Waste (object lessons)
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Though we try to imagine otherwise, waste is every object, plus time. Whatever else an object is, it's also waste-or was, or will be. All that is needed is time or a change of sentiment or circumstance. Waste is not merely the field of discarded objects, but the name we give to our troubled relationship with the decaying world outside ourselves. Waste focuses on those(...)
Waste (object lessons)
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$21.95
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Though we try to imagine otherwise, waste is every object, plus time. Whatever else an object is, it's also waste-or was, or will be. All that is needed is time or a change of sentiment or circumstance. Waste is not merely the field of discarded objects, but the name we give to our troubled relationship with the decaying world outside ourselves. Waste focuses on those waste objects that most fundamentally shape our lives and also attempts to understand our complicated emotional and intellectual relationships to our own refuse: nuclear waste, climate debris, pop-culture rubbish, digital detritus, and more.
The printed picture
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The Printed Picture traces the changing technology of picture-making from the Renaissance to the present, focusing on the vital role of images in multiple copies. From woodblocks to modern color photographs, from engravings to bar codes, from daguerreotypes to today's digital wonders, the book succinctly examines the full range of pictorial processes. Exploring how(...)
The printed picture
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The Printed Picture traces the changing technology of picture-making from the Renaissance to the present, focusing on the vital role of images in multiple copies. From woodblocks to modern color photographs, from engravings to bar codes, from daguerreotypes to today's digital wonders, the book succinctly examines the full range of pictorial processes. Exploring how pictures look by describing how they are made, author Richard Benson reaches fresh conclusions about what pictures can mean. Presented as a series of one-page essays opposite the pictures they examine, the book retains the engaging, informal style of Benson's celebrated seminars at Yale University.
Arts graphiques imprimés
Archphoto 2.0 00: 1861-2011
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archphoto 2.0 is a print magazine spawned by the now well-established Archphoto.it, a digital webzine started in 2002 as a critical review of architecture and design issues in connection with visual arts- and social sciences-related disciplines. This new venture aims at consolidating the critical thought expressed on the web by Archphoto, that will go on and will be(...)
Archphoto 2.0 00: 1861-2011
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archphoto 2.0 is a print magazine spawned by the now well-established Archphoto.it, a digital webzine started in 2002 as a critical review of architecture and design issues in connection with visual arts- and social sciences-related disciplines. This new venture aims at consolidating the critical thought expressed on the web by Archphoto, that will go on and will be complemented by the print magazine’s new contributions. A debate on the theoretical discussion of the issues related to architecture and society seen from the multiple points of view of the disciplines that complement architecture: contemporary art, anthropology, sociology, photography, cinema, literature, music, design.
Revues
Obsolescence des données
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La fin du monde n'a pas eu lieu, la société contemporaine est façonnée par Google, les drones, les téléphones portables, Tinder... Dans ce recueil d'essais et de nouvelles ironiques, Coupland mélange les formes pour mieux dynamiter ce que le vingtième siècle pensait savoir du futur et examiner les façons dont l'humanité compose avec sa conscience. Depuis trente ans, sa(...)
Obsolescence des données
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La fin du monde n'a pas eu lieu, la société contemporaine est façonnée par Google, les drones, les téléphones portables, Tinder... Dans ce recueil d'essais et de nouvelles ironiques, Coupland mélange les formes pour mieux dynamiter ce que le vingtième siècle pensait savoir du futur et examiner les façons dont l'humanité compose avec sa conscience. Depuis trente ans, sa façon unique d'observer et comprendre les mécanismes du monde nourrit ses fictions et son écriture. Synthèse de ses observations sur tous les aspects de la vie moderne, chaque page de ce livre joyau de l'âge digital, est pleine d'esprit et de surprises.
Expositions en cours
Douglas Mandry: Equivalences
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In a digital age of ever-faster technological innovation, Douglas Mandry explores the photographic medium using analog methods. For ''Unseen Sights'', published in the book ''Equivalences'', the Swiss photographer was inspired by early 20th-century postcards from the Middle East. Using acrylic paint and an airbrush, he colourized black-and-white prints of landscapes in(...)
Douglas Mandry: Equivalences
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In a digital age of ever-faster technological innovation, Douglas Mandry explores the photographic medium using analog methods. For ''Unseen Sights'', published in the book ''Equivalences'', the Swiss photographer was inspired by early 20th-century postcards from the Middle East. Using acrylic paint and an airbrush, he colourized black-and-white prints of landscapes in Cappadocia, Turkey, then re-photographed the compositions. Rather than merely reproducing images, the book offered the artist an opportunity to re-interpret the pictures. Playing with layers of colour in print, the artist created a new representation – using, this time, a mechanical process.
Monographies photo
C magazine 155 : Codes
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This issue expands on codes as ethical, social, political, and legal boundaries—considering them as sets of visible and invisible instructions moving within and beyond the digital imaginary. Through features, interviews, and experimental texts, artists and writers probe how developments in AI and coding are products of existing mechanics of the world, and how else codes(...)
C magazine 155 : Codes
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This issue expands on codes as ethical, social, political, and legal boundaries—considering them as sets of visible and invisible instructions moving within and beyond the digital imaginary. Through features, interviews, and experimental texts, artists and writers probe how developments in AI and coding are products of existing mechanics of the world, and how else codes are constituted. From programming languages as poetry to paranormal readings with the land against settler ideas of an inanimate wilderness, contributors ask how the material consequences of an array of codes might be re-inscribed to understand or lay form to (alternate) conditions of life.
Revues
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The legal and economic frameworks of ownership are so ubiquitous that it is easy to forget that they are human-made, with their own specific histories. The September issue of "The Architectural Review" looks at some of these histories, from the ideas of John Locke to their violent instrumentalisation within a range of colonial contexts. From new housing in Singapore and(...)
The Architectural Review 1504, September 2023
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The legal and economic frameworks of ownership are so ubiquitous that it is easy to forget that they are human-made, with their own specific histories. The September issue of "The Architectural Review" looks at some of these histories, from the ideas of John Locke to their violent instrumentalisation within a range of colonial contexts. From new housing in Singapore and Geneva to alternative models of co-living and co-operative ownership, and from prospecting tools of digital gameworlds to a story of placemaking gone horribly wrong, the Property issue examines how the concept of property shapes design, and who benefits.
Revues
Hito Steyerl
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Artist, filmmaker, and writer Hito Steyerl is an acute observer and interpreter of globalized and digital cultures. This book examines three of Steyerl's large-scale works--"Hell Yeah We Fuck Die" (2016), "ExtraSpaceCraft" (2016), and "Liquidity Inc." (2014)--as well as other iconic works from the last 15 years. These essayistic documentary films blend personal with(...)
Hito Steyerl
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Artist, filmmaker, and writer Hito Steyerl is an acute observer and interpreter of globalized and digital cultures. This book examines three of Steyerl's large-scale works--"Hell Yeah We Fuck Die" (2016), "ExtraSpaceCraft" (2016), and "Liquidity Inc." (2014)--as well as other iconic works from the last 15 years. These essayistic documentary films blend personal with political and satire with seriousness. Her artworks and writings are inspired by her investigations of the impact of the internet and new technologies on our lives and are critical of the various forms of control and surveillance, as well as militarization and cultural globalization.
$75.00
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Born in Paris, Pierre di Sciullo is a central figure in both French graphic design and typography. At the international level, he is one of the pioneers who first designed digital typefaces. His truculent, literary, and at times insolent work explores various paths, from an infinite taste for logic and a total absence of presumption about letterforms and type history, to(...)
janvier 2020
Pierre di Sciullo: l'après-midi d'un soleil, the afternoon of a phoneme
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Born in Paris, Pierre di Sciullo is a central figure in both French graphic design and typography. At the international level, he is one of the pioneers who first designed digital typefaces. His truculent, literary, and at times insolent work explores various paths, from an infinite taste for logic and a total absence of presumption about letterforms and type history, to the glyph observed from its geometry and colorimetry, or the permanent oscillations between a rigorous methodology and poetic results. This monograph of Di Sciullo’s work takes the form of an extensive, precisely detailed and broadly illustrated interview.
The materials book
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To achieve truly climate-friendly architecture means not just switching to sources of renewable power, but building with materials that produce zero carbon emissions, use no fossil fuels, and create no waste. This publication contains essays, case studies, and a catalogue of building materials compiled by more than 60 architects, engineers, and scientists from around the(...)
The materials book
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$79.00
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To achieve truly climate-friendly architecture means not just switching to sources of renewable power, but building with materials that produce zero carbon emissions, use no fossil fuels, and create no waste. This publication contains essays, case studies, and a catalogue of building materials compiled by more than 60 architects, engineers, and scientists from around the world that deal with the environmentally mindful and socially responsible use of materials and resources. Ideas range from centuries-old traditions to newly developed biomaterials, from low-tech, artisanal methods to advanced digital technologies, and from incremental shifts to massive, top-down changes.
Matériaux et éclairage