7457 Résultats
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Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as ''a single, neon-hued hallucination'', ''Laissez-Faire'' is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer(...)
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Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as ''a single, neon-hued hallucination'', ''Laissez-Faire'' is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer(...)
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Cristiano Volk : laissez-faire
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Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as ''a single, neon-hued hallucination'', ''Laissez-Faire'' is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
Cristiano Volk : laissez-faire
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Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as ''a single, neon-hued hallucination'', ''Laissez-Faire'' is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
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livres
livres
Publication:
mars 2022
mars 2022
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Long before the internet and its vast stores of information in digital form, information in analog form needed to be organized so that it was legible and accessible. One designer who revolutionized the presentation of printed information was modernist pioneer Ladislav Sutnar (1897–1976). In 1950, Sutnar and architect K. Lonberg-Holm published Catalog Design Progress, a(...)
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Long before the internet and its vast stores of information in digital form, information in analog form needed to be organized so that it was legible and accessible. One designer who revolutionized the presentation of printed information was modernist pioneer Ladislav Sutnar (1897–1976). In 1950, Sutnar and architect K. Lonberg-Holm published Catalog Design Progress, a(...)
Publication:
octobre 2022
octobre 2022
Titre:
Catalog design progress: Advancing standards in visual communication
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Long before the internet and its vast stores of information in digital form, information in analog form needed to be organized so that it was legible and accessible. One designer who revolutionized the presentation of printed information was modernist pioneer Ladislav Sutnar (1897–1976). In 1950, Sutnar and architect K. Lonberg-Holm published Catalog Design Progress, a guide to modernizing the design of printed materials through typographic simplicity, compositional ingenuity, and navigational devices that signal the logical flow of information. This meticulously created facsimile of the original book illustrates and enacts Sutnar's ideas, making clear their continuing influence on graphic design.
Catalog design progress: Advancing standards in visual communication
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Long before the internet and its vast stores of information in digital form, information in analog form needed to be organized so that it was legible and accessible. One designer who revolutionized the presentation of printed information was modernist pioneer Ladislav Sutnar (1897–1976). In 1950, Sutnar and architect K. Lonberg-Holm published Catalog Design Progress, a guide to modernizing the design of printed materials through typographic simplicity, compositional ingenuity, and navigational devices that signal the logical flow of information. This meticulously created facsimile of the original book illustrates and enacts Sutnar's ideas, making clear their continuing influence on graphic design.
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livres
livres
Publication:
octobre 2022
octobre 2022
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artéfacts
artéfacts
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1 set of building blocks (600 pieces) : compressed and dyed sandstone ; various sizes in wooden box 16 x 36 x 25 cm. + 24 printed items.
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1 set of building blocks (600 pieces) : compressed and dyed sandstone ; various sizes in wooden box 16 x 36 x 25 cm. + 24 printed items.
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[ca. 1912] (Rudolstadt, Thüringen : F. Ad. Richter & Co.)
[ca. 1912] (Rudolstadt, Thüringen : F. Ad. Richter & Co.)
Titre:
Anker-Steinbaukasten aus der Fabrik von F. Ad. Richter & Cie., Rudolstadt, Nürnberg, Olten, Rotterdam [toy] = Richter's anchor blocks of stone in three colors, also known as "stone building boxes" manufactured by F. Ad. Richter & Co. ... New York = Boîte de construction ancre, F. Ad. Richter & cie, Olten, Rudolstadt, Nuremberg, Vienne = Anker-Steenbouwdoos van F. Ad. Richter & cie., Rotterdam, Rudolstadt, Neuremberg, Weenen = Anker-Stenbyggekasse fra F. Ad. Richter & cie., Rudolstadt, Rotterdam, Nürnberg, Wien.
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1 set of building blocks (600 pieces) : compressed and dyed sandstone ; various sizes in wooden box 16 x 36 x 25 cm. + 24 printed items.
Anker-Steinbaukasten aus der Fabrik von F. Ad. Richter & Cie., Rudolstadt, Nürnberg, Olten, Rotterdam [toy] = Richter's anchor blocks of stone in three colors, also known as "stone building boxes" manufactured by F. Ad. Richter & Co. ... New York = Boîte de construction ancre, F. Ad. Richter & cie, Olten, Rudolstadt, Nuremberg, Vienne = Anker-Steenbouwdoos van F. Ad. Richter & cie., Rotterdam, Rudolstadt, Neuremberg, Weenen = Anker-Stenbyggekasse fra F. Ad. Richter & cie., Rudolstadt, Rotterdam, Nürnberg, Wien.
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1 set of building blocks (600 pieces) : compressed and dyed sandstone ; various sizes in wooden box 16 x 36 x 25 cm. + 24 printed items.
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artéfacts
artéfacts
Publication:
[ca. 1912] (Rudolstadt, Thüringen : F. Ad. Richter & Co.)
[ca. 1912] (Rudolstadt, Thüringen : F. Ad. Richter & Co.)
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livres
livres
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Description:
xiv, 306 pages : illustrations ; 21 cm
Description:
xiv, 306 pages : illustrations ; 21 cm
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New York : W.W. Norton & Company, 2016., ©2014
New York : W.W. Norton & Company, 2016., ©2014
Titre:
The second machine age : work, progress, and prosperity in a time of brilliant technologies / Erik Brynjolfsson, Andrew McAfee ; with a new introduction.
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xiv, 306 pages : illustrations ; 21 cm
The second machine age : work, progress, and prosperity in a time of brilliant technologies / Erik Brynjolfsson, Andrew McAfee ; with a new introduction.
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xiv, 306 pages : illustrations ; 21 cm
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livres
livres
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New York : W.W. Norton & Company, 2016., ©2014
New York : W.W. Norton & Company, 2016., ©2014
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$22.00
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Résumé:
Cities participate in the production of meaning by providing places populated with objects for words to refer to. Inscriptions on these objects (labels, billboards, newspapers, graffiti) provide another layer of meaning. And today, the flow of digital information - from one device to another in the urban scene - creates a digital network that also exists in physical(...)
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Cities participate in the production of meaning by providing places populated with objects for words to refer to. Inscriptions on these objects (labels, billboards, newspapers, graffiti) provide another layer of meaning. And today, the flow of digital information - from one device to another in the urban scene - creates a digital network that also exists in physical(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 1900, Cambridge, Mass.
janvier 1900, Cambridge, Mass.
Titre:
Placing words : symbols, space and the city
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Cities participate in the production of meaning by providing places populated with objects for words to refer to. Inscriptions on these objects (labels, billboards, newspapers, graffiti) provide another layer of meaning. And today, the flow of digital information - from one device to another in the urban scene - creates a digital network that also exists in physical space. "Placing Words" examines this emerging system of spaces, flows, and practices in a series of short essays - snapshots of the city in the twenty-first century. Mitchell questions the necessity of flashy downtown office towers in an age of corporate web sites. He casts the shocked-and-awed Baghdad as a contemporary Guernica. He describes architectural makeovers throughout history, listing Le Corbusier's Fab Five Points of difference between new and old architecture, and he discusses the architecture of Manolo Blahniks. He pens an open letter to the Secretary of Defense recommending architectural features to include in torture chambers. He compares Baudelaire, the Parisian flaneur, to Spiderman, the Manhattan traceur. He describes the iPod-like galleries of the renovated MoMA and he recognizes the camera phone as the latest step in a process of image mobilization that began when artists stopped painting on walls and began making pictures on small pieces of wood, canvas, or paper. The endless flow of information, he makes clear, is not only more pervasive and efficient than ever, it is also generating new cultural complexities.
Placing words : symbols, space and the city
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Cities participate in the production of meaning by providing places populated with objects for words to refer to. Inscriptions on these objects (labels, billboards, newspapers, graffiti) provide another layer of meaning. And today, the flow of digital information - from one device to another in the urban scene - creates a digital network that also exists in physical space. "Placing Words" examines this emerging system of spaces, flows, and practices in a series of short essays - snapshots of the city in the twenty-first century. Mitchell questions the necessity of flashy downtown office towers in an age of corporate web sites. He casts the shocked-and-awed Baghdad as a contemporary Guernica. He describes architectural makeovers throughout history, listing Le Corbusier's Fab Five Points of difference between new and old architecture, and he discusses the architecture of Manolo Blahniks. He pens an open letter to the Secretary of Defense recommending architectural features to include in torture chambers. He compares Baudelaire, the Parisian flaneur, to Spiderman, the Manhattan traceur. He describes the iPod-like galleries of the renovated MoMA and he recognizes the camera phone as the latest step in a process of image mobilization that began when artists stopped painting on walls and began making pictures on small pieces of wood, canvas, or paper. The endless flow of information, he makes clear, is not only more pervasive and efficient than ever, it is also generating new cultural complexities.
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livres
livres
Publication:
janvier 1900, Cambridge, Mass.
janvier 1900, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
périodiques
périodiques
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$36.00
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The modern design and perception of the public domain is to a large degree determined by the tension between different memories - individual and collective, old and new, indigenous and immigrant. This makes memory a topical theme in the public domain, and its content, management and place are in urgent need of renewed consideration. How can one actively make use of the(...)
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The modern design and perception of the public domain is to a large degree determined by the tension between different memories - individual and collective, old and new, indigenous and immigrant. This makes memory a topical theme in the public domain, and its content, management and place are in urgent need of renewed consideration. How can one actively make use of the(...)
Titre:
Open 7 (no)memory : storing and recalling in contemporary art and culture
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The modern design and perception of the public domain is to a large degree determined by the tension between different memories - individual and collective, old and new, indigenous and immigrant. This makes memory a topical theme in the public domain, and its content, management and place are in urgent need of renewed consideration. How can one actively make use of the information that is stored in modern-day 'places of memory'? What role does art play in this? Is collective memory even a possibility these days? How can cultural heritage be made accessible without transforming city and countryside into one big open-air museum? And what are the implications of new media and digital storage technologies for the social and historical processes of preserving and remembering? Rudi Laermans analyses the modern-day 'heritage regime'. Frank van Vree examines the role of the contemporary monument. Cor Wagenaar advocates the introduction of time as an instrument for the Belvedere Policy. Wolfgang Ernst considers how the archive becomes a literal metaphor in a digital culture. Nico Bick photographed various archives. Jorinde Seijdel takes a closer look at the visual archive of Bill Gates. Sven Lütticken writes about the conspiracy of openness that is apparently at work in the mass media. Geert Lovink interviews artist and archivist Tjebbe van Tijen. Artists' contributions from Joke Robaard, Nico Dockx, Hans Aarsman, Arnoud Holleman and Barbara Visser. Other contributions by Henk Oosterling, Brigitte van der Sande, Stef Scagliola, Jordan Crandall and Paul Meurs.
Open 7 (no)memory : storing and recalling in contemporary art and culture
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$36.00
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The modern design and perception of the public domain is to a large degree determined by the tension between different memories - individual and collective, old and new, indigenous and immigrant. This makes memory a topical theme in the public domain, and its content, management and place are in urgent need of renewed consideration. How can one actively make use of the information that is stored in modern-day 'places of memory'? What role does art play in this? Is collective memory even a possibility these days? How can cultural heritage be made accessible without transforming city and countryside into one big open-air museum? And what are the implications of new media and digital storage technologies for the social and historical processes of preserving and remembering? Rudi Laermans analyses the modern-day 'heritage regime'. Frank van Vree examines the role of the contemporary monument. Cor Wagenaar advocates the introduction of time as an instrument for the Belvedere Policy. Wolfgang Ernst considers how the archive becomes a literal metaphor in a digital culture. Nico Bick photographed various archives. Jorinde Seijdel takes a closer look at the visual archive of Bill Gates. Sven Lütticken writes about the conspiracy of openness that is apparently at work in the mass media. Geert Lovink interviews artist and archivist Tjebbe van Tijen. Artists' contributions from Joke Robaard, Nico Dockx, Hans Aarsman, Arnoud Holleman and Barbara Visser. Other contributions by Henk Oosterling, Brigitte van der Sande, Stef Scagliola, Jordan Crandall and Paul Meurs.
Classification:
périodiques
périodiques
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
Sujet:
Revues
Revues
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livres
livres
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$79.50
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan(...)
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan(...)
Titre:
Cities and the cultural economy
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan cities of the West (for example London, Berlin, New York, San Francisco, and Melbourne), but is also influential in the development of East Asian cities (Tokyo, Shanghai, Hong Kong and Singapore), as well as the mega-cities of the Global South (e.g. Mumbai, Capetown, and São Paulo).
Cities and the cultural economy
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan cities of the West (for example London, Berlin, New York, San Francisco, and Melbourne), but is also influential in the development of East Asian cities (Tokyo, Shanghai, Hong Kong and Singapore), as well as the mega-cities of the Global South (e.g. Mumbai, Capetown, and São Paulo).
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livres
livres
Publication:
juillet 2015
juillet 2015
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$105.00
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Among the Russian avant-garde artist Kazimir Malevich’s most intriguing works, the arkhitektons are also the most enigmatic, as these quasi-architectural sculptures made in the 1920s were almost entirely lost, along with many of the accompanying drawings, or planits. In The Additional Element in Architecture, Pedro Ignacio Alonso and Paulina Bitrán bring Malevich's(...)
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Among the Russian avant-garde artist Kazimir Malevich’s most intriguing works, the arkhitektons are also the most enigmatic, as these quasi-architectural sculptures made in the 1920s were almost entirely lost, along with many of the accompanying drawings, or planits. In The Additional Element in Architecture, Pedro Ignacio Alonso and Paulina Bitrán bring Malevich's(...)
Titre:
The additional element in architecture: On Kazimir Malevich's Arkhitektons and Planits
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Among the Russian avant-garde artist Kazimir Malevich’s most intriguing works, the arkhitektons are also the most enigmatic, as these quasi-architectural sculptures made in the 1920s were almost entirely lost, along with many of the accompanying drawings, or planits. In The Additional Element in Architecture, Pedro Ignacio Alonso and Paulina Bitrán bring Malevich's elusive arkhitektons to startling, three-dimensional life and show how these objects form a comprehensive universe that embodies the artist's Suprematism—his belief in the supremacy of pure artistic sensation in abstraction. The book features digital reconstructions of 15 arkhitektons and planits that are lost in their original physical form.
The additional element in architecture: On Kazimir Malevich's Arkhitektons and Planits
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Among the Russian avant-garde artist Kazimir Malevich’s most intriguing works, the arkhitektons are also the most enigmatic, as these quasi-architectural sculptures made in the 1920s were almost entirely lost, along with many of the accompanying drawings, or planits. In The Additional Element in Architecture, Pedro Ignacio Alonso and Paulina Bitrán bring Malevich's elusive arkhitektons to startling, three-dimensional life and show how these objects form a comprehensive universe that embodies the artist's Suprematism—his belief in the supremacy of pure artistic sensation in abstraction. The book features digital reconstructions of 15 arkhitektons and planits that are lost in their original physical form.
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livres
livres
Publication:
mai 2025
mai 2025
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Shanghai kaleidoscope
Shanghai kaleidoscope
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This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this(...)
$68.00
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This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this(...)
Publication:
février 2009, Toronto
février 2009, Toronto
Titre:
Shanghai kaleidoscope
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This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this volume, writes in his introduction, Since the early 1990s, Shanghai has been at the forefront of China's historic national resurgence. During that time, it has become one of the world's most frenetic and fascinating cities. With a population now approaching 20 million, it is an urban colossus--China's largest and most densely populated city.
Shanghai kaleidoscope
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$68.00
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This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this volume, writes in his introduction, Since the early 1990s, Shanghai has been at the forefront of China's historic national resurgence. During that time, it has become one of the world's most frenetic and fascinating cities. With a population now approaching 20 million, it is an urban colossus--China's largest and most densely populated city.
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livres
livres
Publication:
février 2009, Toronto
février 2009, Toronto
Classification:
périodiques
périodiques
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$71.50
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Since the turn of the 21st century, Diller Scofidio + Renfro has undergone a process of formidable growth. Based in New York, the firm recently completed the last stretch of the High Line, the impressive centre The Shed, and a large extension to the Museum of Modern Art. Their practice spans the fields of architecture, urban design, digital media, installation art, and(...)
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Since the turn of the 21st century, Diller Scofidio + Renfro has undergone a process of formidable growth. Based in New York, the firm recently completed the last stretch of the High Line, the impressive centre The Shed, and a large extension to the Museum of Modern Art. Their practice spans the fields of architecture, urban design, digital media, installation art, and(...)
Titre:
AV Monographs 221 : Diller Scofido + Renfro
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Since the turn of the 21st century, Diller Scofidio + Renfro has undergone a process of formidable growth. Based in New York, the firm recently completed the last stretch of the High Line, the impressive centre The Shed, and a large extension to the Museum of Modern Art. Their practice spans the fields of architecture, urban design, digital media, installation art, and multimedia performance, often focusing on civic and cultural projects on various scales. This instalment surveys the past two decades of prolific work by the design studio, divided across three main themes: Revised Landscapes, Shared Knowledge, and Accessible Culture. Includes an essay by Edwin Heathcote.
AV Monographs 221 : Diller Scofido + Renfro
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Since the turn of the 21st century, Diller Scofidio + Renfro has undergone a process of formidable growth. Based in New York, the firm recently completed the last stretch of the High Line, the impressive centre The Shed, and a large extension to the Museum of Modern Art. Their practice spans the fields of architecture, urban design, digital media, installation art, and multimedia performance, often focusing on civic and cultural projects on various scales. This instalment surveys the past two decades of prolific work by the design studio, divided across three main themes: Revised Landscapes, Shared Knowledge, and Accessible Culture. Includes an essay by Edwin Heathcote.
Classification:
périodiques
périodiques
Publication:
mars 2020
mars 2020
Sujet:
Revues
Revues
