$37.00
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This publication guides design professionals through the daunting landscape where design and construction meet the legal system. It provides an introduction to issues that arise at every stage in the practice of architecture.
Law for architects: what you need to know
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This publication guides design professionals through the daunting landscape where design and construction meet the legal system. It provides an introduction to issues that arise at every stage in the practice of architecture.
Dictionnaires
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A clear and comprehensive portrait of the practice of Tokyo-based architect. Hiroshi Kikuchi spans more than 130 pages of anecdotal texts, architectural drawings and full-colour photographs of both buildings and nature.
Hiroshi Kikuchi : Basso Continuo
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A clear and comprehensive portrait of the practice of Tokyo-based architect. Hiroshi Kikuchi spans more than 130 pages of anecdotal texts, architectural drawings and full-colour photographs of both buildings and nature.
Architecture, monographies
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Description:
95 pages : illustrations (chiefly color), plans (chiefly color) ; 22 cm
Rotterdam : NAI010 Publishers ; New York, NY : Available in America through Artbook/D.A.P., 2013., ©2013
The future of architecture / Herman Hertzberger, Anna Heringer, Jean-Philippe Vassal, Kamiel Klaasse, Nanne de Ru, Jan Jongert, Marijn Schenk, Hedwig Heinsman, Rudy Stroink, students ; compilation and editing, Vibeke Gieskes, with Daphna Beerdsen ; translation and text corrections, George Hall, Gerard van den Hooff.
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95 pages : illustrations (chiefly color), plans (chiefly color) ; 22 cm
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Rotterdam : NAI010 Publishers ; New York, NY : Available in America through Artbook/D.A.P., 2013., ©2013
Atrium
$59.95
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In the 1970s, a void opened at the heart of architecture. In hotels, offices, public buildings, and commercial centers, the atrium emerged globally to challenge the modernist legacies of form and function, altering the pattern and experience of cities. While often appearing at vast scale and to striking effect, the atrium also became omnipresent and mundane. In this(...)
Atrium
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In the 1970s, a void opened at the heart of architecture. In hotels, offices, public buildings, and commercial centers, the atrium emerged globally to challenge the modernist legacies of form and function, altering the pattern and experience of cities. While often appearing at vast scale and to striking effect, the atrium also became omnipresent and mundane. In this lively critique, Charles Rice charts the atrium's appearance in the 1970s and its development through the 1980s, as it accompanied profound shifts in the discipline and practice of architecture. During this period, architectural practice especially in the United States and United Kingdom was changing rapidly, due in part to the manifold effects of deregulation. All aspects of the way buildings were designed, developed, regulated, built, managed, and occupied were being reshaped. A practice guided by the progressive tenets of modernism was being turned into a professional service fully integrated within neoliberal social and economic imperatives. As Rice shows, the atrium gives this story a distinct spatial and material figure, one that offers an inside view of architecture in transformation.
Francis Alÿs Fabiola
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Mexico City–based artist Francis Alÿs (b. 1959) has assembled a group of paintings depicting Saint Fabiola, a 4th-century saint who gave up all earthly possessions and devoted herself to the practice of Christian asceticism. All of the pictures in the collection are based on an original work—now lost—by the 19th-century French artist Jean-Jacques Henner. Alÿs's collection(...)
mars 2008, New York, New Haven, London
Francis Alÿs Fabiola
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Mexico City–based artist Francis Alÿs (b. 1959) has assembled a group of paintings depicting Saint Fabiola, a 4th-century saint who gave up all earthly possessions and devoted herself to the practice of Christian asceticism. All of the pictures in the collection are based on an original work—now lost—by the 19th-century French artist Jean-Jacques Henner. Alÿs's collection of Fabiola portraits, numbering in the hundreds and painted by amateurs and professionals alike, is the focus of this intriguing book. Not only does it examine the artist’s exploration of collecting practices, but the publication also offers an unusual window into aesthetic, sociological, and anthropological values of the past century. In addition to cataloguing each of the Fabiola works, the book includes Saint Jerome’s eulogy for Fabiola (the primary source for Fabiola’s biography), followed by an interpretive text on evolving hagiographies and saints’ vitae, an analysis of the role of iconographic imagery in the practice of Catholicism, and art historical essays that focus on Alÿs’s practice.
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This book provides one of the first comprehensive discussions of contemporary landscape architecture practice across the Asian region. Bringing together established designers, writers, and thinkers with those of the new generation, Jillian Walliss and Heike Rahmann explore what it means to design, do business, and think about nature, space, and urbanism with an Asian(...)
The big Asian book of Landscape Architecture
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This book provides one of the first comprehensive discussions of contemporary landscape architecture practice across the Asian region. Bringing together established designers, writers, and thinkers with those of the new generation, Jillian Walliss and Heike Rahmann explore what it means to design, do business, and think about nature, space, and urbanism with an Asian sensibility. Through a tripartite structure of Continuum, Interruption, and Speed, ''The big Asian book of landscape architecture'' develops ways for conceiving design around these three characteristics that simultaneously influence an Asian practice. A dynamic structure allows readers to dip into content, rather than progress in a linear manner. Each section begins with a positioning essay, which offer theoretical, cultural, and political contextualisation for the more focused academic writing, shorter reflections, practice interviews, photo essays and design projects which are interwoven in a unique graphic design. Featuring over eighty design projects, ''The big Asian book of landscape architecture's'' significance extends well beyond Asia, offering fresh perspectives for a field that has traditionally been dominated by North American and European influences.
Théorie du paysage
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When recession-plagued New York City abandoned its industrial base in the 1970s, performance artists, photographers, and filmmakers found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End and Betsy Sussler filmed its making; the photographic(...)
Mixed use, Manhattan : photography and related practices, 1970 to the present
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When recession-plagued New York City abandoned its industrial base in the 1970s, performance artists, photographers, and filmmakers found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End and Betsy Sussler filmed its making; the photographic team Shunk-Kender shot a vast series of images of Willoughby Sharp's Projects: Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Matta-Clark, and William Wegman, among others); and Cindy Sherman staged some of her Untitled Film Stills on the streets of Lower Manhattan. This publication documents and illustrates these projects as well as more recent work by artists who continue to engage with the city's public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series: Peter Hujar's 1976 nighttime photographs of Manhattan's West Side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979), the first of Wojnarowicz's works to be published; and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images, a chronology of the policy decisions and developments that altered the face of New York City from 1950 to the present; an autobiographical story by David Wojnarowicz; and essays by Johanna Burton, Lytle Shaw, Juan Suarez, and the exhibition's curators, Lynne Cooke and Douglas Crimp.
Espaces Public
Fay Godwin : landmarks
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Drawing on Godwin's body of photographic practice of the last thirty years, this book includes literary portraits, humourous snapshots, and rural and urban landscapes as well as her recent series of colour images, Glassworks.
Fay Godwin : landmarks
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Drawing on Godwin's body of photographic practice of the last thirty years, this book includes literary portraits, humourous snapshots, and rural and urban landscapes as well as her recent series of colour images, Glassworks.
Monographies photo
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HORTUS: the Roman book of gardening brings together the Latin texts which teach and celebrate herb and vegetable gardening in verse and prose. Henderson provides the only book on the practice of Roman gardening.
Hortus : the Roman book of gardening
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HORTUS: the Roman book of gardening brings together the Latin texts which teach and celebrate herb and vegetable gardening in verse and prose. Henderson provides the only book on the practice of Roman gardening.
Jardins
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$63.00
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"Instrumental Form", the first monograph on Jones' practice, investigates seventeen projects in detail through descriptions, photographs, and drawings, interspersed with engaging essays written by Jones(...)
Instrumental form (Boss Architecture) : designs for words, buildings, machines
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"Instrumental Form", the first monograph on Jones' practice, investigates seventeen projects in detail through descriptions, photographs, and drawings, interspersed with engaging essays written by Jones himself. Also included is a chronology of Jones' projects.
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janvier 1998, New York
Architecture, monographies