documents textuels
Demandes de renseignements
ARCH259595
Description:
Demandes de renseignements et invitations, parmi les sujets et les correspondants: Radio-Canada, 1947; Palais des Nations Unies, 1948; Association des Diplômés de Polytechnique, 1948; Musée des Beaux-arts de Montréal, 1950; F. Monjoie, 1950; avis pour un étudiant à St. Francis Xavier University, 1949; Belden Brick Company, 1949; André La Rivière, 1946; Fondation Édouard-Montpetit, 1945.
1946-1950
Demandes de renseignements
Actions:
ARCH259595
Description:
Demandes de renseignements et invitations, parmi les sujets et les correspondants: Radio-Canada, 1947; Palais des Nations Unies, 1948; Association des Diplômés de Polytechnique, 1948; Musée des Beaux-arts de Montréal, 1950; F. Monjoie, 1950; avis pour un étudiant à St. Francis Xavier University, 1949; Belden Brick Company, 1949; André La Rivière, 1946; Fondation Édouard-Montpetit, 1945.
documents textuels
1946-1950
documents textuels
ARCH259631
Description:
Brouillons de curriculum vitae et biographies d'Ernest Cormier, incluant des coupures de presse, de la correspondance parmi les sujets et les correspondants: William Gardiner,1947; Robert L. Macneil, 1947; United Nations Architectural Board, 1947; Association des Étudiants de Polytechnique, 1948; Canadian Who's Who, s.d; Jacques Dalibard, 1963; Le Galerie nationale du Canada, s.d; causerie sur Cormier à Radio-Canada, 1949; Philippine Institute of Architects, 1955.
1947-1963
Renseignements biographiques et correspondance
Actions:
ARCH259631
Description:
Brouillons de curriculum vitae et biographies d'Ernest Cormier, incluant des coupures de presse, de la correspondance parmi les sujets et les correspondants: William Gardiner,1947; Robert L. Macneil, 1947; United Nations Architectural Board, 1947; Association des Étudiants de Polytechnique, 1948; Canadian Who's Who, s.d; Jacques Dalibard, 1963; Le Galerie nationale du Canada, s.d; causerie sur Cormier à Radio-Canada, 1949; Philippine Institute of Architects, 1955.
documents textuels
1947-1963
archives
Niveau de description archivistique:
Fonds
Fonds Peter Carter
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
1943-1996
Fonds Peter Carter
Actions:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
archives
Niveau de description archivistique:
Fonds
1943-1996
La pratique muséologique, telle qu’elle a émergé au cours du XXe siècle, est sans contredit profondément remaniée. Les changements radicaux dans le statut de l’objet, de la culture, des diverses disciplines ou de l’information et de l’éducation entraînent une inévitable transformation du rôle et des compétences du conservateur. Un intérêt renouvelé pour la pratique(...)
Théâtre Paul-Desmarais
11 novembre 2010 au 13 novembre 2010
Le CCA dans un champ muséologique en expansion
Actions:
Description:
La pratique muséologique, telle qu’elle a émergé au cours du XXe siècle, est sans contredit profondément remaniée. Les changements radicaux dans le statut de l’objet, de la culture, des diverses disciplines ou de l’information et de l’éducation entraînent une inévitable transformation du rôle et des compétences du conservateur. Un intérêt renouvelé pour la pratique(...)
Théâtre Paul-Desmarais
ARCH282077
Description:
Recording is a tour and discussion of Sun Yat-Sen Garden in Vancouver including a description of many of the plants. Cornelia Hahn Oberlander's voice can be heard on the recording. The landscape architects of the garden are also present, Joe Wai and Donald Vaughan. At 00:41:41 the recording ends and the rest of the tape consists of a recording of CBC radio including an interview of Bruce Truan from Arthur Erickson Architects from "The Early Edition." The audio cassette label is inscribed "SUN YAT-SEN 3".
circa 1980s
Audio recording of a tour of Sun Yat-Sen Garden in Vancouver, Part 3
Actions:
ARCH282077
Description:
Recording is a tour and discussion of Sun Yat-Sen Garden in Vancouver including a description of many of the plants. Cornelia Hahn Oberlander's voice can be heard on the recording. The landscape architects of the garden are also present, Joe Wai and Donald Vaughan. At 00:41:41 the recording ends and the rest of the tape consists of a recording of CBC radio including an interview of Bruce Truan from Arthur Erickson Architects from "The Early Edition." The audio cassette label is inscribed "SUN YAT-SEN 3".
circa 1980s
Sous-série
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
1953-2018
Administrative records and promotional material
Actions:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
Sub-series
1953-2018
audio
Quantité:
13 Audio cassette
Audiocassette
DR2004:1372
Description:
Includes 12 audio cassettes: 'Profile' BBC Radio 4. 14/2/85 Larry Whitty Side A.; Norman Willis - Poetry - 8.12.86; Cedric Price - Technology is the Answer but what is the Q? Pidgeon Audio Visual; Broken Muse; Notes on Trafalgar Job 11 March + April 1982; E.B. - L.B.C. Broadcast, Norman Willis - White Room; AA/CP Summer Breeze; Crowded Hours BBC3 Cedric Price - Master Copy B; Norman Willis Tape; Some thought on CP Thesis Sheffield Dec 80; Maxwell Fry - Memorial Service, Westminster Abbey 24.11.87 (copy No. 1); Maxwell Fry - Memorial Service, Westminster Abbey 24.11.87 (copy No. 2); BBC Home Lee Valley Scheme - August 29 (One track 3³/4");
1977-1987
Audiocassette
Actions:
DR2004:1372
Description:
Includes 12 audio cassettes: 'Profile' BBC Radio 4. 14/2/85 Larry Whitty Side A.; Norman Willis - Poetry - 8.12.86; Cedric Price - Technology is the Answer but what is the Q? Pidgeon Audio Visual; Broken Muse; Notes on Trafalgar Job 11 March + April 1982; E.B. - L.B.C. Broadcast, Norman Willis - White Room; AA/CP Summer Breeze; Crowded Hours BBC3 Cedric Price - Master Copy B; Norman Willis Tape; Some thought on CP Thesis Sheffield Dec 80; Maxwell Fry - Memorial Service, Westminster Abbey 24.11.87 (copy No. 1); Maxwell Fry - Memorial Service, Westminster Abbey 24.11.87 (copy No. 2); BBC Home Lee Valley Scheme - August 29 (One track 3³/4");
audio
Quantité:
13 Audio cassette
1977-1987
articles
Les tours sonores
Autres sens, autres espaces
20th century, 21st century, Carlotta Darò, Chabolovka, communism, communisme, El Lissitzky, Emily Thompson, Geoff Manaugh, Ilia Chashnik, Karin Bijsterveld, Lenin, Lénine, Lissitzky, photographie, photography, radio, Richard Pare, Sabine von Fischer, Sensations urbaines, Sense of the City, Shabolovka, Soviet Union, Susan Buck-Morss, technologie, technology, tour, tower, Union soviétique, Vitebsk, Vladimir Shukhov, XXe siècle, XXIe siècle
23 juillet 2012
Autres sens, autres espaces
Cedric Price : de tout temps
L’architecte britannique Cedric Price s’est servi de la collection du CCA pour établir des rapports complexes entre temps, espace et mouvement dans l’environnement bâti. Analysant des structures et des bâtiments de différentes époques, dont certains projets de Price lui-même, De tout temps présente des photographies d’un calendrier solaire aztèque, d’une gare de triage,(...)
Salle octogonale
19 octobre 1999 au 27 février 2000
Cedric Price : de tout temps
Actions:
Description:
L’architecte britannique Cedric Price s’est servi de la collection du CCA pour établir des rapports complexes entre temps, espace et mouvement dans l’environnement bâti. Analysant des structures et des bâtiments de différentes époques, dont certains projets de Price lui-même, De tout temps présente des photographies d’un calendrier solaire aztèque, d’une gare de triage,(...)
Salle octogonale
Projet
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
1998-2000
Canadian Embassy, Berlin, Germany (1999-2005)
Actions:
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
Project
1998-2000