7565 Résultats
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The most complete monograph dedicated to the work of Michael Maltzan and his Los Angeles-based architecture practice, this book presents 16 of Maltzan’s most recent projects with full-color photographs, drawings, and plans. Maltzan is an architect who deals with the realities of urban landscape through the manipulation of ground, circulation, and perception. Among his(...)
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The most complete monograph dedicated to the work of Michael Maltzan and his Los Angeles-based architecture practice, this book presents 16 of Maltzan’s most recent projects with full-color photographs, drawings, and plans. Maltzan is an architect who deals with the realities of urban landscape through the manipulation of ground, circulation, and perception. Among his(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
juin 2005, Pittsburg
juin 2005, Pittsburg
Titre:
Michael Maltzan : allternate ground
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The most complete monograph dedicated to the work of Michael Maltzan and his Los Angeles-based architecture practice, this book presents 16 of Maltzan’s most recent projects with full-color photographs, drawings, and plans. Maltzan is an architect who deals with the realities of urban landscape through the manipulation of ground, circulation, and perception. Among his best-known projects is MoMA QNS, Maltzan’s reworking of a former factory into a temporary accommodation for the Museum of Modern Art, which opened in Queens, New York, in June 2002. Projects currently in design or under construction include several innovative residences in California, the Fresno Metropolitan Museum, and Kidspace Children’s Museum, Pasadena, which was selected for the 2002 Venice Biennale International Exhibition of Architecture. Edited by Raymund Ryan with essays by Ai Weiwei and Mirko Zardini and a foreword by Richard Armstrong.
Michael Maltzan : allternate ground
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The most complete monograph dedicated to the work of Michael Maltzan and his Los Angeles-based architecture practice, this book presents 16 of Maltzan’s most recent projects with full-color photographs, drawings, and plans. Maltzan is an architect who deals with the realities of urban landscape through the manipulation of ground, circulation, and perception. Among his best-known projects is MoMA QNS, Maltzan’s reworking of a former factory into a temporary accommodation for the Museum of Modern Art, which opened in Queens, New York, in June 2002. Projects currently in design or under construction include several innovative residences in California, the Fresno Metropolitan Museum, and Kidspace Children’s Museum, Pasadena, which was selected for the 2002 Venice Biennale International Exhibition of Architecture. Edited by Raymund Ryan with essays by Ai Weiwei and Mirko Zardini and a foreword by Richard Armstrong.
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livres
livres
Publication:
juin 2005, Pittsburg
juin 2005, Pittsburg
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$60.00
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How do city and architecture flourish together ? This question is central to the three-dimensional capriccio that displays a fictional Flemish urban environment. Over time, the informal city in Flanders and Brussels has developed a unique relationship with its architecture. This staged urban landscape reveals how historical layers, morphological peculiarities and(...)
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How do city and architecture flourish together ? This question is central to the three-dimensional capriccio that displays a fictional Flemish urban environment. Over time, the informal city in Flanders and Brussels has developed a unique relationship with its architecture. This staged urban landscape reveals how historical layers, morphological peculiarities and(...)
Publication:
juin 2021
juin 2021
Titre:
Bovenbouw Architectuur: Composite presence
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How do city and architecture flourish together ? This question is central to the three-dimensional capriccio that displays a fictional Flemish urban environment. Over time, the informal city in Flanders and Brussels has developed a unique relationship with its architecture. This staged urban landscape reveals how historical layers, morphological peculiarities and unforeseen collisions are an endless source of energy for contemporary architectural production. Published on the occasion of the exhibition "Composite Presence" curated by Bovenbouw Architectuur in the Belgian Pavilion at the Biennale di Architettura 2021 in Venice, Italy.
Bovenbouw Architectuur: Composite presence
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How do city and architecture flourish together ? This question is central to the three-dimensional capriccio that displays a fictional Flemish urban environment. Over time, the informal city in Flanders and Brussels has developed a unique relationship with its architecture. This staged urban landscape reveals how historical layers, morphological peculiarities and unforeseen collisions are an endless source of energy for contemporary architectural production. Published on the occasion of the exhibition "Composite Presence" curated by Bovenbouw Architectuur in the Belgian Pavilion at the Biennale di Architettura 2021 in Venice, Italy.
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livres
livres
Publication:
juin 2021
juin 2021
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$58.00
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The official catalog for the United Arabic Emirates' National Pavilion at the Venice Architecture Biennale, ''In Plain Sigh''t was conceived as a collection of travels through aridity. Contributors were asked to explore the relationship between travel, travel writing and the built environment. What emerged was a diverse set of positions and attitudes towards travel(...)
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The official catalog for the United Arabic Emirates' National Pavilion at the Venice Architecture Biennale, ''In Plain Sigh''t was conceived as a collection of travels through aridity. Contributors were asked to explore the relationship between travel, travel writing and the built environment. What emerged was a diverse set of positions and attitudes towards travel(...)
Titre:
In plain sight: Scenes from aridly abundant landscapes. 18th Venice Architecture Biennale
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The official catalog for the United Arabic Emirates' National Pavilion at the Venice Architecture Biennale, ''In Plain Sigh''t was conceived as a collection of travels through aridity. Contributors were asked to explore the relationship between travel, travel writing and the built environment. What emerged was a diverse set of positions and attitudes towards travel writing that ranged from documenting journeys through historical texts and images in search of lost relationships with aridity and the practices it engenders, to authors who traveled to contemporary arid spaces in search of nuance and abundance, and essays that explore the blurry and conceptual edges of aridity. Alongside the travel-based contributions, the book presents a series of field notes, ostensibly framed as research findings. In the field notes, curator Faysal Tabbarah attempts to narrate the places, materials and tactics that he encountered on numerous trips. Buttressing these field notes are photographic series depicting the range of tactics used in constructing Al Hajar’s built environment. Addressing aridity across time, space and ideas, In Plain Sight recasts the genre of travel literature, challenging the ways in which arid environments have historically been depicted.
In plain sight: Scenes from aridly abundant landscapes. 18th Venice Architecture Biennale
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The official catalog for the United Arabic Emirates' National Pavilion at the Venice Architecture Biennale, ''In Plain Sigh''t was conceived as a collection of travels through aridity. Contributors were asked to explore the relationship between travel, travel writing and the built environment. What emerged was a diverse set of positions and attitudes towards travel writing that ranged from documenting journeys through historical texts and images in search of lost relationships with aridity and the practices it engenders, to authors who traveled to contemporary arid spaces in search of nuance and abundance, and essays that explore the blurry and conceptual edges of aridity. Alongside the travel-based contributions, the book presents a series of field notes, ostensibly framed as research findings. In the field notes, curator Faysal Tabbarah attempts to narrate the places, materials and tactics that he encountered on numerous trips. Buttressing these field notes are photographic series depicting the range of tactics used in constructing Al Hajar’s built environment. Addressing aridity across time, space and ideas, In Plain Sight recasts the genre of travel literature, challenging the ways in which arid environments have historically been depicted.
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livres
livres
Publication:
août 2023
août 2023
Sujet:
Biennale
Biennale
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Description:
236 pages : illustrations ; 24 cm.
Description:
236 pages : illustrations ; 24 cm.
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Besançon : Editions de l'imprimeur, ©2004.
Besançon : Editions de l'imprimeur, ©2004.
Titre:
Aux jardins de Cathay : l'imaginaire anglo-chinois en Occident / William Chambers ; textes réunis et présentés par Janine Barrier, Monique Mosser et Che Bing Chiu.
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236 pages : illustrations ; 24 cm.
Aux jardins de Cathay : l'imaginaire anglo-chinois en Occident / William Chambers ; textes réunis et présentés par Janine Barrier, Monique Mosser et Che Bing Chiu.
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236 pages : illustrations ; 24 cm.
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Besançon : Editions de l'imprimeur, ©2004.
Besançon : Editions de l'imprimeur, ©2004.
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$58.95
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"In 2005, more than ever, architecture is annihilating places, banalizing them, violating them. Sometimes it replaces the landscape, creates it in its own image, which is nothing but another way of effacing it÷ At a time when we rush across the world faster and faster, when we listen to and watch the same global networks, share feelings about the same disasters, when we(...)
$58.95
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"In 2005, more than ever, architecture is annihilating places, banalizing them, violating them. Sometimes it replaces the landscape, creates it in its own image, which is nothing but another way of effacing it÷ At a time when we rush across the world faster and faster, when we listen to and watch the same global networks, share feelings about the same disasters, when we(...)
Titre:
Jean Nouvel: Louisiana museum of modern art
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"In 2005, more than ever, architecture is annihilating places, banalizing them, violating them. Sometimes it replaces the landscape, creates it in its own image, which is nothing but another way of effacing it÷ At a time when we rush across the world faster and faster, when we listen to and watch the same global networks, share feelings about the same disasters, when we dance to the same hits, watch the same matches, when they flood us with the same films, in which the star is global, when the president of one country wants to rule the world, when we shop in cloned shopping centers, work behind the same eternal curtain walls÷and when whatever good might come of this forms no part of global priorities÷the global economy is accentuating the effects of the dominant architecture, the type that claims Îwe don't need context.' And yet debate on this galloping frenzy does not exist: architectural criticism, invoking the limits of the discipline, is content with aesthetic and stylistic reflections devoid of any analysis of the real, and ignores the crucial historical clash that--more insistently every day--sets a global architecture against an architecture of situations, generic architecture against an architecture of specificity." So says the international architecture star Jean Nouvel in his manifesto, published here in 12 languages, along with images of his recently completed Louisiana Museum of Modern Art, Denmark.
Jean Nouvel: Louisiana museum of modern art
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"In 2005, more than ever, architecture is annihilating places, banalizing them, violating them. Sometimes it replaces the landscape, creates it in its own image, which is nothing but another way of effacing it÷ At a time when we rush across the world faster and faster, when we listen to and watch the same global networks, share feelings about the same disasters, when we dance to the same hits, watch the same matches, when they flood us with the same films, in which the star is global, when the president of one country wants to rule the world, when we shop in cloned shopping centers, work behind the same eternal curtain walls÷and when whatever good might come of this forms no part of global priorities÷the global economy is accentuating the effects of the dominant architecture, the type that claims Îwe don't need context.' And yet debate on this galloping frenzy does not exist: architectural criticism, invoking the limits of the discipline, is content with aesthetic and stylistic reflections devoid of any analysis of the real, and ignores the crucial historical clash that--more insistently every day--sets a global architecture against an architecture of situations, generic architecture against an architecture of specificity." So says the international architecture star Jean Nouvel in his manifesto, published here in 12 languages, along with images of his recently completed Louisiana Museum of Modern Art, Denmark.
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livres
livres
Publication:
août 2006, Louisiana
août 2006, Louisiana
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$60.00
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Spaarndammerhart in Amsterdam is designed by the architectural offices of Korth Tielens and Marcel Lok_Architect, artist Martijn Sandberg, and the landscape architects of DS Landschapsarchitecten. Photography of Max Hart Nibbrig, Dennis De Smet, and Raimond Wouda (who has been commissioned to document the life in and of Spaarndammerhart), and texts by Fred Feddes, Hans(...)
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Spaarndammerhart in Amsterdam is designed by the architectural offices of Korth Tielens and Marcel Lok_Architect, artist Martijn Sandberg, and the landscape architects of DS Landschapsarchitecten. Photography of Max Hart Nibbrig, Dennis De Smet, and Raimond Wouda (who has been commissioned to document the life in and of Spaarndammerhart), and texts by Fred Feddes, Hans(...)
Publication:
mai 2023
mai 2023
Titre:
Spaarndammerhart: A story of the city
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Spaarndammerhart in Amsterdam is designed by the architectural offices of Korth Tielens and Marcel Lok_Architect, artist Martijn Sandberg, and the landscape architects of DS Landschapsarchitecten. Photography of Max Hart Nibbrig, Dennis De Smet, and Raimond Wouda (who has been commissioned to document the life in and of Spaarndammerhart), and texts by Fred Feddes, Hans Ibelings, Vincent Kompier, and Hannah Schubert document and discuss this housing complex, in which architecture, art, courtyard, gardens and street form a comprehensive whole.
Spaarndammerhart: A story of the city
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Spaarndammerhart in Amsterdam is designed by the architectural offices of Korth Tielens and Marcel Lok_Architect, artist Martijn Sandberg, and the landscape architects of DS Landschapsarchitecten. Photography of Max Hart Nibbrig, Dennis De Smet, and Raimond Wouda (who has been commissioned to document the life in and of Spaarndammerhart), and texts by Fred Feddes, Hans Ibelings, Vincent Kompier, and Hannah Schubert document and discuss this housing complex, in which architecture, art, courtyard, gardens and street form a comprehensive whole.
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livres
livres
Publication:
mai 2023
mai 2023
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livres
livres
Titre:
GSD platform 3
GSD platform 3
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$37.95
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Whether exploring the potential of a new technology, redefining a typology, or engaging a community on the other side of the globe, the lines of inquiry beginning at the GSD consistently indicate relevance to larger social, cultural, and spatial questions. To understand the scope of this potential impact, the work was framed with one simple question: “What can design(...)
$37.95
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Whether exploring the potential of a new technology, redefining a typology, or engaging a community on the other side of the globe, the lines of inquiry beginning at the GSD consistently indicate relevance to larger social, cultural, and spatial questions. To understand the scope of this potential impact, the work was framed with one simple question: “What can design(...)
Titre:
GSD platform 3
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$37.95
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Whether exploring the potential of a new technology, redefining a typology, or engaging a community on the other side of the globe, the lines of inquiry beginning at the GSD consistently indicate relevance to larger social, cultural, and spatial questions. To understand the scope of this potential impact, the work was framed with one simple question: “What can design do?”. We have identified five actions that describe the ability of Architecture, Landscape Architecture, and Urban Planning and Design at the GSD to reach beyond their immediate contexts and out into the world: Instigate Evolution, Describe Identity, Construct Equality, Negotiate Growth, Imagine New Futures. The range and definition of these actions is tested through the work of a representative collection of studios, lectures, seminars, symposia, colloquia, thesis projects, and student research. The core studios are presented here in sequence.
GSD platform 3
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Whether exploring the potential of a new technology, redefining a typology, or engaging a community on the other side of the globe, the lines of inquiry beginning at the GSD consistently indicate relevance to larger social, cultural, and spatial questions. To understand the scope of this potential impact, the work was framed with one simple question: “What can design do?”. We have identified five actions that describe the ability of Architecture, Landscape Architecture, and Urban Planning and Design at the GSD to reach beyond their immediate contexts and out into the world: Instigate Evolution, Describe Identity, Construct Equality, Negotiate Growth, Imagine New Futures. The range and definition of these actions is tested through the work of a representative collection of studios, lectures, seminars, symposia, colloquia, thesis projects, and student research. The core studios are presented here in sequence.
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livres
livres
Publication:
novembre 2010
novembre 2010
Sujet:
Architecture contemporaine
Architecture contemporaine
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63 pages : color illustrations ; 27 x 27 cm
Description:
63 pages : color illustrations ; 27 x 27 cm
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Washington, D.C. : Spacemaker Press, 1998.
Washington, D.C. : Spacemaker Press, 1998.
Titre:
Beverly Pepper : three site-specific sculptures / by Barbara Rose.
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Description:
63 pages : color illustrations ; 27 x 27 cm
Beverly Pepper : three site-specific sculptures / by Barbara Rose.
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63 pages : color illustrations ; 27 x 27 cm
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Washington, D.C. : Spacemaker Press, 1998.
Washington, D.C. : Spacemaker Press, 1998.
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livres
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$34.99
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The image of the “land” is an ongoing trope in conceptions of Canada—from the national anthem and the flag to the symbols on coins—the land and nature remain linked to the Canadian sense of belonging and to the image of the nation abroad. Linguistic landscapes reflect the multi-faceted identities and cultural richness of the nations. Earlier portrayals of the land focused(...)
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The image of the “land” is an ongoing trope in conceptions of Canada—from the national anthem and the flag to the symbols on coins—the land and nature remain linked to the Canadian sense of belonging and to the image of the nation abroad. Linguistic landscapes reflect the multi-faceted identities and cultural richness of the nations. Earlier portrayals of the land focused(...)
Publication:
avril 2017
avril 2017
Titre:
Landscapes & landmarks of Canada: real, imagined, (re)viewed
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The image of the “land” is an ongoing trope in conceptions of Canada—from the national anthem and the flag to the symbols on coins—the land and nature remain linked to the Canadian sense of belonging and to the image of the nation abroad. Linguistic landscapes reflect the multi-faceted identities and cultural richness of the nations. Earlier portrayals of the land focused on unspoiled landscape, depicted in the paintings of the Group of Seven, for example. Contemporary notions of identity, belonging, and citizenship are established, contested, and legitimized within sites and institutions of public culture, heritage, and representation that reflect integration with the land, transforming landscape into landmarks. This collection includes essays by Canadian and international scholars whose engagement with the theme stems from their disciplinary perspectives as well as from their personal and professional experience—rooted, at least partially, in their own sense of national identity and in their relationship to Canada.
Landscapes & landmarks of Canada: real, imagined, (re)viewed
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$34.99
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The image of the “land” is an ongoing trope in conceptions of Canada—from the national anthem and the flag to the symbols on coins—the land and nature remain linked to the Canadian sense of belonging and to the image of the nation abroad. Linguistic landscapes reflect the multi-faceted identities and cultural richness of the nations. Earlier portrayals of the land focused on unspoiled landscape, depicted in the paintings of the Group of Seven, for example. Contemporary notions of identity, belonging, and citizenship are established, contested, and legitimized within sites and institutions of public culture, heritage, and representation that reflect integration with the land, transforming landscape into landmarks. This collection includes essays by Canadian and international scholars whose engagement with the theme stems from their disciplinary perspectives as well as from their personal and professional experience—rooted, at least partially, in their own sense of national identity and in their relationship to Canada.
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livres
livres
Publication:
avril 2017
avril 2017
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74, [1] pages : illustrations (some color), plans ; 28 cm
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74, [1] pages : illustrations (some color), plans ; 28 cm
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Cambridge, Mass. : MIT List Visual Arts Center ; New York, NY : Distributed by Princeton Architectural Press, ©1992.
Cambridge, Mass. : MIT List Visual Arts Center ; New York, NY : Distributed by Princeton Architectural Press, ©1992.
Titre:
The bathroom, the kitchen, and the aesthetics of waste : a process of elimination : MIT List Visual Arts Center / Ellen Lupton and J. Abbott Miller.
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74, [1] pages : illustrations (some color), plans ; 28 cm
The bathroom, the kitchen, and the aesthetics of waste : a process of elimination : MIT List Visual Arts Center / Ellen Lupton and J. Abbott Miller.
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74, [1] pages : illustrations (some color), plans ; 28 cm
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Cambridge, Mass. : MIT List Visual Arts Center ; New York, NY : Distributed by Princeton Architectural Press, ©1992.
Cambridge, Mass. : MIT List Visual Arts Center ; New York, NY : Distributed by Princeton Architectural Press, ©1992.
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