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In 1919 the Social Democrat city council of Vienna initiated a radical program of reforms designed to reshape the city's infrastructure along socialist lines. The centrepiece and most enduring achievement of "Red" Vienna was the construction of the Wiener (...)
The architecture of red Vienna 1919-1934
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In 1919 the Social Democrat city council of Vienna initiated a radical program of reforms designed to reshape the city's infrastructure along socialist lines. The centrepiece and most enduring achievement of "Red" Vienna was the construction of the Wiener Gemeindebauten, 400 communal housing blocks, distributed throughout the city, in which workers' dwellings were incorporated with kindergartens, libraries, medical clinics, theaters, cooperative stores, and other public facilities. The 64,000 units housed one tenth of the city's population. Throughout this socialist building campaign, however, Austria was ruled by a conservative, clerical, and antisocialist political majority. Thus the architecture of Red Vienna took shape in the midst of highly charged, and often violent, political conflict between left and right. In this book, Eve Blau looks at how that ideological conflict shaped the buildings of Red Vienna--in terms of their programme, spatial conception, language, and use--as well as how political meaning itself is manifested in architecture. She shows how the architecture of Red Vienna constructed meaning in relation to the ideological conflicts that defined Austrian politics in the interwar period--how it was shaped by the conditions of its making, and how it engaged its own codes, practices, and history to stake out a political position in relation to those conditions. Her investigation sheds light both on the complex relationship among political program, architectural practice, and urban history in interwar Vienna, and on the process by which architecture can generate a collective discourse that includes all members of society.
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décembre 1998, Cambridge, Mass.
Modernisme
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas(...)
août 2008, London
Psycho Buildings: Artists Take On Architecture
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas Saraceno, Do-Ho Suh and Rachel Whiteread--who create habitat-like structures and architectural environments that are mental and perceptual spaces as much as physical ones. The works in this book revisit and reanimate the history of Modernist design while reminding us that built spaces can be defined in social, political, psychological, physical and aesthetic terms. An invaluable exploration of this contemporary trend, the volume includes essays by Hayward Director Ralph Rugoff, Jane Rendell and Brian Dillon. In addition, each artist profile includes a text by a different author, including Francis McKee, Tumelo Mosaka, Midori Matsui, Brian Dillon, Paulo Herkenhoff, David Greene, Francesco Manacorda, Tom Morton, Miwon Kwon and Iain Sinclair.
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240 pages : illustrations, maps, plans ; 23 cm
Toronto : Dundurn, ©2012.
Unbuilt Victoria / Dorothy Mindenhall.
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240 pages : illustrations, maps, plans ; 23 cm
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Toronto : Dundurn, ©2012.
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Inner Space is part of an ongoing research project into the construction of the architectural imagination. It sets out to investigate the space between the inner and outer realities, a space that could be inhabited and explored in itself, looking for those moments in which the two realms interact most vividly. Besides, it also identifies two parallel and strictly(...)
Théorie de l’architecture
novembre 2019
Inner space. Poetics of Reason, Lisbon Architecture Triennale
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Inner Space is part of an ongoing research project into the construction of the architectural imagination. It sets out to investigate the space between the inner and outer realities, a space that could be inhabited and explored in itself, looking for those moments in which the two realms interact most vividly. Besides, it also identifies two parallel and strictly intertwined movements intervening in the construction of architectural imagination: a collective one and an individual one, two spheres complementing each other. The aim is to identify imagination as an immersive territory that can be experienced, crossed and even inhabited, defined as a human ability which partly relies on a collective process.
Théorie de l’architecture
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From the seventeenth century until today, the "modern" has served as a key category by which to understand an ever-changing present. Art and architecture have played a key role in this pursuit, as the means by which "the modern" was to manifest itself. The essays in this new anthology trace the modern project through its multifarious manifestation in order to understand(...)
Théorie de l’urbanisme
juillet 2004, London
Tracing modernity : manifestations of the modern in architecture and the city
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From the seventeenth century until today, the "modern" has served as a key category by which to understand an ever-changing present. Art and architecture have played a key role in this pursuit, as the means by which "the modern" was to manifest itself. The essays in this new anthology trace the modern project through its multifarious manifestation in order to understand contemporary culture in a deeper sense than discussions of "modernism" and "post modernism" usually offer. Drawing on architectural and urban history as well as philosophy and sociology, the book outlines the complex and conflicting roots of modernity by tracing its manifestations in architecture and the city.
Théorie de l’urbanisme
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Among the post-war buildings in Norway, St. Hallvard Abbey at Enerhaugen in Oslo stands in a class by itself. When the main section of the complex was completed in 1966 it marked the introduction of a new stage of post-war architecture in which the paramount objective comprised expression and significance. Photographs by Jiri Havran.
Architecture, monographies
juillet 1997, Oslo
Lund & Slaatto : St. Hallvard Abbey
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Among the post-war buildings in Norway, St. Hallvard Abbey at Enerhaugen in Oslo stands in a class by itself. When the main section of the complex was completed in 1966 it marked the introduction of a new stage of post-war architecture in which the paramount objective comprised expression and significance. Photographs by Jiri Havran.
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juillet 1997, Oslo
Architecture, monographies
$108.95
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From England, Scotland and Ireland to Italy, Portugal, and Spain, throughout Scandinavia and including Germany, Austria and Switzerland, the churches studied here illustrate the many ways religious sentiment lends itself to the architectural discipline. The range of artistry is equally vast, featuring works by Alvar Aalto, Mario Botta, Egon Eiermann, Le Corbusier, Carlo(...)
novembre 2002, Munich
European church architecture 1950-2000
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From England, Scotland and Ireland to Italy, Portugal, and Spain, throughout Scandinavia and including Germany, Austria and Switzerland, the churches studied here illustrate the many ways religious sentiment lends itself to the architectural discipline. The range of artistry is equally vast, featuring works by Alvar Aalto, Mario Botta, Egon Eiermann, Le Corbusier, Carlo Scarpa, Rudolf Schwarz, Alvaro Siza, Heinz Tesar, Aldo Van Eyck and Peter Zumthor. In addition, essays by respected architectural historians as well as prominent theologians discuss the variety of ecclesiastical buildings as well as how the church is viewed both from a Roman Catholic and Protestant perspective.
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This volume presents recent works by the Munich-based studio Tochtermann Wündrich. The idea of architecture that the two young architects offer in this book is all contained within the axonometries which, like icons, open each of the projects they have chosen. Icons that didn't exist before this book and that become symbols of an architecture that could be defined as(...)
Architecture, monographies
décembre 2019
Tochtermann Wündrich. Selected projects
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This volume presents recent works by the Munich-based studio Tochtermann Wündrich. The idea of architecture that the two young architects offer in this book is all contained within the axonometries which, like icons, open each of the projects they have chosen. Icons that didn't exist before this book and that become symbols of an architecture that could be defined as icastic. An architecture that describes itself, its forms and its elements in its essential features, in an immediate, memorable and self-referential way. The introductory text is by Enrico Molteni.
Architecture, monographies
$79.95
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"The Portfolio and the Diagram" is about the changing ways architects see, read, and use the words and images of architectural publications. It begins with an outline of the academic discipline and the mimetic practice of the portfolio, established in America during the late nineteenth century. World War I triggered a historical process that resulted in the demise of the(...)
Théorie de l’architecture
avril 2002, Cambridge, Massachusetts
The portfolio and the diagram : architecture, discourse, and modernity in America
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"The Portfolio and the Diagram" is about the changing ways architects see, read, and use the words and images of architectural publications. It begins with an outline of the academic discipline and the mimetic practice of the portfolio, established in America during the late nineteenth century. World War I triggered a historical process that resulted in the demise of the portfolio and the emergence of the discourse of the diagram. The Beaux Arts-trained architects had fashioned their discipline through the meticulous object-centered images of the portfolio. The discourse of the diagram provided a new range of possibility in the architect’s relation to words, images, and buildings. More than the diagram itself, more than the province of narrow-minded functionalists, the discourse of the diagram is a complex formation of texts, concepts, and modes of representation. Concerned less with constructing a new kind of modernism than with understanding the boundaries and structures of modernity, the book is a history of modern architecture as a discursive practice and its striving to become a viable discipline.
Théorie de l’architecture
livres
Description:
1072 pages : illustrations (chiefly color) ; 25 cm
Cambridge, Mass. : MIT Press ; [Karlsruhe, Germany] : ZKM/Center for Art and Media in Karlsruhe, ©2005.
Making things public : atmospheres of democracy / edited by Bruno Latour and Peter Weibel.
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1072 pages : illustrations (chiefly color) ; 25 cm
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Cambridge, Mass. : MIT Press ; [Karlsruhe, Germany] : ZKM/Center for Art and Media in Karlsruhe, ©2005.