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Designed by Irma Boom, this second volume in the Summit publication series gathers insights from the 2018 Verbier Art Summit in Switzerland, on the topic of art in the digital age, delivered by a wide range of curators, authors, artists and critics. The contributions—by Karen Archey, Ed Atkins, Lars Bang Larsen, Douglas Coupland, Olafur Eliasson, Pamela Rosenkranz, John(...)
More than real: art in the digital age
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Designed by Irma Boom, this second volume in the Summit publication series gathers insights from the 2018 Verbier Art Summit in Switzerland, on the topic of art in the digital age, delivered by a wide range of curators, authors, artists and critics. The contributions—by Karen Archey, Ed Atkins, Lars Bang Larsen, Douglas Coupland, Olafur Eliasson, Pamela Rosenkranz, John Slyce, Dado Valentic, Paul F.M.J. Verschure, Jochen Volz and Anicka Yi—address such questions as the preservation of time-based media in museums; the concept of "biofiction"; "loss and the digital"; the body and technology; Amazon; the intersection of science and art; and virtual reality.
Théorie de l’art
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Daniel Kiss examines the urban development of Budapest from 1990 to 2010. This period is characterized by the significant decline in communally town planning: given the structural legacies of socialist urbanization, the decentralization of government and resources, and the impact of a post-socialist culture struggle, a trend is being analyzed in which nebulous(...)
Modeling post-socialist urbanization: the case of Budapest
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Daniel Kiss examines the urban development of Budapest from 1990 to 2010. This period is characterized by the significant decline in communally town planning: given the structural legacies of socialist urbanization, the decentralization of government and resources, and the impact of a post-socialist culture struggle, a trend is being analyzed in which nebulous competencies lead to unclear and thus to a failure of higher-level planning. The ensuing consequence is an increase in large, investment-driven projects: it is characteristic of these privately financed projects that they do not submit to higher level control, in particular when these control bodies are rather weak. This model-based analysis presents the phenomenon as exemplary of the development in post-socialist cities.
Théorie de l’urbanisme
Stopping / Arrêts
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To stop. A gesture of resistance in a world primarily designed to encourage work, consumerism, perpetual growth and efficiency. Stopping as an urban practice. In cities where pauses and idleness within specific sites are increasingly discouraged, stopping emerges as a space of rupture, pleasure, intimacy, or simply necessity and rest. In a project begun in 2015 in Mexico(...)
Stopping / Arrêts
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To stop. A gesture of resistance in a world primarily designed to encourage work, consumerism, perpetual growth and efficiency. Stopping as an urban practice. In cities where pauses and idleness within specific sites are increasingly discouraged, stopping emerges as a space of rupture, pleasure, intimacy, or simply necessity and rest. In a project begun in 2015 in Mexico City and further developed in Montreal in 2017, Jean-François Prost explores these realities for their contrasts with the incessant movement of people and related structures in contemporary cities where sometimes even self-constructions of time and space are forbidden.
Théorie de l’urbanisme
L’esthétique du déplaisir
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Au croisement des arts, l'œuvre de Carmelo Bene – acteur, auteur et metteur en scène, pour le théâtre, le cinéma et la télévision, mais aussi romancier et poète – remet systématiquement en question le langage artistique avec lequel il s'exprime. Ni captations de spectacles théâtraux, ni adaptations cinématographiques, ses réalisations pour le petit écran explorent les(...)
L’esthétique du déplaisir
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Au croisement des arts, l'œuvre de Carmelo Bene – acteur, auteur et metteur en scène, pour le théâtre, le cinéma et la télévision, mais aussi romancier et poète – remet systématiquement en question le langage artistique avec lequel il s'exprime. Ni captations de spectacles théâtraux, ni adaptations cinématographiques, ses réalisations pour le petit écran explorent les possibilités techniques et esthétiques offertes par le médium télévisé. Ce volume réunit deux entretiens, respectivement avec les critiques Italo Moscati et Maurizio Grande, publiés au moment de la diffusion du Hamlet télévisé de Carmelo Bene (1978). L'artiste y expose sa méthode de travail et ses idées sur la télévision, ce « médium innocent aux possibilités puissantes, inexplorées ». Relues à l'ère d'Internet, ses réflexions invitent à penser les liens entre spectacle vivant et petit(s) écran(s), mais aussi entre nouveautés technologiques et recherche esthétique, entre avant-gardisme artistique et diffusion de masse.
Théorie de l’art
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In this publication, Evan Friss traces the colorful and fraught history of cycling in New York City. He uncovers the bicycle’s place in the city over time, showing how it has served as a mirror of the city’s changing social, economic, infrastructural, and cultural politics since it first appeared.
On bicycles: a 200-year history of cycling in New York City
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In this publication, Evan Friss traces the colorful and fraught history of cycling in New York City. He uncovers the bicycle’s place in the city over time, showing how it has served as a mirror of the city’s changing social, economic, infrastructural, and cultural politics since it first appeared.
Théorie de l’urbanisme
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The new revised edition of Valerio Olgiati's and Markus Breitschmid's widely acclaimed manifesto for a new approach in architecture in a world free of ideologies and, therefore, references.
Non-referential architecture: ideated by Valerio Olgiati
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The new revised edition of Valerio Olgiati's and Markus Breitschmid's widely acclaimed manifesto for a new approach in architecture in a world free of ideologies and, therefore, references.
Théorie de l’architecture
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Grounding its analysis in regional political economy and neighborhood-based ethnography, 'Cyclescapes of the Unequal City' uses the bicycle as a lens to view major shifts in today’s American city. It addresses a growing interest in bicycling as an urban economic and environmental strategy, its role in the politics of gentrification, and efforts to build more diverse(...)
Cyclescapes of the unequal city: bicycle infrastructure and unven development
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Grounding its analysis in regional political economy and neighborhood-based ethnography, 'Cyclescapes of the Unequal City' uses the bicycle as a lens to view major shifts in today’s American city. It addresses a growing interest in bicycling as an urban economic and environmental strategy, its role in the politics of gentrification, and efforts to build more diverse coalitions of bicycle advocates.
Théorie de l’urbanisme
Atlas of poetic zoology
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This ''Atlas of Poetic Zoology'' leads readers into a world of wonders where turtles fly under the sea, lizards walk on water, insects impersonate flowers, birds don't fly, frogs come back from the dead, and virgin sharks give birth. Animals, writes Emmanuelle Pouydebat, are lyric poets; they discover and shape the world when they sing, dance, explore, and reproduce. The(...)
Atlas of poetic zoology
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This ''Atlas of Poetic Zoology'' leads readers into a world of wonders where turtles fly under the sea, lizards walk on water, insects impersonate flowers, birds don't fly, frogs come back from the dead, and virgin sharks give birth. Animals, writes Emmanuelle Pouydebat, are lyric poets; they discover and shape the world when they sing, dance, explore, and reproduce. The animal kingdom has been evolving for 700,000 million years, weathering many crises of extinction; this book allows us to draw inspiration from animals' enduring vitality.
Théorie du paysage
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Failure is an inevitable part of any creative practice. As game designers, John Sharp and Colleen Macklin have grappled with crises of creativity, false starts, and bad outcomes. Their tool for coping with the many varieties of failure: "iteration", the cyclical process of conceptualizing, prototyping, testing, and evaluating. Sharp and Macklin have found that(...)
Iterate: ten lessons in design and failure
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Failure is an inevitable part of any creative practice. As game designers, John Sharp and Colleen Macklin have grappled with crises of creativity, false starts, and bad outcomes. Their tool for coping with the many varieties of failure: "iteration", the cyclical process of conceptualizing, prototyping, testing, and evaluating. Sharp and Macklin have found that failure—often hidden, covered up, a source of embarrassment—is the secret ingredient of iterative creative process. In "Iterate", they explain how to fail better.
Théorie du design
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Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological(...)
Plastic capitalism: contemporary art and the drive to waste
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Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological thinking. Often, when art is analyzed in relation to the political, scientific, or ecological climate, it is considered merely illustrative. Boetzkes argues that art is constitutive of an ecological consciousness, not simply an extension of it. The visual culture of waste is central to the study of the ecological condition.
Théorie de l’art