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"PA 24 : some among them are killers" explores unmanaged landscapes, territories that the author calls "wildernesses." These emerge from the cracks of mapping the spaces, at a variety of scales, that literally reside in the margins of error of our abilities to measure and calibrate space. From Yosemite National Park to the ubiquitous one-gallon milk jug, architect David(...)
Pamphlet architecture #24 - some among them are killers : unmanaged landscapes for non U.S. military and government users
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"PA 24 : some among them are killers" explores unmanaged landscapes, territories that the author calls "wildernesses." These emerge from the cracks of mapping the spaces, at a variety of scales, that literally reside in the margins of error of our abilities to measure and calibrate space. From Yosemite National Park to the ubiquitous one-gallon milk jug, architect David Ross depicts the relationships between architecture and miscalibration and explores the spatial, tactile, and political ramifications of our reliance on modern devices of precision and overdetermination.
petits formats
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In Curious Visions of Modernity , David Martin unpacks a collection of artifacts from the visual and historicalarchives of modernity, finding in each a slippage of scientific rationality--arepressed heterogeneity within the homogenized structures of post-Enlightenment knowledge. In doing so, he exposes modernity and its visual culture as haunted byprecisely those(...)
décembre 2011
Curious visions of modernity: enchantment, magic, and the sacred
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In Curious Visions of Modernity , David Martin unpacks a collection of artifacts from the visual and historicalarchives of modernity, finding in each a slippage of scientific rationality--arepressed heterogeneity within the homogenized structures of post-Enlightenment knowledge. In doing so, he exposes modernity and its visual culture as haunted byprecisely those things that rationality sought to expunge from the"enlightened" world: enchantment, magic, and wonderment. Martin traces the genealogies of what he considers three of the most distinct and historically immediate fields of modern visual culture: the collection, the body, and the mapping of spaces.
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Michael Merrill's recent series of ink wash drawings is part of a larger project: the mapping of the interior spaces of the Montreal Museum of Fine Arts, particularly the new Claire and Marc Bourgie pavilion dedicated to Quebec and Canadian art. The drawings were completed intermittently while working on twelve gouache paintings on view at the Museum as of September 2011.(...)
septembre 2011
Michael Merrill: Espace/ Outer space
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Michael Merrill's recent series of ink wash drawings is part of a larger project: the mapping of the interior spaces of the Montreal Museum of Fine Arts, particularly the new Claire and Marc Bourgie pavilion dedicated to Quebec and Canadian art. The drawings were completed intermittently while working on twelve gouache paintings on view at the Museum as of September 2011. Both series are presented herein. These works are extension of the artist's series entitled Paintings About Art that has been shown throughout Canada and in Europe. In English and French.
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This volume is a study of the discipline of Art History. It provides a roadmap of the field by reassessing the impact of several of the most important works of art history. Each chapter – with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi – analyses a single major book, setting out its premises and argument and mapping the intellectual(...)
The books that shaped art history : from Gombrich and Greenberg to Alpers and Krauss
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This volume is a study of the discipline of Art History. It provides a roadmap of the field by reassessing the impact of several of the most important works of art history. Each chapter – with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi – analyses a single major book, setting out its premises and argument and mapping the intellectual development of its author, discussing its position within the field of art history, and looking at its significance in the context both of its initial reception and its legacy.
Théorie de l’art
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In order to understand and improve cities today, personal observation remains as important as ever. While big data, digital mapping, and simulated cityscapes are valuable tools for understanding urban space, using them without on-the-ground, human impressions risks creating places that do not reflect authentic local context. "Seeing the Better City" brings our attention(...)
Seeing the better city: how to explore, observe, and improve urban space
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In order to understand and improve cities today, personal observation remains as important as ever. While big data, digital mapping, and simulated cityscapes are valuable tools for understanding urban space, using them without on-the-ground, human impressions risks creating places that do not reflect authentic local context. "Seeing the Better City" brings our attention back to the real world right in front of us, focusing it once more on the sights, sounds, and experiences of place in order to craft policies, plans, and regulations to shape better urban environments.
Théorie de l’urbanisme
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Complex Order was born of a necessity to build a conversation around the work of spmb [São Paulo-Manitoba], in dialogue with other practitioners, artists, architects, theoreticians, and critics, mapping out the regions of understanding of what they do. Complex Order generates a public space of sorts, stretching the discussion of public space itself—its poetics and(...)
spmb: Complex order: intrusions in public space
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Complex Order was born of a necessity to build a conversation around the work of spmb [São Paulo-Manitoba], in dialogue with other practitioners, artists, architects, theoreticians, and critics, mapping out the regions of understanding of what they do. Complex Order generates a public space of sorts, stretching the discussion of public space itself—its poetics and politics, its actions and representations. Rather than follow the tradition of the monograph, centred in the production of the individual artist, Complex Order rethinks the artist’s book, investigating the relationships of spmb’s work within a larger context.
Architecture, monographies
Time matters
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The visibility of climate-emergency phenomena and multiplying crises results in a growing awareness of immediate and long-term repercussions of our design actions. Led by Urszula Kozminska, the project "Time matters" is a collective reflection on an open and experimental approach towards sustainability in which the idea of time is the core of investigations. It aims to(...)
Time matters
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The visibility of climate-emergency phenomena and multiplying crises results in a growing awareness of immediate and long-term repercussions of our design actions. Led by Urszula Kozminska, the project "Time matters" is a collective reflection on an open and experimental approach towards sustainability in which the idea of time is the core of investigations. It aims to showcase the power of fictional architectural narratives in stimulating new ways of mapping, designing, constructing, and communicating. Furthermore, the project promotes an architecture that evolves alongside shifting conditions and introduces its dynamics as a primary design parameter.
Architecture écologique
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Sixty-six objects from Ryan Gander’s collection make up his major new works Fieldwork 2015 (2015) and Fieldwork 2016 (2016). Each object passes by a window, one after another, on a constantly looping conveyor belt. A National Trust sign protecting ‘Culturefield’, a chess set, a pair of dead pigeons, a kitchen sink. Found, fabricated, everyday and exceptional, these(...)
Fieldwork: the complete reader
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Sixty-six objects from Ryan Gander’s collection make up his major new works Fieldwork 2015 (2015) and Fieldwork 2016 (2016). Each object passes by a window, one after another, on a constantly looping conveyor belt. A National Trust sign protecting ‘Culturefield’, a chess set, a pair of dead pigeons, a kitchen sink. Found, fabricated, everyday and exceptional, these objects may represent the richness of our existence, mapping its totality one object at a time. Through this work and a series of writings, Fieldwork serves as a reader to Gander’s on-going and ever-evolving practice.
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In "Havana beyond the Ruins," prominent architects, scholars, and writers based in and outside of Cuba analyze how Havana has been portrayed in literature, music, and the visual arts since Soviet subsidies of Cuba ceased, and the Cuban state has re-imagined Havana as a destination for international tourists and business ventures. Cuba's capital has experienced little(...)
Havana, beyond the ruins: cultural mappings after 1989
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In "Havana beyond the Ruins," prominent architects, scholars, and writers based in and outside of Cuba analyze how Havana has been portrayed in literature, music, and the visual arts since Soviet subsidies of Cuba ceased, and the Cuban state has re-imagined Havana as a destination for international tourists and business ventures. Cuba's capital has experienced little construction since the revolution of 1959; many of its citizens live in poorly maintained colonial and modernist dwellings. It is this Havana--of crumbling houses, old cars, and a romantic aura of ruined hopes--that is marketed in picture books, memorabilia, and films. Bringing together assessments of the city's dwellings and urban development projects, "Havana beyond the Ruins" provides unique insights into issues of memory, citizenship, urban life, and the future of the revolution in Cuba.
Théorie de l’urbanisme
Rethinking the power of maps
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A contemporary follow-up to the groundbreaking Power of Maps, this book takes a look at what maps do, whose interests they serve, and how they can be used in surprising, creative, and radical ways. Denis Wood describes how cartography facilitated the rise of the modern state and how maps continue to embody and project the interests of their creators. He demystifies the(...)
Rethinking the power of maps
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A contemporary follow-up to the groundbreaking Power of Maps, this book takes a look at what maps do, whose interests they serve, and how they can be used in surprising, creative, and radical ways. Denis Wood describes how cartography facilitated the rise of the modern state and how maps continue to embody and project the interests of their creators. He demystifies the hidden assumptions of mapmaking and explores the promises and limitations of diverse counter-mapping practices today. Ilustrations include U.S. Geological Survey maps; electoral and transportation maps; and numerous examples of critical cartography, participatory GIS, and map art.