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livres
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How do we build or make a voice together? Can we imagine the voices we make in the form of a skin, a multi-sensory interface that behaves both as a boundary and as a point of connection? What does such a voice capacitate in times of crises and uncertainties? In ''Building a Voice: Sound, Surface, Skin'', Zeynep Bulut explores these questions. She examines the(...)
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How do we build or make a voice together? Can we imagine the voices we make in the form of a skin, a multi-sensory interface that behaves both as a boundary and as a point of connection? What does such a voice capacitate in times of crises and uncertainties? In ''Building a Voice: Sound, Surface, Skin'', Zeynep Bulut explores these questions. She examines the(...)
Titre:
Building a voice: Sound, surface, skin
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How do we build or make a voice together? Can we imagine the voices we make in the form of a skin, a multi-sensory interface that behaves both as a boundary and as a point of connection? What does such a voice capacitate in times of crises and uncertainties? In ''Building a Voice: Sound, Surface, Skin'', Zeynep Bulut explores these questions. She examines the multi-sensory and collective forms of voice making in experimental music, sound and media art in conversation with the use of voice in creative interventions for environmental crisis, experiences of voice hearing, and digital technologies of artificial and tactile speech.
Building a voice: Sound, surface, skin
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How do we build or make a voice together? Can we imagine the voices we make in the form of a skin, a multi-sensory interface that behaves both as a boundary and as a point of connection? What does such a voice capacitate in times of crises and uncertainties? In ''Building a Voice: Sound, Surface, Skin'', Zeynep Bulut explores these questions. She examines the multi-sensory and collective forms of voice making in experimental music, sound and media art in conversation with the use of voice in creative interventions for environmental crisis, experiences of voice hearing, and digital technologies of artificial and tactile speech.
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livres
livres
Publication:
mars 2025
mars 2025
Sujet:
Acoustique
Acoustique
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livres
livres
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The past twenty years have seen profound changes in the field of graphic communication. As the computer has become a ubiquitous tool, there has been an explosion of creativity in graphic design; designers and typographers have jettisoned existing rules and forged experimental new approaches. "No more rules" is a critical survey offering an overview of the graphic(...)
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The past twenty years have seen profound changes in the field of graphic communication. As the computer has become a ubiquitous tool, there has been an explosion of creativity in graphic design; designers and typographers have jettisoned existing rules and forged experimental new approaches. "No more rules" is a critical survey offering an overview of the graphic(...)
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No more rules : graphic design and postmodernism
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The past twenty years have seen profound changes in the field of graphic communication. As the computer has become a ubiquitous tool, there has been an explosion of creativity in graphic design; designers and typographers have jettisoned existing rules and forged experimental new approaches. "No more rules" is a critical survey offering an overview of the graphic revolution during the postmodern period. A presentation into key developments and themes : the origins of postmodern design; deconstructionist design and theory; issues of appropriation; the revolution in digital type; questions of authorship; and critiques of postmodern graphic design. Each theme is illustrated by examples of work produced between 1980 and 2000.
No more rules : graphic design and postmodernism
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The past twenty years have seen profound changes in the field of graphic communication. As the computer has become a ubiquitous tool, there has been an explosion of creativity in graphic design; designers and typographers have jettisoned existing rules and forged experimental new approaches. "No more rules" is a critical survey offering an overview of the graphic revolution during the postmodern period. A presentation into key developments and themes : the origins of postmodern design; deconstructionist design and theory; issues of appropriation; the revolution in digital type; questions of authorship; and critiques of postmodern graphic design. Each theme is illustrated by examples of work produced between 1980 and 2000.
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livres
livres
Publication:
octobre 2003, New Haven
octobre 2003, New Haven
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livres
livres
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$21.95
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The architectural awareness and experience of space, and its creative use can profit greatly from certain aspects of “games” and the related technology. Here the author investigates a fascinating contribution of avant-garde art to the construction of space in the field of electronic games and arcades, beginning with "New Babylon", moving through the radical suggestions of(...)
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The architectural awareness and experience of space, and its creative use can profit greatly from certain aspects of “games” and the related technology. Here the author investigates a fascinating contribution of avant-garde art to the construction of space in the field of electronic games and arcades, beginning with "New Babylon", moving through the radical suggestions of(...)
Titre:
Game zone : playgrounds between virtual scenarios and reality
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The architectural awareness and experience of space, and its creative use can profit greatly from certain aspects of “games” and the related technology. Here the author investigates a fascinating contribution of avant-garde art to the construction of space in the field of electronic games and arcades, beginning with "New Babylon", moving through the radical suggestions of the 1960's and 1970's to the commercial and experimental examples of contemporary amusement arcades. Also considered are the virtual worlds of video games which are growing increasingly complex. The book reveals in a critical way how important the element of “play” has become in today’s digital architectonic designs.
Game zone : playgrounds between virtual scenarios and reality
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The architectural awareness and experience of space, and its creative use can profit greatly from certain aspects of “games” and the related technology. Here the author investigates a fascinating contribution of avant-garde art to the construction of space in the field of electronic games and arcades, beginning with "New Babylon", moving through the radical suggestions of the 1960's and 1970's to the commercial and experimental examples of contemporary amusement arcades. Also considered are the virtual worlds of video games which are growing increasingly complex. The book reveals in a critical way how important the element of “play” has become in today’s digital architectonic designs.
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livres
livres
Publication:
décembre 2003, Basel
décembre 2003, Basel
Sujet:
petits formats
petits formats
Classification:
livres
livres
Titre:
Photography and doubt
Photography and doubt
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$69.90
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Recent decades have seen photography’s privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. "Photography and doubt" reflects on this interest in(...)
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Recent decades have seen photography’s privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. "Photography and doubt" reflects on this interest in(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
janvier 2017
janvier 2017
Titre:
Photography and doubt
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Recent decades have seen photography’s privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. "Photography and doubt" reflects on this interest in photography’s referential power by discussing it in rigorously historical terms. How was the understanding of photographic realism cultivated in the first place? What do cases of staged and manipulated photography reveal about that realism’s hold on audiences across the medium’s history? Have doubts about photography’s testimonial power stimulated as much knowledge as its realism?
Photography and doubt
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Recent decades have seen photography’s privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. "Photography and doubt" reflects on this interest in photography’s referential power by discussing it in rigorously historical terms. How was the understanding of photographic realism cultivated in the first place? What do cases of staged and manipulated photography reveal about that realism’s hold on audiences across the medium’s history? Have doubts about photography’s testimonial power stimulated as much knowledge as its realism?
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livres
livres
Publication:
janvier 2017
janvier 2017
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$50.00
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In the digital era the office is ubiquitous, without a defined space or time. Everything can be done at any moment of the day and in any location. Caruso St John Architects and Javier Mozas (a+t research group) attempt to define the character of the contemporary office through paradigm-changing buildings and their sources of inspiration. Edited by Aurora Fernández, this(...)
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In the digital era the office is ubiquitous, without a defined space or time. Everything can be done at any moment of the day and in any location. Caruso St John Architects and Javier Mozas (a+t research group) attempt to define the character of the contemporary office through paradigm-changing buildings and their sources of inspiration. Edited by Aurora Fernández, this(...)
Publication:
décembre 2017
décembre 2017
Titre:
The office on the grass: the evolution of the workplace
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In the digital era the office is ubiquitous, without a defined space or time. Everything can be done at any moment of the day and in any location. Caruso St John Architects and Javier Mozas (a+t research group) attempt to define the character of the contemporary office through paradigm-changing buildings and their sources of inspiration. Edited by Aurora Fernández, this issue includes an illustrated glossary containing significant projects and a time line of the most crucial innovations in the workplace environment in recent years. The publication comprises a selection of content which has previously been published in a+t magazines Workforce series.
The office on the grass: the evolution of the workplace
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In the digital era the office is ubiquitous, without a defined space or time. Everything can be done at any moment of the day and in any location. Caruso St John Architects and Javier Mozas (a+t research group) attempt to define the character of the contemporary office through paradigm-changing buildings and their sources of inspiration. Edited by Aurora Fernández, this issue includes an illustrated glossary containing significant projects and a time line of the most crucial innovations in the workplace environment in recent years. The publication comprises a selection of content which has previously been published in a+t magazines Workforce series.
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livres
livres
Publication:
décembre 2017
décembre 2017
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livres
livres
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Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept(...)
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Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept(...)
Titre:
The sympathy of things: Ruskin and the ecology of design, 2nd edition
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Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept in Ruskin's aesthetics, re-evaluating it as the driving force of the twenty-first century aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century, but which Spuybroek argues to be central to contemporary aesthetics and design.
The sympathy of things: Ruskin and the ecology of design, 2nd edition
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Résumé:
Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept in Ruskin's aesthetics, re-evaluating it as the driving force of the twenty-first century aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century, but which Spuybroek argues to be central to contemporary aesthetics and design.
Classification:
livres
livres
Publication:
juin 2016
juin 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$31.95
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The Mikmak Foundation invited German architect Jürgen Mayer H. for the Designers of the Future lecture, because of the particular relationship in his work between research and architectural practice, combined with a strong interest in articulating the contemporary public realm, including the use and meaning of new media. The contemporary public realm faces enormous(...)
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The Mikmak Foundation invited German architect Jürgen Mayer H. for the Designers of the Future lecture, because of the particular relationship in his work between research and architectural practice, combined with a strong interest in articulating the contemporary public realm, including the use and meaning of new media. The contemporary public realm faces enormous(...)
Titre:
Jürgen Mayer: Could would should
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The Mikmak Foundation invited German architect Jürgen Mayer H. for the Designers of the Future lecture, because of the particular relationship in his work between research and architectural practice, combined with a strong interest in articulating the contemporary public realm, including the use and meaning of new media. The contemporary public realm faces enormous challenges, amongst others the introduction of a parallel digital public sphere. How should we envisage the role of the architect in an augmented reality of physical and virtual worlds? In this transcript of the lecture, Mayer H. discusses his viewpoints, research and architectural practice in four parts: ‘A-Way’, ‘Built Work’, ‘A Country’, and ‘Metropol Parasol’.
Jürgen Mayer: Could would should
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$31.95
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The Mikmak Foundation invited German architect Jürgen Mayer H. for the Designers of the Future lecture, because of the particular relationship in his work between research and architectural practice, combined with a strong interest in articulating the contemporary public realm, including the use and meaning of new media. The contemporary public realm faces enormous challenges, amongst others the introduction of a parallel digital public sphere. How should we envisage the role of the architect in an augmented reality of physical and virtual worlds? In this transcript of the lecture, Mayer H. discusses his viewpoints, research and architectural practice in four parts: ‘A-Way’, ‘Built Work’, ‘A Country’, and ‘Metropol Parasol’.
Classification:
livres
livres
Publication:
juin 2016
juin 2016
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
Prix:
$47.50
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For more than twenty years, Armin Linke has been photographing the effects of globalization, the wholesale transformation of infrastructures, and the networking of the post-industrial society via digital information and communication technologies. His photographs show that the modern world is a massive profusion of data, where the material infrastructures, consisting of(...)
$47.50
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For more than twenty years, Armin Linke has been photographing the effects of globalization, the wholesale transformation of infrastructures, and the networking of the post-industrial society via digital information and communication technologies. His photographs show that the modern world is a massive profusion of data, where the material infrastructures, consisting of(...)
Titre:
Armin Linke: the appearance of that which cannot be seen
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For more than twenty years, Armin Linke has been photographing the effects of globalization, the wholesale transformation of infrastructures, and the networking of the post-industrial society via digital information and communication technologies. His photographs show that the modern world is a massive profusion of data, where the material infrastructures, consisting of computer centres, data highways, and server rooms, are largely invisible. For The Appearance of That Which Cannot Be Seen, Linke invited scientists and theoreticians to examine his picture archive. Ariella Azoulay, Bruno Latour, Peter Weibel, Mark Wigley, and Jan Zalasiewicz made a selection of images and in the process opened up Linke’s photos to a variety of different readings.
Armin Linke: the appearance of that which cannot be seen
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For more than twenty years, Armin Linke has been photographing the effects of globalization, the wholesale transformation of infrastructures, and the networking of the post-industrial society via digital information and communication technologies. His photographs show that the modern world is a massive profusion of data, where the material infrastructures, consisting of computer centres, data highways, and server rooms, are largely invisible. For The Appearance of That Which Cannot Be Seen, Linke invited scientists and theoreticians to examine his picture archive. Ariella Azoulay, Bruno Latour, Peter Weibel, Mark Wigley, and Jan Zalasiewicz made a selection of images and in the process opened up Linke’s photos to a variety of different readings.
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$32.95
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This anthology addresses the challenges of curating, presenting, and preserving new-media art—artworks that use digital technologies as media and emphasize process over object. As an art form that is inherently time based, dynamic, interactive, collaborative, customizable, and variable, new-media art resists objectification. It boldly challenges the traditional art(...)
$32.95
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This anthology addresses the challenges of curating, presenting, and preserving new-media art—artworks that use digital technologies as media and emphasize process over object. As an art form that is inherently time based, dynamic, interactive, collaborative, customizable, and variable, new-media art resists objectification. It boldly challenges the traditional art(...)
Titre:
New media in the white cube and beyond
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This anthology addresses the challenges of curating, presenting, and preserving new-media art—artworks that use digital technologies as media and emphasize process over object. As an art form that is inherently time based, dynamic, interactive, collaborative, customizable, and variable, new-media art resists objectification. It boldly challenges the traditional art world's customary methods of presentation and documentation as well as its approach to collection and preservation. Edited and introduced by Christiane Paul and featuring contributions by prominent practitioners—institutional and independent curators, theorists, and conservators—this volume charts developments in an exciting field and addresses the conceptual, philosophical, and practical issues of both curating and presenting new-media art.
New media in the white cube and beyond
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$32.95
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This anthology addresses the challenges of curating, presenting, and preserving new-media art—artworks that use digital technologies as media and emphasize process over object. As an art form that is inherently time based, dynamic, interactive, collaborative, customizable, and variable, new-media art resists objectification. It boldly challenges the traditional art world's customary methods of presentation and documentation as well as its approach to collection and preservation. Edited and introduced by Christiane Paul and featuring contributions by prominent practitioners—institutional and independent curators, theorists, and conservators—this volume charts developments in an exciting field and addresses the conceptual, philosophical, and practical issues of both curating and presenting new-media art.
Classification:
livres
livres
Publication:
octobre 2008
octobre 2008
Classification:
livres
livres
Titre:
Rivka Rinn
Rivka Rinn
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$36.00
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Rivka Rinn is an artist on the go: this handsome, limited-edition color volume presents four new series of photographs documenting the artist's travel over the past ten years. Rinn's narrative-based, hyper-intense digital photos are often produced with ink-jet printer on glass and mounted in beautifully lit displays; the book shows many of them in context, adding another(...)
$36.00
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Rivka Rinn is an artist on the go: this handsome, limited-edition color volume presents four new series of photographs documenting the artist's travel over the past ten years. Rinn's narrative-based, hyper-intense digital photos are often produced with ink-jet printer on glass and mounted in beautifully lit displays; the book shows many of them in context, adding another(...)
Titre:
Rivka Rinn
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$36.00
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Rivka Rinn is an artist on the go: this handsome, limited-edition color volume presents four new series of photographs documenting the artist's travel over the past ten years. Rinn's narrative-based, hyper-intense digital photos are often produced with ink-jet printer on glass and mounted in beautifully lit displays; the book shows many of them in context, adding another way of appreciating the Israel-born, Europe-based photographer's work Certainly, Rinn's photos, whether of crowded streets in Japan or a heavenly, cloud-studded sky juxtaposed with a Renaissance dome, add an unexpected dimension to our view of the world. With an insightful introduction by curator Barbara Wally.
Rivka Rinn
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$36.00
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Rivka Rinn is an artist on the go: this handsome, limited-edition color volume presents four new series of photographs documenting the artist's travel over the past ten years. Rinn's narrative-based, hyper-intense digital photos are often produced with ink-jet printer on glass and mounted in beautifully lit displays; the book shows many of them in context, adding another way of appreciating the Israel-born, Europe-based photographer's work Certainly, Rinn's photos, whether of crowded streets in Japan or a heavenly, cloud-studded sky juxtaposed with a Renaissance dome, add an unexpected dimension to our view of the world. With an insightful introduction by curator Barbara Wally.
Classification:
livres
livres
Publication:
juin 2008, Salzburg
juin 2008, Salzburg
Sujet:
Monographies photo
Monographies photo
