic book ''The Global City'', Saskia Sassen tells how New York, London, and Tokyo became command centers of the emerging global economy and, in the process, underwent massive and parallel changes. The book reorients the way we think about how cities shape and are shaped by globalization and provides lessons for the future.
Théorie de l’urbanisme
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"The signature of all things" is Giorgio Agamben’s sustained reflection on method. To reflect on method implies for Agamben an archeological vigilance: a persistent form of thinking whose path is to expose, examine, and elaborate that which remains obscure, unthematized, even unsaid, in an author’s thought. To be archeologically vigilant, then, is to return to, even(...)
The signature of all things: On method
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"The signature of all things" is Giorgio Agamben’s sustained reflection on method. To reflect on method implies for Agamben an archeological vigilance: a persistent form of thinking whose path is to expose, examine, and elaborate that which remains obscure, unthematized, even unsaid, in an author’s thought. To be archeologically vigilant, then, is to return to, even invent, a method attuned to a "world supported by a thick plot of resemblances and sympathies, analogies and correspondences." The range of authors and of topics Agamben collects in this slim but dense volume exemplifies this search to create a science of signatures that exceeds either a semiology or hermeneutics vainly attempting to determine the pure and unmarked signs that signify univocally, neutrally, and eternally.
Théorie/ philosophie
Phrases: Six films
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"Phrases" presents the spoken language from six films by Jean-Luc Godard: "Germany Nine Zero," "The Kids Play Russian," "JLG / JLG," "2 x 50 Years of French Cinema," "For Ever Mozart," and "In Praise of Love." Completed between 1991 and 2001, during what has been called Godard’s "years of memory," these films and videos were made alongside and in the shadow of his major(...)
Phrases: Six films
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"Phrases" presents the spoken language from six films by Jean-Luc Godard: "Germany Nine Zero," "The Kids Play Russian," "JLG / JLG," "2 x 50 Years of French Cinema," "For Ever Mozart," and "In Praise of Love." Completed between 1991 and 2001, during what has been called Godard’s "years of memory," these films and videos were made alongside and in the shadow of his major work from that time, the monumental Histoire(s) du cinema, complementing and extending its themes. Like Histoire(s), they offer meditations on, among other things, the tides of history, the fate of nations, the work of memory, the power of cinema, and the nature of love. Gathered here, in written form, they are words without images: not exactly screenplays, not exactly poetry, but something else entirely.
Théorie de l’art
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In "Black elegies", Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the "national emergency of black grief." With her characteristic literary skill, Brown analyzes(...)
Black elegies: meditations on the art of mourning
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In "Black elegies", Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the "national emergency of black grief." With her characteristic literary skill, Brown analyzes the work of major figures including Toni Morrison, Carrie Mae Weems, Audre Lorde, and Marvin Gaye, among others. Brown contemplates recognizable sites of mourning: forced migration and enslavement, bodily violations, imprisonment and death. And she examines sites that do not register immediately as archives of grief: the landscape of southern U.S. slave plantations, a spontaneous street party, a quilt constructed out of the clothing worn by a loved one, a dance performance to hold the memory of history, and an aeolian harp installed at an institute of European art, among others. In this, the book offers a framework of mourning while black, within the parameters of contemporary artistic production.
Théorie/ philosophie