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The world is rapidly urbanizing, and experts predict that up to 80 percent of the population will live in cities by 2050. To accommodate that growth while ensuring quality of life for all residents, cities are increasingly turning to technology. From apps that make it easier for citizens to pitch in on civic improvement projects to comprehensive plans for smarter streets(...)
City tech: 20 apps, ideas, and innovations changing the urban landscape
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The world is rapidly urbanizing, and experts predict that up to 80 percent of the population will live in cities by 2050. To accommodate that growth while ensuring quality of life for all residents, cities are increasingly turning to technology. From apps that make it easier for citizens to pitch in on civic improvement projects to comprehensive plans for smarter streets and neighborhoods, new tools and approaches are taking root across the United States and around the world. In this thoughtful, inquisitive collection, Rob Walker—former New York Times columnist and author of the City Tech column for Land Lines magazine—investigates the new technologies afoot and their implications for planners, policymakers, residents, and the virtual and literal landscapes of the cities we call home.
Théorie de l’urbanisme
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The ways we encounter contemporary art and performance is changing. Installations brim with archival documents. Dances stretch for weeks. Performances last a minute. Exhibitions are spread out over thirty venues. There are endless artworks about mid-century architecture and design. How are we expected to engage with today's diverse practise? Is the old model of(...)
Disordered attention: How we look at art and performance today
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The ways we encounter contemporary art and performance is changing. Installations brim with archival documents. Dances stretch for weeks. Performances last a minute. Exhibitions are spread out over thirty venues. There are endless artworks about mid-century architecture and design. How are we expected to engage with today's diverse practise? Is the old model of close-looking still the ideal, or has it given way to browsing, skimming, and sampling? Across four essays, art historian and critic Claire Bishop identifies trends in contemporary practice - research-based installations, performance exhibitions, interventions, and invocations of modernist architecture - and their challenges to traditional modes of attention. Charting a critical path through the last three decades, Bishop pinpoints how spectatorship and visual literacy are evolving under the pressures of digital technology.
Théorie de l’art
Manual for survival
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Survival is a common practice. We cannot do it alone—we need each other. We need tools and practices that help us to connect, understand, and build in this age of climate crisis, technological upheaval, and existential pain. We need words, values, and ideas that extend beyond the human space. We need to learn and we need to unlearn. This book makes other world designs(...)
Manual for survival
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Survival is a common practice. We cannot do it alone—we need each other. We need tools and practices that help us to connect, understand, and build in this age of climate crisis, technological upheaval, and existential pain. We need words, values, and ideas that extend beyond the human space. We need to learn and we need to unlearn. This book makes other world designs accessible through and beyond artistic practice. Rooted in experiment and based in solidarity, the works incorporate elementary questions of ecology, technology, and spirituality to demonstrate how cultural survival requires new cultural practices. With innovative texts and rich illustrations, "Manual for survival" explores the idea that we have to learn to live and think in contradictions without losing ourselves.
Social
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"The architecture of the wire" explores the development of telecommunications infrastructure and its impact on the architectural and urban culture of the modern age—from poles, wires, and cables, to "micro-architectures," such as the théâtrophone and the telephone booth. Starting with the intrepid worldwide infrastructures of the late nineteenth century, Carlotta Darò(...)
The architecture of the wire: infrastructures of telecommunication
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"The architecture of the wire" explores the development of telecommunications infrastructure and its impact on the architectural and urban culture of the modern age—from poles, wires, and cables, to "micro-architectures," such as the théâtrophone and the telephone booth. Starting with the intrepid worldwide infrastructures of the late nineteenth century, Carlotta Darò proposes a new history that explores the multiple links and crossroads of such technical "things" with architecture and art. Based on extensive research of North American company archives, and French institutional ones, and drawing on secondary literature in art and architectural history, media studies, and the history of technology, Darò examines the aesthetic implications of material objects that have forever changed our urban, rural, and domestic environments.
Théorie de l’architecture
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Futurist Manifestos
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On February 20th, 1909, a belligerent manifesto announcing the birth of the Futurist movement appeared on the front page of the Paris newspaper "Le Figaro" and had immediate repercussions throughout Europe. The author, a young Italian poet named F.T. Marinetti, demanded that writers and artists reject the classic art of the past and celebrate the dynamic technology of(...)
Futurist Manifestos
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On February 20th, 1909, a belligerent manifesto announcing the birth of the Futurist movement appeared on the front page of the Paris newspaper "Le Figaro" and had immediate repercussions throughout Europe. The author, a young Italian poet named F.T. Marinetti, demanded that writers and artists reject the classic art of the past and celebrate the dynamic technology of modern city life. Joined by a group of like-minded artists, over the following years Marinetti pioneered an art that would represent movement, in a reaction against the stasis of the classics, and even of its contemporaries such as Cubism. Available in English for the first time in over 20 years, the "Futurist Manifestos" are fiery, explosive, and witty, and crucial to any full appreciation of modern art.
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janvier 2001
Théorie de l’art
A history of writing
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From the earliest scratches on stone and bone to the languages of computers and the internet, "A History of Writing" offers a fascinating investigation into the origin and development of writing throughout the world. Commencing with the first stages of information storage, Fischer focuses on the emergence of complete writing systems in Mesopotamia in the fourth(...)
A history of writing
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From the earliest scratches on stone and bone to the languages of computers and the internet, "A History of Writing" offers a fascinating investigation into the origin and development of writing throughout the world. Commencing with the first stages of information storage, Fischer focuses on the emergence of complete writing systems in Mesopotamia in the fourth millennium BC. He documents the rise of Phoenician and its effect on the Greek alphabet, generating the many alphabetic scripts of the West. Chinese, Vietnamese, Korean and Japanese writing systems are dealt with in depth, as is writing in pre-Columbian America. Also explored are Western Europe's medieval manuscripts and the history of printing, leading to the innovations in technology and spelling rules of the 19th and 20th centuries.
Théorie de l’architecture
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Despite the growing importance of environmental issues, many graphic designers and printers remain unaware of the huge potential of paper. This is a book about paper that addresses the specific needs of the design and print industries, including advice on die-cutting, embossing, pop-up and sculptural effects, and a wealth of special printing techniques. Designed by the(...)
janvier 1900, London / New York
Paperworks : the potential of paper in graphic design
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Despite the growing importance of environmental issues, many graphic designers and printers remain unaware of the huge potential of paper. This is a book about paper that addresses the specific needs of the design and print industries, including advice on die-cutting, embossing, pop-up and sculptural effects, and a wealth of special printing techniques. Designed by the author’s own company, Williams & Phoa, the book itself demonstrates a variety of these effects, with spot-varnished and die-cut pages and a unique paper cover. Outstanding examples of international design illustrate the traditional craft skills of the graphic designer alongside the latest products of new technology. "Paperwork" received the prestigious Design and Art Directors’ Association (D) silver award in 1994 for the most outstanding complete book.
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With "Me++" the author of "City of bits" and "e-topia" completes an informal trilogy examining the ramifications of information technology in everyday life. In "Me++" Mitchell examines the effects of wireless linkage, global interconnection, miniaturization, and portability on our bodies, our clothing, our architecture, our cities, and our uses of space and time.(...)
Théorie de l’architecture
octobre 2003, Cambridge, Mass.
Me++ : the cyborg self and the networked city
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With "Me++" the author of "City of bits" and "e-topia" completes an informal trilogy examining the ramifications of information technology in everyday life. In "Me++" Mitchell examines the effects of wireless linkage, global interconnection, miniaturization, and portability on our bodies, our clothing, our architecture, our cities, and our uses of space and time. Computer viruses, cascading power outages, terrorist infiltration of transportation networks, and cellphone conversations in the streets are symptoms of a dramatic new urban condition--that of ubiquitous, inescapable network interconnectivity. He argues that a world governed less and less by boundaries and more and more by connections requires us to reimagine and reconstruct our environment and to reconsider the ethical foundations of design, engineering, and planning practice.
Théorie de l’architecture
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Rooted in sound theory and based on technology that is available now, ''A genius planet'' offers an accessible but detailed and insightful perspective on how we can free ourselves from our dependency on natural resources and generate, trade, and use energy in ways that open up the genuine potential that we have at our disposal today. Imagine a world where the power is(...)
août 2017
A genius planet : energy, from scarcity to abundance, a radical pathway
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Rooted in sound theory and based on technology that is available now, ''A genius planet'' offers an accessible but detailed and insightful perspective on how we can free ourselves from our dependency on natural resources and generate, trade, and use energy in ways that open up the genuine potential that we have at our disposal today. Imagine a world where the power is always on, where there is not just enough energy, but an abundance of it. Such a world is no Utopia, it is a possible reality. Using indefinitely available sources of energy – especially photovoltaic solar, in combination with others – and networking this energy, much in the way that we have networked information, we can get beyond our current energy ‘crisis’ and resolve it.
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This book tells the story of the influential group of creative artists--Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin--who connected music to technology during a legendary era in California's cultural history. An integral part of the robust San Francisco "scene," the San Francisco Tape Music Center developed new art forms through(...)
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juin 2008, Berkeley, Los Angeles, London
The San Francisco tape music center: 1960s counterculture and the avant-garde
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This book tells the story of the influential group of creative artists--Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin--who connected music to technology during a legendary era in California's cultural history. An integral part of the robust San Francisco "scene," the San Francisco Tape Music Center developed new art forms through collaborations with Terry Riley, Steve Reich, David Tudor, Ken Dewey, Lee Breuer, the San Francisco Actor's Workshop, the San Francisco Mime Troupe, the Ann Halprin Dancers' Workshop, Canyon Cinema, and others. Told through vivid personal accounts, interviews, and retrospective essays by leading scholars and artists, this work, capturing the heady experimental milieu of the sixties, is the first comprehensive history of the San Francisco Tape Music Center.
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