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The modern design and perception of the public domain is to a large degree determined by the tension between different memories - individual and collective, old and new, indigenous and immigrant. This makes memory a topical theme in the public domain, and its content, management and place are in urgent need of renewed consideration. How can one actively make use of the(...)
Open 7 (no)memory : storing and recalling in contemporary art and culture
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The modern design and perception of the public domain is to a large degree determined by the tension between different memories - individual and collective, old and new, indigenous and immigrant. This makes memory a topical theme in the public domain, and its content, management and place are in urgent need of renewed consideration. How can one actively make use of the information that is stored in modern-day 'places of memory'? What role does art play in this? Is collective memory even a possibility these days? How can cultural heritage be made accessible without transforming city and countryside into one big open-air museum? And what are the implications of new media and digital storage technologies for the social and historical processes of preserving and remembering? Rudi Laermans analyses the modern-day 'heritage regime'. Frank van Vree examines the role of the contemporary monument. Cor Wagenaar advocates the introduction of time as an instrument for the Belvedere Policy. Wolfgang Ernst considers how the archive becomes a literal metaphor in a digital culture. Nico Bick photographed various archives. Jorinde Seijdel takes a closer look at the visual archive of Bill Gates. Sven Lütticken writes about the conspiracy of openness that is apparently at work in the mass media. Geert Lovink interviews artist and archivist Tjebbe van Tijen. Artists' contributions from Joke Robaard, Nico Dockx, Hans Aarsman, Arnoud Holleman and Barbara Visser. Other contributions by Henk Oosterling, Brigitte van der Sande, Stef Scagliola, Jordan Crandall and Paul Meurs.
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Among the Russian avant-garde artist Kazimir Malevich’s most intriguing works, the arkhitektons are also the most enigmatic, as these quasi-architectural sculptures made in the 1920s were almost entirely lost, along with many of the accompanying drawings, or planits. In The Additional Element in Architecture, Pedro Ignacio Alonso and Paulina Bitrán bring Malevich's(...)
The additional element in architecture: On Kazimir Malevich's Arkhitektons and Planits
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Among the Russian avant-garde artist Kazimir Malevich’s most intriguing works, the arkhitektons are also the most enigmatic, as these quasi-architectural sculptures made in the 1920s were almost entirely lost, along with many of the accompanying drawings, or planits. In The Additional Element in Architecture, Pedro Ignacio Alonso and Paulina Bitrán bring Malevich's elusive arkhitektons to startling, three-dimensional life and show how these objects form a comprehensive universe that embodies the artist's Suprematism—his belief in the supremacy of pure artistic sensation in abstraction. The book features digital reconstructions of 15 arkhitektons and planits that are lost in their original physical form.
Théorie de l’architecture
Shanghai kaleidoscope
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This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this(...)
février 2009, Toronto
Shanghai kaleidoscope
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This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this volume, writes in his introduction, Since the early 1990s, Shanghai has been at the forefront of China's historic national resurgence. During that time, it has become one of the world's most frenetic and fascinating cities. With a population now approaching 20 million, it is an urban colossus--China's largest and most densely populated city.
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan(...)
Cities and the cultural economy
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan cities of the West (for example London, Berlin, New York, San Francisco, and Melbourne), but is also influential in the development of East Asian cities (Tokyo, Shanghai, Hong Kong and Singapore), as well as the mega-cities of the Global South (e.g. Mumbai, Capetown, and São Paulo).
Théorie de l’urbanisme
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Since the turn of the 21st century, Diller Scofidio + Renfro has undergone a process of formidable growth. Based in New York, the firm recently completed the last stretch of the High Line, the impressive centre The Shed, and a large extension to the Museum of Modern Art. Their practice spans the fields of architecture, urban design, digital media, installation art, and(...)
AV Monographs 221 : Diller Scofido + Renfro
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Since the turn of the 21st century, Diller Scofidio + Renfro has undergone a process of formidable growth. Based in New York, the firm recently completed the last stretch of the High Line, the impressive centre The Shed, and a large extension to the Museum of Modern Art. Their practice spans the fields of architecture, urban design, digital media, installation art, and multimedia performance, often focusing on civic and cultural projects on various scales. This instalment surveys the past two decades of prolific work by the design studio, divided across three main themes: Revised Landscapes, Shared Knowledge, and Accessible Culture. Includes an essay by Edwin Heathcote.
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154 pages : 68 colour illustrations, 1 colour portrait ; 27 x 30 cm
London, England : Hayward Gallery Publishing ; Göttingen, Germany : Steidl, March 2018., ©2018
Andreas Gursky / with contributions by Katharina Fritsch, Andreas Gursky, Ralph Rugoff, Gerald Schröder, Brian Sholis and Jeff Wall.
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154 pages : 68 colour illustrations, 1 colour portrait ; 27 x 30 cm
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London, England : Hayward Gallery Publishing ; Göttingen, Germany : Steidl, March 2018., ©2018
périodiques
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1 online resource
Pisa : Tipografia Nistri, 1873-1915.
Annali della R. Scuola normale superiore di Pisa. Filosofia e filologia.
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périodiques
Pisa : Tipografia Nistri, 1873-1915.
Designing interactions
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In "Designing Interactions" Bill Moggridge and his interviewees discuss such questions as why a personal computer has a window in a desktop, what made Palm's handheld organizers so successful, what turns a game into a hobby, why Google is the search engine of choice, and why 30 million people in Japan choose the i-mode service for their cell phones. Moggridge tells the(...)
Épistémologie et réseau
octobre 2006, Cambridge, Mass.
Designing interactions
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In "Designing Interactions" Bill Moggridge and his interviewees discuss such questions as why a personal computer has a window in a desktop, what made Palm's handheld organizers so successful, what turns a game into a hobby, why Google is the search engine of choice, and why 30 million people in Japan choose the i-mode service for their cell phones. Moggridge tells the story of his own design process and explains the focus on people and prototypes that has been successful at IDEO - how the needs and desires of people can inspire innovative designs and how prototyping methods are evolving for the design of digital technology.
Épistémologie et réseau
Tom Callemin: Double reality
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Callemin explores what photography reveals—and what it conceals. His images question our habit of reading meaning into appearances, a process that has long shaped how we view identity. His meticulously staged photographs, using handmade sets, sculptures, and close collaborations with models, invite viewers to question what they see. In an era of AI, filters, and digital(...)
Tom Callemin: Double reality
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Callemin explores what photography reveals—and what it conceals. His images question our habit of reading meaning into appearances, a process that has long shaped how we view identity. His meticulously staged photographs, using handmade sets, sculptures, and close collaborations with models, invite viewers to question what they see. In an era of AI, filters, and digital manipulation, Callemin returns to the photo studio and uses physical materials like clay and plaster to explore how perception can be deceptive. He works closely with his subjects to examine how the body is seen—or hidden—by the camera. The result is a series that challenges how we see and what we believe.
Monographies photo
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Looking to the most innovative talents from around the world, "Futurehouse" presents ninety private and community projects that challenge the accepted norms of our living spaces and offer a dazzling array of solutions to meet the changing needs and desires of our global society. These designers – most of whom were raised at the dawn of the digital age – are radically(...)
mai 2002, New York
Archilab's futurehouse : radical experiments in living space
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Looking to the most innovative talents from around the world, "Futurehouse" presents ninety private and community projects that challenge the accepted norms of our living spaces and offer a dazzling array of solutions to meet the changing needs and desires of our global society. These designers – most of whom were raised at the dawn of the digital age – are radically reimagining how we can live. Essays by international critics such as Frédéric Migayrou (France), Bart Lootsma (The Netherlands), Andreas Ruby (Germany), Manuel Gausa (Spain), Kyong Park (U.S.A.) and Christian Girard (France) complement the work of avant-garde and experimental architects from every corner of the globe.