4292 Résultats
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:1163
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
PH1986:1163
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1982
1982
Titre:
View of a dried-up water tank, a pavilion, mandapa and colonnades with the eastern mahadvara [main entrance] gopura of the Krishna Temple Complex in the background, Vijayanagara, Hampi, India
Actions:
PH1986:1163
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
View of a dried-up water tank, a pavilion, mandapa and colonnades with the eastern mahadvara [main entrance] gopura of the Krishna Temple Complex in the background, Vijayanagara, Hampi, India
Actions:
PH1986:1163
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
Classification:
photographies
photographies
Date:
1982
1982
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
Personnes et institutions:
Date:
1991-1994
1991-1994
Titre:
Personal and professional correspondence for names A-K from 1991-1994
Actions:
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
Personal and professional correspondence for names A-K from 1991-1994
Actions:
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
Classification:
documents textuels
documents textuels
Date:
1991-1994
1991-1994
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:1099
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - Bhima's Gate is visible in the background of this photograph.
PH1986:1099
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - Bhima's Gate is visible in the background of this photograph.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1856
1856
Titre:
View of a lamp column and the Ganigitti Jain Temple, Vijayanagara, Hampi, India
Actions:
PH1986:1099
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - Bhima's Gate is visible in the background of this photograph.
View of a lamp column and the Ganigitti Jain Temple, Vijayanagara, Hampi, India
Actions:
PH1986:1099
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - Bhima's Gate is visible in the background of this photograph.
Classification:
photographies
photographies
Date:
1856
1856
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:1103
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - Alexander Greenlaw is shown in the upper left window of the Octagonal Pavilion.
PH1986:1103
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - Alexander Greenlaw is shown in the upper left window of the Octagonal Pavilion.
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
Date:
1856
1856
Titre:
View of the Octagonal Pavilion, with Alexander Greenlawin its upper left window, and a presence chamber in the background, Viayanagara, Hampi, India
Actions:
PH1986:1103
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - Alexander Greenlaw is shown in the upper left window of the Octagonal Pavilion.
View of the Octagonal Pavilion, with Alexander Greenlawin its upper left window, and a presence chamber in the background, Viayanagara, Hampi, India
Actions:
PH1986:1103
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - Alexander Greenlaw is shown in the upper left window of the Octagonal Pavilion.
Classification:
photographies
photographies
Date:
1856
1856
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:1149
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - Bhima's Gate is visible in the background of this photograph.
PH1986:1149
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - Bhima's Gate is visible in the background of this photograph.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1984
1984
Titre:
View of a lamp column and the Ganigitti Jain Temple, Vijayanagara, Hampi, India
Actions:
PH1986:1149
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - Bhima's Gate is visible in the background of this photograph.
View of a lamp column and the Ganigitti Jain Temple, Vijayanagara, Hampi, India
Actions:
PH1986:1149
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - Bhima's Gate is visible in the background of this photograph.
Classification:
photographies
photographies
Date:
1984
1984
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:1153
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - John Gollings is shown in the upper left window of the Octagonal Pavilion.
PH1986:1153
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - John Gollings is shown in the upper left window of the Octagonal Pavilion.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1984
1984
Titre:
View of the Octagonal Pavilion, with John Gollings in its upper left window, and a presence chamber in the background, Vijayanagara, Hampi, India
Actions:
PH1986:1153
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - John Gollings is shown in the upper left window of the Octagonal Pavilion.
View of the Octagonal Pavilion, with John Gollings in its upper left window, and a presence chamber in the background, Vijayanagara, Hampi, India
Actions:
PH1986:1153
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - John Gollings is shown in the upper left window of the Octagonal Pavilion.
Classification:
photographies
photographies
Date:
1984
1984
Personnes et institutions:
Sujet:
architecture
architecture
Actions:
Numéro de référence:
PH1980:0657:001-288
Description:
This volume contains 285 photographs on 44 leaves, of designs commissioned by Graham Anderson Probst & White for the decoration of the buildings below. They date from 1927 to 1931, and most bear the approval marks of Mr. Alfred Shaw. Firms identified on the photographs include the Northwestern Terra Cotta Co., Flour City Ornamental Iron Co, and Havlick stone Co. The designs, executed in plaster, were for doorways, panelling, cornices, plaques, ceilings, etc., for: The Morton Building, Chicago The Pittsfield Building, Chicago The Koppers Building 20 Wacker Drive Building (Civic Opera House) Merchandise Mart Northwestern National Bank, Minneapolis, Minn. Marshall Field Store, Oak Park, Illinois. Pennsylvania railroad Office Building, Philadelphia, Pa. Higbee Department Store (location?) and at least one unindentified building. J. Gregg 3/22/70" Note by J. Gregg, dated 3/22/70, typewritten on white paper glued on first page of album
PH1980:0657:001-288
Description:
This volume contains 285 photographs on 44 leaves, of designs commissioned by Graham Anderson Probst & White for the decoration of the buildings below. They date from 1927 to 1931, and most bear the approval marks of Mr. Alfred Shaw. Firms identified on the photographs include the Northwestern Terra Cotta Co., Flour City Ornamental Iron Co, and Havlick stone Co. The designs, executed in plaster, were for doorways, panelling, cornices, plaques, ceilings, etc., for: The Morton Building, Chicago The Pittsfield Building, Chicago The Koppers Building 20 Wacker Drive Building (Civic Opera House) Merchandise Mart Northwestern National Bank, Minneapolis, Minn. Marshall Field Store, Oak Park, Illinois. Pennsylvania railroad Office Building, Philadelphia, Pa. Higbee Department Store (location?) and at least one unindentified building. J. Gregg 3/22/70" Note by J. Gregg, dated 3/22/70, typewritten on white paper glued on first page of album
Personnes et institutions:
Sujet:
architecture, ornement
architecture, ornement
Date:
1927-1931
1927-1931
Titre:
Album of architectural ornaments
Actions:
PH1980:0657:001-288
Description:
This volume contains 285 photographs on 44 leaves, of designs commissioned by Graham Anderson Probst & White for the decoration of the buildings below. They date from 1927 to 1931, and most bear the approval marks of Mr. Alfred Shaw. Firms identified on the photographs include the Northwestern Terra Cotta Co., Flour City Ornamental Iron Co, and Havlick stone Co. The designs, executed in plaster, were for doorways, panelling, cornices, plaques, ceilings, etc., for: The Morton Building, Chicago The Pittsfield Building, Chicago The Koppers Building 20 Wacker Drive Building (Civic Opera House) Merchandise Mart Northwestern National Bank, Minneapolis, Minn. Marshall Field Store, Oak Park, Illinois. Pennsylvania railroad Office Building, Philadelphia, Pa. Higbee Department Store (location?) and at least one unindentified building. J. Gregg 3/22/70" Note by J. Gregg, dated 3/22/70, typewritten on white paper glued on first page of album
Album of architectural ornaments
Actions:
PH1980:0657:001-288
Description:
This volume contains 285 photographs on 44 leaves, of designs commissioned by Graham Anderson Probst & White for the decoration of the buildings below. They date from 1927 to 1931, and most bear the approval marks of Mr. Alfred Shaw. Firms identified on the photographs include the Northwestern Terra Cotta Co., Flour City Ornamental Iron Co, and Havlick stone Co. The designs, executed in plaster, were for doorways, panelling, cornices, plaques, ceilings, etc., for: The Morton Building, Chicago The Pittsfield Building, Chicago The Koppers Building 20 Wacker Drive Building (Civic Opera House) Merchandise Mart Northwestern National Bank, Minneapolis, Minn. Marshall Field Store, Oak Park, Illinois. Pennsylvania railroad Office Building, Philadelphia, Pa. Higbee Department Store (location?) and at least one unindentified building. J. Gregg 3/22/70" Note by J. Gregg, dated 3/22/70, typewritten on white paper glued on first page of album
Date:
1927-1931
1927-1931
Personnes et institutions:
Sujet:
architecture, ornement
architecture, ornement
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Personnes et institutions:
Date:
circa 1939-2004
circa 1939-2004
Titre:
Fonds James Stirling/Michael Wilford
Actions:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Fonds James Stirling/Michael Wilford
Actions:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1939-2004
circa 1939-2004
Personnes et institutions:
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Numéro de référence:
AP181.S1.011
Description:
Original directory name: "11_Publikation". File consists chiefly of presentations (Powerpoint, PDF and InDesign files), organized by date and topic such as the double cone, the interior design, the restaurants, the lighting, etc. Often, drawings or images used in the presentations are kept within the same directory. In some instances Adobe InDesign files might have dependencies on those drawings and images, so duplicates were not removed. Presentations seemed to have served various purposes such as showing design proposals or the construction’s progress. Some system files, true type font and photographs predate the BMW Welt project. File notably contains the film commissioned by COOP HIMMELB(L)AU to Imaginary Forces in order to show BMW the magnitude of the project of BMW Welt. A six meter long model was created for this purpose. The film was shown to the client on a 8 x 10 meter screen. Film is in directory "o_Präsentation\050407_INNENAUSBAU" and there are also preliminary and alternate versions in other directories in this file. Most common file formats: JPEG File Interchange Format, Acrobat PDF 1.4 - Portable Document Format, Adobe Illustrator, Encapsulated PostScript File Format, Acrobat PDF 1.5 - Portable Document Format
AP181.S1.011
Description:
Original directory name: "11_Publikation". File consists chiefly of presentations (Powerpoint, PDF and InDesign files), organized by date and topic such as the double cone, the interior design, the restaurants, the lighting, etc. Often, drawings or images used in the presentations are kept within the same directory. In some instances Adobe InDesign files might have dependencies on those drawings and images, so duplicates were not removed. Presentations seemed to have served various purposes such as showing design proposals or the construction’s progress. Some system files, true type font and photographs predate the BMW Welt project. File notably contains the film commissioned by COOP HIMMELB(L)AU to Imaginary Forces in order to show BMW the magnitude of the project of BMW Welt. A six meter long model was created for this purpose. The film was shown to the client on a 8 x 10 meter screen. Film is in directory "o_Präsentation\050407_INNENAUSBAU" and there are also preliminary and alternate versions in other directories in this file. Most common file formats: JPEG File Interchange Format, Acrobat PDF 1.4 - Portable Document Format, Adobe Illustrator, Encapsulated PostScript File Format, Acrobat PDF 1.5 - Portable Document Format
Personnes et institutions:
Date:
1995-2007
1995-2007
Titre:
Presentations, BMW Welt, Munich
Actions:
AP181.S1.011
Description:
Original directory name: "11_Publikation". File consists chiefly of presentations (Powerpoint, PDF and InDesign files), organized by date and topic such as the double cone, the interior design, the restaurants, the lighting, etc. Often, drawings or images used in the presentations are kept within the same directory. In some instances Adobe InDesign files might have dependencies on those drawings and images, so duplicates were not removed. Presentations seemed to have served various purposes such as showing design proposals or the construction’s progress. Some system files, true type font and photographs predate the BMW Welt project. File notably contains the film commissioned by COOP HIMMELB(L)AU to Imaginary Forces in order to show BMW the magnitude of the project of BMW Welt. A six meter long model was created for this purpose. The film was shown to the client on a 8 x 10 meter screen. Film is in directory "o_Präsentation\050407_INNENAUSBAU" and there are also preliminary and alternate versions in other directories in this file. Most common file formats: JPEG File Interchange Format, Acrobat PDF 1.4 - Portable Document Format, Adobe Illustrator, Encapsulated PostScript File Format, Acrobat PDF 1.5 - Portable Document Format
Presentations, BMW Welt, Munich
Actions:
AP181.S1.011
Description:
Original directory name: "11_Publikation". File consists chiefly of presentations (Powerpoint, PDF and InDesign files), organized by date and topic such as the double cone, the interior design, the restaurants, the lighting, etc. Often, drawings or images used in the presentations are kept within the same directory. In some instances Adobe InDesign files might have dependencies on those drawings and images, so duplicates were not removed. Presentations seemed to have served various purposes such as showing design proposals or the construction’s progress. Some system files, true type font and photographs predate the BMW Welt project. File notably contains the film commissioned by COOP HIMMELB(L)AU to Imaginary Forces in order to show BMW the magnitude of the project of BMW Welt. A six meter long model was created for this purpose. The film was shown to the client on a 8 x 10 meter screen. Film is in directory "o_Präsentation\050407_INNENAUSBAU" and there are also preliminary and alternate versions in other directories in this file. Most common file formats: JPEG File Interchange Format, Acrobat PDF 1.4 - Portable Document Format, Adobe Illustrator, Encapsulated PostScript File Format, Acrobat PDF 1.5 - Portable Document Format
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Date:
1995-2007
1995-2007
Personnes et institutions:
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:010:001-048
Description:
- This album contains original designs - mostly preliminary drawings - by Charles and possibly Hubert Rohault de Fleury for theatres and miscellaneous projects, record drawings and prints of French, and perhaps Italian, theatres, and prints for a diverse collection of other French subjects. Drawings and prints for theatres include: traced plans, perhaps of Italian theatres; preliminary plans for theatres designed by Charles Rohault de Fleury; a plan of Théâtre de variétés, Paris, signed by the architect, Jacques Cellérier; prints of Théâtre de l'Odéon, Paris, designed by Charles de Wailly and Marie-Joseph Peyre; a print of Théâtre de la Porte Saint-Martin, Paris, designed by Nicolas Lenoir; a proposal for an opera house, Paris, by Hector Horeau with a plan and perspective; and an engraving of the inscription for the first stone of the Grand-Théâtre, Lyon, designed by Antoine-Marie Chenavard and Jean Pollet. The remaining prints in the album date from the 18th and 19th centuries and include: a competition entry by Louis-Pierre Baltard for a monument at Bordeaux dedicated to the triumphs of the Republican army and to peace; a stable for the Czarina commissioned by Peter I and designed by François Bruant; decorations by Victor Louis for the "fêtes de paix" of 1763 and the inauguration of an equestrian statue of Louis XV for the Théâtre italien dedicated to the Marquis de Marigny; a funerary temple by Louis-Jean Desprez dedicated to Voltaire; a stable with two manèges by Jean François de Neufforge; a competition entry for an obelisk for Pont-Neuf, Paris, by Thomas Pierre Baraguay; a plan and two engravings of the Cirque for the Confédération générale, 14 July 1790, on the Champ-de-Mars; an advertising flyer for Louis Ambroise Dubut's book, "Architecture civile: maison de ville et de campagne"; and a prospectus and print of the Néothermes, rue de la Victoire, Paris, designed by Jean Charles Bringol. Three design drawings are for two projects by Charles Rohault de Fleury - an iron arcade for boulevard du Temple, Paris, and a bathroom or public bath (DR1974:0002:010:013, DR1974:0002:010:014 and DR1974:0002:010:044). A finished drawing for entrance gates (DR1974:0002:010:047) and unidentified sketches and notes (DR1974:0002:010:019 - DR1974:0002:010:022) are by either Hubert or Charles Rohault de Fleury.
DR1974:0002:010:001-048
Description:
- This album contains original designs - mostly preliminary drawings - by Charles and possibly Hubert Rohault de Fleury for theatres and miscellaneous projects, record drawings and prints of French, and perhaps Italian, theatres, and prints for a diverse collection of other French subjects. Drawings and prints for theatres include: traced plans, perhaps of Italian theatres; preliminary plans for theatres designed by Charles Rohault de Fleury; a plan of Théâtre de variétés, Paris, signed by the architect, Jacques Cellérier; prints of Théâtre de l'Odéon, Paris, designed by Charles de Wailly and Marie-Joseph Peyre; a print of Théâtre de la Porte Saint-Martin, Paris, designed by Nicolas Lenoir; a proposal for an opera house, Paris, by Hector Horeau with a plan and perspective; and an engraving of the inscription for the first stone of the Grand-Théâtre, Lyon, designed by Antoine-Marie Chenavard and Jean Pollet. The remaining prints in the album date from the 18th and 19th centuries and include: a competition entry by Louis-Pierre Baltard for a monument at Bordeaux dedicated to the triumphs of the Republican army and to peace; a stable for the Czarina commissioned by Peter I and designed by François Bruant; decorations by Victor Louis for the "fêtes de paix" of 1763 and the inauguration of an equestrian statue of Louis XV for the Théâtre italien dedicated to the Marquis de Marigny; a funerary temple by Louis-Jean Desprez dedicated to Voltaire; a stable with two manèges by Jean François de Neufforge; a competition entry for an obelisk for Pont-Neuf, Paris, by Thomas Pierre Baraguay; a plan and two engravings of the Cirque for the Confédération générale, 14 July 1790, on the Champ-de-Mars; an advertising flyer for Louis Ambroise Dubut's book, "Architecture civile: maison de ville et de campagne"; and a prospectus and print of the Néothermes, rue de la Victoire, Paris, designed by Jean Charles Bringol. Three design drawings are for two projects by Charles Rohault de Fleury - an iron arcade for boulevard du Temple, Paris, and a bathroom or public bath (DR1974:0002:010:013, DR1974:0002:010:014 and DR1974:0002:010:044). A finished drawing for entrance gates (DR1974:0002:010:047) and unidentified sketches and notes (DR1974:0002:010:019 - DR1974:0002:010:022) are by either Hubert or Charles Rohault de Fleury.
Personnes et institutions:
Sujet:
architecture, architecture temporaire, design d'intérieur, militaire, urbanisme
architecture, architecture temporaire, design d'intérieur, militaire, urbanisme
Date:
drawings executed ca. 1790-1868, manuscripts 1802-1868, printed 1717-1868
drawings executed ca. 1790-1868, manuscripts 1802-1868, printed 1717-1868
Titre:
Album of drawings, prints, and manuscripts of theatres and of French projects for buildings, monuments and temporary structures, and drawings and prints by Hubert and Charles Rohault de Fleury for theatres and miscellaneous projects
Actions:
DR1974:0002:010:001-048
Description:
- This album contains original designs - mostly preliminary drawings - by Charles and possibly Hubert Rohault de Fleury for theatres and miscellaneous projects, record drawings and prints of French, and perhaps Italian, theatres, and prints for a diverse collection of other French subjects. Drawings and prints for theatres include: traced plans, perhaps of Italian theatres; preliminary plans for theatres designed by Charles Rohault de Fleury; a plan of Théâtre de variétés, Paris, signed by the architect, Jacques Cellérier; prints of Théâtre de l'Odéon, Paris, designed by Charles de Wailly and Marie-Joseph Peyre; a print of Théâtre de la Porte Saint-Martin, Paris, designed by Nicolas Lenoir; a proposal for an opera house, Paris, by Hector Horeau with a plan and perspective; and an engraving of the inscription for the first stone of the Grand-Théâtre, Lyon, designed by Antoine-Marie Chenavard and Jean Pollet. The remaining prints in the album date from the 18th and 19th centuries and include: a competition entry by Louis-Pierre Baltard for a monument at Bordeaux dedicated to the triumphs of the Republican army and to peace; a stable for the Czarina commissioned by Peter I and designed by François Bruant; decorations by Victor Louis for the "fêtes de paix" of 1763 and the inauguration of an equestrian statue of Louis XV for the Théâtre italien dedicated to the Marquis de Marigny; a funerary temple by Louis-Jean Desprez dedicated to Voltaire; a stable with two manèges by Jean François de Neufforge; a competition entry for an obelisk for Pont-Neuf, Paris, by Thomas Pierre Baraguay; a plan and two engravings of the Cirque for the Confédération générale, 14 July 1790, on the Champ-de-Mars; an advertising flyer for Louis Ambroise Dubut's book, "Architecture civile: maison de ville et de campagne"; and a prospectus and print of the Néothermes, rue de la Victoire, Paris, designed by Jean Charles Bringol. Three design drawings are for two projects by Charles Rohault de Fleury - an iron arcade for boulevard du Temple, Paris, and a bathroom or public bath (DR1974:0002:010:013, DR1974:0002:010:014 and DR1974:0002:010:044). A finished drawing for entrance gates (DR1974:0002:010:047) and unidentified sketches and notes (DR1974:0002:010:019 - DR1974:0002:010:022) are by either Hubert or Charles Rohault de Fleury.
Album of drawings, prints, and manuscripts of theatres and of French projects for buildings, monuments and temporary structures, and drawings and prints by Hubert and Charles Rohault de Fleury for theatres and miscellaneous projects
Actions:
DR1974:0002:010:001-048
Description:
- This album contains original designs - mostly preliminary drawings - by Charles and possibly Hubert Rohault de Fleury for theatres and miscellaneous projects, record drawings and prints of French, and perhaps Italian, theatres, and prints for a diverse collection of other French subjects. Drawings and prints for theatres include: traced plans, perhaps of Italian theatres; preliminary plans for theatres designed by Charles Rohault de Fleury; a plan of Théâtre de variétés, Paris, signed by the architect, Jacques Cellérier; prints of Théâtre de l'Odéon, Paris, designed by Charles de Wailly and Marie-Joseph Peyre; a print of Théâtre de la Porte Saint-Martin, Paris, designed by Nicolas Lenoir; a proposal for an opera house, Paris, by Hector Horeau with a plan and perspective; and an engraving of the inscription for the first stone of the Grand-Théâtre, Lyon, designed by Antoine-Marie Chenavard and Jean Pollet. The remaining prints in the album date from the 18th and 19th centuries and include: a competition entry by Louis-Pierre Baltard for a monument at Bordeaux dedicated to the triumphs of the Republican army and to peace; a stable for the Czarina commissioned by Peter I and designed by François Bruant; decorations by Victor Louis for the "fêtes de paix" of 1763 and the inauguration of an equestrian statue of Louis XV for the Théâtre italien dedicated to the Marquis de Marigny; a funerary temple by Louis-Jean Desprez dedicated to Voltaire; a stable with two manèges by Jean François de Neufforge; a competition entry for an obelisk for Pont-Neuf, Paris, by Thomas Pierre Baraguay; a plan and two engravings of the Cirque for the Confédération générale, 14 July 1790, on the Champ-de-Mars; an advertising flyer for Louis Ambroise Dubut's book, "Architecture civile: maison de ville et de campagne"; and a prospectus and print of the Néothermes, rue de la Victoire, Paris, designed by Jean Charles Bringol. Three design drawings are for two projects by Charles Rohault de Fleury - an iron arcade for boulevard du Temple, Paris, and a bathroom or public bath (DR1974:0002:010:013, DR1974:0002:010:014 and DR1974:0002:010:044). A finished drawing for entrance gates (DR1974:0002:010:047) and unidentified sketches and notes (DR1974:0002:010:019 - DR1974:0002:010:022) are by either Hubert or Charles Rohault de Fleury.
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Date:
drawings executed ca. 1790-1868, manuscripts 1802-1868, printed 1717-1868
drawings executed ca. 1790-1868, manuscripts 1802-1868, printed 1717-1868
Personnes et institutions:
Sujet:
architecture, architecture temporaire, design d'intérieur, militaire, urbanisme
architecture, architecture temporaire, design d'intérieur, militaire, urbanisme
