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Born in Sondrio, Italy, in 1891, Per Luigi Nervi was a pioneer in the engineering and architecture of reinforced concrete. His buildings showed how the use of reinforced concrete expanded the possibilities of form and structure. His methods, meanwhile, ingrained his structures with patterns that came directly out of his economical, manual construction processes. The(...)
Beauty's rigor: patterns of production in the work of Pier Luigi Nervi
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Born in Sondrio, Italy, in 1891, Per Luigi Nervi was a pioneer in the engineering and architecture of reinforced concrete. His buildings showed how the use of reinforced concrete expanded the possibilities of form and structure. His methods, meanwhile, ingrained his structures with patterns that came directly out of his economical, manual construction processes. The results were buildings that matched awe-inspiring spans with surprisingly human scale. Beauty's Rigor offers a comprehensive overview of Nervi's long career.
Architecture, monographies
In the swarm
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Digital communication and social media have taken over our lives. In this contrarian reflection on digitized life, Byung-Chul Han counters the cheerleaders for Twitter revolutions and Facebook activism by arguing that digital communication is in fact responsible for the disintegration of community and public space and is slowly eroding any possibility for real political(...)
In the swarm
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Digital communication and social media have taken over our lives. In this contrarian reflection on digitized life, Byung-Chul Han counters the cheerleaders for Twitter revolutions and Facebook activism by arguing that digital communication is in fact responsible for the disintegration of community and public space and is slowly eroding any possibility for real political action and meaningful political discourse. In the predigital, analog era, by the time an angry letter to the editor had been composed, mailed, and received, the immediate agitation had passed. Today, digital communication enables instantaneous, impulsive reaction, meant to express and stir up outrage on the spot. “The shitstorm,” writes Han, ”represents an authentic phenomenon of digital communication.” Meanwhile, the public, the senders and receivers of these communications have become a digital swarm—not a mass, or a crowd, or Negri and Hardt’s antiquated notion of a “multitude,” but a set of isolated individuals incapable of forming a “we,” incapable of calling dominant power relations into question, incapable of formulating a future because of an obsession with the present. The digital swarm is a fragmented entity that can focus on individual persons only in order to make them an object of scandal. Han, one of the most widely read philosophers in Europe today, describes a society in which information has overrun thought, in which the same algorithms are employed by Facebook, the stock market, and the intelligence services. Democracy is under threat because digital communication has made freedom and control indistinguishable. Big Brother has been succeeded by Big Data.
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Air conditioning contributes significantly to the energy consumption of buildings in many countries. A promising possibility for energy reduction is the use of solar thermal energy in solar-assisted air conditioning systems. The main advantage of this technology is that cooling loads and solar gains occur at the same time, at least on a seasonal level. However, until(...)
Solar-Assisted Air Conditioning in Buildings a handbook for planners
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Air conditioning contributes significantly to the energy consumption of buildings in many countries. A promising possibility for energy reduction is the use of solar thermal energy in solar-assisted air conditioning systems. The main advantage of this technology is that cooling loads and solar gains occur at the same time, at least on a seasonal level. However, until today only a few systems have been installed world-wide and design and operation experiences are fairly poor. The goal of this handbook - meanwhile available in the 2nd edition - is to address this lack and to support the planner in the design of solar assisted air-conditioning systems, which use solar collectors as heat source.
Architecture écologique
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In the past fifteen years, file sharing of digital cultural works between individuals has been at the center of a number of debates on the future of culture itself. To some, sharing constitutes piracy, to be fought against and eradicated. Others see it as unavoidable, and table proposals to compensate for its harmful effects. Meanwhile, little progress has been made(...)
Sharing : culture and the economy in the internet age
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In the past fifteen years, file sharing of digital cultural works between individuals has been at the center of a number of debates on the future of culture itself. To some, sharing constitutes piracy, to be fought against and eradicated. Others see it as unavoidable, and table proposals to compensate for its harmful effects. Meanwhile, little progress has been made towards addressing the real challenges facing culture in a digital world. Sharing starts from a radically different viewpoint, namely that the non-market sharing of digital works is both legitimate and useful. Philippe Aigrain looks at the benefits of file sharing, which allows unknown writers and artists to be appreciated more easily. It supports this premise with empirical research, demonstrating that non-market sharing leads to more diversity in the attention given to various works.
Épistémologie et réseau
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367 pages : illustrations (some color), plans (some color) ; 29 cm
New York : Rizzoli, 2008., New York : Random House, [2008]
I.M. Pei : complete works / by Philip Jodidio and Janet Adams Strong ; edited by Philip Jodidio ; foreword by I.M. Pei ; introduction by Carter Wiseman.
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367 pages : illustrations (some color), plans (some color) ; 29 cm
livres
New York : Rizzoli, 2008., New York : Random House, [2008]
Icebergs, zombies, and the ultra thin: architecture and capitalism in the twenty-first century
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In "Icebergs, zombies, and the ultra thin," Matthew Soules issues an indictment of how finance capitalism dramatically alters not only architectural forms but also the very nature of our cities and societies. We rarely consider architecture to be an important factor in contemporary economic and political debates, yet sparsely occupied ultra-thin "pencil towers" develop in(...)
Icebergs, zombies, and the ultra thin: architecture and capitalism in the twenty-first century
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In "Icebergs, zombies, and the ultra thin," Matthew Soules issues an indictment of how finance capitalism dramatically alters not only architectural forms but also the very nature of our cities and societies. We rarely consider architecture to be an important factor in contemporary economic and political debates, yet sparsely occupied ultra-thin "pencil towers" develop in our cities, functioning as speculative wealth storage for the superrich, and cavernous "iceberg" homes extend architectural assets many stories below street level. Meanwhile, communities around the globe are blighted by zombie and ghost urbanism, marked by unoccupied neighborhoods and abandoned housing developments.
Théorie de l’architecture
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As Indigenous scientist and author of "Braiding sweetgrass" Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from Indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the(...)
novembre 2024
The serviceberry: Abundance and reciprocity in the natural world
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As Indigenous scientist and author of "Braiding sweetgrass" Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from Indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution ensures its own survival. As Kimmerer explains, "Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency."
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Massive industrial halls, dirty overalls, spinning gears and smoking chimneys: "Factory photo-books: The self-representation of the factory in photographic publications" is the definitive overview of an extraordinary genre spanning from 1890 to 1987. From the invention of the medium, businesses recognized the power of photography as a marketing tool. Companies(...)
Factory photo-books: The self-representation of the factory in photographic publications
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Massive industrial halls, dirty overalls, spinning gears and smoking chimneys: "Factory photo-books: The self-representation of the factory in photographic publications" is the definitive overview of an extraordinary genre spanning from 1890 to 1987. From the invention of the medium, businesses recognized the power of photography as a marketing tool. Companies commissioned photobooks in order to showcase their quality, innovativeness and progressiveness. The books went out into the world as promotional gifts for clients, investors, local public figures and employees. Meanwhile, factories themselves created promotional photobooks to extol their own production value and recruit new business. These gigantic centers for production employed designers, printers and photographers at the top of their field, including Margaret Bourke-White, Piet Zwart, Bruno Munari, Alvin Langdon Coburn, André Kertész, Albert Renger-Patzsch, Jacob Tuggener, Robert Doisneau, Paul Schuitema, Jurriaan Schrofer and Eugenio Carmi. The ambition to portray the firms in unique ways often led to amazing experiments with book forms, photography and graphic design.
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If you look through private photo albums from East Germany dating from the period 1980 to 2000, you will notice very little changing in the pictures — at most the fashions, the hairstyles, and the cars. Meanwhile, the people who holidayed on the Baltic in the eighties quite possibly headed for Mallorca in the nineties. The fact that during this time a state went into(...)
...Someone always had a camera. Private photography in East Germany, 1980–2000
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If you look through private photo albums from East Germany dating from the period 1980 to 2000, you will notice very little changing in the pictures — at most the fashions, the hairstyles, and the cars. Meanwhile, the people who holidayed on the Baltic in the eighties quite possibly headed for Mallorca in the nineties. The fact that during this time a state went into terminal decline and then an entire society was turned upside down goes all but unseen in the pictures of children on their first day at school, weekend jaunts, and people exchanging Christmas presents. "... someone always had a camera ..." takes stock of a project that, since 2020, has been looking at private albums from these two decades to examine the world of private images they contain, informed by interviews with contemporary witnesses. In the essays in this volume, private photography is treated as a social practice, and the authors discuss how images were produced, organized in albums, and viewed, and how political conditions were registered in them.
Photographie- collections
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Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of(...)
Space forces: a critical history of life in outer space
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Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of life in outer space, but these visions have real implications for life back on earth. For the Russian Cosmists of the 1890s space was a place to pursue human perfection away from the Earth. For others, such as Wernher Von Braun, it was an engineering task that combined, in the Space Race, the Cold War, and during World War II, with destructive geopolitics. Arthur C. Clarke, in his speculative books, offered an alternative vision of wonder that is indifferent to human interaction. Meanwhile NASA planned and managed the space station like an earthbound corporation. Today, the market has arrived into outer space and exploration is the plaything of superrich technology billionaires, who plan to privatise the mineral wealth for themselves. Are other worlds really possible? Bringing these figures and ideas together reveals a completely different story of our relationship with outer space, as well as the dangers of our current direction of extractive capitalism and colonisation.
Théorie de l’architecture